811 results for your search

The Soul of Ragtime
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performed by Terry Waldo, 1944- (Tompkins Square Records, 2014), 53 mins, 16 page(s)
performed by Terry Waldo, 1944- (Tompkins Square Records, 2014), 53 mins, 16 page(s)
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(Monitor Records, 2012), 38 mins
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Blues & Ragtime from New Orleans
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performed by James Booker, 1939-1983 (Black Sun Music, 2011), 45 mins, 10 page(s)
performed by James Booker, 1939-1983 (Black Sun Music, 2011), 45 mins, 10 page(s)
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Let's Make a Better World! Live in Leipzig
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performed by James Booker, 1939-1983 (Black Sun Music, 2011), 1 hour 6 mins, 16 page(s)
performed by James Booker, 1939-1983 (Black Sun Music, 2011), 1 hour 6 mins, 16 page(s)
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The Piano Prince of New Orleans
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performed by James Booker, 1939-1983 (Black Sun Music, 2011), 50 mins, 10 page(s)
performed by James Booker, 1939-1983 (Black Sun Music, 2011), 50 mins, 10 page(s)
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Grey December: Live in Rome
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performed by Ran Blake, 1935- (Tompkins Square Records, 2011), 41 mins, 12 page(s)
performed by Ran Blake, 1935- (Tompkins Square Records, 2011), 41 mins, 12 page(s)
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Eden Brent: Ain't Got No Troubles
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performed by Eden Brent, 1965-, Colin Linden, 1960-, George Porter Jr., Bryan Owings, Tracy Griffin, fl. 1980, Emile Hall, 1953-, Jeff Albert, 1970- and Jon Cleary, 1962- (Yellow Dog Records, 2010), 45 mins, 12 page(s)
performed by Eden Brent, 1965-, Colin Linden, 1960-, George Porter Jr., Bryan Owings, Tracy Griffin, fl. 1980, Emile Hall, 1953-, Jeff Albert, 1970- and Jon Cleary, 1962- (Yellow Dog Records, 2010), 45 mins, 12 page(s)
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Joined At the Hip
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produced by Michael Freeman; performed by Pinetop Perkins, 1913-2011 and Big Eyes Smith, 1936-2011 (Telarc, 2010), 59 mins, 13 page(s)
produced by Michael Freeman; performed by Pinetop Perkins, 1913-2011 and Big Eyes Smith, 1936-2011 (Telarc, 2010), 59 mins, 13 page(s)
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A Message from the People
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produced by Ray Charles, 1930-2004; performed by Ray Charles, 1930-2004 (Concord, 2009), 39 mins, 10 page(s)
produced by Ray Charles, 1930-2004; performed by Ray Charles, 1930-2004 (Concord, 2009), 39 mins, 10 page(s)
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written by Paul Oliver; in Barrelhouse Blues: Location Recording and Early Traditions of the Blues (New York, NY: Basic Civitas Books, 2009), 266-266
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