8 results for your search

The Evolution of the Black Underground: 1930-1947
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written by Ben Sidran, 1943-; in Black Talk (New York: Holt, Rinehart, and Winston, 1971), 103-144
written by Ben Sidran, 1943-; in Black Talk (New York: Holt, Rinehart, and Winston, 1971), 103-144
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The Modern Scene
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written by Amiri Baraka, 1934-2014; in Blues People: The Negro Experience in White America and the Music that Developed from It. (New York, NY: William Morrow and Company, 1963), 187-248
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written by Jon Panish; in The Color of Jazz: Race and Representation in Postwar American Culture (Jackson, MS: University Press of Mississippi, 1997), 64-100
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Act Two: Dramatis Felidae
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written by Duke Ellington, 1899-1974; in Duke Ellington: Music is My Mistress (Garden City, NY: Doubleday & Company, 1973), 109-145
written by Duke Ellington, 1899-1974; in Duke Ellington: Music is My Mistress (Garden City, NY: Doubleday & Company, 1973), 109-145
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Jazz: America's Classical Music
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written by Grover Sales, 1920-2004 (Englewood Cliffs, NJ: Prentice-Hall, 1984), 246 page(s)
written by Grover Sales, 1920-2004 (Englewood Cliffs, NJ: Prentice-Hall, 1984), 246 page(s)
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Talking Kerouac
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written by Francis Davis, 1946-; in Jazz and its Discontents: A Francis Davis Reader (Cambridge, MA: Da Capo Press, 2004), 296-299
written by Francis Davis, 1946-; in Jazz and its Discontents: A Francis Davis Reader (Cambridge, MA: Da Capo Press, 2004), 296-299
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The 1970s, Religious and Circus
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written by Francis Davis, 1946-; in Like Young: Jazz and Pop, Youth and Middle Age (Cambridge, MA: Da Capo Press, 2001), 153-168
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Long Tall Dexter Bites the Apple
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written by Gary Giddins, 1948-; in Riding on a Blue Note: Jazz and American Pop (New York, NY: Oxford University Press, 1981), 259-265
written by Gary Giddins, 1948-; in Riding on a Blue Note: Jazz and American Pop (New York, NY: Oxford University Press, 1981), 259-265
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