6 results for your search
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Hey Love
composed by Morris Broadnax, 1931-2000, Clarence Paul, 1928-1995 and Stevie Wonder, 1950-; performed by Stevie Wonder, 1950-; in The Definitive Collection (Universal Music, 2002), 3 mins
Sample
composed by Morris Broadnax, 1931-2000, Clarence Paul, 1928-1995 and Stevie Wonder, 1950-; performed by Stevie Wonder, 1950-; in The Definitive Collection (Universal Music, 2002), 3 mins
Field of Study
American Music
Content Type
Music recording
Performer / Ensemble
Stevie Wonder, 1950-
Author / Creator
Morris Broadnax, 1931-2000, Clarence Paul, 1928-1995, Stevie Wonder, 1950-
Date Published / Released
2002-10-29
Publisher
Universal Music
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All I Do
composed by Morris Broadnax, 1931-2000, Clarence Paul, 1928-1995, Gordon Chambers, 1969- and Stevie Wonder, 1950-; in Hotter Than July (Island Def Jam, 2000), 5 mins
Sample
composed by Morris Broadnax, 1931-2000, Clarence Paul, 1928-1995, Gordon Chambers, 1969- and Stevie Wonder, 1950-; in Hotter Than July (Island Def Jam, 2000), 5 mins
Date Written / Recorded
1980-09-29
Field of Study
American Music
Content Type
Music recording
Author / Creator
Morris Broadnax, 1931-2000, Clarence Paul, 1928-1995, Gordon Chambers, 1969-, Stevie Wonder, 1950-
Date Published / Released
2000-05-23
Publisher
Island Def Jam
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At The Close Of A Century
conducted by Dr.Henry Panion III and Paul Riser, 1943-; performed by Stevie Wonder, 1950- (Motown, 1999), 5 hours 6 mins
He's been called one of the most influential performers and songwriters of the century, but until 1999 Stevie Wonder didn't even have a box set to call his own. Such was the reissue campaign at Motown that, until very recently, some of the best pop music of the '60s sounded poorer in reissue form than when it was...
Sample
conducted by Dr.Henry Panion III and Paul Riser, 1943-; performed by Stevie Wonder, 1950- (Motown, 1999), 5 hours 6 mins
Description
He's been called one of the most influential performers and songwriters of the century, but until 1999 Stevie Wonder didn't even have a box set to call his own. Such was the reissue campaign at Motown that, until very recently, some of the best pop music of the '60s sounded poorer in reissue form than when it was first played on AM radio. In 1996, the long-awaited Stevie Wonder digital-age hits package Song Review reached the shelves, but it didn...
He's been called one of the most influential performers and songwriters of the century, but until 1999 Stevie Wonder didn't even have a box set to call his own. Such was the reissue campaign at Motown that, until very recently, some of the best pop music of the '60s sounded poorer in reissue form than when it was first played on AM radio. In 1996, the long-awaited Stevie Wonder digital-age hits package Song Review reached the shelves, but it didn't even follow compilation etiquette (that is, chronological order). Finally, At the Close of a Century made everything right -- complete with digital remastering, near-perfect sound, complete coverage of his epic career, an attractive design, and copious liner notes and pictures. The box, a four-disc set spanning 1962 to 1996, debuts with "Fingertips, Pts. 1 & 2," the long-unheard seven-minute version of his first hit. The first disc includes every hit that fans can remember, including great-sounding versions of "Uptight (Everything's Alright)" and "Hey Love," plus plenty of moderate hits they may not remember, like his definitive cover of the Beatles' "We Can Work It Out." Disc two features more than a dozen of his biggest hits, including "Superstition," "You Are the Sunshine of My Life," "Living for the City," "Higher Ground," and "Boogie On Reggae Woman." Disc three begins with no less than nine tracks from Songs in the Key of Life, his standout double album from 1976. Right into the '80s and '90s, Stevie Wonder remained at the top of the charts, with hits like "Rocket Love," "Master Blaster (Jammin')," "Happy Birthday," "I Just Called to Say I Love You," and "Part-Time Lover." It took far too long, but Motown finally issued a box set worthy of Stevie Wonder's continuing artistry. ~ John Bush, All Music Guide
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Field of Study
American Music
Content Type
Music recording
Performer / Ensemble
Stevie Wonder, 1950-
Contributor
Dr.Henry Panion III, Paul Riser, 1943-
Author / Creator
Stevie Wonder, 1950-
Date Published / Released
1999-11-23
Publisher
Motown
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Lost And Found: Four Tops "Breaking Through" (1963-1964)
performed by Billy Eckstine, 1914-1993 (Island Def Jam, 1999), 1 hour 1 mins
Sample
performed by Billy Eckstine, 1914-1993 (Island Def Jam, 1999), 1 hour 1 mins
Field of Study
American Music
Content Type
Music recording
Performer / Ensemble
Billy Eckstine, 1914-1993
Author / Creator
Billy Eckstine, 1914-1993
Date Published / Released
1999-10-19
Publisher
Island Def Jam
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Hey Love
composed by Morris Broadnax, 1931-2000, Clarence Paul, 1928-1995 and Stevie Wonder, 1950-; performed by Stevie Wonder, 1950-; in Greatest Hits (Island Def Jam, 1998), 3 mins
Sample
composed by Morris Broadnax, 1931-2000, Clarence Paul, 1928-1995 and Stevie Wonder, 1950-; performed by Stevie Wonder, 1950-; in Greatest Hits (Island Def Jam, 1998), 3 mins
Date Written / Recorded
1968-03-25
Field of Study
American Music
Content Type
Music recording
Performer / Ensemble
Stevie Wonder, 1950-
Author / Creator
Morris Broadnax, 1931-2000, Clarence Paul, 1928-1995, Stevie Wonder, 1950-
Date Published / Released
1998-08-25
Publisher
Island Def Jam
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The 35th Anniversary Collection
conducted by Thomas "Beans" Bowles; performed by Smokey Robinson, 1940-, The Miracles (Motown, 1994), 4 hours 50 mins
Sample
conducted by Thomas "Beans" Bowles; performed by Smokey Robinson, 1940-, The Miracles (Motown, 1994), 4 hours 50 mins
Field of Study
American Music
Content Type
Music recording
Performer / Ensemble
The Miracles, Smokey Robinson, 1940-
Contributor
Thomas "Beans" Bowles
Author / Creator
The Miracles, Smokey Robinson, 1940-
Date Published / Released
1994-02-22
Publisher
Motown
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