35 results for your search
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Intercalary Space
directed by Damien Faure, fl. 2002-2012 (O'Connor, Western Australia: aaa production, 2012), 56 mins
The crow, the master of Tokyo, is capable of understanding the city as a whole while simultaneously going into its smallest gaps. Initially, the urban area is seen as a three-dimensional space, then by extending the look, new places appear. Tokyo is transformed. These areas reveal a different view of the city, pop...
Sample
directed by Damien Faure, fl. 2002-2012 (O'Connor, Western Australia: aaa production, 2012), 56 mins
Description
The crow, the master of Tokyo, is capable of understanding the city as a whole while simultaneously going into its smallest gaps. Initially, the urban area is seen as a three-dimensional space, then by extending the look, new places appear. Tokyo is transformed. These areas reveal a different view of the city, populated by unique architecture and characters that leave the city differently. A beautiful film about the Japanese thought and archite...
The crow, the master of Tokyo, is capable of understanding the city as a whole while simultaneously going into its smallest gaps. Initially, the urban area is seen as a three-dimensional space, then by extending the look, new places appear. Tokyo is transformed. These areas reveal a different view of the city, populated by unique architecture and characters that leave the city differently. A beautiful film about the Japanese thought and architecture.
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Date Written / Recorded
2012
Field of Study
Asian Studies
Content Type
Documentary
Author / Creator
Damien Faure, fl. 2002-2012
Date Published / Released
2012
Publisher
aaa production
Topic / Theme
Scenery, Cities, Buildings, Architecture, Japanese
Copyright Message
Copyright © 2012 by AAA Productions
Country of Origin
Japan
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Intercalary space : Nakaikegami House
directed by Damien Faure, fl. 2002-2012 (O'Connor, Western Australia: aaa production, 2012), 7 mins
A visit to a Japanese Flathouse by Milligram Studio, Tokyo.
Sample
directed by Damien Faure, fl. 2002-2012 (O'Connor, Western Australia: aaa production, 2012), 7 mins
Description
A visit to a Japanese Flathouse by Milligram Studio, Tokyo.
Date Written / Recorded
2012
Field of Study
Asian Studies
Content Type
Documentary
Author / Creator
Damien Faure, fl. 2002-2012
Date Published / Released
2012
Publisher
aaa production
Topic / Theme
Buildings, Urban life, Architecture, Japanese
Copyright Message
Copyright © 2012 by AAA Productions
Country of Origin
Japan
×
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Intercalary space : Tsubomi House
directed by Damien Faure, fl. 2002-2012 (O'Connor, Western Australia: aaa production, 2012), 9 mins
A visit to a Japanese Flathouse by Yoshinori Sakano, Tokyo.
Sample
directed by Damien Faure, fl. 2002-2012 (O'Connor, Western Australia: aaa production, 2012), 9 mins
Description
A visit to a Japanese Flathouse by Yoshinori Sakano, Tokyo.
Date Written / Recorded
2012
Field of Study
Asian Studies
Content Type
Documentary
Author / Creator
Damien Faure, fl. 2002-2012
Date Published / Released
2012
Publisher
aaa production
Topic / Theme
Buildings, Urban life, Architecture, Japanese
Copyright Message
Copyright © 2012 by AAA Productions
Country of Origin
Japan
×
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Like A Desperado Under The Eaves
directed by Shinji Aoyama, 1964- (Japan: Jeonju International Film Festival), 40 mins
'Like a Desperado Under the Eaves' was originally produced for the 2003 Jeonju Digital Project, which invites submissions by "passionate filmmakers who are competitively searching for the cinematic language at the very edge of film production." Says director Aoyama Shinji: "When I was asked to produce this film, I...
Sample
directed by Shinji Aoyama, 1964- (Japan: Jeonju International Film Festival), 40 mins
Description
'Like a Desperado Under the Eaves' was originally produced for the 2003 Jeonju Digital Project, which invites submissions by "passionate filmmakers who are competitively searching for the cinematic language at the very edge of film production." Says director Aoyama Shinji: "When I was asked to produce this film, I wanted to freely draw a picture of my lethargic self when I was in the mid-twenties, drinking and cursing at the world, and without a...
'Like a Desperado Under the Eaves' was originally produced for the 2003 Jeonju Digital Project, which invites submissions by "passionate filmmakers who are competitively searching for the cinematic language at the very edge of film production." Says director Aoyama Shinji: "When I was asked to produce this film, I wanted to freely draw a picture of my lethargic self when I was in the mid-twenties, drinking and cursing at the world, and without a job. I also depict the stories that happened around me at the time." Some of these stories include a mysterious girlfriend who loans him money and shares his manuscripts with the world, a neighbor who is continually chanting and playing the drum, and a middle-aged man who screams in pain and who wants to be thrown out of the building. Akihiko, one of Aoyama's recurring characters from the director's Kitakyushu trilogy, writes and plays songs with a friend, but is too shy (or lethargic!) to play them in public, only watching while his friend performs. Aoyama presents a vivid picture of Japanese youth estranged from salaryman society.
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Field of Study
Asian Studies
Content Type
Performance
Author / Creator
Shinji Aoyama, 1964-
Date Published / Released
2003
Publisher
Jeonju International Film Festival
Topic / Theme
Adulthood, Emotions and feelings
Copyright Message
Copyright © 2003 Used by permission of Jeonju International Film Festival.
Country of Origin
Japan
×
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Like A Passing Train 2
directed by Koehi Ando, fl. 1969-1994 (Japan: Privately Published), 6 mins
Time. In HUNDRED YEARS OF SOLITUDE, Gabriel Garcia Marquez describes a long process a year it takes to cross a railway station. The film consists of an image of a train crossing a bush in the garden Ando. The film was shot from the same angle fixed for six months, through the seasons.
Sample
directed by Koehi Ando, fl. 1969-1994 (Japan: Privately Published), 6 mins
Description
Time. In HUNDRED YEARS OF SOLITUDE, Gabriel Garcia Marquez describes a long process a year it takes to cross a railway station. The film consists of an image of a train crossing a bush in the garden Ando. The film was shot from the same angle fixed for six months, through the seasons. College
Field of Study
Asian Studies
Content Type
Performance
Author / Creator
Koehi Ando, fl. 1969-1994
Date Published / Released
1979
Publisher
Privately Published
Topic / Theme
Transportation
Copyright Message
Copyright © 2012 Used by permission of Kohei Ando.
Country of Origin
Japan
×
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Mirrored Mind
(Jeonju International Film Festival, 2004), 40 mins
"The Mirrored Mind is based on a young woman's post-modern reaction to the disconnection between the plastic city of Tokyo and the illusion of nature. We follow the reflective cinema verite to participate in the psycho-analysis of the digital society. The film successfully engages the audience into the character's...
Sample
(Jeonju International Film Festival, 2004), 40 mins
Description
"The Mirrored Mind is based on a young woman's post-modern reaction to the disconnection between the plastic city of Tokyo and the illusion of nature. We follow the reflective cinema verite to participate in the psycho-analysis of the digital society. The film successfully engages the audience into the character's disconnection and forces us to ponder the question, "is what we perceive truly reality?""
Field of Study
Asian Studies
Content Type
Performance
Date Published / Released
2004
Publisher
Jeonju International Film Festival
Country of Origin
Japan
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We Don't Need a Grave
directed by Kim Satbyul, fl. 2014; produced by Royal Anthropological Institute (London, England: Royal Anthropological Institute, 2014), 27 mins
The film attempts to show how the people who choose shizenso rather than typical family grave try to accept one’s death. Shizenso means a natural mortuary practice that has no religious affiliation. It scatters cremation ashes of the deceased in the ocean and mountains. During the 1990s in Japan, shizenso emerge...
Sample
directed by Kim Satbyul, fl. 2014; produced by Royal Anthropological Institute (London, England: Royal Anthropological Institute, 2014), 27 mins
Description
The film attempts to show how the people who choose shizenso rather than typical family grave try to accept one’s death. Shizenso means a natural mortuary practice that has no religious affiliation. It scatters cremation ashes of the deceased in the ocean and mountains. During the 1990s in Japan, shizenso emerged as a citizen movement due to the changes in social attitudes towards family and religion. The film recounts stories of members from G...
The film attempts to show how the people who choose shizenso rather than typical family grave try to accept one’s death. Shizenso means a natural mortuary practice that has no religious affiliation. It scatters cremation ashes of the deceased in the ocean and mountains. During the 1990s in Japan, shizenso emerged as a citizen movement due to the changes in social attitudes towards family and religion. The film recounts stories of members from Grave-Free-Promotion Society (GFPS) who practice shizenso. It explores not only this unique practice of departing one’s beloved ones but also the mixed emotions of those who practice it.
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Field of Study
Asian Studies
Content Type
Ethnography
Contributor
Royal Anthropological Institute
Author / Creator
Kim Satbyul, fl. 2014
Date Published / Released
2014
Publisher
Royal Anthropological Institute
Topic / Theme
Burial customs, Mourning
Copyright Message
Copyright © 2014 Royal Anthropological Institute
Country of Origin
Japan
×
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Whispers of Vermeer
directed by Koehi Ando, fl. 1969-1994; performed by Ryunosuke Kaneda, 1928-2009, Tomoko Mariya, 1960- and Sayuri Kokusho, 1966- (Japan: Privately Published), 50 mins
The paintings of Dutch artist Jan Vermeer come to life in the imagination of a beleagured old man.
Sample
directed by Koehi Ando, fl. 1969-1994; performed by Ryunosuke Kaneda, 1928-2009, Tomoko Mariya, 1960- and Sayuri Kokusho, 1966- (Japan: Privately Published), 50 mins
Description
The paintings of Dutch artist Jan Vermeer come to life in the imagination of a beleagured old man.
Field of Study
Asian Studies
Content Type
Performance
Performer / Ensemble
Ryunosuke Kaneda, 1928-2009, Tomoko Mariya, 1960-, Sayuri Kokusho, 1966-
Author / Creator
Koehi Ando, fl. 1969-1994, Ryunosuke Kaneda, 1928-2009, Tomoko Mariya, 1960-, Sayuri Kokusho, 1966-
Date Published / Released
1998
Publisher
Privately Published
Person Discussed
Johannes Vermeer, 1632-1675
Topic / Theme
Paintings
Copyright Message
Copyright © 2012 Used by permission of Kohei Ando.
Country of Origin
Japan
×
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夜来風雨の声 = Voice of Rain That Comes at Night
directed by Kohei Igarashi, fl. 2008-2012 (Japan: Privately Published), 1 hour 13 mins
Inabe is in between. By night he walks; by day he waits. He lives with his girlfriend in a small, cluttered apartment where care and affection are not overt but easily detected. Fired for theft, Inabe is not in a hurry to find a new job. Harboring a desire to be a poet, he feels inspired when he meets a publishe...
Sample
directed by Kohei Igarashi, fl. 2008-2012 (Japan: Privately Published), 1 hour 13 mins
Description
Inabe is in between. By night he walks; by day he waits. He lives with his girlfriend in a small, cluttered apartment where care and affection are not overt but easily detected. Fired for theft, Inabe is not in a hurry to find a new job. Harboring a desire to be a poet, he feels inspired when he meets a published poet and decides to enter a poetry contest. He has no money, so when a friend tells him about a hospital that is paying a lot of mone...
Inabe is in between. By night he walks; by day he waits. He lives with his girlfriend in a small, cluttered apartment where care and affection are not overt but easily detected. Fired for theft, Inabe is not in a hurry to find a new job. Harboring a desire to be a poet, he feels inspired when he meets a published poet and decides to enter a poetry contest. He has no money, so when a friend tells him about a hospital that is paying a lot of money to inject human subjects with experimental medicine, Inabe responds with interest. He takes the 'job,' buys himself new clothes and flowers for Amano, and happily asserts to a friend that he is now the breadwinner. Filled with pride, Inabe asks Amano what she would do if she had a lot of money. She says she wants to see Taiwan, while he says he wants to eat delicious food. When Inabe hears from a friend that the man who told him of the experimental injection has died, his life and relationship take a sudden turn.
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Date Written / Recorded
2009-10-19
Field of Study
Asian Studies
Content Type
Performance
Author / Creator
Kohei Igarashi, fl. 2008-2012
Date Published / Released
2008
Publisher
Privately Published
Topic / Theme
Economic conditions, Drugs and pharmaceuticals
Copyright Message
Copyright © 2008 Used by permission of Kohei Igarashi.
Country of Origin
Japan
×
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稍纵即逝的画面 = Fleeing Images
directed by Edmund Yeo, 1984-; performed by Yi-Ling Tsai, fl. 2008 and Nicole Joy Tan, 1988- (Japan and Malaysia: Privately Published), 10 mins
One day, I received an email from him..." A young woman narrates a series of letters from an old friend meditating on time, memory and mortality. He is seeking life's meaning throughout his travels in India and Japan, but ends up finding beauty in some fleeting images of everyday life that he had previously overlo...
Sample
directed by Edmund Yeo, 1984-; performed by Yi-Ling Tsai, fl. 2008 and Nicole Joy Tan, 1988- (Japan and Malaysia: Privately Published), 10 mins
Description
One day, I received an email from him..." A young woman narrates a series of letters from an old friend meditating on time, memory and mortality. He is seeking life's meaning throughout his travels in India and Japan, but ends up finding beauty in some fleeting images of everyday life that he had previously overlooked. College
Date Written / Recorded
2008
Field of Study
Asian Studies
Content Type
Performance
Performer / Ensemble
Yi-Ling Tsai, fl. 2008, Nicole Joy Tan, 1988-
Author / Creator
Edmund Yeo, 1984-, Yi-Ling Tsai, fl. 2008, Nicole Joy Tan, 1988-
Date Published / Released
2008
Publisher
Privately Published
Topic / Theme
Communication, Relationships
Copyright Message
Copyright © 2008 Used by permission of Edmund Yeo.
Country of Origin
Japan, Malaysia
×
