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All Points of the Compass
directed by Judy Rymer (New York, NY: Filmakers Library, 2006), 1 hour 2 mins
Tran Van Lam had the ill-fated destiny to be foreign minister of South Vietnam during the devastating war with the North. He was a patriot, committed to seeing his country emerge from its colonial history. He was also the father of nine children, who with his wife formed a seemingly privileged family, which dined...
Sample
directed by Judy Rymer (New York, NY: Filmakers Library, 2006), 1 hour 2 mins
Description
Tran Van Lam had the ill-fated destiny to be foreign minister of South Vietnam during the devastating war with the North. He was a patriot, committed to seeing his country emerge from its colonial history. He was also the father of nine children, who with his wife formed a seemingly privileged family, which dined together, had vacations at the beach, learned musical instruments, and were instilled with their Vietnamese identity. As the war intens...
Tran Van Lam had the ill-fated destiny to be foreign minister of South Vietnam during the devastating war with the North. He was a patriot, committed to seeing his country emerge from its colonial history. He was also the father of nine children, who with his wife formed a seemingly privileged family, which dined together, had vacations at the beach, learned musical instruments, and were instilled with their Vietnamese identity. As the war intensified, he and his wife made provisions for the children to leave the country. The nine children were dispersed to Australia, France, the U.S. and Scotland. The hope was that they would be educated abroad and bring their talents back to their native country. That was not to be. Tran VanLam was betrayed by the United States, his ally against the North. While he was a delegate to the Paris peace talks, Henry Kissinger secretly arranged the pull out with the North. Fortunate to be airlifted out at the fall of Saigon, he and his wife finally emigrated to Australia with one small bag, where they ultimately opened a coffee shop. The adult children, now in mid -career with families of their own, speak poignantly about their experience of dislocation.They each longed to be re-united as a family and had to struggle to forge a new identity in a foreign land. They were all deeply affected by their father's expectations to become accomplished and"give back." Each one feels "multicultural." All Points of the Compass is at once a gripping portrait of the "immigrant experience" and a new perspective on the American role in the Vietnam War . High School College Adult
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Field of Study
Asian Studies
Content Type
Documentary
Author / Creator
Judy Rymer
Date Published / Released
2006
Publisher
Filmakers Library
Topic / Theme
Ethnic groups, Politics, Economics, Area Studies
Copyright Message
Copyright © 2006. Used by permission of Filmakers Library. All rights reserved.
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Beasts of Burden
produced by Ampersand Productions (New York, NY: Filmakers Library, 2001), 1 hour 8 mins
India's cities are thronged with faceless rickshaw workers. This film puts a human face on those at the low end of the caste system whose only chance to eke out a bare subsistence for their families is to do the work done by beasts of burden in more affluent societies. The film follows Jadav as he leaves his droug...
Sample
produced by Ampersand Productions (New York, NY: Filmakers Library, 2001), 1 hour 8 mins
Description
India's cities are thronged with faceless rickshaw workers. This film puts a human face on those at the low end of the caste system whose only chance to eke out a bare subsistence for their families is to do the work done by beasts of burden in more affluent societies. The film follows Jadav as he leaves his drought-ridden village without luggage or money. Arriving in Calcutta, he finds people living in the train station and the streets. Although...
India's cities are thronged with faceless rickshaw workers. This film puts a human face on those at the low end of the caste system whose only chance to eke out a bare subsistence for their families is to do the work done by beasts of burden in more affluent societies. The film follows Jadav as he leaves his drought-ridden village without luggage or money. Arriving in Calcutta, he finds people living in the train station and the streets. Although he feels humiliated to apply for the job as rickshaw puller, he sees no alternative. He meets men who have been pulling enormous loads for twenty years, who have developed lung problems and impaired vision. Other men sell their blood, often tainted, in order to feed their families. People even buy and sell the cadavers of those who died in the streets because there is a market for human bones. Despite the misery he encounters, Jadav dreams that life will be better for his children, and that, hopefully, his next life will be better! College Adult
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Field of Study
Asian Studies
Content Type
Documentary
Contributor
Ampersand Productions
Date Published / Released
2001
Publisher
Filmakers Library
Topic / Theme
Economics, Employment, Humanities
Copyright Message
Copyright © 2001. Used by permission of Filmakers Library. All rights reserved.
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Busy Forever
directed by Guy Brousmiche (New York, NY: Filmakers Library, 2006), 56 mins
Recent demographic studies show that the aging of the Japanese is occurring at a much faster rate than anticipated. By the year 2025 there will be only two working people for every retired person, and within the next fifty years, one out of every three Japanese will be over 65. The particular Japanese response to...
Sample
directed by Guy Brousmiche (New York, NY: Filmakers Library, 2006), 56 mins
Description
Recent demographic studies show that the aging of the Japanese is occurring at a much faster rate than anticipated. By the year 2025 there will be only two working people for every retired person, and within the next fifty years, one out of every three Japanese will be over 65. The particular Japanese response to this phenomenon is to stay in the workforce long after the normal retirement age. There was little debate when the Japanese parliament...
Recent demographic studies show that the aging of the Japanese is occurring at a much faster rate than anticipated. By the year 2025 there will be only two working people for every retired person, and within the next fifty years, one out of every three Japanese will be over 65. The particular Japanese response to this phenomenon is to stay in the workforce long after the normal retirement age. There was little debate when the Japanese parliament changed the minimum age of retirement from 60 to 65. This bill was met with popular approval; three quarters of workers aged 55 expressed their desire to keep working for another ten years. Today, more and more Japanese continue to work into their seventies. After retirement many continue doing odd jobs called "arbeito" to supplement their meager retirement benefits and to feel useful. They feel it will stave off senility, which they particularly dread. Busy Forever shows us some of these older people in their seventies and eighties. Dr. Ayakaoua, a geriatric physician , expects to continue his practice until aged 80. There is Mrs. Tanaka, the smiling 83-year-old vegetable seller; Mrs. Ishimi 75, an active fishmonger; Mr. Sakai an 80-year old taxi driver; and Mr. Chow who is passionate for karate yet still finds time to work as an engineer. There are even employment agencies specialize in finding work for older Japanese who are determined to remain busy forever. College Adult
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Field of Study
Asian Studies
Content Type
Documentary
Author / Creator
Guy Brousmiche
Date Published / Released
2006
Publisher
Filmakers Library
Topic / Theme
Demographics, Employment, Humanities
Copyright Message
Copyright © 2006. Used by permission of Filmakers Library. All rights reserved.
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Highlands Trilogy, 3, Black Harvest
written by Robin Anderson, 1948-2002 and Bob Connolly, 1945-; directed by Bob Connolly, 1945- and Robin Anderson, 1948-2002; produced by Robin Anderson, 1948-2002 and Bob Connolly, 1945-, in Highlands Trilogy, 3 (New York, NY: Filmakers Library, 1992), 1 hour 30 mins
The third film of the renowned trilogy on Papua New Guinea joins First Contact and Joe Leahy's Neighbours in our collection. This film charts the progress of Joe in convincing the Ganiga tribespeople to join him in a coffee growing venture. He is to provide the money and the expertise; they are to supply the land...
Sample
written by Robin Anderson, 1948-2002 and Bob Connolly, 1945-; directed by Bob Connolly, 1945- and Robin Anderson, 1948-2002; produced by Robin Anderson, 1948-2002 and Bob Connolly, 1945-, in Highlands Trilogy, 3 (New York, NY: Filmakers Library, 1992), 1 hour 30 mins
Description
The third film of the renowned trilogy on Papua New Guinea joins First Contact and Joe Leahy's Neighbours in our collection. This film charts the progress of Joe in convincing the Ganiga tribespeople to join him in a coffee growing venture. He is to provide the money and the expertise; they are to supply the land and the labor. He stands to make 60%; the tribespeople 40%. Tribal wars and the drop in coffee prices on the world market conspire to d...
The third film of the renowned trilogy on Papua New Guinea joins First Contact and Joe Leahy's Neighbours in our collection. This film charts the progress of Joe in convincing the Ganiga tribespeople to join him in a coffee growing venture. He is to provide the money and the expertise; they are to supply the land and the labor. He stands to make 60%; the tribespeople 40%. Tribal wars and the drop in coffee prices on the world market conspire to defeat the venture. Always suspect because of his mixed-race status, Joe is in deep trouble with the tribespeople when his promises of riches fail to materialize. As he organizes to emigrate with his family to Australia, he is a saddened man with an uncertain future. College Adult Black Harvest, the final film in the Highlands Trilogy, charts the progress of Joe Leahy in convincing the Ganiga tribespeople to join him in a coffee growing venture. He provides the money and the expertise; they supply the land and labor. But on the eve of success, the world coffee price collapses and tribal warfare erupts in the valley. Always suspect because of his mixed-race status, Joe is in deep trouble with the tribespeople when his promises of riches fail to materialize. As he organizes to emigrate with his family to Australia, he is a saddened man with an uncertain future.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Robin Anderson, 1948-2002, Bob Connolly, 1945-, Joseph Madang, Popina Mai, Joe Leahy
Author / Creator
Robin Anderson, 1948-2002, Bob Connolly, 1945-
Date Published / Released
1992
Publisher
Filmakers Library
Series
Highlands Trilogy
Person Discussed
Joe Leahy
Topic / Theme
Ganiga, Biracial people, War, Social conflict, Plantations, Coffee, Tribal and national groups, Cultural change and history, Cultural identity, Anthropology, Ethnography, Ethnic Studies
Copyright Message
Copyright © 1992. Used by permission of Filmakers Library. All rights reserved.
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Highlands Trilogy, 3, Black Harvest: Film Discussion
written by Robin Anderson, 1948-2002 and Bob Connolly, 1945-; directed by Bob Connolly, 1945- and Robin Anderson, 1948-2002; produced by Robin Anderson, 1948-2002 and Bob Connolly, 1945-, in Highlands Trilogy, 3 (New York, NY: Filmakers Library, 1992), 28 mins
The third film of the renowned trilogy on Papua New Guinea joins First Contact and Joe Leahy's Neighbours in our collection. This film charts the progress of Joe in convincing the Ganiga tribespeople to join him in a coffee growing venture. He is to provide the money and the expertise; they are to supply the land...
Sample
written by Robin Anderson, 1948-2002 and Bob Connolly, 1945-; directed by Bob Connolly, 1945- and Robin Anderson, 1948-2002; produced by Robin Anderson, 1948-2002 and Bob Connolly, 1945-, in Highlands Trilogy, 3 (New York, NY: Filmakers Library, 1992), 28 mins
Description
The third film of the renowned trilogy on Papua New Guinea joins First Contact and Joe Leahy's Neighbours in our collection. This film charts the progress of Joe in convincing the Ganiga tribespeople to join him in a coffee growing venture. He is to provide the money and the expertise; they are to supply the land and the labor. He stands to make 60%; the tribespeople 40%. Tribal wars and the drop in coffee prices on the world market conspire to d...
The third film of the renowned trilogy on Papua New Guinea joins First Contact and Joe Leahy's Neighbours in our collection. This film charts the progress of Joe in convincing the Ganiga tribespeople to join him in a coffee growing venture. He is to provide the money and the expertise; they are to supply the land and the labor. He stands to make 60%; the tribespeople 40%. Tribal wars and the drop in coffee prices on the world market conspire to defeat the venture. Always suspect because of his mixed-race status, Joe is in deep trouble with the tribespeople when his promises of riches fail to materialize. As he organizes to emigrate with his family to Australia, he is a saddened man with an uncertain future. College Adult Black Harvest, the final film in the Highlands Trilogy, charts the progress of Joe Leahy in convincing the Ganiga tribespeople to join him in a coffee growing venture. He provides the money and the expertise; they supply the land and labor. But on the eve of success, the world coffee price collapses and tribal warfare erupts in the valley. Always suspect because of his mixed-race status, Joe is in deep trouble with the tribespeople when his promises of riches fail to materialize. As he organizes to emigrate with his family to Australia, he is a saddened man with an uncertain future.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Robin Anderson, 1948-2002, Bob Connolly, 1945-
Author / Creator
Robin Anderson, 1948-2002, Bob Connolly, 1945-
Date Published / Released
1992
Publisher
Filmakers Library
Series
Highlands Trilogy
Person Discussed
Joe Leahy
Topic / Theme
Ganiga, Biracial people, War, Social conflict, Plantations, Coffee, Tribal and national groups, Cultural change and history, Filmmaking industry, Ethnography, Ethnic Studies
Copyright Message
Copyright © 1992. Used by permission of Filmakers Library. All rights reserved.
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Kites
directed by Beata Dzianowicz, 1969-; produced by Krzysztof Kopczynski, Eureka Media (Alexandria, VA: Filmakers Library, 2007), 52 mins
In 2006 in the Art School in Kabul a film course "Kabul – My City" was held. Students were given cameras and professional help from the young polish director Jacek Szarański. And no more than that. They themselves came up with the ideas of what they wanted their films to be about, and in what way they would sho...
Sample
directed by Beata Dzianowicz, 1969-; produced by Krzysztof Kopczynski, Eureka Media (Alexandria, VA: Filmakers Library, 2007), 52 mins
Description
In 2006 in the Art School in Kabul a film course "Kabul – My City" was held. Students were given cameras and professional help from the young polish director Jacek Szarański. And no more than that. They themselves came up with the ideas of what they wanted their films to be about, and in what way they would show Kabul. They trained their lenses on their closest surroundings – neighbor’s children, ubiquitous kites and themselves."Kites" hav...
In 2006 in the Art School in Kabul a film course "Kabul – My City" was held. Students were given cameras and professional help from the young polish director Jacek Szarański. And no more than that. They themselves came up with the ideas of what they wanted their films to be about, and in what way they would show Kabul. They trained their lenses on their closest surroundings – neighbor’s children, ubiquitous kites and themselves."Kites" have become a record of the present day Kabul from the perspective of an Afghan teenager. It also became a story about how a film passion is awakened, the difficulty of asking questions and the courage of hearing answers.
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Field of Study
Asian Studies
Content Type
Documentary
Contributor
Krzysztof Kopczynski, Eureka Media
Author / Creator
Beata Dzianowicz, 1969-
Date Published / Released
2007
Publisher
Filmakers Library
Topic / Theme
Afghan people, Film producers, Filmmaking industry, Postwar reconstruction, Humanities, Asians
Copyright Message
Copyright © 2012. Used by permission of Filmakers Library. All rights reserved.
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The Living Tree: Chinese American Identity
directed by Flora Moon; produced by Flora Moon (New York, NY: Filmakers Library, 2006), 36 mins
Red China. Because of her family's efforts to avoid scrutiny during the Cold War era of the 1950's they tried hard to blend in with their surroundings and little mention was made at home of their Chinese past. Light -hearted letters which would pass the scrutiny of censors on both sides of the Bamboo Curtain were...
Sample
directed by Flora Moon; produced by Flora Moon (New York, NY: Filmakers Library, 2006), 36 mins
Description
Red China. Because of her family's efforts to avoid scrutiny during the Cold War era of the 1950's they tried hard to blend in with their surroundings and little mention was made at home of their Chinese past. Light -hearted letters which would pass the scrutiny of censors on both sides of the Bamboo Curtain were the only way family ties were maintained. It was not until Flora's Aunt Ping immigrated to America in the late eighties that Flora lear...
Red China. Because of her family's efforts to avoid scrutiny during the Cold War era of the 1950's they tried hard to blend in with their surroundings and little mention was made at home of their Chinese past. Light -hearted letters which would pass the scrutiny of censors on both sides of the Bamboo Curtain were the only way family ties were maintained. It was not until Flora's Aunt Ping immigrated to America in the late eighties that Flora learned about her ancestors and the intertwining of Chinese history and family history. She also learned about the recent past, when her "capitalistic" family was subject to attack during the Cultural Revolution. The silence her parents had maintained about their past hardships and the loneliness experienced as immigrants was finally revealed. The thoroughly westernized Flora Moon once identified with ancient Rome, not ancient China. She had been labeled a "banana" -- yellow outside but white inside Now a new dimension--her Chinese roots-- has been revealed and absorbed . A charming film for use in multicultural studies. High School College Adult
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Field of Study
Asian Studies
Content Type
Documentary
Contributor
Flora Moon
Author / Creator
Flora Moon
Date Published / Released
2006
Publisher
Filmakers Library
Topic / Theme
Ethnic groups, Area Studies
Copyright Message
Copyright © 2006. Used by permission of Filmakers Library. All rights reserved.
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Looking for China Girl
produced by British Broadcasting Corporation (New York, NY: Filmakers Library, 2005), 50 mins
Here are the personal stories behind a modern demographic crisis in China. Since 1980 when China decreed that couples should have just one child, there has been an alarming disproportion of young men over young women. Many reasons have been given for this, including selective abortion, infanticide and adoption. Th...
Sample
produced by British Broadcasting Corporation (New York, NY: Filmakers Library, 2005), 50 mins
Description
Here are the personal stories behind a modern demographic crisis in China. Since 1980 when China decreed that couples should have just one child, there has been an alarming disproportion of young men over young women. Many reasons have been given for this, including selective abortion, infanticide and adoption. This film follows 24-year-old Xinhau Lu, who still lives with his parents on a small farm in rural China, as he searches for a wife. Coll...
Here are the personal stories behind a modern demographic crisis in China. Since 1980 when China decreed that couples should have just one child, there has been an alarming disproportion of young men over young women. Many reasons have been given for this, including selective abortion, infanticide and adoption. This film follows 24-year-old Xinhau Lu, who still lives with his parents on a small farm in rural China, as he searches for a wife. College Adult
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Field of Study
Asian Studies
Content Type
Documentary
Contributor
British Broadcasting Corporation
Date Published / Released
2005
Publisher
Filmakers Library
Topic / Theme
Demographics, Women's issues, Ethnic Studies
Copyright Message
Copyright © 2005. Used by permission of Filmakers Library. All rights reserved.
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My Iranian Paradise
directed by Katia Forbert Petersen and Annette Mari Olsen; produced by Annette Mari Olsen (New York, NY: Filmakers Library, 2009), 59 mins
This unique documentary interweaves the story of the filmmaker, who grew up in Persia (Iran) with the history of the country from the 30s and onward to the Islamic Revolution, Katia’s parents were European. Her father was a Danish engineer and her Polish mother, a survivor from one of Stalin’s gulags. They met...
Sample
directed by Katia Forbert Petersen and Annette Mari Olsen; produced by Annette Mari Olsen (New York, NY: Filmakers Library, 2009), 59 mins
Description
This unique documentary interweaves the story of the filmmaker, who grew up in Persia (Iran) with the history of the country from the 30s and onward to the Islamic Revolution, Katia’s parents were European. Her father was a Danish engineer and her Polish mother, a survivor from one of Stalin’s gulags. They met in Tehran in 1942 where her father engineered an ambitious railroad project, and her mother had found refuge.Katia recalls the Tehran...
This unique documentary interweaves the story of the filmmaker, who grew up in Persia (Iran) with the history of the country from the 30s and onward to the Islamic Revolution, Katia’s parents were European. Her father was a Danish engineer and her Polish mother, a survivor from one of Stalin’s gulags. They met in Tehran in 1942 where her father engineered an ambitious railroad project, and her mother had found refuge.Katia recalls the Tehran of her youth and adolescence as “the happiest place under the sun.” When the Shah was deposed, life changed for foreigners. Oil politics began to tear the world asunder and the Islamic Revolution erupted. Her memories are brought to life by archival footage and photographs.After living in Denmark for her adult years, the filmmaker feels the need to revisit her birth place. She now has to don the chador as she walks the familiar streets speaking to whoever will talk to a foreigner.She observes the powerlessness of women, the tyranny of religion, and the economic condition of the people. Through her eyes, one gains a better understanding of this closed and inaccessible country. High School College Adult
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Field of Study
Asian Studies
Content Type
Documentary
Contributor
Annette Mari Olsen
Author / Creator
Katia Forbert Petersen, Annette Mari Olsen
Date Published / Released
2009
Publisher
Filmakers Library
Topic / Theme
History curriculums, Women's issues, Area Studies
Copyright Message
Copyright © 2009. Used by permission of Filmakers Library. All rights reserved.
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Prayers of a Warlord
directed by Pascale Bourgaux and Andrew Driver (New York, NY: Filmakers Library, 2003), 59 mins
For the first time a warlord opens his doors and takes us on an intimate tour to the heart of the Afghan feudal system. Mamour Hasan governs 50,000 people in Dash-Te-Qalah, in the north east corner of Afghanistan. They are largely Tajik and Pashtun. Gray bearded and mild mannered, with an army 10,000 strong, his a...
Sample
directed by Pascale Bourgaux and Andrew Driver (New York, NY: Filmakers Library, 2003), 59 mins
Description
For the first time a warlord opens his doors and takes us on an intimate tour to the heart of the Afghan feudal system. Mamour Hasan governs 50,000 people in Dash-Te-Qalah, in the north east corner of Afghanistan. They are largely Tajik and Pashtun. Gray bearded and mild mannered, with an army 10,000 strong, his authority is unchallenged. The film opens with the peaceful image of Hasan praying by the side of a river. Later he explains how he oppo...
For the first time a warlord opens his doors and takes us on an intimate tour to the heart of the Afghan feudal system. Mamour Hasan governs 50,000 people in Dash-Te-Qalah, in the north east corner of Afghanistan. They are largely Tajik and Pashtun. Gray bearded and mild mannered, with an army 10,000 strong, his authority is unchallenged. The film opens with the peaceful image of Hasan praying by the side of a river. Later he explains how he opposed the cruelty of the Taliban. Their version of Islam, he says, is not the true Islam, which is forgiving and tolerant. We follow him through the busy local market, friendly but firmly collecting taxes from the vendors. This revenue stays in his domain. With it, he pays the army, supports the schools, and his Council of Elders takes care of those in need. He mediates justice in a benevolent way. Hassan has enlightened views on women, although his three wives refuse to be filmed. This documentary takes one to a world far from urban Kabul and global politics, but representative of much of the countryside. Although the term "warlord" has been bandied about by journalists and commentators reporting on Afghanistan, this portrait of Mamour Hasan and his villagers illuminates a way of life, a social organization and indeed a mentality that needs to be understood by westerners considering the future of Afghanistan. College Adult
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Field of Study
Anthropology
Content Type
Documentary
Author / Creator
Pascale Bourgaux, Andrew Driver
Date Published / Released
2003
Publisher
Filmakers Library
Topic / Theme
Politics, Humanities
Copyright Message
Copyright © 2003. Used by permission of Filmakers Library. All rights reserved.
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