16 results for your search
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Dark Night Of The Soul
directed by Prasanna Vithanage, 1962-; performed by Yashoda Wimaladharma, fl. 1993-2013, Ravindra Randeniya, fl. 1972-2013 and Swarna Mallawarachchi, fl. 1967-2013 (Sri Lanka: Privately Published), 1 hour 15 mins
Suwisal is a successful, middle-aged company director, but he has a melancholic personality and is very forgetful. His beautiful young fiance finds herself having to remind him of daily appointments, special occasions and routine things. Suwisal is a reluctant husband-to-be. He has casual relationships with other...
Sample
directed by Prasanna Vithanage, 1962-; performed by Yashoda Wimaladharma, fl. 1993-2013, Ravindra Randeniya, fl. 1972-2013 and Swarna Mallawarachchi, fl. 1967-2013 (Sri Lanka: Privately Published), 1 hour 15 mins
Description
Suwisal is a successful, middle-aged company director, but he has a melancholic personality and is very forgetful. His beautiful young fiance finds herself having to remind him of daily appointments, special occasions and routine things. Suwisal is a reluctant husband-to-be. He has casual relationships with other women and appears to be troubled by something deep in his psyche- something he tries to forget in order to maintain emotional stability...
Suwisal is a successful, middle-aged company director, but he has a melancholic personality and is very forgetful. His beautiful young fiance finds herself having to remind him of daily appointments, special occasions and routine things. Suwisal is a reluctant husband-to-be. He has casual relationships with other women and appears to be troubled by something deep in his psyche- something he tries to forget in order to maintain emotional stability. This stability is suddenly upset when he is called to serve on a jury at a murder trial. The defendant is a young sex worker accused of murdering a client. Suwisal recognizes her as Piyum, the young servant from his aunt's house, whom he knew twenty-five years ago. He had a sexual encounter with her and she became pregnant. But refused to see her again and help her through her difficulties. Suwisal is not sure if Piyum recognizes him. She says nothing. He is advised to remain in the jury and he votes with the majority to find her guilty as charged. She is sentenced to ten years imprisonment. But we see that it is Suwisal who has been sentenced to a lifetime of guilt, remorse and despair. He now feels he should share some responsibility for the life Piyum was forced to lead. He tries to lodge an appeal on her behalf but he is advised of consequences if his past becomes public knowledge. Suwisal persists, he visits Piyum in prison and offers her help. Festivals/Awards: Best New Asian Director, Pusan International Film Festival 1996; Amiens International Film Festival 1999; Fribourg Film Festival 1999; Pusan International Film Festival 1996; Hawaii International Film Festival 1996; Singapore International Film Festival 1996; Nantes Festival Of Three Continents 1996.
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Field of Study
Asian Studies
Content Type
Performance
Performer / Ensemble
Yashoda Wimaladharma, fl. 1993-2013, Ravindra Randeniya, fl. 1972-2013, Swarna Mallawarachchi, fl. 1967-2013
Author / Creator
Prasanna Vithanage, 1962-, Yashoda Wimaladharma, fl. 1993-2013, Ravindra Randeniya, fl. 1972-2013, Swarna Mallawarachchi, fl. 1967-2013
Date Published / Released
1996
Publisher
Privately Published
Topic / Theme
Health, Relationships
Copyright Message
Copyright © 1996 Used by permission of Prasanna Vithanage.
Awards Event
Busan International Film Festival
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Jalanan
directed by Daniel Ziv, fl. 2006; produced by Daniel Ziv, fl. 2006 (New York, NY: Filmakers Library, 2015), 1 hour 47 mins
A rare look at the vibrant subculture of Jakarta’s street buskers, JALANAN offers fascinating and occasionally heartbreaking insight into Indonesian urban life. Director-producer-cinematographer Daniel Ziv captures the beauty and risks of street life as charismatic buskers Titi, Ho and Boni struggle to make a li...
Sample
directed by Daniel Ziv, fl. 2006; produced by Daniel Ziv, fl. 2006 (New York, NY: Filmakers Library, 2015), 1 hour 47 mins
Description
A rare look at the vibrant subculture of Jakarta’s street buskers, JALANAN offers fascinating and occasionally heartbreaking insight into Indonesian urban life. Director-producer-cinematographer Daniel Ziv captures the beauty and risks of street life as charismatic buskers Titi, Ho and Boni struggle to make a living. He follows them as they play beautiful music on buses, in markets and on the streets. Personal struggles such as imprisonment, do...
A rare look at the vibrant subculture of Jakarta’s street buskers, JALANAN offers fascinating and occasionally heartbreaking insight into Indonesian urban life. Director-producer-cinematographer Daniel Ziv captures the beauty and risks of street life as charismatic buskers Titi, Ho and Boni struggle to make a living. He follows them as they play beautiful music on buses, in markets and on the streets. Personal struggles such as imprisonment, domestic violence, floods and family illness round out the lives of the musicians. We are also invited to the rural mountains to visit Titi’s family, which proves a poignant counterpart to the rush of the city. The film gives voice and exposure to the lives of Jakarta’s street buskers, and allows us to follow them out of the bus and into their homes. Ziv’s fearless exploration of this subculture is beautifully crafted, interweaving the three stories over several years as they find love, seek education and work to improve their lives. JALANAN is a captivating and ultimately unforgettable documentation of oral culture and marginalized urban lives.
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Field of Study
Asian Studies
Content Type
Documentary
Contributor
Daniel Ziv, fl. 2006
Author / Creator
Daniel Ziv, fl. 2006
Date Published / Released
2015
Publisher
Filmakers Library
Topic / Theme
Living conditions, Street theater, Performing arts life, Performing arts occupations, Performances, Indonesians
Copyright Message
Copyright © 2015 by Monoduo Films
Awards Event
Shanghai International Film Festival, Busan International Film Festival, Melbourne International Film Festival, Jogja-NETPAC Asian Film Festival, Edmonton International Film Festival
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Street Ballad: A Jakarta Story
directed by Daniel Ziv, fl. 2006; produced by Daniel Ziv, fl. 2006, DesaKota Productions (Berlin, Berlin State: Monoduo Films, 2014), 54 mins
JALANAN (‘Streetside’) tells the captivating story of Boni, Ho & Titi, three gifted, charismatic street musicians in Jakarta over a tumultuous 5-year period in their own lives and that of Indonesia. The film follows the young marginalized musicians and their never before seen sub-culture, while also painting a...
Sample
directed by Daniel Ziv, fl. 2006; produced by Daniel Ziv, fl. 2006, DesaKota Productions (Berlin, Berlin State: Monoduo Films, 2014), 54 mins
Description
JALANAN (‘Streetside’) tells the captivating story of Boni, Ho & Titi, three gifted, charismatic street musicians in Jakarta over a tumultuous 5-year period in their own lives and that of Indonesia. The film follows the young marginalized musicians and their never before seen sub-culture, while also painting a striking, moody and intimate portrait of Indonesia’s frenzied capital city. Using the powerful soundtrack of the musicians’ origin...
JALANAN (‘Streetside’) tells the captivating story of Boni, Ho & Titi, three gifted, charismatic street musicians in Jakarta over a tumultuous 5-year period in their own lives and that of Indonesia. The film follows the young marginalized musicians and their never before seen sub-culture, while also painting a striking, moody and intimate portrait of Indonesia’s frenzied capital city. Using the powerful soundtrack of the musicians’ original compositions to drive the film, it traces their elusive quest for identity and love in the day-to-day of a city overrun by the effects of globalization and corruption.
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Field of Study
Asian Studies
Content Type
Documentary
Contributor
Daniel Ziv, fl. 2006, DesaKota Productions
Author / Creator
Daniel Ziv, fl. 2006
Date Published / Released
2012, 2014
Publisher
Monoduo Films
Topic / Theme
Non-traditional jobs, Music careers, Performers, Poverty, Identity (Psychology), Social problems, Indonesians
Copyright Message
Copyright © 2014 by Monoduo Films
Awards Event
Jogja-NETPAC Asian Film Festival, Melbourne International Film Festival, Busan International Film Festival
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زندان زنان
directed by Manijeh Hekmat, 1962-; performed by Pegah Ahangarani, fl. 2001-2012, Roya Taymourian, 1959- and Roya Nonahali, 1961- (Iran: Iranian Independents), 1 hour 41 mins
Tahereh comes aboard this women's prison as the new warden. Tough and determined to get the prison into shape, she takes a harsh stance and believes that she can break each and every one of her inmates into submission. In particular, Mitra, who is in jail for having killed her abusive stepfather. Over the cours...
Sample
directed by Manijeh Hekmat, 1962-; performed by Pegah Ahangarani, fl. 2001-2012, Roya Taymourian, 1959- and Roya Nonahali, 1961- (Iran: Iranian Independents), 1 hour 41 mins
Description
Tahereh comes aboard this women's prison as the new warden. Tough and determined to get the prison into shape, she takes a harsh stance and believes that she can break each and every one of her inmates into submission. In particular, Mitra, who is in jail for having killed her abusive stepfather. Over the course of seventeen years, new inmates come and go, and the relationship between Mitra and Tahereh evolves. And through the life story of e...
Tahereh comes aboard this women's prison as the new warden. Tough and determined to get the prison into shape, she takes a harsh stance and believes that she can break each and every one of her inmates into submission. In particular, Mitra, who is in jail for having killed her abusive stepfather. Over the course of seventeen years, new inmates come and go, and the relationship between Mitra and Tahereh evolves. And through the life story of each inmate, their bonds, and their differences, we see a microcosm of the Iranian society in its post-revolution years. This is the debut feature film of Manijeh Hekmat, an industry veteran. Her daughter Pegah Ahangarani participates in the film playing the parts of Pegah, Sahar and Essy. Awards/Festivals: Amnesty International - DOEN Award, Rotterdam International Film Festival; Ecumenical Jury Award - Special Mention, Fribourg International Film Festival; Tribeca Film Fesstival; Gijon International Film Festival; Hawaii International Film Festival; Venice Film Festival; Bratislava International Film Festival; Vancouver International Film Festival.Singapore International Film Festival.
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Date Written / Recorded
2009-11-12
Field of Study
Asian Studies
Content Type
Performance
Performer / Ensemble
Pegah Ahangarani, fl. 2001-2012, Roya Taymourian, 1959-, Roya Nonahali, 1961-
Author / Creator
Manijeh Hekmat, 1962-, Pegah Ahangarani, fl. 2001-2012, Roya Taymourian, 1959-, Roya Nonahali, 1961-
Date Published / Released
2002
Publisher
Iranian Independents
Topic / Theme
Prisons, Relationships
Copyright Message
Copyright © 2002 Used by permission of Iranian Independents.
Awards Event
International Film Festival Rotterdam, Busan International Film Festival, Hawaii International Film Festival, Gijón International Film Festival, Fribourg International Film Festival, Chicago International Film Festival, International Film Festival Bratislava
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모텔 선인장
directed by Park Ki-yong, 1961- and Bong Joon Ho, 1969-; performed by Woo-sung Jung, 1973-, Hee-kyung Jin, 1968- and Woong-soo Han, fl. 1997 (South Korea: Privately Published), 1 hour 32 mins
Seemingly voyeuristic in its approach, Motel Cactus is a steamy narrative of people's lives and relationships, all of which takes place in a single, seedy motel room in Seoul. The film consists of four separate stories that illuminate the complexity of the human condition. In the first encounter Choi chooses to s...
Sample
directed by Park Ki-yong, 1961- and Bong Joon Ho, 1969-; performed by Woo-sung Jung, 1973-, Hee-kyung Jin, 1968- and Woong-soo Han, fl. 1997 (South Korea: Privately Published), 1 hour 32 mins
Description
Seemingly voyeuristic in its approach, Motel Cactus is a steamy narrative of people's lives and relationships, all of which takes place in a single, seedy motel room in Seoul. The film consists of four separate stories that illuminate the complexity of the human condition. In the first encounter Choi chooses to spend her birthday with her boyfriend Lee Min-Koo at the motel, because it is the only place she feels entirely secure with him. Next, f...
Seemingly voyeuristic in its approach, Motel Cactus is a steamy narrative of people's lives and relationships, all of which takes place in a single, seedy motel room in Seoul. The film consists of four separate stories that illuminate the complexity of the human condition. In the first encounter Choi chooses to spend her birthday with her boyfriend Lee Min-Koo at the motel, because it is the only place she feels entirely secure with him. Next, film student Sung Joon-Ki rents the room to shoot a scene for his filmmaking project, but while waiting for the cameraman to show up he and the actress become physically intimate. In the third story an older couple, Kim Suk-Tae and Choi Hyun-Joo, heavily intoxicated after drinking at a bar, use the room for a one night stand. Finally, a recent divorcee rents the room to reconnect with her old flame. The four stages of romantic relationships presented in this first film by Park Ki-yong provide an original look at modern sexual loneliness and desire. Movie trivia - Shot by Chris Doyle, look out for a linking shot of a prop that shows up in Wong Kar Wai's Happy Together, which Doyle was also shooting at the time. Awards/Festivals: New Currents Award Pusan International Film Festival 1997; FIPRESCI Prize - Special Mention and Nominated Tiger Award Rotterdam International Film Festival 1998; Singapore International Film Festival 1998.
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Field of Study
Asian Studies
Content Type
Performance
Performer / Ensemble
Woo-sung Jung, 1973-, Hee-kyung Jin, 1968-, Woong-soo Han, fl. 1997
Author / Creator
Park Ki-yong, 1961-, Bong Joon Ho, 1969-, Woo-sung Jung, 1973-, Hee-kyung Jin, 1968-, Woong-soo Han, fl. 1997
Date Published / Released
1997
Publisher
Privately Published
Topic / Theme
Romantic relationships
Copyright Message
Copyright © 1997 Used by permission of Park Ki Yong.
Awards Event
International Film Festival Rotterdam, Busan International Film Festival
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웰랑 뜨레이
directed by Kim Tae-il, fl. 2005-2012 (Seoul, Seoul-si: CinemaDAL, 2012), 1 hour 21 mins
Mondulkiri is surrounded by jungle forest bordering Vietnam. In the past, colonialism and civil wars devastated the area. And now, invisible capitalism is turning the lives of the Bunong indigenous people in Mondulkiri upside down. Threi and his wife live with his parents and five children. The entire family depen...
Sample
directed by Kim Tae-il, fl. 2005-2012 (Seoul, Seoul-si: CinemaDAL, 2012), 1 hour 21 mins
Description
Mondulkiri is surrounded by jungle forest bordering Vietnam. In the past, colonialism and civil wars devastated the area. And now, invisible capitalism is turning the lives of the Bunong indigenous people in Mondulkiri upside down. Threi and his wife live with his parents and five children. The entire family depends on subsistence rice farming for a living. But the crop yields drop every year. Hoping to afford to buy rice, they plant Dum Long (ca...
Mondulkiri is surrounded by jungle forest bordering Vietnam. In the past, colonialism and civil wars devastated the area. And now, invisible capitalism is turning the lives of the Bunong indigenous people in Mondulkiri upside down. Threi and his wife live with his parents and five children. The entire family depends on subsistence rice farming for a living. But the crop yields drop every year. Hoping to afford to buy rice, they plant Dum Long (cassava). Due to unusually hot weather, however, it rots rapidly and the prices go down. Hard work no longer leads to self sustainability. Outsiders keep hijacking the Bunong land and the indigenous people are losing their homes. Nevertheless, they don't give up.
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Field of Study
Asian Studies
Content Type
Documentary
Author / Creator
Kim Tae-il, fl. 2005-2012
Date Published / Released
2012-10-07
Publisher
CinemaDAL
Topic / Theme
Korean people, Farm life
Copyright Message
Copyright © 2012 by CinemaDAL
Awards Event
Busan International Film Festival
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처음 만난 사람들 = Hello, Stranger
written by Kim Dong-hyun, fl. 2006-2013; directed by Kim Dong-hyun, fl. 2006-2013; produced by Jin-Soo Park, fl. 2002-2011 and Kim Dong-hyun, fl. 2006-2013; performed by Su Quang, fl. 2007-2015, Hee-jin Choi, fl. 2004-2010 and In-soo Park, fl. 2007-2010 (Seoul, Seoul-si: IndieStory, 2007), 1 hour 52 mins
Jin-wook is a North Korean defector, who has just graduated from a center for adjusting to South Korea and is now ready to enter the 'real society.' On his first day of moving to a humble apartment, Jin-wook goes out to buy a blanket and then is shocked by the display of capitalism in a megastore nearby. That nigh...
Sample
written by Kim Dong-hyun, fl. 2006-2013; directed by Kim Dong-hyun, fl. 2006-2013; produced by Jin-Soo Park, fl. 2002-2011 and Kim Dong-hyun, fl. 2006-2013; performed by Su Quang, fl. 2007-2015, Hee-jin Choi, fl. 2004-2010 and In-soo Park, fl. 2007-2010 (Seoul, Seoul-si: IndieStory, 2007), 1 hour 52 mins
Description
Jin-wook is a North Korean defector, who has just graduated from a center for adjusting to South Korea and is now ready to enter the 'real society.' On his first day of moving to a humble apartment, Jin-wook goes out to buy a blanket and then is shocked by the display of capitalism in a megastore nearby. That night, Jin-wook gets lost and coincidently gets on a taxi, which another North Korean defector Hae-jung drives. Hae-jung and Jin-wook who b...
Jin-wook is a North Korean defector, who has just graduated from a center for adjusting to South Korea and is now ready to enter the 'real society.' On his first day of moving to a humble apartment, Jin-wook goes out to buy a blanket and then is shocked by the display of capitalism in a megastore nearby. That night, Jin-wook gets lost and coincidently gets on a taxi, which another North Korean defector Hae-jung drives. Hae-jung and Jin-wook who both are new to Seoul try to find his apartment, but can't find it. When morning breaks, Hae-jung leaves and Jin-wook finally finds home. A few days later, Jin-wook travels to Busan to meet his other North Korean defector friends, but encounters an illegal foreign worker, Ting-woon from Vietnam on the way. Even though they don't understand each other’s languages, Jin-wook accompanies Ting-woon to Booan in Chollabookdo, where Ting-woon’s girlfriend from Vietnam is to marry a Korean man.
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Date Written / Recorded
2007
Field of Study
Film
Content Type
Performance
Performer / Ensemble
Su Quang, fl. 2007-2015, Hee-jin Choi, fl. 2004-2010, In-soo Park, fl. 2007-2010
Contributor
Jeong-ok Oh, fl. 2007, Jin-Soo Park, fl. 2002-2011, Kim Dong-hyun, fl. 2006-2013, Lee Joon-ho, 1990-
Author / Creator
Kim Dong-hyun, fl. 2006-2013, Su Quang, fl. 2007-2015, Hee-jin Choi, fl. 2004-2010, In-soo Park, fl. 2007-2010
Date Published / Released
2007
Publisher
IndieStory
Topic / Theme
Friendships, Immigrant populations, Korean people, African Americans
Copyright Message
Copyright © 2007 by Indiestory
Awards Event
Busan International Film Festival
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Broken Night
directed by Yang HyoJoo, 1985-; performed by Lee Min-Ji, 1984-, In-gi Jeong, fl. 2010 and Joo-wan Han, fl. 2010 (South Korea: Korea National University of Arts, 2010), 23 mins
This South Korean, award-winning film was directed by Hyo-joo Yang and features Joo-wan Han, In-gi Jeong, and Min-Ji Lee.
Sample
directed by Yang HyoJoo, 1985-; performed by Lee Min-Ji, 1984-, In-gi Jeong, fl. 2010 and Joo-wan Han, fl. 2010 (South Korea: Korea National University of Arts, 2010), 23 mins
Description
This South Korean, award-winning film was directed by Hyo-joo Yang and features Joo-wan Han, In-gi Jeong, and Min-Ji Lee.
Date Written / Recorded
2110
Field of Study
Film
Content Type
Performance
Performer / Ensemble
Lee Min-Ji, 1984-, In-gi Jeong, fl. 2010, Joo-wan Han, fl. 2010
Author / Creator
Yang HyoJoo, 1985-, Lee Min-Ji, 1984-, In-gi Jeong, fl. 2010, Joo-wan Han, fl. 2010
Date Published / Released
2010
Publisher
Korea National University of Arts
Topic / Theme
Afghan people, American Indians
Copyright Message
Copyright © 2010 Used by permission of Korea National University of Arts.
Awards Event
Busan International Film Festival, Berlin International Film Festival
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Reaching Silence
directed by Jahar Kanungo, fl. 2005; performed by Kaushiki Chakraborty, Sudeshna Basu, fl. 2005 and Trina Nileena Banerjee, 1981- (India: Kanungo Media Pvt. Ltd.), 1 hour 28 mins
Nisshabdh is a contemplative film about Sarit (Kaushik Chakravarty), a young man whose job as a door-to-door salesman suffers as a result of his mounting sensitivity to sound. When visits to doctors and gurus fail to alleviate his problem, Sarit decides to escape the urban clamor of Bombay city and journeys to th...
Sample
directed by Jahar Kanungo, fl. 2005; performed by Kaushiki Chakraborty, Sudeshna Basu, fl. 2005 and Trina Nileena Banerjee, 1981- (India: Kanungo Media Pvt. Ltd.), 1 hour 28 mins
Description
Nisshabdh is a contemplative film about Sarit (Kaushik Chakravarty), a young man whose job as a door-to-door salesman suffers as a result of his mounting sensitivity to sound. When visits to doctors and gurus fail to alleviate his problem, Sarit decides to escape the urban clamor of Bombay city and journeys to the sleepy village in which his childhood friend lives. In the village he is introduced to a young, vivacious woman who tries to understa...
Nisshabdh is a contemplative film about Sarit (Kaushik Chakravarty), a young man whose job as a door-to-door salesman suffers as a result of his mounting sensitivity to sound. When visits to doctors and gurus fail to alleviate his problem, Sarit decides to escape the urban clamor of Bombay city and journeys to the sleepy village in which his childhood friend lives. In the village he is introduced to a young, vivacious woman who tries to understand his quirky nature. However, the relationship is thwarted by Sarit's continued obsession with attaining silence. Awards/Festivals: Indian Competition Award, Best Film and Best Actress, Cinefan - Festival of Asian and Arab Cinema 2005.
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Date Written / Recorded
2009-10-19
Field of Study
Asian Studies
Content Type
Performance
Performer / Ensemble
Kaushiki Chakraborty, Sudeshna Basu, fl. 2005, Trina Nileena Banerjee, 1981-
Author / Creator
Jahar Kanungo, fl. 2005, Kaushiki Chakraborty, Sudeshna Basu, fl. 2005, Trina Nileena Banerjee, 1981-
Date Published / Released
2005
Publisher
Kanungo Media Pvt. Ltd.
Topic / Theme
Communication, Relationships
Copyright Message
Copyright © 2005 Used by permission of Kanungo Media Pvt. Ltd.
Awards Event
Vesoul Asian Film Festival, Busan International Film Festival, Osian's Cinefan Festival of Asian and Arab Cinema
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Rui Ka Bojh
directed by Subhash Agrawal; performed by Raghuvir Yadav, 1957-, Reema Lagoo, fl. 1980 and Pankaj Kapur (India: National Film Development Corporation Ltd), 1 hour 51 mins
In this family drama, the plot of which is reminiscent of Shakespeare's King Lear, a self-respecting wise old man decides to divide his property among his family. He settles down with his youngest son and soon realizes that without his wealth he is nobody. His sons treat him like a burden; his grandchildren laugh...
Sample
directed by Subhash Agrawal; performed by Raghuvir Yadav, 1957-, Reema Lagoo, fl. 1980 and Pankaj Kapur (India: National Film Development Corporation Ltd), 1 hour 51 mins
Description
In this family drama, the plot of which is reminiscent of Shakespeare's King Lear, a self-respecting wise old man decides to divide his property among his family. He settles down with his youngest son and soon realizes that without his wealth he is nobody. His sons treat him like a burden; his grandchildren laugh at him. He feels completely detached from his family and decides to cut his ties forever. The point the film is trying to make is that...
In this family drama, the plot of which is reminiscent of Shakespeare's King Lear, a self-respecting wise old man decides to divide his property among his family. He settles down with his youngest son and soon realizes that without his wealth he is nobody. His sons treat him like a burden; his grandchildren laugh at him. He feels completely detached from his family and decides to cut his ties forever. The point the film is trying to make is that old age is like a bale of thawed cotton, apparently weightless. But the passage of time (age) makes this bale more and more wet, and it soon becomes so heavy that everyone wants to throw it off. The strongest point of this film, a first feature by an active writer, is the performance of Pankaj Kapur in the leading role
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Field of Study
Film
Content Type
Performance
Performer / Ensemble
Raghuvir Yadav, 1957-, Reema Lagoo, fl. 1980, Pankaj Kapur
Author / Creator
Subhash Agrawal, Raghuvir Yadav, 1957-, Reema Lagoo, fl. 1980, Pankaj Kapur
Date Published / Released
1997
Publisher
National Film Development Corporation Ltd
Topic / Theme
Adulthood, Family
Copyright Message
Copyright © 1997 Used by permission of National Film Development Corporation.
Awards Event
Busan International Film Festival
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