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Africa Avant Garde, 4, Africa Avant Garde, Episode 4
produced by Cable News Network (CNN), in Africa Avant Garde, 4 (Atlanta, GA: CNN Newsource Sales, 2019), 23 mins
Meet some of the continent’s brightest and most eloquent cultural ambassadors who tell us why Africa is more important and relevant than ever.
Sample
produced by Cable News Network (CNN), in Africa Avant Garde, 4 (Atlanta, GA: CNN Newsource Sales, 2019), 23 mins
Description
Meet some of the continent’s brightest and most eloquent cultural ambassadors who tell us why Africa is more important and relevant than ever.
Field of Study
Art & Architecture
Content Type
News story
Contributor
Cable News Network (CNN)
Date Published / Released
2019
Publisher
CNN Newsource Sales
Series
Africa Avant Garde
Speaker / Narrator
Sarah Diouf, Tokini Peterside, Ben Okri, 1959-, Grace Ladoja
Person Discussed
Sarah Diouf, Tokini Peterside, Ben Okri, 1959-, Grace Ladoja
Topic / Theme
Singers, Photographers, Visual artists, Popular culture, Poets, Fashion
Copyright Message
Copyright © 2019 CNN Newsource Sales, Inc.
Subject
Singers, Photographers, Visual artists, Popular culture, Poets, Fashion
×
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Contact, Ep. 2: Steve McCurry – 9/11
directed by Mario Paloschi and Gianluigi Attorre; produced by Mario Paloschi and Gianluigi Attorre, Ballandi/Arts and Magnum Photos; performed by Steve McCurry, 1950-, in Contact (First Hand Films, 2013), 27 mins
Contact sheets are the first overview for the photographer of what he has captured on film. They give a unique and intimate view of the style, methods and thoughts of the artist. Henri Cartier - Bresson himself, founder of the Magnum Photo agency, was strongly opposed to the idea of disclosing his contact sheets....
Sample
directed by Mario Paloschi and Gianluigi Attorre; produced by Mario Paloschi and Gianluigi Attorre, Ballandi/Arts and Magnum Photos; performed by Steve McCurry, 1950-, in Contact (First Hand Films, 2013), 27 mins
Description
Contact sheets are the first overview for the photographer of what he has captured on film. They give a unique and intimate view of the style, methods and thoughts of the artist. Henri Cartier - Bresson himself, founder of the Magnum Photo agency, was strongly opposed to the idea of disclosing his contact sheets. However, this series reveals that the process by which an image is chosen reveals the multi - layered meeting point between the photogr...
Contact sheets are the first overview for the photographer of what he has captured on film. They give a unique and intimate view of the style, methods and thoughts of the artist. Henri Cartier - Bresson himself, founder of the Magnum Photo agency, was strongly opposed to the idea of disclosing his contact sheets. However, this series reveals that the process by which an image is chosen reveals the multi - layered meeting point between the photographer's personal style and philosophy and the subject being captured on the other side of the lens.
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Field of Study
Film
Content Type
Documentary
Performer / Ensemble
Steve McCurry, 1950-
Contributor
Giuseppe Malpasso, Mario Paloschi, Gianluigi Attorre, Ballandi/Arts, Magnum Photos, Leslie La Penna
Author / Creator
Mario Paloschi, Gianluigi Attorre, Steve McCurry, 1950-
Date Published / Released
2013
Publisher
First Hand Films
Series
Contact
Speaker / Narrator
Leslie La Penna
Topic / Theme
Photographers, September 11 Terrorist Attacks, 2001, Himself 1
Copyright Message
Copyright © 2014 Film Platform
Subject
Photographers
×
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Contact, Ep. 7: Thomas Hoepker – Muhammad Ali
directed by Mario Paloschi and Gianluigi Attorre; produced by Mario Paloschi and Gianluigi Attorre, Ballandi/Arts and Magnum Photos, in Contact (First Hand Films, 2013), 27 mins
Contact sheets are the first overview for the photographer of what he has captured on film. They give a unique and intimate view of the style, methods and thoughts of the artist. Henri Cartier - Bresson himself, founder of the Magnum Photo agency, was strongly opposed to the idea of disclosing his contact sheets....
Sample
directed by Mario Paloschi and Gianluigi Attorre; produced by Mario Paloschi and Gianluigi Attorre, Ballandi/Arts and Magnum Photos, in Contact (First Hand Films, 2013), 27 mins
Description
Contact sheets are the first overview for the photographer of what he has captured on film. They give a unique and intimate view of the style, methods and thoughts of the artist. Henri Cartier - Bresson himself, founder of the Magnum Photo agency, was strongly opposed to the idea of disclosing his contact sheets. However, this series reveals that the process by which an image is chosen reveals the multi - layered meeting point between the photogr...
Contact sheets are the first overview for the photographer of what he has captured on film. They give a unique and intimate view of the style, methods and thoughts of the artist. Henri Cartier - Bresson himself, founder of the Magnum Photo agency, was strongly opposed to the idea of disclosing his contact sheets. However, this series reveals that the process by which an image is chosen reveals the multi - layered meeting point between the photographer's personal style and philosophy and the subject being captured on the other side of the lens.
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Field of Study
Art & Architecture
Content Type
Documentary
Contributor
Mario Paloschi, Gianluigi Attorre, Ballandi/Arts, Magnum Photos, Ezio Conenna
Author / Creator
Mario Paloschi, Gianluigi Attorre
Date Published / Released
2013
Publisher
First Hand Films
Series
Contact
Speaker / Narrator
Thomas Hoepker, 1936-, Ezio Conenna
Person Discussed
Thomas Hoepker, 1936-, Muhammad Ali, fl. 2012-2014
Topic / Theme
Photographers
Copyright Message
Copyright © 2014 Film Platform
Subject
Photographers
×
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IMAGO Meret Oppenheim
directed by Pamela Robertson-Pearce, fl. 1980 (Privately Published), 1 hour 27 mins
IMAGO Meret Oppenheim is an award-winning film about the major Swiss artist Meret Oppenheim, whose fame rests on the surrealist masterpiece, the Furlined Teacup. This feature-length documentary creates a moving portrait of this inspiring woman through a poetic presentation of the themes that dominated her life and...
Sample
directed by Pamela Robertson-Pearce, fl. 1980 (Privately Published), 1 hour 27 mins
Description
IMAGO Meret Oppenheim is an award-winning film about the major Swiss artist Meret Oppenheim, whose fame rests on the surrealist masterpiece, the Furlined Teacup. This feature-length documentary creates a moving portrait of this inspiring woman through a poetic presentation of the themes that dominated her life and art. Beautifully narrated by Glenda Jackson, a two-time Academy Award-winner, the film explores her creative crisis & transformation,...
IMAGO Meret Oppenheim is an award-winning film about the major Swiss artist Meret Oppenheim, whose fame rests on the surrealist masterpiece, the Furlined Teacup. This feature-length documentary creates a moving portrait of this inspiring woman through a poetic presentation of the themes that dominated her life and art. Beautifully narrated by Glenda Jackson, a two-time Academy Award-winner, the film explores her creative crisis & transformation, Paris of the Surrealists, Jungian psychology, Nature, feminism, the playful and the androgyne. A film about a woman, who was able to transform herself after a long crisis. A meditative film about her, without her, that tells the story of her life and art, based on her words, letters, poems and dreams. An intimate film about Meret Oppenheim, who for many in Europe has become a role-model. IMAGO Meret Oppenheim had a successful theatrical release in Switzerland, becoming the best attended documentary of the year, and it had a cinema release in Germany. The film has been invited to several important film festivals in Europe and America. IMAGO has been awarded the prestigious Prize for Outstanding Quality by the Swiss Film Board and has received the Gold Apple Award at the National Educational Film and Video Festival in America, one of the key festivals for special-interest media. IMAGO Meret Oppenheim had its North American theatrical premiere in Boston in October 1990 and was reviewed by Jay Carr of the Boston Globe.
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Field of Study
Art & Architecture
Content Type
Documentary
Author / Creator
Pamela Robertson-Pearce, fl. 1980
Date Published / Released
1988
Publisher
Privately Published
Topic / Theme
Photographers, Artists
Copyright Message
Copyright © 1996 Pamela Robertson-Pearce
Subject
Photographers, Artists
×
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Africa Avant Garde, 301, Photography
produced by Cable News Network (CNN), in Africa Avant Garde, 301 (Atlanta, GA: CNN Newsource Sales, 2021), 23 mins
From Nigeria and South Africa to Mauritius and Kenya, we criss-cross the continent in the company of some of Africa’s finest photographers.
Sample
produced by Cable News Network (CNN), in Africa Avant Garde, 301 (Atlanta, GA: CNN Newsource Sales, 2021), 23 mins
Description
From Nigeria and South Africa to Mauritius and Kenya, we criss-cross the continent in the company of some of Africa’s finest photographers.
Field of Study
Art & Architecture
Content Type
News story
Contributor
Cable News Network (CNN)
Date Published / Released
2021
Publisher
CNN Newsource Sales
Series
Africa Avant Garde
Speaker / Narrator
Brian Siambi, Eric Lee, Kristin-Lee Moolman, Kola Oshalusi
Person Discussed
Brian Siambi, Eric Lee, Kristin-Lee Moolman, Kola Oshalusi
Topic / Theme
Photographers, Photography
Copyright Message
Copyright © 2021 CNN Newsource Sales, Inc.
Subject
Photographers, Photography
×
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Contact, Ep. 8: Stuart Franklin – Tienanmen Square
directed by Mario Paloschi and Gianluigi Attorre; produced by Mario Paloschi and Gianluigi Attorre, Ballandi/Arts and Magnum Photos, in Contact (First Hand Films, 2013), 26 mins
Contact sheets are the first overview for the photographer of what he has captured on film. They give a unique and intimate view of the style, methods and thoughts of the artist. Henri Cartier - Bresson himself, founder of the Magnum Photo agency, was strongly opposed to the idea of disclosing his contact sheets....
Sample
directed by Mario Paloschi and Gianluigi Attorre; produced by Mario Paloschi and Gianluigi Attorre, Ballandi/Arts and Magnum Photos, in Contact (First Hand Films, 2013), 26 mins
Description
Contact sheets are the first overview for the photographer of what he has captured on film. They give a unique and intimate view of the style, methods and thoughts of the artist. Henri Cartier - Bresson himself, founder of the Magnum Photo agency, was strongly opposed to the idea of disclosing his contact sheets. However, this series reveals that the process by which an image is chosen reveals the multi - layered meeting point between the photogr...
Contact sheets are the first overview for the photographer of what he has captured on film. They give a unique and intimate view of the style, methods and thoughts of the artist. Henri Cartier - Bresson himself, founder of the Magnum Photo agency, was strongly opposed to the idea of disclosing his contact sheets. However, this series reveals that the process by which an image is chosen reveals the multi - layered meeting point between the photographer's personal style and philosophy and the subject being captured on the other side of the lens.
Show more
Show less
Field of Study
Art & Architecture
Content Type
Documentary
Contributor
Mario Paloschi, Gianluigi Attorre, Ballandi/Arts, Magnum Photos, Ezio Conenna
Author / Creator
Mario Paloschi, Gianluigi Attorre
Date Published / Released
2013
Publisher
First Hand Films
Series
Contact
Speaker / Narrator
Stuart Franklin, Ezio Conenna
Person Discussed
Stuart Franklin
Topic / Theme
Photographers, Political demonstrations
Copyright Message
Copyright © 2014 Film Platform
Subject
Photographers, Political demonstrations
×
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Contact, Season 1, Episode 9, Guy Le Querrec – Miles Davis
directed by Gianluigi Attorre and Mario Paloschi; produced by Gianluigi Attorre and Mario Paloschi, Ballandi/Arts, Magnum Photos and First Hand Films, in Contact, Season 1, Episode 9 (Zurich, Zurich Canton: First Hand Films, 2014), 26 mins
Contact sheets are the first overview for the photographer of what he has captured on film. They give a unique and intimate view of the style, methods and thoughts of the artist. Henri Cartier - Bresson himself, founder of the Magnum Photo agency, was strongly opposed to the idea of disclosing his contact sheets....
Sample
directed by Gianluigi Attorre and Mario Paloschi; produced by Gianluigi Attorre and Mario Paloschi, Ballandi/Arts, Magnum Photos and First Hand Films, in Contact, Season 1, Episode 9 (Zurich, Zurich Canton: First Hand Films, 2014), 26 mins
Description
Contact sheets are the first overview for the photographer of what he has captured on film. They give a unique and intimate view of the style, methods and thoughts of the artist. Henri Cartier - Bresson himself, founder of the Magnum Photo agency, was strongly opposed to the idea of disclosing his contact sheets. However, this series reveals that the process by which an image is chosen reveals the multi - layered meeting point between the photogr...
Contact sheets are the first overview for the photographer of what he has captured on film. They give a unique and intimate view of the style, methods and thoughts of the artist. Henri Cartier - Bresson himself, founder of the Magnum Photo agency, was strongly opposed to the idea of disclosing his contact sheets. However, this series reveals that the process by which an image is chosen reveals the multi - layered meeting point between the photographer's personal style and philosophy and the subject being captured on the other side of the lens. General Audience
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Field of Study
Art & Architecture
Content Type
Documentary
Contributor
Gianluigi Attorre, Mario Paloschi, Ballandi/Arts, Magnum Photos, First Hand Films, Leslie La Penna
Author / Creator
Gianluigi Attorre, Mario Paloschi
Date Published / Released
2014
Publisher
First Hand Films
Series
Contact
Speaker / Narrator
Guy Le Querrec, 1941-, Leslie La Penna
Person Discussed
Guy Le Querrec, 1941-, Miles Davis, 1926-1991
Topic / Theme
Jazz music, Photographs, Photographers, Photography
Copyright Message
Copyright © 2014 Film Platform
Subject
Jazz music, Photographs, Photographers, Photography
×
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Daily Watch, Meet Blind Photographer Mickel Smithen
produced by The Economist, in Daily Watch (London, England: The Economist, 2016), 4 mins
Mickel Smithen has been legally blind since he was five years old—but that hasn't stopped him from becoming a published photographer. Discover how he uses all of his senses to help capture an image.
Sample
produced by The Economist, in Daily Watch (London, England: The Economist, 2016), 4 mins
Description
Mickel Smithen has been legally blind since he was five years old—but that hasn't stopped him from becoming a published photographer. Discover how he uses all of his senses to help capture an image.
Field of Study
Art & Architecture
Content Type
News story
Contributor
The Economist, Mickel Smithen
Date Published / Released
2016
Publisher
The Economist
Series
Daily Watch
Speaker / Narrator
Mickel Smithen
Topic / Theme
Photography, Photographers, Blindness
Copyright Message
Copyright © 2020 The Economist
Subject
Photography, Photographers, Blindness
×
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Hidden Treasures - Inside the National Gallery of Australia, J.W. Lindt - The Mechanical Eye of the Camera
directed by John Hughes, fl. 1975; produced by Philippa Campey, fl. 2005 and John Hughes, fl. 1975, in Hidden Treasures - Inside the National Gallery of Australia (Canberra, Australian Capital Territory: Australia. National Film and Sound Archive, 2011), 6 mins
It's often said that the camera doesn't lie but the photograph can be manipulated like any other art form to influence the way we read it. This episode looks at three very different examples: the mid 19th century fashion to present family portraits as costumed tableaux with picturesque or exotic themes; J. W. Lind...
Sample
directed by John Hughes, fl. 1975; produced by Philippa Campey, fl. 2005 and John Hughes, fl. 1975, in Hidden Treasures - Inside the National Gallery of Australia (Canberra, Australian Capital Territory: Australia. National Film and Sound Archive, 2011), 6 mins
Description
It's often said that the camera doesn't lie but the photograph can be manipulated like any other art form to influence the way we read it. This episode looks at three very different examples: the mid 19th century fashion to present family portraits as costumed tableaux with picturesque or exotic themes; J. W. Lindt's 1880 photo of the body of bushranger Joe Byrne, which heralds the birth of photojournalism; and an iconic black-and-white image of...
It's often said that the camera doesn't lie but the photograph can be manipulated like any other art form to influence the way we read it. This episode looks at three very different examples: the mid 19th century fashion to present family portraits as costumed tableaux with picturesque or exotic themes; J. W. Lindt's 1880 photo of the body of bushranger Joe Byrne, which heralds the birth of photojournalism; and an iconic black-and-white image of 1950s European migration by David Moore, which was actually taken in colour in 1966 and, at the time, the family wasn't migrating at all!
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Field of Study
Art & Architecture
Content Type
Documentary
Contributor
Philippa Campey, fl. 2005, John Hughes, fl. 1975, Betty Churcher, 1931-2015
Author / Creator
John Hughes, fl. 1975
Date Published / Released
2006, 2011
Publisher
Australia. National Film and Sound Archive
Series
Hidden Treasures - Inside the National Gallery of Australia
Speaker / Narrator
Betty Churcher, 1931-2015
Person Discussed
J. W. Lindt, 1845-1926
Topic / Theme
Photographers, Photography
Copyright Message
A Film Australia National Interest Program in association with Early Works. Produced with the assistance of the Australian Broadcasting Corporation. Copyright © 2011 National Film and Sound Archive of Australia.
Subject
Photographers, Photography
×
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The Life and Work of Frank Hurley
produced by Anthony Buckley, 1937-, Chip Taylor Communications (Derry, NH: Chip Taylor Communications), 46 mins
Narrated by Leo McKern (Rumpole of the Bailey), this is a compelling biography of pioneer cameraman, war photographer, explorer, film director, writer, lecturer and broadcaster, Frank Hurley, one of the world's finest still photographers. From outback Australia to the deserts of the Middle East to Antarctica this...
Sample
produced by Anthony Buckley, 1937-, Chip Taylor Communications (Derry, NH: Chip Taylor Communications), 46 mins
Description
Narrated by Leo McKern (Rumpole of the Bailey), this is a compelling biography of pioneer cameraman, war photographer, explorer, film director, writer, lecturer and broadcaster, Frank Hurley, one of the world's finest still photographers. From outback Australia to the deserts of the Middle East to Antarctica this program shows his extraordinary skills and achievements. Featured are compelling images from historic pioneering expeditions, including...
Narrated by Leo McKern (Rumpole of the Bailey), this is a compelling biography of pioneer cameraman, war photographer, explorer, film director, writer, lecturer and broadcaster, Frank Hurley, one of the world's finest still photographers. From outback Australia to the deserts of the Middle East to Antarctica this program shows his extraordinary skills and achievements. Featured are compelling images from historic pioneering expeditions, including Sir Ernest Shackleton's legendary Antarctic Expedition abroad the Endurance. Also seen is Hurley’s footage of his expedition to New Guinea, his coverage of WW I and WW II, and an excerpt from his foray into feature films with The Jungle Woman in 1926.
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Field of Study
Art & Architecture
Content Type
Documentary
Contributor
Anthony Buckley, 1937-, Chip Taylor Communications, Leo McKern, 1920-2002
Date Published / Released
2008
Publisher
Chip Taylor Communications
Speaker / Narrator
Leo McKern, 1920-2002
Person Discussed
Sir Ernest H. Shackleton, 1874-1922
Topic / Theme
Photographers, Biographies, Photographs, Art & Architecture
Copyright Message
Copyright © 2013 by Chip Taylor Communications
Subject
Photographers, Biographies, Photographs
×
