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Hip Hop America
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written by Nelson George, 1957- (New York: Penguin Books, 1998), 225 page(s)
written by Nelson George, 1957- (New York: Penguin Books, 1998), 225 page(s)
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written by Tricia Rose (New York, NY: Basic Civitas Books, 2008), 304 page(s)
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Holler If You Hear Me: Searching for Tupac Shakur
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written by Michael Eric Dyson, 1958- (New York, NY: Basic Civitas Books, 2001), 285 page(s)
written by Michael Eric Dyson, 1958- (New York, NY: Basic Civitas Books, 2001), 285 page(s)
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Making Beats: The Art of Sample-Based Hip-Hop
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written by Joseph (Joe) G. Schloss (Middletown, CT: Wesleyan University, 2004), 241 page(s)
written by Joseph (Joe) G. Schloss (Middletown, CT: Wesleyan University, 2004), 241 page(s)
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8: 1981-1995: The Music of New Media and Contemporary Griots
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written by Hansonia L. Caldwell, fl. 1999; in African American Music: A Chronology: 1619-1995 (Los Angeles, CA: Ikoro Communications, 1995), 339-392
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The Beat: Go-Go Music from Washington, D.C.
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written by Kip Lornell and Charles C. Stephenson, Jr. (Jackson, MS: University Press of Mississippi, 2009), 324 page(s)
written by Kip Lornell and Charles C. Stephenson, Jr. (Jackson, MS: University Press of Mississippi, 2009), 324 page(s)
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The Death of Rhythm and Blues
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written by Nelson George, 1957- (New York, NY: Pantheon Books, 1988), 222 page(s)
written by Nelson George, 1957- (New York, NY: Pantheon Books, 1988), 222 page(s)
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Blues Connotation/From Songsters to Soulsters
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written by Francis Davis, 1946-; in The History of the Blues (New York, NY: Hyperion, 1995), 238-258
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The Holy Profane: Religion in Black Popular Music
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written by Teresa L. Reed, fl. 2004 (University of Kentucky Press), 183 page(s)
written by Teresa L. Reed, fl. 2004 (University of Kentucky Press), 183 page(s)
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Black Faces, Black Masks
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written by Francis Davis, 1946-; in Jazz and its Discontents: A Francis Davis Reader (Cambridge, MA: Da Capo Press, 2004), 268-276
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