68 results for your search
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I Poured My Heart Into a Song: His 25 Finest
produced by Ray Crick; performed by Steve Conway (Nimbus, 2014), 1 hour 15 mins, 25 page(s)
Sample
produced by Ray Crick; performed by Steve Conway (Nimbus, 2014), 1 hour 15 mins, 25 page(s)
Date Written / Recorded
1951
Field of Study
Jazz
Content Type
Music recording
Performer / Ensemble
Steve Conway
Contributor
Ray Crick
Author / Creator
Steve Conway
Date Published / Released
2014
Publisher
Nimbus
Copyright Message
Copyright © 2014 by Wyastone Estate Limited
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Something from Nothing: The Art of Rap
directed by Ice-T, 1958- and Andy Baybutt, fl. 1994; produced by Paul Toogood, fl. 2008, JolyGood Films, Westmount Films and Final Level Entertainment; performed by Ice-T, 1958-, Dr. Dre, 1965- and Chuck D, 1960- (Los Angeles, CA: Shout! Factory, 2012), 1 hour 52 mins,
Source: www.imdb.com
Source: www.imdb.com
The craft. The history. The power. All these elements of the hip-hop movement are discussed with director Ice-T and the legends he interviews — Afrika Bambaataa, Eminem, Nas, Mos Def, Kanye West, Chuck D, KRS-One, Snoop Dogg, Run-DMC, and Ice Cube — in this compelling and gritty feature-length documentary. An...
Sample
directed by Ice-T, 1958- and Andy Baybutt, fl. 1994; produced by Paul Toogood, fl. 2008, JolyGood Films, Westmount Films and Final Level Entertainment; performed by Ice-T, 1958-, Dr. Dre, 1965- and Chuck D, 1960- (Los Angeles, CA: Shout! Factory, 2012), 1 hour 52 mins,
Source: www.imdb.com
Source: www.imdb.com
Description
The craft. The history. The power. All these elements of the hip-hop movement are discussed with director Ice-T and the legends he interviews — Afrika Bambaataa, Eminem, Nas, Mos Def, Kanye West, Chuck D, KRS-One, Snoop Dogg, Run-DMC, and Ice Cube — in this compelling and gritty feature-length documentary. An Official Selection of the 2012 Sundance Film Festival, Something from Nothing: The Art of Rap explores and pays tribute to this origina...
The craft. The history. The power. All these elements of the hip-hop movement are discussed with director Ice-T and the legends he interviews — Afrika Bambaataa, Eminem, Nas, Mos Def, Kanye West, Chuck D, KRS-One, Snoop Dogg, Run-DMC, and Ice Cube — in this compelling and gritty feature-length documentary. An Official Selection of the 2012 Sundance Film Festival, Something from Nothing: The Art of Rap explores and pays tribute to this original American art form.
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Field of Study
Popular Music
Content Type
Documentary
Performer / Ensemble
Ice-T, 1958-, Dr. Dre, 1965-, Chuck D, 1960-
Contributor
Paul Toogood, fl. 2008, JolyGood Films, Westmount Films, Final Level Entertainment
Author / Creator
Ice-T, 1958-, Andy Baybutt, fl. 1994, Dr. Dre, 1965-, Chuck D, 1960-
Date Published / Released
2012
Publisher
Shout! Factory
Topic / Theme
Old School, Beats & Breaks, Hip-Hop, Rap, Himself 1, Himself 2, Himself 3
Copyright Message
Copyright © 2012 Shout Factory
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Bring Me Home
produced by Calum MacColl; performed by Peggy Seeger, 1935- (Appleseed, 2008), 47 mins, 13 page(s)
While Peggy Seeger was active as an artist as early as the 1950s, and while she played a vital role within the traditional faction of the folk revival, she seems to have recorded infrequently until recent years. Beginning in 2000, however, she has released a steady stream of albums on Appleseed, a folk label aptly...
Sample
produced by Calum MacColl; performed by Peggy Seeger, 1935- (Appleseed, 2008), 47 mins, 13 page(s)
Description
While Peggy Seeger was active as an artist as early as the 1950s, and while she played a vital role within the traditional faction of the folk revival, she seems to have recorded infrequently until recent years. Beginning in 2000, however, she has released a steady stream of albums on Appleseed, a folk label aptly suited for her bare-bones, traditional style. Many of Bring Me Home's songs, "Dink's Song," "Wagoner's Lad," and "O the Wind and Rain,...
While Peggy Seeger was active as an artist as early as the 1950s, and while she played a vital role within the traditional faction of the folk revival, she seems to have recorded infrequently until recent years. Beginning in 2000, however, she has released a steady stream of albums on Appleseed, a folk label aptly suited for her bare-bones, traditional style. Many of Bring Me Home's songs, "Dink's Song," "Wagoner's Lad," and "O the Wind and Rain," will be familiar to fans of traditional music. As to why she has remained committed to these golden folk oldies, she comments in the liner notes: "These old songs...I wouldn't know how to live without them. I don't choose the songs for these albums -- they choose me." In fact, Seeger's style and choice of material has changed very little since the 1950s (and she has always clung tighter to strict tradition than her half-brother Pete Seeger). The arrangements are very simple on Bring Me Home, acoustic guitars, banjos, and harmonium, allowing Seeger's vocals to hold the center. What makes Bring Me Home more fascinating than the average traditional album is that Seeger and a few other musicians proceed with relaxed confidence: they easily fall into the moment, allowing each song to unfold naturally. This easy-flowing confidence makes Bring Me Home easy to like. ~ Ronnie D. Lankford, Jr., All Music Guide
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Field of Study
American Music
Content Type
Music recording
Performer / Ensemble
Peggy Seeger, 1935-
Contributor
Phill Browne, Calum MacColl
Author / Creator
Peggy Seeger, 1935-
Date Published / Released
2008
Publisher
Appleseed
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Three Score and Ten
produced by Nick Barraclough; performed by Peggy Seeger, 1935- (Appleseed, 2007), 1 hour 58 mins, 28 page(s)
Peggy Seeger has been involved in folk music since the '50s, even before the folk revival kicked into high gear. She's always practiced a more traditional strain of folk music like her half-brother Pete Seeger, and while her vocals were quite distinct, her recordings have been too few and hard to find. Three Score...
Sample
produced by Nick Barraclough; performed by Peggy Seeger, 1935- (Appleseed, 2007), 1 hour 58 mins, 28 page(s)
Description
Peggy Seeger has been involved in folk music since the '50s, even before the folk revival kicked into high gear. She's always practiced a more traditional strain of folk music like her half-brother Pete Seeger, and while her vocals were quite distinct, her recordings have been too few and hard to find. Three Score and Ten serves to remind folk fans, then, of Seeger's long commitment to the field as well as her talent as a singer and musician. The...
Peggy Seeger has been involved in folk music since the '50s, even before the folk revival kicked into high gear. She's always practiced a more traditional strain of folk music like her half-brother Pete Seeger, and while her vocals were quite distinct, her recordings have been too few and hard to find. Three Score and Ten serves to remind folk fans, then, of Seeger's long commitment to the field as well as her talent as a singer and musician. The two-disc live set celebrates her 70th birthday in a manner befitting a well-respected insider. Seeger takes center stage, and she's joined by a number of well-known comrades in a variety of vocal and instrumental configurations which include Billy Bragg, Eliza Carthy, and Norma Waterson. Pete Seeger performs his own "Where Have All the Flowers Gone," while Mike Seeger performs "Quill Ditty." Highlights include Peggy Seeger's "Different Therefore Equal," a folk-rap of sorts backed by propulsive bodhran and spoons. There's also a group singalong behind Bragg on "If You Want a Better Life." In a way, the listener will feel as though she has been invited to an intimate, private party on Three Score and Ten, a party where she is surrounded by friends, memories, and lots of good music. ~ Ronnie D. Lankford, Jr., All Music Guide
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Date Written / Recorded
2005-05-29
Field of Study
American Music
Content Type
Music recording
Performer / Ensemble
Peggy Seeger, 1935-
Contributor
David Glasser, fl. 1975, Nick Barraclough
Author / Creator
Peggy Seeger, 1935-
Date Published / Released
2007
Publisher
Appleseed
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Eddie Bond: Memphis Rockabilly King
produced by Eddie Bond, 1933-2013 and Dave Travis, fl. 2006; performed by Eddie Bond, 1933-2013 (Stomper Time Records, 2007), 1 hour 18 mins
Sample
produced by Eddie Bond, 1933-2013 and Dave Travis, fl. 2006; performed by Eddie Bond, 1933-2013 (Stomper Time Records, 2007), 1 hour 18 mins
Date Written / Recorded
1984
Field of Study
American Music
Content Type
Music recording
Performer / Ensemble
Eddie Bond, 1933-2013
Contributor
Nick Robbins, fl. 1955, Eddie Bond, 1933-2013, Dave Travis, fl. 2006
Author / Creator
Eddie Bond, 1933-2013
Date Published / Released
2007
Publisher
Stomper Time Records
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Lost Sounds: Blacks and the Birth of the Recording Industry 1891-1922
produced by Richard Martin and Meagan Hennessey (Archeophone Records, 2005), 2 hours 34 mins, 54 page(s)
Sample
produced by Richard Martin and Meagan Hennessey (Archeophone Records, 2005), 2 hours 34 mins, 54 page(s)
Field of Study
American Music
Content Type
Music recording
Contributor
Richard Martin, Meagan Hennessey
Date Published / Released
2005
Publisher
Archeophone Records
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Jimmy Witherspoon: Blue Spoon, Spoon in London
performed by Jimmy Witherspoon, 1920-1997, Gildo Mahones, Kenny Burrell, 1931-, Eddie Kahn, fl. 1960, Roy Haynes, 1925- and Benny Golson, 1929- (Prestige, 2001), 59 mins, 22 page(s)
Sample
performed by Jimmy Witherspoon, 1920-1997, Gildo Mahones, Kenny Burrell, 1931-, Eddie Kahn, fl. 1960, Roy Haynes, 1925- and Benny Golson, 1929- (Prestige, 2001), 59 mins, 22 page(s)
Date Written / Recorded
1965-06
Field of Study
American Music
Content Type
Music recording
Performer / Ensemble
Jimmy Witherspoon, 1920-1997, Gildo Mahones, Kenny Burrell, 1931-, Eddie Kahn, fl. 1960, Roy Haynes, 1925-, Benny Golson, 1929-
Author / Creator
Jimmy Witherspoon, 1920-1997, Gildo Mahones, Kenny Burrell, 1931-, Eddie Kahn, fl. 1960, Roy Haynes, 1925-, Benny Golson, 1929-
Date Published / Released
2001
Publisher
Prestige
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The Songs of Robert Burns, Vol. 5 & 6
performed by Jean Redpath, 1937-2014 (Rounder Records, 1999), 1 hour 17 mins
Sample
performed by Jean Redpath, 1937-2014 (Rounder Records, 1999), 1 hour 17 mins
Field of Study
American Music
Content Type
Music recording
Performer / Ensemble
Jean Redpath, 1937-2014
Author / Creator
Jean Redpath, 1937-2014
Date Published / Released
1999
Publisher
Rounder Records
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Redwood Cathedral
produced by Dick Gaughan, 1948-; performed by Dick Gaughan, 1948- (Appleseed, 1998), 1 hour 1 mins, 12 page(s)
Gaughan's weathered brogue is enough to make a song memorable. But he also has a knack for gathering fine songs, both originals and covers, that fit beautifully into his style. On this set, Gaughan opens with an understated but powerful "Muir and the Master Builder" by Brian McNeill and even plies his magic with T...
Sample
produced by Dick Gaughan, 1948-; performed by Dick Gaughan, 1948- (Appleseed, 1998), 1 hour 1 mins, 12 page(s)
Description
Gaughan's weathered brogue is enough to make a song memorable. But he also has a knack for gathering fine songs, both originals and covers, that fit beautifully into his style. On this set, Gaughan opens with an understated but powerful "Muir and the Master Builder" by Brian McNeill and even plies his magic with Townes Van Zandt's "Pancho and Lefty." As he wends his way through a sublime take on Pete Seeger's "Turn, Turn, Turn," it becomes clear...
Gaughan's weathered brogue is enough to make a song memorable. But he also has a knack for gathering fine songs, both originals and covers, that fit beautifully into his style. On this set, Gaughan opens with an understated but powerful "Muir and the Master Builder" by Brian McNeill and even plies his magic with Townes Van Zandt's "Pancho and Lefty." As he wends his way through a sublime take on Pete Seeger's "Turn, Turn, Turn," it becomes clear that Gaughan has a gift for phrasing that puts the listener at ease. ~ Tim Sheridan, All Music Guide
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Field of Study
American Music
Content Type
Music recording
Performer / Ensemble
Dick Gaughan, 1948-
Contributor
Roy Ashby, Dick Gaughan, 1948-
Author / Creator
Dick Gaughan, 1948-
Date Published / Released
1998
Publisher
Appleseed
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Rebel Records, 35 Years Of The Best In Bluegrass: 1960-1995, Disc 2
produced by Charles R. Freeland, 1938-2014 (Rebel, 1996), 1 hour 18 mins
Sample
produced by Charles R. Freeland, 1938-2014 (Rebel, 1996), 1 hour 18 mins
Field of Study
American Music
Content Type
Music recording
Contributor
John Starling, 1940-, Charles R. Freeland, 1938-2014
Date Published / Released
1996
Publisher
Rebel
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