319 results for your search
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The Arsonist
directed by U-Wei Haji Saari, 1954-; performed by Jamaluddin Kadir, fl. 1995-2009, Anwar Idris, fl. 2008-2004 and Ngasrizal Ngasri, fl. 1993-2010 (Malaysia: Privately Published), 1 hour 7 mins
U-Wei Bin Haji Saari based "The Arsonist" (1995) on William Faulkner's short story "Barn Burning," transposing it from the Deep South to Malaysia. The filmmaker stays true to its core, but depicts the position of a Javanese man who has married a Malaysian woman, and is continually in a state of rebellion. His fami...
Sample
directed by U-Wei Haji Saari, 1954-; performed by Jamaluddin Kadir, fl. 1995-2009, Anwar Idris, fl. 2008-2004 and Ngasrizal Ngasri, fl. 1993-2010 (Malaysia: Privately Published), 1 hour 7 mins
Description
U-Wei Bin Haji Saari based "The Arsonist" (1995) on William Faulkner's short story "Barn Burning," transposing it from the Deep South to Malaysia. The filmmaker stays true to its core, but depicts the position of a Javanese man who has married a Malaysian woman, and is continually in a state of rebellion. His family is isolated from the community, and their life is continually disrupted. They are often reduced to camping out in the open with the...
U-Wei Bin Haji Saari based "The Arsonist" (1995) on William Faulkner's short story "Barn Burning," transposing it from the Deep South to Malaysia. The filmmaker stays true to its core, but depicts the position of a Javanese man who has married a Malaysian woman, and is continually in a state of rebellion. His family is isolated from the community, and their life is continually disrupted. They are often reduced to camping out in the open with their goats. His middle son admires his courage, but asks himself if his honor demands him to stop his father from ruining himself and their family. The movie premiered at the Singapore International Film Festival, and went on to be the most honored Malaysian film in history, selected in Cannes, and winning the Grand Prize (Best International Film) at the Brussels Film Festival. Other Festivals: Nominated Silver Lion Best Short Film Venice Film Festival 2004; Los Angeles International Short Film Festival 2004.
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Field of Study
Asian Studies
Content Type
Performance
Performer / Ensemble
Jamaluddin Kadir, fl. 1995-2009, Anwar Idris, fl. 2008-2004, Ngasrizal Ngasri, fl. 1993-2010
Contributor
U-Wei Haji Saari, 1954-
Author / Creator
U-Wei Haji Saari, 1954-, Jamaluddin Kadir, fl. 1995-2009, Anwar Idris, fl. 2008-2004, Ngasrizal Ngasri, fl. 1993-2010
Date Published / Released
1995
Publisher
Privately Published
Topic / Theme
Malay, Agriculture, Relationships, Marriage, Rural population
Copyright Message
Copyright © 1995 Used by permission of Uwei Haji Saari.
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Atash bas
written by Tahmineh Milani, fl. 1989-2013; directed by Tahmineh Milani, fl. 1989-2013; produced by Mohammad Nikbin, fl. 1996-2012; performed by Keikavous Yakideh, fl. 2006, Mohammad Nikbin, fl. 1996-2012, Ahmad Mehranfar, fl. 2006-2012, Niloofar Khosh-kholgh, fl. 2001-2012, Elsa Firuz Azar, fl. 1996-2011, Elnaz Firuz Azar, fl. 2005-2011, Atila Pesiani, fl. 1988-2012, Mohammad Reza Golzar, 1975- and Mahnaz Afshar, 1977- (Iran: Privately Published, 2006), 1 hour 42 mins
This drama was directed by Tahmineh Milani and features Mahnaz Afshar, Mohammad Reza Golzar, and Atila Pesiani.
Sample
written by Tahmineh Milani, fl. 1989-2013; directed by Tahmineh Milani, fl. 1989-2013; produced by Mohammad Nikbin, fl. 1996-2012; performed by Keikavous Yakideh, fl. 2006, Mohammad Nikbin, fl. 1996-2012, Ahmad Mehranfar, fl. 2006-2012, Niloofar Khosh-kholgh, fl. 2001-2012, Elsa Firuz Azar, fl. 1996-2011, Elnaz Firuz Azar, fl. 2005-2011, Atila Pesiani, fl. 1988-2012, Mohammad Reza Golzar, 1975- and Mahnaz Afshar, 1977- (Iran: Privately Published, 2006), 1 hour 42 mins
Description
This drama was directed by Tahmineh Milani and features Mahnaz Afshar, Mohammad Reza Golzar, and Atila Pesiani.
Date Written / Recorded
2006
Field of Study
Asian Studies
Content Type
Performance
Performer / Ensemble
Keikavous Yakideh, fl. 2006, Mohammad Nikbin, fl. 1996-2012, Ahmad Mehranfar, fl. 2006-2012, Niloofar Khosh-kholgh, fl. 2001-2012, Elsa Firuz Azar, fl. 1996-2011, Elnaz Firuz Azar, fl. 2005-2011, Atila Pesiani, fl. 1988-2012, Mohammad Reza Golzar, 1975-, Mahnaz Afshar, 1977-
Contributor
Ali Reza Zarrindast, fl. 1969-2014, Mohammad Nikbin, fl. 1996-2012, Naser Cheshmazar, fl. 1979-2012
Author / Creator
Tahmineh Milani, fl. 1989-2013, Keikavous Yakideh, fl. 2006, Mohammad Nikbin, fl. 1996-2012, Ahmad Mehranfar, fl. 2006-2012, Niloofar Khosh-kholgh, fl. 2001-2012, Elsa Firuz Azar, fl. 1996-2011, Elnaz Firuz Azar, fl. 2005-2011, Atila Pesiani, fl. 1988-2012, Mohammad Reza Golzar, 1975-, Mahnaz Afshar, 1977-
Date Published / Released
2006
Publisher
Privately Published
Topic / Theme
Marital relations, Psychology
Copyright Message
Copyright © 2006 by Tahmineh Milani
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Bao giờ cho đến tháng mười
written by Dang Nhat Minh, 1938-; directed by Dang Nhat Minh, 1938-; performed by Phu Cuong Lai, fl. 1985, Luu Viet Bao Dang, fl. 1985 and Van Le, fl. 1964-2010 (Vietnam: Privately Published, 1985), 1 hour 26 mins
This drama, directed by Nhat Minh Dang and featuring actors Van Le, Luu Viet Bao Dang, and Phu Cuong Lai, is about a young widow hiding her husband's death from his family.
Sample
written by Dang Nhat Minh, 1938-; directed by Dang Nhat Minh, 1938-; performed by Phu Cuong Lai, fl. 1985, Luu Viet Bao Dang, fl. 1985 and Van Le, fl. 1964-2010 (Vietnam: Privately Published, 1985), 1 hour 26 mins
Description
This drama, directed by Nhat Minh Dang and featuring actors Van Le, Luu Viet Bao Dang, and Phu Cuong Lai, is about a young widow hiding her husband's death from his family.
Date Written / Recorded
1985
Field of Study
Asian Studies
Content Type
Performance
Performer / Ensemble
Phu Cuong Lai, fl. 1985, Luu Viet Bao Dang, fl. 1985, Van Le, fl. 1964-2010
Author / Creator
Dang Nhat Minh, 1938-, Phu Cuong Lai, fl. 1985, Luu Viet Bao Dang, fl. 1985, Van Le, fl. 1964-2010
Date Published / Released
1985-07, 1985
Publisher
Privately Published
Topic / Theme
Romantic relationships, Sense of duty, Mothers, Extended family, Widowed persons, Mourning, Vietnamese people, Vietnam War, 1956-1975, Africans
Copyright Message
Copyright © 1984. Used by permission of Dang Nhat Minh.
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Beyond the Wheel
directed by Rajula Shah, 1974-; produced by Rajula Shah, 1974-, India Foundation for the Arts (Privately Published, 2005), 59 mins
Across cultures, tradition bars women from engaging in activities of a certain kind like, the plough, the fishing net or the potter's wheel. 'Beyond the Wheel' takes a look at three women in Indian pottery, across the rural-urban, modern-traditional divides, with reference to the taboo of the wheel. For the 'moder...
Sample
directed by Rajula Shah, 1974-; produced by Rajula Shah, 1974-, India Foundation for the Arts (Privately Published, 2005), 59 mins
Description
Across cultures, tradition bars women from engaging in activities of a certain kind like, the plough, the fishing net or the potter's wheel. 'Beyond the Wheel' takes a look at three women in Indian pottery, across the rural-urban, modern-traditional divides, with reference to the taboo of the wheel. For the 'modern' artist, Shampa, the taboo of course does not exist. 'Traditional' artists Sara and Neelmani do not touch the wheel. The film looks a...
Across cultures, tradition bars women from engaging in activities of a certain kind like, the plough, the fishing net or the potter's wheel. 'Beyond the Wheel' takes a look at three women in Indian pottery, across the rural-urban, modern-traditional divides, with reference to the taboo of the wheel. For the 'modern' artist, Shampa, the taboo of course does not exist. 'Traditional' artists Sara and Neelmani do not touch the wheel. The film looks at how the taboo is turned on its head as they find a creative route to its circumvention, in the process inventing their 'own wheel'.
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Field of Study
Asian Studies
Content Type
Documentary
Contributor
Rajula Shah, 1974-, India Foundation for the Arts
Author / Creator
Rajula Shah, 1974-
Date Published / Released
2005
Publisher
Privately Published
Topic / Theme
Taboo, Women, Pottery and pottery making, Race and culture, Gender roles, Indians (Asian)
Copyright Message
Copyright © 2005 Rajula Shah
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Blackworms
directed by Khavn De La Cruz, 1973-; produced by Khavn De La Cruz, 1973-; performed by Donna Miranda, fl. 2001-2009 (Philippines: Privately Published), 5 mins
A young woman faced with the crimes of her past suffers punishment of a Dantean nature. But what was her crime? And why does the saying 'After everything, nothing' resonate through her life?
Sample
directed by Khavn De La Cruz, 1973-; produced by Khavn De La Cruz, 1973-; performed by Donna Miranda, fl. 2001-2009 (Philippines: Privately Published), 5 mins
Description
A young woman faced with the crimes of her past suffers punishment of a Dantean nature. But what was her crime? And why does the saying 'After everything, nothing' resonate through her life? College
Date Written / Recorded
2009
Field of Study
Asian Studies
Content Type
Performance
Performer / Ensemble
Donna Miranda, fl. 2001-2009
Contributor
Khavn De La Cruz, 1973-, Juan Silos, Jr., 1898-1988, Ariston Avelino, 1911-
Author / Creator
Khavn De La Cruz, 1973-, Donna Miranda, fl. 2001-2009
Date Published / Released
2009
Publisher
Privately Published
Topic / Theme
Crime, Mental illnesses
Copyright Message
Copyright © 2009 Used by permission of Khavn De La Cruz.
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A Cheonggyecheon Dog
directed by Kim Kyung Mook, fl. 2009-2011; performed by Seong-jun Park, fl. 2009, Ji-hwan Park, fl. 2008-2010 and Ju-seung Lee, fl. 2009-2010 (South Korea: Privately Published), 1 hour 1 mins
In telling the story of a man and his contemplative walk along the river that divides Seoul, director Kim Kyung-Mook is using his setting of the Cheonggyecheon River;so notoriously polluted since the Japanese occupation but recently recovered enough to constitute a tourist attraction;to speak for South Korea's shi...
Sample
directed by Kim Kyung Mook, fl. 2009-2011; performed by Seong-jun Park, fl. 2009, Ji-hwan Park, fl. 2008-2010 and Ju-seung Lee, fl. 2009-2010 (South Korea: Privately Published), 1 hour 1 mins
Description
In telling the story of a man and his contemplative walk along the river that divides Seoul, director Kim Kyung-Mook is using his setting of the Cheonggyecheon River;so notoriously polluted since the Japanese occupation but recently recovered enough to constitute a tourist attraction;to speak for South Korea's shifting and alternating identity between the old and the new Seoul. He centers his surrealistic comic drama on a transsexual who is just...
In telling the story of a man and his contemplative walk along the river that divides Seoul, director Kim Kyung-Mook is using his setting of the Cheonggyecheon River;so notoriously polluted since the Japanese occupation but recently recovered enough to constitute a tourist attraction;to speak for South Korea's shifting and alternating identity between the old and the new Seoul. He centers his surrealistic comic drama on a transsexual who is just at the point of becoming a woman, and who one day gets out of his house feeling that someone is observing him. While wandering in the streets, he meets a talking dog, after which he is chased by a mysterious man. Hiding in a shop, he is transformed into a woman. Thus transformed he anticipates love but his body reverts to that of a male. The male side of the protagonist perceives the city very differently from the female side, and man-woman and dog-that-talks walk the changing city together.
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Date Written / Recorded
2009-10-19
Field of Study
Asian Studies
Content Type
Performance
Performer / Ensemble
Seong-jun Park, fl. 2009, Ji-hwan Park, fl. 2008-2010, Ju-seung Lee, fl. 2009-2010
Author / Creator
Kim Kyung Mook, fl. 2009-2011, Seong-jun Park, fl. 2009, Ji-hwan Park, fl. 2008-2010, Ju-seung Lee, fl. 2009-2010
Date Published / Released
2008
Publisher
Privately Published
Topic / Theme
Sexuality
Copyright Message
Copyright © 2008 Used by permission of Kim Kyung-Mook.
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Colour Symphony: The Art of Vidyasagar Upadhyay
directed by Rohit Suri, 1981- and Vinod Bhardwaj, fl. 2010; produced by Rohit Suri, 1981- and Vinod Bhardwaj, fl. 2010 (India: Privately Published, 2012), 13 mins
This short documentary by Vinod Bhardwaj and Rohit Suri is on the Indian painter Vidyasagar Upadhyay.
Sample
directed by Rohit Suri, 1981- and Vinod Bhardwaj, fl. 2010; produced by Rohit Suri, 1981- and Vinod Bhardwaj, fl. 2010 (India: Privately Published, 2012), 13 mins
Description
This short documentary by Vinod Bhardwaj and Rohit Suri is on the Indian painter Vidyasagar Upadhyay.
Date Written / Recorded
2012
Field of Study
Asian Studies
Content Type
Documentary
Performer / Ensemble
Vidyadhar Vyas, 1944-
Contributor
Rohit Suri, 1981-, Vinod Bhardwaj, fl. 2010, Vidyadhar Vyas, 1944-
Author / Creator
Rohit Suri, 1981-, Vinod Bhardwaj, fl. 2010
Date Published / Released
2012
Publisher
Privately Published
Person Discussed
Vidyasagar Upadhyay, 1948-
Topic / Theme
Painting (Techniques), Painters, Visual artists
Copyright Message
Copyright © 2012 by Vinod Bhardwaj
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The Cycle = دایره مینا
directed by Dariush Mehrjui, 1939-; performed by Fourouzan, fl. 1964-1978, Ezzatolah Entezami, 1924- and Saeed Kangarani, 1954- (Iran: Privately Published), 1 hour 38 mins
Dariush Mehrjui took the title of his 1973 film from a line by the medieval Persian mystic poet Hafiz: 'Because of the cycle of the universe, my heart is bleeding.' This bleeding is both literal and figurative: A rural young man, Ali, and his ailing father become a part of in the corrupt and unsanitary 'free mark...
Sample
directed by Dariush Mehrjui, 1939-; performed by Fourouzan, fl. 1964-1978, Ezzatolah Entezami, 1924- and Saeed Kangarani, 1954- (Iran: Privately Published), 1 hour 38 mins
Description
Dariush Mehrjui took the title of his 1973 film from a line by the medieval Persian mystic poet Hafiz: 'Because of the cycle of the universe, my heart is bleeding.' This bleeding is both literal and figurative: A rural young man, Ali, and his ailing father become a part of in the corrupt and unsanitary 'free market' blood industry when they come to Tehran's main hospital to seek a cure for the father. The young man becomes involved with a worldl...
Dariush Mehrjui took the title of his 1973 film from a line by the medieval Persian mystic poet Hafiz: 'Because of the cycle of the universe, my heart is bleeding.' This bleeding is both literal and figurative: A rural young man, Ali, and his ailing father become a part of in the corrupt and unsanitary 'free market' blood industry when they come to Tehran's main hospital to seek a cure for the father. The young man becomes involved with a worldly and tolerant nurse (played by a sex symbol and movie star of the Pahlavi era, Fourouzan), and survives by becoming part of the black market working out of the hospital. Mehrjui said that he wanted to show 'a human society of vultures, dedicating themselves eagerly to engulfing the lives of others.' The screenplay was written by Mehrjui's frequent collaborator, Ghoran Hossein Sai'edi, a doctor who ran a free clinic who was later imprisoned and tortured under the Shah's regime. Though the Government Ministry of Culture funded the film, it was not immediately released in Iran due to the medical establishment's objections. It was awarded the International Critics' prize in Berlin and the Antenne 2 Grand Prize in Paris. It was finally shown in 1977 in Iran, and was instrumental in the foundation of the Blood Transfusion Organization of Iran. It was not seen in the U.S. until the day after the Islamic Revolution took control of the country. Mehrjui was a favorite filmmaker of the Ayatollah, but he struggled with the religious government's strictures. Awards/Festivals: FIPRESCI Prize Cinema of New Forum & OCIC Award Cinema of New Form Berlin International Film Festival 1978; Toronto International Film Festival 1978; Chicago International Film Festival 1978.
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Field of Study
Asian Studies
Content Type
Performance
Performer / Ensemble
Fourouzan, fl. 1964-1978, Ezzatolah Entezami, 1924-, Saeed Kangarani, 1954-
Author / Creator
Dariush Mehrjui, 1939-, Fourouzan, fl. 1964-1978, Ezzatolah Entezami, 1924-, Saeed Kangarani, 1954-
Date Published / Released
1975
Publisher
Privately Published
Topic / Theme
Public health
Copyright Message
Copyright © 1975 Used by permission of Dariush Mehrjui.
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The Distance = Dooratwa
directed by Buddhadeb Dasgupta, 1944-; produced by Buddhadeb Dasgupta, 1944-; performed by Ajoy Banerjee, fl. 1969-1987, Mamata Shankar, fl. 1997-2011 and Pradip Mukherjee, fl. 1976-2015 (Privately Published, 1979), 1 hour 32 mins,
Source: www.imdb.com
Source: www.imdb.com
Dooratwa is a feature film directed by Buddhadeb Dasgupta about a Calcutta college teacher and former revolutionary who marries a young woman but then leaves her when he learns that his wife is a single mother.
Sample
directed by Buddhadeb Dasgupta, 1944-; produced by Buddhadeb Dasgupta, 1944-; performed by Ajoy Banerjee, fl. 1969-1987, Mamata Shankar, fl. 1997-2011 and Pradip Mukherjee, fl. 1976-2015 (Privately Published, 1979), 1 hour 32 mins,
Source: www.imdb.com
Source: www.imdb.com
Description
Dooratwa is a feature film directed by Buddhadeb Dasgupta about a Calcutta college teacher and former revolutionary who marries a young woman but then leaves her when he learns that his wife is a single mother.
Field of Study
Asian Studies
Content Type
Performance
Performer / Ensemble
Ajoy Banerjee, fl. 1969-1987, Mamata Shankar, fl. 1997-2011, Pradip Mukherjee, fl. 1976-2015
Contributor
Buddhadeb Dasgupta, 1944-, Ain Rasheed Khan, fl. 1989-1997, Mahmud Mirza, fl. 1979
Author / Creator
Buddhadeb Dasgupta, 1944-, Ajoy Banerjee, fl. 1969-1987, Mamata Shankar, fl. 1997-2011, Pradip Mukherjee, fl. 1976-2015
Date Published / Released
1979-10
Publisher
Privately Published
Topic / Theme
Infidelity, Marriage, Pregnancy, Single mothers
Copyright Message
Copyright © 1978 by Buddhadeb Dasgupta
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Don't Burn
directed by Dang Nhat Minh, 1938-; produced by Hong Ngat Nguyen, fl. 2009; performed by Michael Jarmus, fl. 2002-2014, Tina Duong, fl. 2007-2014 and Minh Huong, fl. 2009 (Vietnam: Privately Published, 2009), 1 hour 41 mins
This drama, directed by Nhat Minh Dang and featuring actors Minh Huong, Tina Duong, and Michael Jarmus, is based on the the diary of a battlefield doctor who died during the Vietnam War.
Sample
directed by Dang Nhat Minh, 1938-; produced by Hong Ngat Nguyen, fl. 2009; performed by Michael Jarmus, fl. 2002-2014, Tina Duong, fl. 2007-2014 and Minh Huong, fl. 2009 (Vietnam: Privately Published, 2009), 1 hour 41 mins
Description
This drama, directed by Nhat Minh Dang and featuring actors Minh Huong, Tina Duong, and Michael Jarmus, is based on the the diary of a battlefield doctor who died during the Vietnam War.
Date Written / Recorded
2009
Field of Study
Asian Studies
Content Type
Performance
Performer / Ensemble
Michael Jarmus, fl. 2002-2014, Tina Duong, fl. 2007-2014, Minh Huong, fl. 2009
Contributor
Duc Tung Vu, fl. 2009, Hong Ngat Nguyen, fl. 2009, Zoltan Benedicfi, fl. 2009, Istvan Benedicfi, fl. 2009
Author / Creator
Dang Nhat Minh, 1938-, Michael Jarmus, fl. 2002-2014, Tina Duong, fl. 2007-2014, Minh Huong, fl. 2009
Date Published / Released
2009
Publisher
Privately Published
Person Discussed
Thuy Tram Dang, 1942-1970
Topic / Theme
Attacks (Battles), Vietnamese people, Hospitals and medical centers, Diaries, Medical doctors, Vietnam War, 1956-1975, Jews
Copyright Message
Copyright © 2009. Used by permission of Dang Nhat Minh.
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