12 results for your search

Interview 2 of Ademola Olugebefola by Sharon Fitzgerald, March 14, 2004
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written by Ademola Olugebefola, 1941- (2004); edited by James V. Hatch, 1928- and Judy Blum; in Artist and Influence, Vol. 23, Artist and Influence, 23:1-171 (2004) (New York, NY: Hatch-Billops Collection, 2004), 116-129
written by Ademola Olugebefola, 1941- (2004); edited by James V. Hatch, 1928- and Judy Blum; in Artist and Influence, Vol. 23, Artist and Influence, 23:1-171 (2004) (New York, NY: Hatch-Billops Collection, 2004), 116-129
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Collected Works of Langston Hughes, vol. 13: The Big Sea: An Autobiography
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written by Langston Hughes, 1902-1967; edited by Joseph McLaren, fl. 1980 (New York, NY: University of Missouri Press, 2002), 268 page(s)
written by Langston Hughes, 1902-1967; edited by Joseph McLaren, fl. 1980 (New York, NY: University of Missouri Press, 2002), 268 page(s)
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Interview of Charles Alston by Camille Billops and Ivie Jackman, January 27, 1975
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written by Charles Alston, 1907- (1975); edited by James V. Hatch, 1928- and Judy Blum; in Artist and Influence, Vol. 15, Artist and Influence, 15:1-264 (1996) (New York, NY: Hatch-Billops Collection, 1996), 7-35
written by Charles Alston, 1907- (1975); edited by James V. Hatch, 1928- and Judy Blum; in Artist and Influence, Vol. 15, Artist and Influence, 15:1-264 (1996) (New York, NY: Hatch-Billops Collection, 1996), 7-35
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Daggers and Javelins: Essays, 1974-1979
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written by Amiri Baraka, 1934-2014 (New York, NY: William Morrow and Company, 1984), 334 page(s)
written by Amiri Baraka, 1934-2014 (New York, NY: William Morrow and Company, 1984), 334 page(s)
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Interview of Bruce Nugent by James Hatch, 1982
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written by Richard Bruce Nugent, 1906-1987 (1982); edited by James V. Hatch, 1928-; in Artist and Influence, Artist and Influence, 1-176 (1982) (New York, NY: Hatch-Billops Collection, 1982), 64-87
written by Richard Bruce Nugent, 1906-1987 (1982); edited by James V. Hatch, 1928-; in Artist and Influence, Artist and Influence, 1-176 (1982) (New York, NY: Hatch-Billops Collection, 1982), 64-87
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A Conversation With Woody King, Jr.
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written by Woodie King, Jr., 1937- (1980); in Black Theatre, Present Condition (New York, NY: National Black Theatre, 1981), 105-111
written by Woodie King, Jr., 1937- (1980); in Black Theatre, Present Condition (New York, NY: National Black Theatre, 1981), 105-111
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9: Notes for a Hypothetical Novel and Address
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written by James Arthur Baldwin, 1924-1987 (1954); in Nobody Knows My Name: More Notes of a Native Son (New York, NY: Dial Press, 1961), 144-157
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Chapter 8: African Fantasy
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written by J. Saunders Redding, 1906-1988 (1958); in The Lonesome Road: The Story of the Negro's Part in America (New York, NY: Doubleday & Company, 1958), 209-234
written by J. Saunders Redding, 1906-1988 (1958); in The Lonesome Road: The Story of the Negro's Part in America (New York, NY: Doubleday & Company, 1958), 209-234
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Chapter 15: The Changing Pattern
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written by J. Saunders Redding, 1906-1988 (1950); in They Came in Chains: Americans from Africa (Philadelphia, PA: J. B. Lippincott Company, 1950), 243-263
written by J. Saunders Redding, 1906-1988 (1950); in They Came in Chains: Americans from Africa (Philadelphia, PA: J. B. Lippincott Company, 1950), 243-263
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Chapter 4: Emergence of the New Negro
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written by J. Saunders Redding, 1906-1988 (1939); in To Make a Poet Black (Chapel Hill, NC: University of North Carolina Press, 1939), 100-132
written by J. Saunders Redding, 1906-1988 (1939); in To Make a Poet Black (Chapel Hill, NC: University of North Carolina Press, 1939), 100-132
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