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Highlands Trilogy, 3, Black Harvest
written by Robin Anderson, 1948-2002 and Bob Connolly, 1945-; directed by Bob Connolly, 1945- and Robin Anderson, 1948-2002; produced by Robin Anderson, 1948-2002 and Bob Connolly, 1945-, in Highlands Trilogy, 3 (New York, NY: Filmakers Library, 1992), 1 hour 30 mins
The third film of the renowned trilogy on Papua New Guinea joins First Contact and Joe Leahy's Neighbours in our collection. This film charts the progress of Joe in convincing the Ganiga tribespeople to join him in a coffee growing venture. He is to provide the money and the expertise; they are to supply the land...
Sample
written by Robin Anderson, 1948-2002 and Bob Connolly, 1945-; directed by Bob Connolly, 1945- and Robin Anderson, 1948-2002; produced by Robin Anderson, 1948-2002 and Bob Connolly, 1945-, in Highlands Trilogy, 3 (New York, NY: Filmakers Library, 1992), 1 hour 30 mins
Description
The third film of the renowned trilogy on Papua New Guinea joins First Contact and Joe Leahy's Neighbours in our collection. This film charts the progress of Joe in convincing the Ganiga tribespeople to join him in a coffee growing venture. He is to provide the money and the expertise; they are to supply the land and the labor. He stands to make 60%; the tribespeople 40%. Tribal wars and the drop in coffee prices on the world market conspire to d...
The third film of the renowned trilogy on Papua New Guinea joins First Contact and Joe Leahy's Neighbours in our collection. This film charts the progress of Joe in convincing the Ganiga tribespeople to join him in a coffee growing venture. He is to provide the money and the expertise; they are to supply the land and the labor. He stands to make 60%; the tribespeople 40%. Tribal wars and the drop in coffee prices on the world market conspire to defeat the venture. Always suspect because of his mixed-race status, Joe is in deep trouble with the tribespeople when his promises of riches fail to materialize. As he organizes to emigrate with his family to Australia, he is a saddened man with an uncertain future. College Adult Black Harvest, the final film in the Highlands Trilogy, charts the progress of Joe Leahy in convincing the Ganiga tribespeople to join him in a coffee growing venture. He provides the money and the expertise; they supply the land and labor. But on the eve of success, the world coffee price collapses and tribal warfare erupts in the valley. Always suspect because of his mixed-race status, Joe is in deep trouble with the tribespeople when his promises of riches fail to materialize. As he organizes to emigrate with his family to Australia, he is a saddened man with an uncertain future.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Robin Anderson, 1948-2002, Bob Connolly, 1945-, Joseph Madang, Popina Mai, Joe Leahy
Author / Creator
Robin Anderson, 1948-2002, Bob Connolly, 1945-
Date Published / Released
1992
Publisher
Filmakers Library
Series
Highlands Trilogy
Person Discussed
Joe Leahy
Topic / Theme
Ganiga, Biracial people, War, Social conflict, Plantations, Coffee, Tribal and national groups, Cultural change and history, Cultural identity, Anthropology, Ethnography, Ethnic Studies
Copyright Message
Copyright © 1992. Used by permission of Filmakers Library. All rights reserved.
Awards Event
Hawaii International Film Festival, Amsterdam International Documentary Film Festival, Yamagata International Documentary Film Festival, Vancouver International Film Festival, Los Angeles Film Critics Association Awards, International Documentary Association Awards, Cinéma du Réel Film Festival
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Highlands Trilogy, 3, Black Harvest: Film Discussion
written by Robin Anderson, 1948-2002 and Bob Connolly, 1945-; directed by Bob Connolly, 1945- and Robin Anderson, 1948-2002; produced by Robin Anderson, 1948-2002 and Bob Connolly, 1945-, in Highlands Trilogy, 3 (New York, NY: Filmakers Library, 1992), 28 mins
The third film of the renowned trilogy on Papua New Guinea joins First Contact and Joe Leahy's Neighbours in our collection. This film charts the progress of Joe in convincing the Ganiga tribespeople to join him in a coffee growing venture. He is to provide the money and the expertise; they are to supply the land...
Sample
written by Robin Anderson, 1948-2002 and Bob Connolly, 1945-; directed by Bob Connolly, 1945- and Robin Anderson, 1948-2002; produced by Robin Anderson, 1948-2002 and Bob Connolly, 1945-, in Highlands Trilogy, 3 (New York, NY: Filmakers Library, 1992), 28 mins
Description
The third film of the renowned trilogy on Papua New Guinea joins First Contact and Joe Leahy's Neighbours in our collection. This film charts the progress of Joe in convincing the Ganiga tribespeople to join him in a coffee growing venture. He is to provide the money and the expertise; they are to supply the land and the labor. He stands to make 60%; the tribespeople 40%. Tribal wars and the drop in coffee prices on the world market conspire to d...
The third film of the renowned trilogy on Papua New Guinea joins First Contact and Joe Leahy's Neighbours in our collection. This film charts the progress of Joe in convincing the Ganiga tribespeople to join him in a coffee growing venture. He is to provide the money and the expertise; they are to supply the land and the labor. He stands to make 60%; the tribespeople 40%. Tribal wars and the drop in coffee prices on the world market conspire to defeat the venture. Always suspect because of his mixed-race status, Joe is in deep trouble with the tribespeople when his promises of riches fail to materialize. As he organizes to emigrate with his family to Australia, he is a saddened man with an uncertain future. College Adult Black Harvest, the final film in the Highlands Trilogy, charts the progress of Joe Leahy in convincing the Ganiga tribespeople to join him in a coffee growing venture. He provides the money and the expertise; they supply the land and labor. But on the eve of success, the world coffee price collapses and tribal warfare erupts in the valley. Always suspect because of his mixed-race status, Joe is in deep trouble with the tribespeople when his promises of riches fail to materialize. As he organizes to emigrate with his family to Australia, he is a saddened man with an uncertain future.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Robin Anderson, 1948-2002, Bob Connolly, 1945-
Author / Creator
Robin Anderson, 1948-2002, Bob Connolly, 1945-
Date Published / Released
1992
Publisher
Filmakers Library
Series
Highlands Trilogy
Person Discussed
Joe Leahy
Topic / Theme
Ganiga, Biracial people, War, Social conflict, Plantations, Coffee, Tribal and national groups, Cultural change and history, Film industry, Ethnography, Ethnic Studies
Copyright Message
Copyright © 1992. Used by permission of Filmakers Library. All rights reserved.
Awards Event
Hawaii International Film Festival, Amsterdam International Documentary Film Festival, Yamagata International Documentary Film Festival, Vancouver International Film Festival, Los Angeles Film Critics Association Awards, International Documentary Association Awards, Cinéma du Réel Film Festival
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용산
directed by Mun Jeong-hyun, fl. 2007-2014 (Seoul, Seoul-si: CinemaDAL, 2010), 1 hour 13 mins
On the 20th of January 2009, tenants of Yongsan, whose houses had been evicted by force, died in a fire in the middle of the city. The flame reminds me of something I (the director) witnessed in 1991. I was a high school student when I saw a college student set himself on fire. That time people dubbed the politics...
Sample
directed by Mun Jeong-hyun, fl. 2007-2014 (Seoul, Seoul-si: CinemaDAL, 2010), 1 hour 13 mins
Description
On the 20th of January 2009, tenants of Yongsan, whose houses had been evicted by force, died in a fire in the middle of the city. The flame reminds me of something I (the director) witnessed in 1991. I was a high school student when I saw a college student set himself on fire. That time people dubbed the politics as "the politics of burning oneself to death". In the June 1987 movement, TV and newspapers reported the death of Hanyol, who was my n...
On the 20th of January 2009, tenants of Yongsan, whose houses had been evicted by force, died in a fire in the middle of the city. The flame reminds me of something I (the director) witnessed in 1991. I was a high school student when I saw a college student set himself on fire. That time people dubbed the politics as "the politics of burning oneself to death". In the June 1987 movement, TV and newspapers reported the death of Hanyol, who was my neighbor. This documentary is a deathbed portrait of Korea.
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Field of Study
Asian Studies
Content Type
Documentary
Author / Creator
Mun Jeong-hyun, fl. 2007-2014
Date Published / Released
2010
Publisher
CinemaDAL
Topic / Theme
Social problems, Neighborhoods, Death, Fires, Korean people
Copyright Message
Copyright © 2010 by CinemaDAL
Awards Event
Yamagata International Documentary Film Festival, Jogja-NETPAC Asian Film Festival, Dubai International Film Festival
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A Film On Family Planning
directed by Gotot Prakosa, fl. 1992-1993 (Indonesia: Privately Published), 2 mins
An experimental short filled with bright colors and striking visuals. Festivals: Yamagata International Documentary Film Festival.
Sample
directed by Gotot Prakosa, fl. 1992-1993 (Indonesia: Privately Published), 2 mins
Description
An experimental short filled with bright colors and striking visuals. Festivals: Yamagata International Documentary Film Festival.
Date Written / Recorded
2010-10-12
Field of Study
Asian Studies
Content Type
Animation
Author / Creator
Gotot Prakosa, fl. 1992-1993
Date Published / Released
1979
Publisher
Privately Published
Topic / Theme
Art studios, Family
Copyright Message
Copyright © 1979 Used by permission of Gotot Prakosa.
Awards Event
Yamagata International Documentary Film Festival
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Prison and Paradise
directed by Daniel Rudi Haryanto, 1978- (Indonesia: Privately Published), 1 hour 31 mins
On 12 October, 2002, a group of suicide bombers attacked Bali, Indonesia. Five of the perpetrators are interviewed in prison. Noor Huda Ismail, a journalist with The Washington Post and ex-roommate of one of the perpetrators, introduces us to two of their families. He also introduces us to the family of one of t...
Sample
directed by Daniel Rudi Haryanto, 1978- (Indonesia: Privately Published), 1 hour 31 mins
Description
On 12 October, 2002, a group of suicide bombers attacked Bali, Indonesia. Five of the perpetrators are interviewed in prison. Noor Huda Ismail, a journalist with The Washington Post and ex-roommate of one of the perpetrators, introduces us to two of their families. He also introduces us to the family of one of the victims. Through each interview, one gets an in-depth look at the lives, which have been changed since the bombing, and also the va...
On 12 October, 2002, a group of suicide bombers attacked Bali, Indonesia. Five of the perpetrators are interviewed in prison. Noor Huda Ismail, a journalist with The Washington Post and ex-roommate of one of the perpetrators, introduces us to two of their families. He also introduces us to the family of one of the victims. Through each interview, one gets an in-depth look at the lives, which have been changed since the bombing, and also the varied views on Islam, Jihad and terrorism. Festivals: Winner Best Film, Jogjakarta Documentary Film Festival; Dubai International Film Festival.
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Date Written / Recorded
2010-12-27
Field of Study
Asian Studies
Content Type
Documentary
Author / Creator
Daniel Rudi Haryanto, 1978-
Date Published / Released
2010
Publisher
Privately Published
Topic / Theme
Family, Terrorism
Copyright Message
Copyright © 2010 Used by permission of Daniel Rudy Haryanto.
Awards Event
Yamagata International Documentary Film Festival, Dubai International Film Festival
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Up Down & Sideways
directed by Iswar Srikumar, fl. 2017 and Anushka Meenakshi, fl. 2017; produced by Manas Malhotra, fl. 2005, Uramili Project (Portland, OR: Collective Eye Films, 2018), 1 hour 23 mins
“If not for you, I have no other true love When we work together the sun sets early Without you I am nothing” Close to the India - Myanmar border is the village of Phek in Nagaland. Around 5000 people live here, almost all of whom cultivate rice for their own consumption. As they work in cooperative groups —...
Sample
directed by Iswar Srikumar, fl. 2017 and Anushka Meenakshi, fl. 2017; produced by Manas Malhotra, fl. 2005, Uramili Project (Portland, OR: Collective Eye Films, 2018), 1 hour 23 mins
Description
“If not for you, I have no other true love When we work together the sun sets early Without you I am nothing” Close to the India - Myanmar border is the village of Phek in Nagaland. Around 5000 people live here, almost all of whom cultivate rice for their own consumption. As they work in cooperative groups — preparing the terraced fields, planting saplings, or harvesting the grain and carrying it up impossibly steep slopes — the rice cult...
“If not for you, I have no other true love When we work together the sun sets early Without you I am nothing” Close to the India - Myanmar border is the village of Phek in Nagaland. Around 5000 people live here, almost all of whom cultivate rice for their own consumption. As they work in cooperative groups — preparing the terraced fields, planting saplings, or harvesting the grain and carrying it up impossibly steep slopes — the rice cultivators of Phek sing. The season's change, and so does the music, transforming the mundane into the hypnotic. The love that they sing of is also a metaphor for the need for the other - the friend, the family, the community, to build a polyphony of voices. Stories of love, stories of the field, stories of song, stories in song. ‘Up Down & Sideways’ is a musical portrait of a community of rice cultivators and their memories of love and loss, created from working together on the fields. It is the first feature film from the u-ra-mi-li project, a larger body of work that looks at the connections between music and labor.
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Field of Study
World Music
Content Type
Documentary
Contributor
Manas Malhotra, fl. 2005, Uramili Project
Author / Creator
Iswar Srikumar, fl. 2017, Anushka Meenakshi, fl. 2017
Date Published / Released
2017, 2018
Publisher
Collective Eye Films
Topic / Theme
Nagamese, Indians (Asian)
Copyright Message
Copyright © 2019 Collective Eye Films
Awards Event
Cinema Planeta, International Environmental Film Festival of Mexico, Yamagata International Documentary Film Festival, Asia Pacific Screen Awards
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Amin = امین
directed by Shahin Parhami, fl. 2007-2015 (Iran: Privately Published), 2 hours
Amin is the story of an ancient musical tradition and one man's struggle to preserve it. It is told using a unique approach to documentary storytelling that challenges the boundaries of fiction and reality. Amin Aghaie is a young modern nomad from the south of Iran. He has dedicated his life to preserving, documen...
Sample
directed by Shahin Parhami, fl. 2007-2015 (Iran: Privately Published), 2 hours
Description
Amin is the story of an ancient musical tradition and one man's struggle to preserve it. It is told using a unique approach to documentary storytelling that challenges the boundaries of fiction and reality. Amin Aghaie is a young modern nomad from the south of Iran. He has dedicated his life to preserving, documenting and teaching the unique musical tradition of his people, the Qashqai tribe, a tradition on the verge of extinction. Despite the fa...
Amin is the story of an ancient musical tradition and one man's struggle to preserve it. It is told using a unique approach to documentary storytelling that challenges the boundaries of fiction and reality. Amin Aghaie is a young modern nomad from the south of Iran. He has dedicated his life to preserving, documenting and teaching the unique musical tradition of his people, the Qashqai tribe, a tradition on the verge of extinction. Despite the fact that Amin's family face steep financial and cultural obstacles, they are devoted to their art and culture and express that by supporting the work of their talented musician son. Every summer, Amin travels to remote towns and villages to record the music of the surviving masters whose numbers decline each year. His nomadic family sell their meager belongings to help support their son's education in performance and ethnomusicology at Tchaikovsky's Conservatory in Kiev, Ukraine, but it is not enough. Amin, desperate to finish his academic education, sells his violins one at a time just to pay for his tuition. Awards: Award of Excellence at Yamagata Documentary Film Festival in 2011; Asian Vision Award at Taiwan International Documentary 2010; Film Festival Special Distinction at Dubai International Film Festival in 2010; Nominated for Best Documentary, Asia Pacific Screen Awards, in 2011.
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Date Written / Recorded
2012-06-06
Field of Study
Asian Studies
Content Type
Documentary
Contributor
Shahin Parhami, fl. 2007-2015
Author / Creator
Shahin Parhami, fl. 2007-2015
Date Published / Released
2010
Publisher
Privately Published
Speaker / Narrator
Amin Aghaie, fl. 2010
Person Discussed
Amin Aghaie, fl. 2010
Topic / Theme
Qashqai, Arts administration, Ethnomusicology
Copyright Message
Copyright © 2010 Used by permission of Shahin Parhami.
Awards Event
Asia Pacific Screen Awards, Dubai International Film Festival, Taiwan International Documentary Festival, Yamagata International Documentary Film Festival
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Private Wars
directed by Nick Deocampo, 1959-; produced by Nidaira Masao, fl. 1997 (Privately Published, 1997), 1 hour 1 mins
An autobiographical story of the filmmaker's search for his missing father. Leaving Manila for Iloilo, the filmmaker (Nick Deocampo) reflects on his life in the city and how he has turned his back from his past. Returning home, he meets his family members including his mother, his sister, his relatives and his nep...
Sample
directed by Nick Deocampo, 1959-; produced by Nidaira Masao, fl. 1997 (Privately Published, 1997), 1 hour 1 mins
Description
An autobiographical story of the filmmaker's search for his missing father. Leaving Manila for Iloilo, the filmmaker (Nick Deocampo) reflects on his life in the city and how he has turned his back from his past. Returning home, he meets his family members including his mother, his sister, his relatives and his nephews. Asking about his father's whereabouts, he hears many stories that hardly provide any answers to his questions. He embarks on a jo...
An autobiographical story of the filmmaker's search for his missing father. Leaving Manila for Iloilo, the filmmaker (Nick Deocampo) reflects on his life in the city and how he has turned his back from his past. Returning home, he meets his family members including his mother, his sister, his relatives and his nephews. Asking about his father's whereabouts, he hears many stories that hardly provide any answers to his questions. He embarks on a journey to the places where his father is rumored to have been sighted. He meets his uncle who tells him he saw and talked to his father a few years earlier. In his version, his father sells fake guns in Ibahay, Aklan. Proceeding to Ibahay, he is led to the public market where he is told his father sells live chickens. When he arrives at the market, he encounters some people who recognize his father from the picture he shows them. Several of them have seen him selling medicinal herbs that cured their ailments. One man is very sure he has seen him as his father sells his medicines right across his own market stall.
The filmmaker is drowned in a swirl of confusion caused by the crowd that surrounds him. He goes from house to house knocking on doors asking if anyone knows his father, but no one seems to know. He goes up to the mountain to meet a local informant of the political underground. It is rumored his father has joined the rebels but again only confusion prevails. Coming back home to his mother, the filmmaker reflects on his own life looking for meanings to explain his father's disappearance. From the personal to the historical, he looks for reasons to the many questions about his family that suffered as a consequence of war. Extending the meaning of war to include his own, the filmmaker reveals his own private war – battling to reconcile himself with his own sexuality and with the political war he experienced during the period of Martial Law. Unable to find his father, he laments over his own sense of loss while walking in a seashore where he imagines finding his father and being able to grieve over his disappearance.
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Field of Study
Asian Studies
Content Type
Documentary
Contributor
Louie Quirino, fl. 1989-2015, Nidaira Masao, fl. 1997
Author / Creator
Nick Deocampo, 1959-
Date Published / Released
1997-03-28
Publisher
Privately Published
Topic / Theme
Autobiographies, Sons, Fathers, Missing persons, Filipinos
Copyright Message
Copyright © 1996 Nicolas Deocampo
Awards Event
Yamagata International Documentary Film Festival
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