Browse Titles - 1353 results
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Adventure High
written by Liivo Niglas, 1971-; directed by Liivo Niglas, 1971-; produced by Liivo Niglas, 1971- (Watertown, MA: Documentary Educational Resources (DER)), 1 hour 30 mins
Five young men - including the filmmaker - take a four-month break from their responsible adult lives to travel by bicycle from Mongolia to Nepal hoping to experience old-fashioned travel adventures.
Sample
written by Liivo Niglas, 1971-; directed by Liivo Niglas, 1971-; produced by Liivo Niglas, 1971- (Watertown, MA: Documentary Educational Resources (DER)), 1 hour 30 mins
Description
Five young men - including the filmmaker - take a four-month break from their responsible adult lives to travel by bicycle from Mongolia to Nepal hoping to experience old-fashioned travel adventures. Five young men - including the filmmaker - take a four-month break from their responsible adult lives to travel by bicycle from Mongolia to Nepal hoping to experience old-fashioned travel adventures. Their journey leads them through diverse landscape...
Five young men - including the filmmaker - take a four-month break from their responsible adult lives to travel by bicycle from Mongolia to Nepal hoping to experience old-fashioned travel adventures. Five young men - including the filmmaker - take a four-month break from their responsible adult lives to travel by bicycle from Mongolia to Nepal hoping to experience old-fashioned travel adventures. Their journey leads them through diverse landscapes and harsh conditions (the Gobi Desert where water and roads are equally difficult to find; the flooded dirt roads and landslides caused by heavy rain in the Himalayan mountains). They are exposed to diverse cultures and meet fascinating people (Mongolian nomads, Buddhist pilgrims, yak herders in the Himalayas). As relationship dynamics develop and change within the group, the five travelers very different natures only add to their journey's drama. Nevertheless, it is the messages from home that have a much larger impact on their states of mind than the daily physical and psychological difficulties that they encounter.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Liivo Niglas, 1971-, Grace Shou, Tanel Rütman, Hannes Hanso, Priit Kuusk, 1973-, Mart Kuusk
Author / Creator
Liivo Niglas, 1971-
Date Published / Released
2004
Publisher
Documentary Educational Resources (DER)
Topic / Theme
Estonian, Companions, Vacations, Family, Mountain biking, Desert travel, Mountains, Sight-seeing, Bicycles and bicycling, Ethnography, Estonians
Copyright Message
by Documentary Educational Resources
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Afflictions: Culture and Mental Illness in Indonesia, Family Victim: The "Bad Coconut" of a Javanese Family
written by Robert Lemelson, fl. 1999-2016; directed by Robert Lemelson, fl. 1999-2016; produced by Robert Lemelson, fl. 1999-2016, Documentary Educational Resources (DER) and Elemental Films; interview by Robert Lemelson, fl. 1999-2016, in Afflictions: Culture and Mental Illness in Indonesia (Watertown, MA: Documentary Educational Resources (DER), 2010), 38 mins
Family Victim explores how families manage a troubled and troublesome member. Estu Wardhani is a young Javanese man and has struggled for most of his life to achieve a sense of competency and inclusion in his familial and social world. The second youngest of eight children born to an upper-class family living in t...
Sample
written by Robert Lemelson, fl. 1999-2016; directed by Robert Lemelson, fl. 1999-2016; produced by Robert Lemelson, fl. 1999-2016, Documentary Educational Resources (DER) and Elemental Films; interview by Robert Lemelson, fl. 1999-2016, in Afflictions: Culture and Mental Illness in Indonesia (Watertown, MA: Documentary Educational Resources (DER), 2010), 38 mins
Description
Family Victim explores how families manage a troubled and troublesome member. Estu Wardhani is a young Javanese man and has struggled for most of his life to achieve a sense of competency and inclusion in his familial and social world. The second youngest of eight children born to an upper-class family living in the rural region of Gunung Kidul in Cental Java, Estu has been 'different' ever since he was a young boy. Estu's actions, and their diso...
Family Victim explores how families manage a troubled and troublesome member. Estu Wardhani is a young Javanese man and has struggled for most of his life to achieve a sense of competency and inclusion in his familial and social world. The second youngest of eight children born to an upper-class family living in the rural region of Gunung Kidul in Cental Java, Estu has been 'different' ever since he was a young boy. Estu's actions, and their disorienting power, cannot be understood outside of the cultural and social context within which they have taken shape nor can they be considered apart from the disruptive and painful effects they have on his family.
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Date Written / Recorded
2010
Field of Study
Anthropology
Content Type
Documentary
Contributor
Robert Lemelson, fl. 1999-2016, Estu Wardhani, fl. 2010, Documentary Educational Resources (DER), Elemental Films
Author / Creator
Robert Lemelson, fl. 1999-2016
Date Published / Released
2010
Publisher
Documentary Educational Resources (DER)
Series
Afflictions: Culture and Mental Illness in Indonesia
Person Discussed
Estu Wardhani, fl. 2010
Topic / Theme
Javanese, Popular beliefs, Cultural norms, Family, Heredity, Mental health treatments, Mental illnesses, Ethnography
Copyright Message
Copyright © 2010 by Documentary Educational Resources (DER)
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Afflictions: Culture and Mental Illness in Indonesia, Shadows and Illuminations
directed by Robert Lemelson, fl. 1999-2016; produced by Robert Lemelson, fl. 1999-2016, Elemental Productions, in Afflictions: Culture and Mental Illness in Indonesia (Watertown, MA: Documentary Educational Resources (DER), 2010), 35 mins
Shadows & Illuminations follows an older Balinese man, Nyoman Kereta, as he struggles with the intrusion of spirits into his consciousness. Kereta says he has been living in two worlds, the world of his family and community and the world of the spirits, for the past 40 years. His experiences skirt the borders of c...
Sample
directed by Robert Lemelson, fl. 1999-2016; produced by Robert Lemelson, fl. 1999-2016, Elemental Productions, in Afflictions: Culture and Mental Illness in Indonesia (Watertown, MA: Documentary Educational Resources (DER), 2010), 35 mins
Description
Shadows & Illuminations follows an older Balinese man, Nyoman Kereta, as he struggles with the intrusion of spirits into his consciousness. Kereta says he has been living in two worlds, the world of his family and community and the world of the spirits, for the past 40 years. His experiences skirt the borders of cultural and spiritual norms, simultaneously manifesting and exceeding Balinese beliefs about the supernatural world and the possibiliti...
Shadows & Illuminations follows an older Balinese man, Nyoman Kereta, as he struggles with the intrusion of spirits into his consciousness. Kereta says he has been living in two worlds, the world of his family and community and the world of the spirits, for the past 40 years. His experiences skirt the borders of cultural and spiritual norms, simultaneously manifesting and exceeding Balinese beliefs about the supernatural world and the possibilities for human interaction with it.
Kereta's reported experiences seem credible or explicable to some, bizarre and extraordinary to others, enigmatic or doubtful to his wife, and the sign of major mental illness to his psychiatrist. The film documents his painful history of trauma, loss and poisoning, and draws on his other family member's interpretations of how to understand his struggles and distress. Central questions of how to interpret his experiences, and what role a schizophrenia diagnosis entails are explored.
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Date Written / Recorded
1997
Field of Study
Anthropology
Content Type
Documentary
Contributor
Robert Lemelson, fl. 1999-2016, Nyoman Kereta, Elemental Productions
Author / Creator
Robert Lemelson, fl. 1999-2016
Date Published / Released
2010
Publisher
Documentary Educational Resources (DER)
Series
Afflictions: Culture and Mental Illness in Indonesia
Topic / Theme
Balinese, Cultural norms, Mental illnesses, Spiritual possession, Ethnography
Copyright Message
Copyright © 2010 by Documentary Educational Resources
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Afflictions: Culture and Mental Illness in Indonesia, Kites and Monsters
written by Robert Lemelson, fl. 1999-2016; directed by Robert Lemelson, fl. 1999-2016; produced by Robert Lemelson, fl. 1999-2016, Elemental Films, in Afflictions: Culture and Mental Illness in Indonesia (Watertown, MA: Documentary Educational Resources (DER), 2011), 22 mins
The film focuses on a growing boy, Wayan Yoga, and is not so much about illness as it is an exploration of the protective aspects of culture that may guide developmental neuropsychiatric processes. At six years old, Wayan Yoga is an energetic boy who flies kites and is obsessed with the monsters of Balinese mythol...
Sample
written by Robert Lemelson, fl. 1999-2016; directed by Robert Lemelson, fl. 1999-2016; produced by Robert Lemelson, fl. 1999-2016, Elemental Films, in Afflictions: Culture and Mental Illness in Indonesia (Watertown, MA: Documentary Educational Resources (DER), 2011), 22 mins
Description
The film focuses on a growing boy, Wayan Yoga, and is not so much about illness as it is an exploration of the protective aspects of culture that may guide developmental neuropsychiatric processes. At six years old, Wayan Yoga is an energetic boy who flies kites and is obsessed with the monsters of Balinese mythology. He also has various tics, which move his parents to seek treatment. At twenty, he is a young man planning his career as a chef and...
The film focuses on a growing boy, Wayan Yoga, and is not so much about illness as it is an exploration of the protective aspects of culture that may guide developmental neuropsychiatric processes. At six years old, Wayan Yoga is an energetic boy who flies kites and is obsessed with the monsters of Balinese mythology. He also has various tics, which move his parents to seek treatment. At twenty, he is a young man planning his career as a chef and an expressive Balinese dancer. Ultimately, Wayan Yoga's tics are insignificant to his evolving sense of self-compared to the saturation of symbols, images, and narratives of his culture. While Wayan must learn to negotiate the kinds of movements, interests, and goals that are culturally appropriate, the protective buffer of his family guides him successfully into normative Balinese adulthood.
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Date Written / Recorded
1997
Field of Study
Anthropology
Content Type
Documentary
Contributor
Wayan Yoga, fl. 2011, Robert Lemelson, fl. 1999-2016, Elemental Films
Author / Creator
Robert Lemelson, fl. 1999-2016
Date Published / Released
2011
Publisher
Documentary Educational Resources (DER)
Series
Afflictions: Culture and Mental Illness in Indonesia
Speaker / Narrator
Robert Lemelson, fl. 1999-2016
Topic / Theme
Balinese, Developmental disorders, Psychotherapy, Cultural identity, Childhood, Mental illnesses, Myths and legends, Ethnography
Copyright Message
Copyright © 2011 by Documentary Educational Resources (DER)
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Afflictions: Culture and Mental Illness in Indonesia, Memory of My Face
written by Robert Lemelson, fl. 1999-2016; directed by Robert Lemelson, fl. 1999-2016; produced by Robert Lemelson, fl. 1999-2016, in Afflictions: Culture and Mental Illness in Indonesia (Watertown, MA: Documentary Educational Resources (DER), 2011), 22 mins
Memory of My Face is part of the Afflictions: Culture & Mental Illness in Indonesia series of ethnographic films on severe mental illness in Indonesia, based on material drawn from 12 years of person-centered research by director and anthropologist Robert Lemelson.
Sample
written by Robert Lemelson, fl. 1999-2016; directed by Robert Lemelson, fl. 1999-2016; produced by Robert Lemelson, fl. 1999-2016, in Afflictions: Culture and Mental Illness in Indonesia (Watertown, MA: Documentary Educational Resources (DER), 2011), 22 mins
Description
Memory of My Face is part of the Afflictions: Culture & Mental Illness in Indonesia series of ethnographic films on severe mental illness in Indonesia, based on material drawn from 12 years of person-centered research by director and anthropologist Robert Lemelson.
Date Written / Recorded
2010
Field of Study
Anthropology
Content Type
Documentary
Contributor
Robert Lemelson, fl. 1999-2016, Bambang Rudjito, fl. 2011
Author / Creator
Robert Lemelson, fl. 1999-2016
Date Published / Released
2011
Publisher
Documentary Educational Resources (DER)
Series
Afflictions: Culture and Mental Illness in Indonesia
Speaker / Narrator
Robert Lemelson, fl. 1999-2016
Topic / Theme
Indonesian, Javanese, Cultural assimilation, Cultural adaptation, Cultural identity, Mental illnesses, Mental health treatments, Psychotherapy, Ethnography
Copyright Message
Copyright © 2011 by Documentary Educational Resources (DER)
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Afflictions: Culture and Mental Illness in Indonesia, Ritual Burdens
directed by Robert Lemelson, fl. 1999-2016; produced by Robert Lemelson, fl. 1999-2016, Elemental Productions, in Afflictions: Culture and Mental Illness in Indonesia (Watertown, MA: Documentary Educational Resources (DER), 2011), 25 mins
Ritual Burdens is part of the Afflictions: Culture & Mental Illness in Indonesia series of ethnographic films on severe mental illness in Indonesia, based on material drawn from 12 years of person-centered research by director and anthropologist Robert Lemelson.
The film focuses on Ni Ketut Kasih who has lived he...
Sample
directed by Robert Lemelson, fl. 1999-2016; produced by Robert Lemelson, fl. 1999-2016, Elemental Productions, in Afflictions: Culture and Mental Illness in Indonesia (Watertown, MA: Documentary Educational Resources (DER), 2011), 25 mins
Description
Ritual Burdens is part of the Afflictions: Culture & Mental Illness in Indonesia series of ethnographic films on severe mental illness in Indonesia, based on material drawn from 12 years of person-centered research by director and anthropologist Robert Lemelson.
The film focuses on Ni Ketut Kasih who has lived her whole life surrounded by the complex rhythms of the Balinese ritual calendar. Here, participation in ritual events is both a spiritua...
Ritual Burdens is part of the Afflictions: Culture & Mental Illness in Indonesia series of ethnographic films on severe mental illness in Indonesia, based on material drawn from 12 years of person-centered research by director and anthropologist Robert Lemelson.
The film focuses on Ni Ketut Kasih who has lived her whole life surrounded by the complex rhythms of the Balinese ritual calendar. Here, participation in ritual events is both a spiritual mandate and social obligation for women who spend countless hours crafting offerings. Ni Ketut's masterful hand has contributed to her status as a highly respected ceremonial leader. However, the pressures of ritual requirements often overwhelm her, crowding her mind with memories of her difficult childhood during Indonesia's war for independence. This may trigger Ketut's bi-polar disorder episodes, for which she has been hospitalized over 35 times. Ni Ketut's case reveals the binding associations that may make certain burdens unbearable as cultural obligations, traumatic historical events, and personal experience overlap in unique schemas of stress that trigger cyclical episodes of mental illness.
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Date Written / Recorded
1997
Field of Study
Anthropology
Content Type
Documentary
Contributor
Robert Lemelson, fl. 1999-2016, Ketut Kasih, Elemental Productions
Author / Creator
Robert Lemelson, fl. 1999-2016
Date Published / Released
2011
Publisher
Documentary Educational Resources (DER)
Series
Afflictions: Culture and Mental Illness in Indonesia
Topic / Theme
Balinese, Bipolar disorder, Religious rites and ceremonies, Cultural norms, Mental illnesses, Ethnography
Copyright Message
Copyright © 2011 by Documentary Educational Resources
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Africa I Remember
written by Paul Balmer, fl. 1997; produced by Paul Balmer, fl. 1997, Music on Earth (New York, NY: Filmakers Library, 1997), 30 mins
Tunde Jegede, a black musician and composer, bridges two classical traditions. His instrument is the Kora, an African harp lute whose roots are in the court of 13th century Mali. First introduced to the Kora in Britain by a Senegalese musician, Tunde later studied in the Gambia where he found himself immersed in i...
Sample
written by Paul Balmer, fl. 1997; produced by Paul Balmer, fl. 1997, Music on Earth (New York, NY: Filmakers Library, 1997), 30 mins
Description
Tunde Jegede, a black musician and composer, bridges two classical traditions. His instrument is the Kora, an African harp lute whose roots are in the court of 13th century Mali. First introduced to the Kora in Britain by a Senegalese musician, Tunde later studied in the Gambia where he found himself immersed in its rich oral tradition. In this film, we follow him to the villages of West Africa where he learns from local musicians. We also see hi...
Tunde Jegede, a black musician and composer, bridges two classical traditions. His instrument is the Kora, an African harp lute whose roots are in the court of 13th century Mali. First introduced to the Kora in Britain by a Senegalese musician, Tunde later studied in the Gambia where he found himself immersed in its rich oral tradition. In this film, we follow him to the villages of West Africa where he learns from local musicians. We also see him perform his compositions with the London Sinfonietta. What is remarkable about Tunde's music is the way it combines West African and classical European traditions, bringing together a love of both cultures. Combining African experiences with Western structures, spontaneous composition with written musical notation, his 'The Cycle of Reckoning' reflects on the legacy of the African slave trade. College Adult
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Paul Balmer, fl. 1997, Tunde Jegede, 1972-, Music on Earth
Author / Creator
Paul Balmer, fl. 1997
Date Published / Released
1997
Publisher
Filmakers Library
Person Discussed
Johann Sebastian Bach, 1685-1750
Topic / Theme
African, Folk music, Music composition, Cultural identity, Ethnomusicology, Slavery, Anthropology, Music, Ethnography, Africans
Copyright Message
Copyright © 1997. Used by permission of Filmakers Library. All rights reserved.
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An African Brass Band
written by Hugo Zemp, 1937-; directed by Hugo Zemp, 1937-; produced by Selenium Films (Documentary Educational Resources (DER), 2006), 1 hour 14 mins
This is the story of that brass band, a brass band that isn't at all like a military band. It's a dancing brass band, an African brass band, that accompanies all the big and little moments of life: national festivals, religious ceremonies, funerals, fetes and celebrations, a musical game involving a football, tune...
Sample
written by Hugo Zemp, 1937-; directed by Hugo Zemp, 1937-; produced by Selenium Films (Documentary Educational Resources (DER), 2006), 1 hour 14 mins
Description
This is the story of that brass band, a brass band that isn't at all like a military band. It's a dancing brass band, an African brass band, that accompanies all the big and little moments of life: national festivals, religious ceremonies, funerals, fetes and celebrations, a musical game involving a football, tunes from the famous Mapuka dance, or the experimental use of sacred drums together with the brass band. A lively debate between the music...
This is the story of that brass band, a brass band that isn't at all like a military band. It's a dancing brass band, an African brass band, that accompanies all the big and little moments of life: national festivals, religious ceremonies, funerals, fetes and celebrations, a musical game involving a football, tunes from the famous Mapuka dance, or the experimental use of sacred drums together with the brass band. A lively debate between the musicians, in which a sense of humor is clearly present, as they examine fundamental questions about their tradition and its transformations in the context of the life of people today. This film was shot in July and August 2002, a few weeks before the outbreak of civil war in the Côte d'Ivoire.
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Date Written / Recorded
2002
Field of Study
Anthropology
Content Type
Documentary
Contributor
Hugo Zemp, 1937-, Selenium Films
Author / Creator
Hugo Zemp, 1937-
Date Published / Released
2006
Publisher
Documentary Educational Resources (DER)
Topic / Theme
Ivoirian, Dance and dancing, Cultural identity, Music, Ethnography, Ivorians
Copyright Message
Copyright © 2006 by Documentary Educational Resources (DER)
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African Carving: A Dogon Kanaga Mask
written by Robert G. Gardner, 1925-2014, Eliot Elisofon, 1911-1973 and Thomas D. Blakely; directed by Thomas D. Blakely and Eliot Elisofon, 1911-1973 (Watertown, MA: Documentary Educational Resources (DER), 1974), 18 mins
The Kanaga mask is used in deeply sacred rituals by the Dogon people of Mali. Carving this mask is as important a ritual as the ceremonies in which the mask is used.
Sample
written by Robert G. Gardner, 1925-2014, Eliot Elisofon, 1911-1973 and Thomas D. Blakely; directed by Thomas D. Blakely and Eliot Elisofon, 1911-1973 (Watertown, MA: Documentary Educational Resources (DER), 1974), 18 mins
Description
The Kanaga mask is used in deeply sacred rituals by the Dogon people of Mali. Carving this mask is as important a ritual as the ceremonies in which the mask is used. The Kanaga mask is used in deeply sacred rituals by the Dogon people of Mali. Carving this mask is as important a ritual as the ceremonies in which the mask is used. The carver, a blacksmith, finds the proper tree and, in a secret cave outside the village, he shapes the mask with ges...
The Kanaga mask is used in deeply sacred rituals by the Dogon people of Mali. Carving this mask is as important a ritual as the ceremonies in which the mask is used. The Kanaga mask is used in deeply sacred rituals by the Dogon people of Mali. Carving this mask is as important a ritual as the ceremonies in which the mask is used. The carver, a blacksmith, finds the proper tree and, in a secret cave outside the village, he shapes the mask with gestures which repeat the movement of the dancers who will wear it. When a dancer wears the Kanaga mask he becomes the Creator symbolically. He touches the ground with his mask and directs a soul to Heaven. Although these dances are now frequently performed for the public, the meaning of Kanaga is retained by the Dogon who fear, respect and depend on the power of the mask.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Robert G. Gardner, 1925-2014, Eliot Elisofon, 1911-1973, Thomas D. Blakely
Author / Creator
Robert G. Gardner, 1925-2014, Eliot Elisofon, 1911-1973, Thomas D. Blakely
Date Published / Released
1974
Publisher
Documentary Educational Resources (DER)
Topic / Theme
Dogon, Costumes, Crafts, Tribal and national groups, Religious faiths, Dance and dancing, Religious rites and ceremonies, Cultural identity, Ethnography
Copyright Message
by Documentary Educational Resources
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African Dance: Sand, Drum, and Shostakovich
written by Ken Glazebrook, fl. 1970 and Alla Kovgan, 1973-; directed by Ken Glazebrook, fl. 1970 and Alla Kovgan, 1973-; produced by Ken Glazebrook, fl. 1970 and Alla Kovgan, 1973- (Watertown, MA: Documentary Educational Resources (DER), 2002), 1 hour 10 mins
This documentary explores African contemporary dance through eight modern dance companies from Africa, Europe and Canada that participated in the Festival International de Nouvelle Danse in Montreal, Canada in 1999.
Sample
written by Ken Glazebrook, fl. 1970 and Alla Kovgan, 1973-; directed by Ken Glazebrook, fl. 1970 and Alla Kovgan, 1973-; produced by Ken Glazebrook, fl. 1970 and Alla Kovgan, 1973- (Watertown, MA: Documentary Educational Resources (DER), 2002), 1 hour 10 mins
Description
This documentary explores African contemporary dance through eight modern dance companies from Africa, Europe and Canada that participated in the Festival International de Nouvelle Danse in Montreal, Canada in 1999. This documentary explores African contemporary dance through eight modern dance companies from Africa, Europe and Canada that participated in the Festival International de Nouvelle Danse in Montreal, Canada in 1999. Interviews, includ...
This documentary explores African contemporary dance through eight modern dance companies from Africa, Europe and Canada that participated in the Festival International de Nouvelle Danse in Montreal, Canada in 1999. This documentary explores African contemporary dance through eight modern dance companies from Africa, Europe and Canada that participated in the Festival International de Nouvelle Danse in Montreal, Canada in 1999. Interviews, including those with dance historians Yacouba Konate and Alponse Tierou, add insight to beautifully-photographed performances. What emerges is a fascinating diversity of contemporary African dance themes and styles. Exploring the interactions between tradition and modernism, the consequences of colonization and urbanization, the self-expression of women through dance, and the roles of masculinity and family relationships, the film is a unique source of information and inspiration for dancers, dance historians, choreographers, critics, as well as those interested in African culture, past and present. "More than ever, as a forum for cross-cultural exchanges, this ninth edition of the Festival showcases African dance because it appears to be undergoing a cultural and artistic renaissance nurtured by the contact and clash between tradition and modernity, and by a reevaluation of its global links." — Festival International de Nouvelle Danse
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Field of Study
Dance
Content Type
Documentary
Contributor
Ken Glazebrook, fl. 1970, Alla Kovgan, 1973-, Yacouba Konaté, Alphonse Tierou, fl. 1988, Susanne Linke, 1944-, Mathilde Monnier, 1959-, Seydou Boro, 1968-, Vincent Mantsoe, 1971-, Germaine Acogny, 1944-
Author / Creator
Ken Glazebrook, fl. 1970, Alla Kovgan, 1973-
Date Published / Released
2004, 2002
Publisher
Documentary Educational Resources (DER)
Topic / Theme
African, Movement in performance, Choreographers, Dance theory, Expression in performance, Cultural change and history, Cultural identity, Dance, Ethnography, Africans
Copyright Message
© Documentary Educational Resources
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