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29. Caribbean Cinema, or Cinema in the Caribbean?
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written by Keith Q. Warner, 1943-; edited by Ali A. Mazrui, 1933-2014, Carole Boyce Davies, fl. 1990 and Isidore Okpewho, 1941-2016; in The African Diaspora: African Origins and New World IdentitiesThe African Diaspora: African Origins and New World Identities (First paperback edition) (Bloomington, IN: Indiana University Press, 2001, originally published 1999), 469-484
The African Diaspora contributes to the debate between those who believe that the African origin of blacks in Western society is central to their identity and outlook and those who deny that proposition.Contributors include Niyi Afolabi, Adetayo Alabi, Celia M. Azevedo, Antonio Benítez-Rojo, Eliana Guerreiro Ramo...
written by Keith Q. Warner, 1943-; edited by Ali A. Mazrui, 1933-2014, Carole Boyce Davies, fl. 1990 and Isidore Okpewho, 1941-2016; in The African Diaspora: African Origins and New World IdentitiesThe African Diaspora: African Origins and New World Identities (First paperback edition) (Bloomington, IN: Indiana University Press, 2001, originally published 1999), 469-484
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Black Film Research Online
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written by University of Chicago (Chicago, IL: University of Chicago),
Source: bfro.uchicago.edu
written by University of Chicago (Chicago, IL: University of Chicago),
Source: bfro.uchicago.edu
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Early African American Film: Reconstructing the History of Silent Race Films, 1909-1930
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written by University of California, Los Angeles. Digital Humanities Program (Los Angeles, CA: University of California, Los Angeles. Digital Humanities Program),
Source: dhbasecamp.humanities.ucla.edu
written by University of California, Los Angeles. Digital Humanities Program (Los Angeles, CA: University of California, Los Angeles. Digital Humanities Program),
Source: dhbasecamp.humanities.ucla.edu
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