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Cultural Change: Punkin Center, Kentucky
produced by Richard Kane, 1944-; in Add & Mabel's Punkin Center (Watertown, MA: Documentary Educational Resources (DER)), 2 mins
In this segment we meet curio owners Mabel and Add Gray. We see some of the items Mabel has collected over the years and we hear Add describe how Punkin Center got its name.
Sample
produced by Richard Kane, 1944-; in Add & Mabel's Punkin Center (Watertown, MA: Documentary Educational Resources (DER)), 2 mins
Description
In this segment we meet curio owners Mabel and Add Gray. We see some of the items Mabel has collected over the years and we hear Add describe how Punkin Center got its name.
Field of Study
Anthropology
Content Type
Documentary
Contributor
Dillon Bustin, fl. 1982, Richard Kane, 1944-, Mabel Gray, fl. 1984, Add Gray, fl. 1984, Mark Hammer, 1937-2007
Author / Creator
Dillon Bustin, fl. 1982, Richard Kane, 1944-
Publisher
Documentary Educational Resources (DER)
Speaker / Narrator
Mark Hammer, 1937-2007
Person Discussed
Mabel Gray, fl. 1984, Add Gray, fl. 1984
Topic / Theme
Folklore, Museums, Collecting and collectables, Cultural change and history, Americans
Copyright Message
© Documentary Educational Resources
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After Passing
written by Tai-Li Hu, 1950-; directed by Tai-Li Hu, 1950-; produced by Tai-Li Hu, 1950- (Watertown, MA: Documentary Educational Resources (DER), 1997), 11 mins
The East-West Highway was soon to be built in central Taiwan. It would pass through the village of Liu Ts'o, and many homes and rice paddies would be destroyed. The film maker Hu Tai-Li went back to her mother-in-law's village Liu Ts'o, where she did anthropological research from 1976-78, to preserve some images o...
Sample
written by Tai-Li Hu, 1950-; directed by Tai-Li Hu, 1950-; produced by Tai-Li Hu, 1950- (Watertown, MA: Documentary Educational Resources (DER), 1997), 11 mins
Description
The East-West Highway was soon to be built in central Taiwan. It would pass through the village of Liu Ts'o, and many homes and rice paddies would be destroyed. The film maker Hu Tai-Li went back to her mother-in-law's village Liu Ts'o, where she did anthropological research from 1976-78, to preserve some images of life forever. The East-West Highway was soon to be built in central Taiwan. It would pass through the village of Liu Ts'o, and many h...
The East-West Highway was soon to be built in central Taiwan. It would pass through the village of Liu Ts'o, and many homes and rice paddies would be destroyed. The film maker Hu Tai-Li went back to her mother-in-law's village Liu Ts'o, where she did anthropological research from 1976-78, to preserve some images of life forever. The East-West Highway was soon to be built in central Taiwan. It would pass through the village of Liu Ts'o, and many homes and rice paddies would be destroyed. The film maker Hu Tai-Li went back to her mother-in-law's village Liu Ts'o, where she did anthropological research from 1976-78, to preserve some images of life forever. This film was shot in a natural and intimate climate. During the annual two harvests, various activities in daily life and festivals were presented in the film reflecting the villagers' attitudes towards gods, ghosts, ancestors, women, farmlands, urbanization, industrialization, reclamation and resettlement. The film maker attempted to reveal the Taiwanese way of facing drastic social changes. In this unusual film—the first Taiwanese documentary to achieve commercial Success—we are treated to a series of affectionate vignettes of life in filmmaker Hu Tai-Li’s mother-in-law’s village before large portions of it are destroyed to make way for the new East-West hightway.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Tai-Li Hu, 1950-
Author / Creator
Tai-Li Hu, 1950-
Date Published / Released
1997
Publisher
Documentary Educational Resources (DER)
Topic / Theme
Taiwanese, Farming, Agriculture, Economic development, Government land, Factories, Roadbuilding, Ethnography
Copyright Message
© Documentary Educational Resources
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American Fair
written by Rick Widmer, fl. 2004; directed by Rick Widmer, fl. 2004; produced by Lakefilm (Watertown, MA: Documentary Educational Resources (DER), 2007), 1 hour 24 mins
American Fair is an intimate study of the hard-working farmers of York County, Maine, facing a vanishing way of life, their knowledge of land and beast, commitment to tradition and community - interdependent and pulling together. At the 140th fair in Acton, farmers congregate in the spirit of both co-operation and...
Sample
written by Rick Widmer, fl. 2004; directed by Rick Widmer, fl. 2004; produced by Lakefilm (Watertown, MA: Documentary Educational Resources (DER), 2007), 1 hour 24 mins
Description
American Fair is an intimate study of the hard-working farmers of York County, Maine, facing a vanishing way of life, their knowledge of land and beast, commitment to tradition and community - interdependent and pulling together. At the 140th fair in Acton, farmers congregate in the spirit of both co-operation and rivalry. Families show off their finest handicrafts, agricultural produce and livestock. Teamsters compete to see whose animal is the...
American Fair is an intimate study of the hard-working farmers of York County, Maine, facing a vanishing way of life, their knowledge of land and beast, commitment to tradition and community - interdependent and pulling together. At the 140th fair in Acton, farmers congregate in the spirit of both co-operation and rivalry. Families show off their finest handicrafts, agricultural produce and livestock. Teamsters compete to see whose animal is the strongest and whose daughter the most beautiful. Through the voices of farmers and townspeople, vendors and carnival workers, a portrait of a community joining together in celebration of the honest, hard-working agricultural traditions of the region is revealed. Fathers and sons, knowledge of land and beast, carnival workers and strange stories, country girls, ox-pulling, dairy showing, beauty pageants, a pig scramble and more! This feature-length ethnographic documentary quietly reveals the agricultural heritage of the region and opens our eyes to a wholesome side of American culture - as people of the earth.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Rick Widmer, fl. 2004, Tyler Goodrich, 1994-, Greg Goodrich, 1991-, Nick Ridley, 1990-, Roger T. Ridley, fl. 2007, Lakefilm
Author / Creator
Rick Widmer, fl. 2004
Date Published / Released
2007
Publisher
Documentary Educational Resources (DER)
Topic / Theme
American, Farmers, Farm life, Contests and competitions, Fairs, Cattle, Ethnography, Americans
Copyright Message
Copyright © 2007 by Documentary Educational Resources
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An American Mosque
directed by David Washburn, fl. 2007-2016; produced by David Washburn, fl. 2007-2016 (Watertown, MA: Documentary Educational Resources (DER), 2013), 27 mins
An American Mosque is a film about Islam in America, religious intolerance, and the interfaith response to an historic hate-crime. When the Islamic Center of Yuba City, California, was burned to the ground in 1994, it was the first arson to destroy a mosque in US history. At the time, this incident was largely i...
Sample
directed by David Washburn, fl. 2007-2016; produced by David Washburn, fl. 2007-2016 (Watertown, MA: Documentary Educational Resources (DER), 2013), 27 mins
Description
An American Mosque is a film about Islam in America, religious intolerance, and the interfaith response to an historic hate-crime. When the Islamic Center of Yuba City, California, was burned to the ground in 1994, it was the first arson to destroy a mosque in US history. At the time, this incident was largely ignored. Now, decades later, this symbolically important story is revisited. Late one night, arsonists broke into the newly-constructed...
An American Mosque is a film about Islam in America, religious intolerance, and the interfaith response to an historic hate-crime. When the Islamic Center of Yuba City, California, was burned to the ground in 1994, it was the first arson to destroy a mosque in US history. At the time, this incident was largely ignored. Now, decades later, this symbolically important story is revisited. Late one night, arsonists broke into the newly-constructed mosque, doused prayer rugs with gasoline, then lit the building ablaze. The mosque was reduced to ashes and an investigation ensued.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
David Washburn, fl. 2007-2016
Author / Creator
David Washburn, fl. 2007-2016
Date Published / Released
2013
Publisher
Documentary Educational Resources (DER)
Topic / Theme
Arson, History, Mosques, Islam, Communities, Hate crime
Copyright Message
Copyright © 2013 Documentary Educational Resources
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Apu Condor (The Condor God)
written by Gianfranco Norelli, fl. 1980-2005; directed by Gianfranco Norelli, fl. 1980-2005; produced by Gianfranco Norelli, fl. 1980-2005 (Watertown, MA: Documentary Educational Resources (DER), 1992), 30 mins
A unique and highly visual documentary that provides a detailed observation of the sacred Peruvian 'Yawar Fiesta of the Apu Condor'.
Sample
written by Gianfranco Norelli, fl. 1980-2005; directed by Gianfranco Norelli, fl. 1980-2005; produced by Gianfranco Norelli, fl. 1980-2005 (Watertown, MA: Documentary Educational Resources (DER), 1992), 30 mins
Description
A unique and highly visual documentary that provides a detailed observation of the sacred Peruvian 'Yawar Fiesta of the Apu Condor'. A unique and highly visual documentary that provides a detailed observation of the sacred Peruvian "Yawar Fiesta of the Apu Condor". The Fiesta takes place high in the Peruvian Andes in the tiny village of Cotabambas, an impoverished farming community where all the contradictions that characterize Peru's splintered...
A unique and highly visual documentary that provides a detailed observation of the sacred Peruvian 'Yawar Fiesta of the Apu Condor'. A unique and highly visual documentary that provides a detailed observation of the sacred Peruvian "Yawar Fiesta of the Apu Condor". The Fiesta takes place high in the Peruvian Andes in the tiny village of Cotabambas, an impoverished farming community where all the contradictions that characterize Peru's splintered culture and economy are thrown into relief. Five hundred years after the arrival of Columbus and the Spanish Conquistadores, the indigenous Andinos, descendents of the Incas still live under the feudal control of their Mestizo Landowners, the mixed blood descendents of the Spanish. The themes of social stratification, ritual reversal and political relationships are an integral aspect of this film which culminates in a dramatic adaptation of the classic Spanish bullfight.
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Field of Study
Politics & Current Affairs
Content Type
Documentary
Contributor
Gianfranco Norelli, fl. 1980-2005, Noemi Delgado, Juri Ortiz, Father Giacomo Bonaita, Julio Delgado, Rafo Montesinos, Dimas Gamarra
Author / Creator
Gianfranco Norelli, fl. 1980-2005
Date Published / Released
1992
Publisher
Documentary Educational Resources (DER)
Speaker / Narrator
Gianfranco Norelli, fl. 1980-2005
Topic / Theme
Peruvian, Politics, Religious festivals, Social strata, Religious rites and ceremonies, Ethnography, Peruvians
Copyright Message
© Documentary Educational Resources
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The Art of Documentary Editing, ARE not AS
written by Lindsey Merrison, 1959-; directed by Lindsey Merrison, 1959-, in The Art of Documentary Editing (Watertown, MA: Documentary Educational Resources (DER), 2006), 8 mins
After the success of the pioneering Art of Documentary Filmmaking workshop held in Yangon, Myanmar in 2005, Anglo-Burmese filmmaker Lindsey Merrison and four experienced documentary editors from Europe and Australia returned in 2006 to mount The Art of Documentary Editing. Some of the young Burmese men and women o...
Sample
written by Lindsey Merrison, 1959-; directed by Lindsey Merrison, 1959-, in The Art of Documentary Editing (Watertown, MA: Documentary Educational Resources (DER), 2006), 8 mins
Description
After the success of the pioneering Art of Documentary Filmmaking workshop held in Yangon, Myanmar in 2005, Anglo-Burmese filmmaker Lindsey Merrison and four experienced documentary editors from Europe and Australia returned in 2006 to mount The Art of Documentary Editing. Some of the young Burmese men and women on this residential course had previous experience of editing but several had never touched an edit suite in their lives. After the succ...
After the success of the pioneering Art of Documentary Filmmaking workshop held in Yangon, Myanmar in 2005, Anglo-Burmese filmmaker Lindsey Merrison and four experienced documentary editors from Europe and Australia returned in 2006 to mount The Art of Documentary Editing. Some of the young Burmese men and women on this residential course had previous experience of editing but several had never touched an edit suite in their lives. After the success of the pioneering Art of Documentary Filmmaking workshop held in Yangon, Myanmar in 2005, Anglo-Burmese filmmaker Lindsey Merrison and four experienced documentary editors from Europe and Australia returned in 2006 to mount The Art of Documentary Editing. Some of the young Burmese men and women on this residential course had previous experience of editing but several had never touched an edit suite in their lives. For one month, course participants and tutors worked side by side to shape eight short documentaries from material filmed by the participants prior to the workshop - often under difficult circumstances. Learning to identify the strengths and weaknesses of their rushes, participants battled to create storylines and find the right rhythm for their films. Nerve-wracking screenings of works-in-progress before the whole group provided crucial feedback and helped these budding filmmakers to think about the form and content of all the films. This DVD features all eight films produced during the Art of Documentary Editing workshop. It also contains a short film about the workshop itself, including comments from participants and tutors. Not only do these works reflect an intriguing range of subjects and approaches - from observational to experimental - they also reveal their creators' gradual appreciation of the subtleties of the documentary genre, as well as their growing confidence as filmmakers.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Lindsey Merrison, 1959-
Author / Creator
Lindsey Merrison, 1959-
Date Published / Released
2006
Publisher
Documentary Educational Resources (DER)
Series
The Art of Documentary Editing
Topic / Theme
Burmese, Filmmaking industry, Film and films, Students, Education, Manuscript preparation, Ethnography
Copyright Message
© Documentary Educational Resources
×
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The Art of Documentary Editing, Into the Ring
written by Lindsey Merrison, 1959-; directed by Lindsey Merrison, 1959-, in The Art of Documentary Editing (Watertown, MA: Documentary Educational Resources (DER), 2006), 11 mins
After the success of the pioneering Art of Documentary Filmmaking workshop held in Yangon, Myanmar in 2005, Anglo-Burmese filmmaker Lindsey Merrison and four experienced documentary editors from Europe and Australia returned in 2006 to mount The Art of Documentary Editing. Some of the young Burmese men and women o...
Sample
written by Lindsey Merrison, 1959-; directed by Lindsey Merrison, 1959-, in The Art of Documentary Editing (Watertown, MA: Documentary Educational Resources (DER), 2006), 11 mins
Description
After the success of the pioneering Art of Documentary Filmmaking workshop held in Yangon, Myanmar in 2005, Anglo-Burmese filmmaker Lindsey Merrison and four experienced documentary editors from Europe and Australia returned in 2006 to mount The Art of Documentary Editing. Some of the young Burmese men and women on this residential course had previous experience of editing but several had never touched an edit suite in their lives. After the succ...
After the success of the pioneering Art of Documentary Filmmaking workshop held in Yangon, Myanmar in 2005, Anglo-Burmese filmmaker Lindsey Merrison and four experienced documentary editors from Europe and Australia returned in 2006 to mount The Art of Documentary Editing. Some of the young Burmese men and women on this residential course had previous experience of editing but several had never touched an edit suite in their lives. After the success of the pioneering Art of Documentary Filmmaking workshop held in Yangon, Myanmar in 2005, Anglo-Burmese filmmaker Lindsey Merrison and four experienced documentary editors from Europe and Australia returned in 2006 to mount The Art of Documentary Editing. Some of the young Burmese men and women on this residential course had previous experience of editing but several had never touched an edit suite in their lives. For one month, course participants and tutors worked side by side to shape eight short documentaries from material filmed by the participants prior to the workshop - often under difficult circumstances. Learning to identify the strengths and weaknesses of their rushes, participants battled to create storylines and find the right rhythm for their films. Nerve-wracking screenings of works-in-progress before the whole group provided crucial feedback and helped these budding filmmakers to think about the form and content of all the films. This DVD features all eight films produced during the Art of Documentary Editing workshop. It also contains a short film about the workshop itself, including comments from participants and tutors. Not only do these works reflect an intriguing range of subjects and approaches - from observational to experimental - they also reveal their creators' gradual appreciation of the subtleties of the documentary genre, as well as their growing confidence as filmmakers.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Lindsey Merrison, 1959-
Author / Creator
Lindsey Merrison, 1959-
Date Published / Released
2006
Publisher
Documentary Educational Resources (DER)
Series
The Art of Documentary Editing
Topic / Theme
Burmese, Filmmaking industry, Film and films, Students, Education, Manuscript preparation, Ethnography
Copyright Message
© Documentary Educational Resources
×
See details
The Art of Documentary Editing, Like Father, Like Son
written by Lindsey Merrison, 1959-; directed by Lindsey Merrison, 1959-, in The Art of Documentary Editing (Watertown, MA: Documentary Educational Resources (DER), 2006), 14 mins
After the success of the pioneering Art of Documentary Filmmaking workshop held in Yangon, Myanmar in 2005, Anglo-Burmese filmmaker Lindsey Merrison and four experienced documentary editors from Europe and Australia returned in 2006 to mount The Art of Documentary Editing. Some of the young Burmese men and women o...
Sample
written by Lindsey Merrison, 1959-; directed by Lindsey Merrison, 1959-, in The Art of Documentary Editing (Watertown, MA: Documentary Educational Resources (DER), 2006), 14 mins
Description
After the success of the pioneering Art of Documentary Filmmaking workshop held in Yangon, Myanmar in 2005, Anglo-Burmese filmmaker Lindsey Merrison and four experienced documentary editors from Europe and Australia returned in 2006 to mount The Art of Documentary Editing. Some of the young Burmese men and women on this residential course had previous experience of editing but several had never touched an edit suite in their lives. After the succ...
After the success of the pioneering Art of Documentary Filmmaking workshop held in Yangon, Myanmar in 2005, Anglo-Burmese filmmaker Lindsey Merrison and four experienced documentary editors from Europe and Australia returned in 2006 to mount The Art of Documentary Editing. Some of the young Burmese men and women on this residential course had previous experience of editing but several had never touched an edit suite in their lives. After the success of the pioneering Art of Documentary Filmmaking workshop held in Yangon, Myanmar in 2005, Anglo-Burmese filmmaker Lindsey Merrison and four experienced documentary editors from Europe and Australia returned in 2006 to mount The Art of Documentary Editing. Some of the young Burmese men and women on this residential course had previous experience of editing but several had never touched an edit suite in their lives. For one month, course participants and tutors worked side by side to shape eight short documentaries from material filmed by the participants prior to the workshop - often under difficult circumstances. Learning to identify the strengths and weaknesses of their rushes, participants battled to create storylines and find the right rhythm for their films. Nerve-wracking screenings of works-in-progress before the whole group provided crucial feedback and helped these budding filmmakers to think about the form and content of all the films. This DVD features all eight films produced during the Art of Documentary Editing workshop. It also contains a short film about the workshop itself, including comments from participants and tutors. Not only do these works reflect an intriguing range of subjects and approaches - from observational to experimental - they also reveal their creators' gradual appreciation of the subtleties of the documentary genre, as well as their growing confidence as filmmakers.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Lindsey Merrison, 1959-
Author / Creator
Lindsey Merrison, 1959-
Date Published / Released
2006
Publisher
Documentary Educational Resources (DER)
Series
The Art of Documentary Editing
Topic / Theme
Burmese, Filmmaking industry, Film and films, Students, Education, Manuscript preparation, Ethnography
Copyright Message
© Documentary Educational Resources
×
See details
The Art of Documentary Filmmaking, Girls Like Us
written by Lindsey Merrison, 1959-; directed by Lindsey Merrison, 1959-, in The Art of Documentary Filmmaking (Watertown, MA: Documentary Educational Resources (DER), 2005), 15 mins
At the end of 2005, Anglo-Burmese filmmaker Lindsey Merrison brought together eight tutors well-versed in documentary from Europe and Australia with twelve young Burmese men and women for a three-week workshop entitled 'The Art of Documentary Filmmaking.' The venue was a quiet hotel in Myanmar's capital, Yangon.
Sample
written by Lindsey Merrison, 1959-; directed by Lindsey Merrison, 1959-, in The Art of Documentary Filmmaking (Watertown, MA: Documentary Educational Resources (DER), 2005), 15 mins
Description
At the end of 2005, Anglo-Burmese filmmaker Lindsey Merrison brought together eight tutors well-versed in documentary from Europe and Australia with twelve young Burmese men and women for a three-week workshop entitled 'The Art of Documentary Filmmaking.' The venue was a quiet hotel in Myanmar's capital, Yangon. At the end of 2005, Anglo-Burmese filmmaker Lindsey Merrison brought together eight tutors well-versed in documentary from Europe and Au...
At the end of 2005, Anglo-Burmese filmmaker Lindsey Merrison brought together eight tutors well-versed in documentary from Europe and Australia with twelve young Burmese men and women for a three-week workshop entitled 'The Art of Documentary Filmmaking.' The venue was a quiet hotel in Myanmar's capital, Yangon. At the end of 2005, Anglo-Burmese filmmaker Lindsey Merrison brought together eight tutors well-versed in documentary from Europe and Australia with twelve young Burmese men and women for a three-week workshop entitled "The Art of Documentary Filmmaking." The venue was a quiet hotel in Myanmar's capital, Yangon. The Burmese participants had little or no prior knowledge of filming stories from real life. A task that would have been daunting in any country posed a particular challenge in autocratic Myanmar, where documenting reality is a risky undertaking for those on both sides of the camera. All the more remarkable then, that, 21 days later, the participants on this residential course had learned how to handle the equipment, grappled with the artistic and ethical aspects of the genre, and researched, wrote, and filmed four short documentary portraits inspired by the subject of "Women in Myanmar." The greatest achievement of the event could well have been the impetus and direction it gave to these budding filmmakers, all of whom are already developing new projects. The DVD features the four final films made by the participants. It also includes the participants' first film exercise and a video diary chronicling the workshop itself. Together, these works provide a vibrant record of a surprisingly rewarding encounter
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Lindsey Merrison, 1959-
Author / Creator
Lindsey Merrison, 1959-
Date Published / Released
2005
Publisher
Documentary Educational Resources (DER)
Series
The Art of Documentary Filmmaking
Speaker / Narrator
Lindsey Merrison, 1959-
Topic / Theme
Burmese, Women, Memories, Film and films, Students, Education, Filmmaking industry, Ethnography
Copyright Message
© Documentary Educational Resources
×
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The Artist's Salary (Le Salaire de l'Artiste)
written by Laurent Veuve, fl. 2000 and Jacqueline Veuve, 1930-2013; directed by Jacqueline Veuve, 1930-2013 and Laurent Veuve, fl. 2000 (Watertown, MA: Documentary Educational Resources (DER), 2000), 55 mins
From 1989 to 2000, Jacqueline Veuve, together with cameraman Milivoj Ivkovic, followed the life of a young artist, her son, Laurent Veuve who lived in New York with his family. To these 11 years of filming are added some extracts from a short film of 1968 about Laurent, then aged 7, and a sequence in 1986 done by...
Sample
written by Laurent Veuve, fl. 2000 and Jacqueline Veuve, 1930-2013; directed by Jacqueline Veuve, 1930-2013 and Laurent Veuve, fl. 2000 (Watertown, MA: Documentary Educational Resources (DER), 2000), 55 mins
Description
From 1989 to 2000, Jacqueline Veuve, together with cameraman Milivoj Ivkovic, followed the life of a young artist, her son, Laurent Veuve who lived in New York with his family. To these 11 years of filming are added some extracts from a short film of 1968 about Laurent, then aged 7, and a sequence in 1986 done by Pascal Chevalley for the Télévision Suisse Romande. From 1989 to 2000, Jacqueline Veuve, together with cameraman Milivoj Ivkovic, fol...
From 1989 to 2000, Jacqueline Veuve, together with cameraman Milivoj Ivkovic, followed the life of a young artist, her son, Laurent Veuve who lived in New York with his family. To these 11 years of filming are added some extracts from a short film of 1968 about Laurent, then aged 7, and a sequence in 1986 done by Pascal Chevalley for the Télévision Suisse Romande. From 1989 to 2000, Jacqueline Veuve, together with cameraman Milivoj Ivkovic, followed the life of a young artist, her son, Laurent Veuve who lived in New York with his family. To these 11 years of filming are added some extracts from a short film of 1968 about Laurent, then aged 7, and a sequence in 1986 done by Pascal Chevalley for the Télévision Suisse Romande. Rapid success followed by failure forced the painter to reconsider his life choices and drove him to his present activity in Switzerland. The artist progressively became co-director and at last he could turn the camera on the film director (Jacqueline Veuve).
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Jacqueline Veuve, 1930-2013, Laurent Veuve, fl. 2000
Author / Creator
Laurent Veuve, fl. 2000, Jacqueline Veuve, 1930-2013
Date Published / Released
2000
Publisher
Documentary Educational Resources (DER)
Person Discussed
Laurent Veuve, fl. 2000
Topic / Theme
American, Swiss, Fine arts, Visual artists, Painting (Techniques), Ethnography, Americans
Copyright Message
© Documentary Educational Resources
×
