45 results for your search
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Aiya’s Apples Aisha’s Eye
directed by Keith Khan, 1963-; produced by Jack Grossman, fl. 1962-2013 (England: Arts Council England, 1991), 21 mins
In this video, directed by Keith Khan, two women tell fables that reflect on the modern South Asian experience in Great Britain.
Sample
directed by Keith Khan, 1963-; produced by Jack Grossman, fl. 1962-2013 (England: Arts Council England, 1991), 21 mins
Description
In this video, directed by Keith Khan, two women tell fables that reflect on the modern South Asian experience in Great Britain.
Field of Study
Asian Studies
Content Type
Performance
Contributor
Jack Grossman, fl. 1962-2013
Author / Creator
Keith Khan, 1963-
Date Published / Released
1991
Publisher
Arts Council England
Topic / Theme
Storytelling, Cultural identity, Indians (Asian)
Subject
Storytelling, Cultural identity
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Bound
directed by Kimi Takesue, 1968-; produced by Kimi Takesue, 1968- (England: Arts Council England, 1995), 15 mins
This art film, directed by Kimi Takesue, is about a Chinese British woman who takes a symbolic journey to discover her identity.
Sample
directed by Kimi Takesue, 1968-; produced by Kimi Takesue, 1968- (England: Arts Council England, 1995), 15 mins
Description
This art film, directed by Kimi Takesue, is about a Chinese British woman who takes a symbolic journey to discover her identity.
Field of Study
Dance
Content Type
Performance
Contributor
Kimi Takesue, 1968-
Author / Creator
Kimi Takesue, 1968-
Date Published / Released
1995
Publisher
Arts Council England
Topic / Theme
Cultural identity, Biracial people, Visual art, Movement in performance
Subject
Cultural identity, Biracial people, Visual art, Movement in performance
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Citizen Hong Kong
directed by Ruby Yang, fl. 1982-2016; produced by K. Bik Films (San Francisco, CA: Center for Asian American Media, 1999), 1 hour 27 mins
This multi-layered portrait examines San Francisco filmmaker Ruby Yang’s childhood home in its first year of postcolonial existence. In 1997, as the long-anticipated handover of the city from British rule to Chinese authority was about to occur, Yang returned to see the transition for herself. Instead of mirrori...
Sample
directed by Ruby Yang, fl. 1982-2016; produced by K. Bik Films (San Francisco, CA: Center for Asian American Media, 1999), 1 hour 27 mins
Description
This multi-layered portrait examines San Francisco filmmaker Ruby Yang’s childhood home in its first year of postcolonial existence. In 1997, as the long-anticipated handover of the city from British rule to Chinese authority was about to occur, Yang returned to see the transition for herself. Instead of mirroring mainstream news reporting, Yang intimately explores the everyday lives of the people of Hong Kong, showing how the city’s ever cha...
This multi-layered portrait examines San Francisco filmmaker Ruby Yang’s childhood home in its first year of postcolonial existence. In 1997, as the long-anticipated handover of the city from British rule to Chinese authority was about to occur, Yang returned to see the transition for herself. Instead of mirroring mainstream news reporting, Yang intimately explores the everyday lives of the people of Hong Kong, showing how the city’s ever changing dynamics and energy shaped them. CITIZEN HONG KONG does this by intimately following five individuals who represent a diverse cross section of Hong Kong youth.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Ruby Yang, fl. 1982-2016, K. Bik Films
Author / Creator
Ruby Yang, fl. 1982-2016
Date Published / Released
1999
Publisher
Center for Asian American Media
Topic / Theme
Cultural identity, Immigrant populations, Cultural change and history, Urban life, Chinese
Copyright Message
Copyright © 1999 by Center for Asian American Media
Subject
Cultural identity, Immigrant populations, Cultural change and history, Urban life
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DAF
directed by Bahman Ghobadi, 1969- (Jeonju International Film Festival, 2003), 39 mins
This simple but affecting documentary portrays a rural craftsman who makes a traditional Iranian percussion instrument called a daf. All able-bodied family members participate in the production, including a blind son, whom we see hitching a ride to market with his sister to purchase the sheep skins and wood planks...
Sample
directed by Bahman Ghobadi, 1969- (Jeonju International Film Festival, 2003), 39 mins
Description
This simple but affecting documentary portrays a rural craftsman who makes a traditional Iranian percussion instrument called a daf. All able-bodied family members participate in the production, including a blind son, whom we see hitching a ride to market with his sister to purchase the sheep skins and wood planks used in the instrument's manufacture. A doctor visits the father's younger 3-1/2 year-old son, who has also lost his eyesight, and off...
This simple but affecting documentary portrays a rural craftsman who makes a traditional Iranian percussion instrument called a daf. All able-bodied family members participate in the production, including a blind son, whom we see hitching a ride to market with his sister to purchase the sheep skins and wood planks used in the instrument's manufacture. A doctor visits the father's younger 3-1/2 year-old son, who has also lost his eyesight, and offers this advice: 'Pray to God. Give to charity. Have ceremonies and have a dervish play the daf for him.' The greater part of the film focuses on the laborious work involved in the fabrication of daf and culminates in a rousing ritual for the ailing boy. The accomplished camerawork takes advantage of the surrounding scenery and local color. Sensitive individuals are warned of a brief but graphic segment of sheep being slaughtered
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Bahman Ghobadi, 1969-
Author / Creator
Bahman Ghobadi, 1969-
Date Published / Released
2003
Publisher
Jeonju International Film Festival
Topic / Theme
Iranian, Kurdish, Religious rites and ceremonies, Cultural identity, Musical instruments, Poverty, Ethnography, Iranians
Subject
Religious rites and ceremonies, Cultural identity, Musical instruments, Poverty
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The Dossier
directed by Zhu Rikun, 1976-; produced by Zhu Rikun, 1976-, Huangniutian Film Group and Fanhall Films (Privately Published, 2014), 2 hours 8 mins
Tsering Woeser, the subject of Chinese filmmaker Zhu Rikun's extraordinary documentary, is a Tibetan writer now based in Beijing. Through her writing and online voice, she has become one of the most eloquent voices on Tibet. Zhu Rikun's sharply designed, formally innovative documentary is completely in Woeser's ow...
Sample
directed by Zhu Rikun, 1976-; produced by Zhu Rikun, 1976-, Huangniutian Film Group and Fanhall Films (Privately Published, 2014), 2 hours 8 mins
Description
Tsering Woeser, the subject of Chinese filmmaker Zhu Rikun's extraordinary documentary, is a Tibetan writer now based in Beijing. Through her writing and online voice, she has become one of the most eloquent voices on Tibet. Zhu Rikun's sharply designed, formally innovative documentary is completely in Woeser's own voice: Zhu alternates formally photographed scenes of Woeser reading excerpts from her secret government "dossier" (which she has som...
Tsering Woeser, the subject of Chinese filmmaker Zhu Rikun's extraordinary documentary, is a Tibetan writer now based in Beijing. Through her writing and online voice, she has become one of the most eloquent voices on Tibet. Zhu Rikun's sharply designed, formally innovative documentary is completely in Woeser's own voice: Zhu alternates formally photographed scenes of Woeser reading excerpts from her secret government "dossier" (which she has somehow gained access to) with scenes of her speaking in her own soft but powerful, eloquent, passionate voice. Woeser's moving account of her political awakening and current activism makes for a powerful document of a Tibetan woman finding her voice and insisting on her freedom to use it.
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Field of Study
Asian Studies
Content Type
Documentary
Contributor
Zhu Rikun, 1976-, Huangniutian Film Group, Fanhall Films
Author / Creator
Zhu Rikun, 1976-
Date Published / Released
2014
Publisher
Privately Published
Speaker / Narrator
Tsering Woeser, 1966-
Person Discussed
Tsering Woeser, 1966-
Topic / Theme
Writers, Political dissidents, Social activism and activists, Cultural identity, Chinese, Tibetan
Copyright Message
Copyright © 2014 Zhu Riken
Subject
Writers, Political dissidents, Social activism and activists, Cultural identity
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Highlands Trilogy, 1, First Contact
directed by Robin Anderson, 1948-2002 and Bob Connolly, 1945-; produced by Bob Connolly, 1945- and Robin Anderson, 1948-2002, in Highlands Trilogy, 1 (New York, NY: Documentary Educational Resources (DER), 1983), 1 hour 30 mins
This is the classic film of cultural confrontation that is as compelling today as when it was first released over 20 years ago. When Columbus and Cortez ventured into the New World there was no camera to record the drama of this first encounter. But, in 1930, when the Leahy brothers penetrated the interior of New...
Sample
directed by Robin Anderson, 1948-2002 and Bob Connolly, 1945-; produced by Bob Connolly, 1945- and Robin Anderson, 1948-2002, in Highlands Trilogy, 1 (New York, NY: Documentary Educational Resources (DER), 1983), 1 hour 30 mins
Description
This is the classic film of cultural confrontation that is as compelling today as when it was first released over 20 years ago. When Columbus and Cortez ventured into the New World there was no camera to record the drama of this first encounter. But, in 1930, when the Leahy brothers penetrated the interior of New Guinea in search of gold, they carried a movie camera. Thus they captured on film their unexpected confrontation with thousands of Ston...
This is the classic film of cultural confrontation that is as compelling today as when it was first released over 20 years ago. When Columbus and Cortez ventured into the New World there was no camera to record the drama of this first encounter. But, in 1930, when the Leahy brothers penetrated the interior of New Guinea in search of gold, they carried a movie camera. Thus they captured on film their unexpected confrontation with thousands of Stone Age people who had no concept of human life beyond their valleys. This amazing footage forms the basis of First Contact.Yet there is more to this extraordinary film than the footage that was recovered. Fifty years later some of the participants are still alive and vividly recall their unique experience. The Papuans tell how they thought the white men were their ancestors, bleached by the sun and returned from the dead. They were amazed at the artifacts of 20th century life such as tin cans, phonographs and airplanes. When shown their younger, innocent selves in the found footage, they recall the darker side of their relationship with these mysterious beings with devastating weapons.Australian Dan Leahy describes his fear at being outnumbered by primitive looking people with whom he could not speak. He felt he had to dominate them for his own survival and to continue his quest for gold.First Contact is one of those rare films that holds an audience spellbound. Humor and pathos are combined in this classic story of colonialism, told by the people who were there. Adult College
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Field of Study
Asian Studies
Content Type
Documentary
Contributor
Bob Connolly, 1945-, Robin Anderson, 1948-2002
Author / Creator
Robin Anderson, 1948-2002, Bob Connolly, 1945-
Date Published / Released
1983
Publisher
Documentary Educational Resources (DER)
Series
Highlands Trilogy
Person Discussed
Michael Leahy, 1901-1979, James Leahy, Daniel Leahy, 1912-1991
Topic / Theme
Cultural adaptation, Anthropology, Cultural change and history, Gold mines and mining, Intercultural communication, Cultural identity, Imperialism, Tribal and national groups, Papua New Guineans
Copyright Message
© Documentary Educational Resources
Subject
Cultural adaptation, Anthropology, Cultural change and history, Gold mines and mining, Intercultural communication, Cultural identity, Imperialism, Tribal and national groups
×
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Highlands Trilogy, 3, Black Harvest
written by Robin Anderson, 1948-2002 and Bob Connolly, 1945-; directed by Bob Connolly, 1945- and Robin Anderson, 1948-2002; produced by Robin Anderson, 1948-2002 and Bob Connolly, 1945-, in Highlands Trilogy, 3 (New York, NY: Filmakers Library, 1992), 1 hour 30 mins
The third film of the renowned trilogy on Papua New Guinea joins First Contact and Joe Leahy's Neighbours in our collection. This film charts the progress of Joe in convincing the Ganiga tribespeople to join him in a coffee growing venture. He is to provide the money and the expertise; they are to supply the land...
Sample
written by Robin Anderson, 1948-2002 and Bob Connolly, 1945-; directed by Bob Connolly, 1945- and Robin Anderson, 1948-2002; produced by Robin Anderson, 1948-2002 and Bob Connolly, 1945-, in Highlands Trilogy, 3 (New York, NY: Filmakers Library, 1992), 1 hour 30 mins
Description
The third film of the renowned trilogy on Papua New Guinea joins First Contact and Joe Leahy's Neighbours in our collection. This film charts the progress of Joe in convincing the Ganiga tribespeople to join him in a coffee growing venture. He is to provide the money and the expertise; they are to supply the land and the labor. He stands to make 60%; the tribespeople 40%. Tribal wars and the drop in coffee prices on the world market conspire to d...
The third film of the renowned trilogy on Papua New Guinea joins First Contact and Joe Leahy's Neighbours in our collection. This film charts the progress of Joe in convincing the Ganiga tribespeople to join him in a coffee growing venture. He is to provide the money and the expertise; they are to supply the land and the labor. He stands to make 60%; the tribespeople 40%. Tribal wars and the drop in coffee prices on the world market conspire to defeat the venture. Always suspect because of his mixed-race status, Joe is in deep trouble with the tribespeople when his promises of riches fail to materialize. As he organizes to emigrate with his family to Australia, he is a saddened man with an uncertain future. College Adult Black Harvest, the final film in the Highlands Trilogy, charts the progress of Joe Leahy in convincing the Ganiga tribespeople to join him in a coffee growing venture. He provides the money and the expertise; they supply the land and labor. But on the eve of success, the world coffee price collapses and tribal warfare erupts in the valley. Always suspect because of his mixed-race status, Joe is in deep trouble with the tribespeople when his promises of riches fail to materialize. As he organizes to emigrate with his family to Australia, he is a saddened man with an uncertain future.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Robin Anderson, 1948-2002, Bob Connolly, 1945-, Joseph Madang, Popina Mai, Joe Leahy
Author / Creator
Robin Anderson, 1948-2002, Bob Connolly, 1945-
Date Published / Released
1992
Publisher
Filmakers Library
Series
Highlands Trilogy
Person Discussed
Joe Leahy
Topic / Theme
Ganiga, Biracial people, War, Social conflict, Plantations, Coffee, Tribal and national groups, Cultural change and history, Cultural identity, Anthropology, Ethnography, Ethnic Studies
Copyright Message
Copyright © 1992. Used by permission of Filmakers Library. All rights reserved.
Subject
Biracial people, War, Social conflict, Plantations, Coffee, Tribal and national groups, Cultural change and history, Cultural identity, Anthropology
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Kip Fulbeck: Selected Videos, Vol. 2
directed by Kip Fulbeck, 1965- (San Francisco, CA: Center for Asian American Media, 2009), 1 hour 9 mins
Known for his fast-paced and hilarious videos exploring Hapa identity and Asian American media portrayal, artist Kip Fulbeck has been featured on CNN, MTV and PBS. A professor of Art at UCSB, he exhibits and performs throughout the world and is the author of several books. Volume 2 includes: Some Questions for 28...
Sample
directed by Kip Fulbeck, 1965- (San Francisco, CA: Center for Asian American Media, 2009), 1 hour 9 mins
Description
Known for his fast-paced and hilarious videos exploring Hapa identity and Asian American media portrayal, artist Kip Fulbeck has been featured on CNN, MTV and PBS. A professor of Art at UCSB, he exhibits and performs throughout the world and is the author of several books. Volume 2 includes: Some Questions for 28 Kisses; Asian Studs Nightmare; Sweet or Spicy?; Sex, Love & Kung Fu; L.A. Christmas; Nine Fish; Vicki in 3:30.
Field of Study
Asian Studies
Content Type
Documentary
Author / Creator
Kip Fulbeck, 1965-
Date Published / Released
2009
Publisher
Center for Asian American Media
Speaker / Narrator
Kip Fulbeck, 1965-
Person Discussed
Kip Fulbeck, 1965-
Topic / Theme
Humor, Biracial people, Men, Cultural identity, Racial identity
Copyright Message
Copyright © 2000 by Center for Asian American Media
Subject
Humor, Biracial people, Men, Cultural identity, Racial identity
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Listen To The Forest
directed by Eddie Kamae, 1927-; produced by Myrna Kamae, fl. 1970 (Honolulu, HI: Hawaiian Legacy Foundation, 1993), 56 mins
Listen to the Forest is an environmental documentary speaking to the widespread concern for rainforest preservation. It is about the Hawaiian Islands, and also about a Hawaiian way of feeling. A film for all ages emphasizing the powerful connection between a unique natural history and Hawaii’s rich cultural life.
Sample
directed by Eddie Kamae, 1927-; produced by Myrna Kamae, fl. 1970 (Honolulu, HI: Hawaiian Legacy Foundation, 1993), 56 mins
Description
Listen to the Forest is an environmental documentary speaking to the widespread concern for rainforest preservation. It is about the Hawaiian Islands, and also about a Hawaiian way of feeling. A film for all ages emphasizing the powerful connection between a unique natural history and Hawaii’s rich cultural life.
Field of Study
Asian Studies
Content Type
Documentary
Contributor
Myrna Kamae, fl. 1970, Eddie Kamae, 1927-, Ka'upena Wong
Author / Creator
Eddie Kamae, 1927-, Myrna Kamae, fl. 1970
Date Published / Released
1993
Publisher
Hawaiian Legacy Foundation
Speaker / Narrator
Ka'upena Wong
Topic / Theme
Hawaiian, Traditional history, Cultural ethos, Cultural views, Cultural identity, Hawaiians
Copyright Message
Copyright 1993 The Hawaiian Legacy Foundation
Subject
Traditional history, Cultural ethos, Cultural views, Cultural identity
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Silencio
directed by Michael Arago, fl. 1997 (San Francisco, CA: Center for Asian American Media, 1997), 9 mins
This short film takes place in San Francisco, 1951, focusing on the experience of a young Filipino American trying to adjust to his predominantly Caucasian workplace. It explores the subtleties of how racism affects members of a multi-ethnic family, most tellingly when a mixed-blood sibling denies his ethnic herit...
Sample
directed by Michael Arago, fl. 1997 (San Francisco, CA: Center for Asian American Media, 1997), 9 mins
Description
This short film takes place in San Francisco, 1951, focusing on the experience of a young Filipino American trying to adjust to his predominantly Caucasian workplace. It explores the subtleties of how racism affects members of a multi-ethnic family, most tellingly when a mixed-blood sibling denies his ethnic heritage and 'passes' as an Italian American in order to fit in.
Field of Study
Anthropology
Content Type
Performance
Contributor
Michael Arago, fl. 1997
Author / Creator
Michael Arago, fl. 1997
Date Published / Released
1997
Publisher
Center for Asian American Media
Topic / Theme
Ethnic status, Biracial people, Racial identity, Cultural identity, Filipinos
Copyright Message
Copyright © 1997 by Center for Asian American Media
Subject
Ethnic status, Biracial people, Racial identity, Cultural identity
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