213 results for your search

Alice's Adventures in Wonderland
See details
directed by Jonathan Haswell, fl. 1997; conducted by Barry Wordsworth; choreographed by Christopher Wheeldon, 1973-; designed by Bob Crowley, fl. 2001, Bob Crowley, fl. 2001, Natasha Katz; produced by Oliver MacFarlane, fl. 1986; performed by Steven McRae, fl. 2004, Christopher Saunders, fl. 1983, Zenaida Yanowsky, 1975-, Edward Watson, 1976-, Lauren Cuthbertson, fl. 2002, Simon Russell Beale, 1961- and Sergei Polunin, 1989-, Orchestra of the Royal Opera House, Covent Garden and Royal Ballet (Opus Arte, 2011), 2 hours 30 mins
Lewis Carroll’s ever-popular story provides the basis for Christopher Wheeldon’s spectacular new work, starring Royal Ballet Principal Lauren Cuthbertson. Captivating designs by Bob Crowley, an engaging and passionate score by Joby Talbot, and Wheeldon’'s breathtaking choreography combine to produce in the word...
directed by Jonathan Haswell, fl. 1997; conducted by Barry Wordsworth; choreographed by Christopher Wheeldon, 1973-; designed by Bob Crowley, fl. 2001, Bob Crowley, fl. 2001, Natasha Katz; produced by Oliver MacFarlane, fl. 1986; performed by Steven McRae, fl. 2004, Christopher Saunders, fl. 1983, Zenaida Yanowsky, 1975-, Edward Watson, 1976-, Lauren Cuthbertson, fl. 2002, Simon Russell Beale, 1961- and Sergei Polunin, 1989-, Orchestra of the Royal Opera House, Covent Garden and Royal Ballet (Opus Arte, 2011), 2 hours 30 mins
×
Balanchine Foundation Video Archives: EDWARD VILLELLA coaching principal roles from 'Rubies' from Jewels
See details
directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; interview by Nancy Reynolds, fl. 1994; performed by Jennifer Carlynn Kronenberg, fl. 1994, Renato Penteado, fl. 2009 and Edward Villella, 1936- (New York, NY: George Balanchine Foundation, 2010), 1 hour 13 mins
In this video Edward Villella coaches the two principal roles from Balanchine's "Rubies."
directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; interview by Nancy Reynolds, fl. 1994; performed by Jennifer Carlynn Kronenberg, fl. 1994, Renato Penteado, fl. 2009 and Edward Villella, 1936- (New York, NY: George Balanchine Foundation, 2010), 1 hour 13 mins
×
Balanchine Foundation Video Archives: MARIA TALLCHIEF coaching
See details
directed by Catherine Tatge, fl. 2004; composed by Paul Hindemith, 1895-1963; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004; performed by Maria Tallchief, 1925-2013, Wendy Whelan, 1967- and Damian Woetzel, 1967- (New York, NY: George Balanchine Foundation, 2008), 1 hour 53 mins
Maria Tallchief danced the Sanguinic pas de deux with Nicholas Magallanes in Ballet Society's second performance of The four temperaments, and created the ballerina role in Sylvia pas de deux, partnered by Magallanes, for New York City Ballet in 1950. She works on fine points of the choreography of these ballets w...
directed by Catherine Tatge, fl. 2004; composed by Paul Hindemith, 1895-1963; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004; performed by Maria Tallchief, 1925-2013, Wendy Whelan, 1967- and Damian Woetzel, 1967- (New York, NY: George Balanchine Foundation, 2008), 1 hour 53 mins
×
Balanchine Foundation Video Archives: MIMI PAUL coaching the Sicilienne variation and the Nocturne (
See details
directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Mimi Paul, Sara Mearns, 1986- and Jonathan Stafford, fl. 2000 (New York, NY: George Balanchine Foundation, 2011), 1 hour 19 mins
Mimi Paul discusses the walking in the duet, George Balanchine coaching her on walking as if on a tightrope, how she was in her own dream-like world but still aware of partner (Francisco Moncion), how she listened to the music to become more comfortable, why there are pulses or notches used in the movements of thi...
directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Mimi Paul, Sara Mearns, 1986- and Jonathan Stafford, fl. 2000 (New York, NY: George Balanchine Foundation, 2011), 1 hour 19 mins
×
Balanchine Foundation Video Archives: SUZANNE FARRELL coaching principal roles from Monumentum Pro Gesualdo & Movements for Piano and Orchestra
See details
directed by Nancy Reynolds, fl. 1994; composed by Igor Stravinsky, 1882-1971; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Suzanne Farrell, 1945-, Jennifer Fournier and Runqiao Du (New York, NY: George Balanchine Foundation, 2007), 1 hour 55 mins
Suzanne Farrell, who created the female role in George Balanchine's Movements for piano and orchestra in 1963 and replaced Diana Adams following the premiere of George Balanchine's Monumentum pro Gesualdo and movements in 1960 for the New York City Ballet, coaches two Suzanne Farrell Ballet dancers in the principa...
directed by Nancy Reynolds, fl. 1994; composed by Igor Stravinsky, 1882-1971; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Suzanne Farrell, 1945-, Jennifer Fournier and Runqiao Du (New York, NY: George Balanchine Foundation, 2007), 1 hour 55 mins
×
Balanchine Foundation Video Archives: YVONNE MOUNSEY coaching the Siren's solo and the Pas de Deux from Prodigal Son
See details
directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Melissa Barak, Arsen Serobian and Yvonne Mounsey, 1919- (New York, NY: George Balanchine Foundation, 2010), 1 hour 43 mins
Yvonne Mounsey discusses being coached by Felia Doubrovska, the narrative of the ballet, her approach to learning the music, the non-classical movements, meeting George Balanchine in 1941 and how she became a member of Balanchine's company.Felia Doubrovska's interview is an excerpt from the film by Virginia Brooks...
directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Melissa Barak, Arsen Serobian and Yvonne Mounsey, 1919- (New York, NY: George Balanchine Foundation, 2010), 1 hour 43 mins
×
La Bayadère
See details
conducted by David Coleman; choreographed by Marius Petipa, 1818-1910; designed by Pierluigi Samaritani, Yolanda Sonnabend, 1935-2015, John B. Read; produced by Erica Vitellozzi, fl. 2002; performed by Svetlana Zakharova, 1979-, Roberto Bolle, 1986-, Isabelle Brusson, Bryan Hewison, Mick Zeni, Francisco Sedeño, Antonino Sutera, Matthew Endicott and Piera Pedretti, Ballet of the Teatro alla Scala and Orchestra of the Teatro alla Scala (ArtHaus Musik, 2007), 2 hours 6 mins
In their series of classical ballet productions from La Scala Arthaus releases a video recording of “La Bayadére” in the choreography by Natalia Makarova. Her version, based on the original 1877 creation by the great master of Russian classical ballet, Marius Petipa has become the standard since the famous Ki...
conducted by David Coleman; choreographed by Marius Petipa, 1818-1910; designed by Pierluigi Samaritani, Yolanda Sonnabend, 1935-2015, John B. Read; produced by Erica Vitellozzi, fl. 2002; performed by Svetlana Zakharova, 1979-, Roberto Bolle, 1986-, Isabelle Brusson, Bryan Hewison, Mick Zeni, Francisco Sedeño, Antonino Sutera, Matthew Endicott and Piera Pedretti, Ballet of the Teatro alla Scala and Orchestra of the Teatro alla Scala (ArtHaus Musik, 2007), 2 hours 6 mins
×
Beginner Ballet Barre: Work Your Supporting Side, Perfect Your Plié-Releve
See details
produced by Suspension Productions; interview by Finis Jhung, 1937-; performed by Melissa Elstein, in Beginner Ballet Barre: Work Your Supporting Side, Perfect Your Plié-Releve (New York, NY: Ballet Dynamics, 2015), 1 hour 39 mins
You will benefit most from this video if you have first studied and learned the fundamentals of ballet technique taught by Finis Jhung in Ballet Barre for the Adult Absolute Beginner. That video prepares you mentally and physically for this video, which is designed to be the second level of our new "red" series of...
produced by Suspension Productions; interview by Finis Jhung, 1937-; performed by Melissa Elstein, in Beginner Ballet Barre: Work Your Supporting Side, Perfect Your Plié-Releve (New York, NY: Ballet Dynamics, 2015), 1 hour 39 mins
Segments
×
Black Ballerina
See details
directed by Frances McElroy, fl. 2016; produced by Frances McElroy, fl. 2016, Shirley Road Productions (Boston, MA: American Public Television, 2016), 54 mins
Black Ballerina is a story of passion, heartbreak and triumph of the human spirit. Set in the overwhelmingly white world of classical dance, it tells the stories of amazingly talented black ballerinas from several generations who face racism, exclusion and unequal opportunity while pursuing their dreams to dance....
directed by Frances McElroy, fl. 2016; produced by Frances McElroy, fl. 2016, Shirley Road Productions (Boston, MA: American Public Television, 2016), 54 mins
×
Carmen-Suite
See details
conducted by Gennadi Rozhdestvensky, 1931-; choreographed by Alberto Alonso; produced by George Van Breemen, 1972-; performed by Alexander Godunov, 1949-1995 and Maya Plisetskaya, 1925-, Orchestra of the Bolshoi [Bolshoy] Theatre and Bolshoi Ballet, in A Tribute to Maya Plisetskaya (Germany: ArtHaus Musik, 2010), 43 mins
This is a performance of Carmen-Suite, performed by Maya Plisetskaya and Alexander Godunov and choreographed by Alberto Alonso.
conducted by Gennadi Rozhdestvensky, 1931-; choreographed by Alberto Alonso; produced by George Van Breemen, 1972-; performed by Alexander Godunov, 1949-1995 and Maya Plisetskaya, 1925-, Orchestra of the Bolshoi [Bolshoy] Theatre and Bolshoi Ballet, in A Tribute to Maya Plisetskaya (Germany: ArtHaus Musik, 2010), 43 mins
×

Pages