Browse Archive - 192 results
Bury My Jesus
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 9 (New York, NY) , 2 mins
Sample
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 9 (New York, NY) , 2 mins
Date Written / Recorded
1937
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Walter Garwick, fl. 1935
Author / Creator
Walter Garwick, fl. 1935
Copyright Message
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may...
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may freely transcribe from these materials. The Center is committed to repatriating field recordings in its possession to their source communities and descendants of the performers featured, and welcomes inquiries from descendants of original performers or writers of materials on these recordings or from representatives of the communities or institutions in which they were made.
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But the Lord
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 9 (New York, NY) , 3 mins
Sample
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 9 (New York, NY) , 3 mins
Date Written / Recorded
1937
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Walter Garwick, fl. 1935
Author / Creator
Walter Garwick, fl. 1935
Copyright Message
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may...
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may freely transcribe from these materials. The Center is committed to repatriating field recordings in its possession to their source communities and descendants of the performers featured, and welcomes inquiries from descendants of original performers or writers of materials on these recordings or from representatives of the communities or institutions in which they were made.
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But the Lord's Goin' to take me along with Him
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 14 (New York, NY) , 3 mins
Sample
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 14 (New York, NY) , 3 mins
Date Written / Recorded
1937
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Walter Garwick, fl. 1935
Author / Creator
Walter Garwick, fl. 1935
Copyright Message
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may...
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may freely transcribe from these materials. The Center is committed to repatriating field recordings in its possession to their source communities and descendants of the performers featured, and welcomes inquiries from descendants of original performers or writers of materials on these recordings or from representatives of the communities or institutions in which they were made.
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By and By
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 2 (New York, NY) , 1 min
Sample
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 2 (New York, NY) , 1 min
Date Written / Recorded
1937
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Walter Garwick, fl. 1935
Author / Creator
Walter Garwick, fl. 1935
Copyright Message
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may...
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may freely transcribe from these materials. The Center is committed to repatriating field recordings in its possession to their source communities and descendants of the performers featured, and welcomes inquiries from descendants of original performers or writers of materials on these recordings or from representatives of the communities or institutions in which they were made.
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Calvary
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 10 (New York, NY) , 3 mins
Sample
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 10 (New York, NY) , 3 mins
Date Written / Recorded
1937
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Walter Garwick, fl. 1935
Author / Creator
Walter Garwick, fl. 1935
Copyright Message
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may...
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may freely transcribe from these materials. The Center is committed to repatriating field recordings in its possession to their source communities and descendants of the performers featured, and welcomes inquiries from descendants of original performers or writers of materials on these recordings or from representatives of the communities or institutions in which they were made.
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City Called Heaven
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 11 (New York, NY) (Center for Ethnomusicology, Columbia University), 3 mins
Sample
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 11 (New York, NY) (Center for Ethnomusicology, Columbia University), 3 mins
Date Written / Recorded
1937
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Walter Garwick, fl. 1935
Author / Creator
Walter Garwick, fl. 1935
Publisher
Center for Ethnomusicology, Columbia University
Copyright Message
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may...
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may freely transcribe from these materials. The Center is committed to repatriating field recordings in its possession to their source communities and descendants of the performers featured, and welcomes inquiries from descendants of original performers or writers of materials on these recordings or from representatives of the communities or institutions in which they were made.
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Come In and Join the Band
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 7 (New York, NY) , 3 mins
Sample
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 7 (New York, NY) , 3 mins
Date Written / Recorded
1937
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Walter Garwick, fl. 1935
Author / Creator
Walter Garwick, fl. 1935
Copyright Message
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may...
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may freely transcribe from these materials. The Center is committed to repatriating field recordings in its possession to their source communities and descendants of the performers featured, and welcomes inquiries from descendants of original performers or writers of materials on these recordings or from representatives of the communities or institutions in which they were made.
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The Conjure Horse
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 14 (New York, NY) , 4 mins
Sample
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 14 (New York, NY) , 4 mins
Date Written / Recorded
1937
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Walter Garwick, fl. 1935
Author / Creator
Walter Garwick, fl. 1935
Copyright Message
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may...
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may freely transcribe from these materials. The Center is committed to repatriating field recordings in its possession to their source communities and descendants of the performers featured, and welcomes inquiries from descendants of original performers or writers of materials on these recordings or from representatives of the communities or institutions in which they were made.
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Tracks
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(continuation of) Go to Sleep
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 2 (New York, NY) , 1 min
Sample
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 2 (New York, NY) , 1 min
Date Written / Recorded
1937
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Walter Garwick, fl. 1935
Author / Creator
Walter Garwick, fl. 1935
Copyright Message
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may...
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may freely transcribe from these materials. The Center is committed to repatriating field recordings in its possession to their source communities and descendants of the performers featured, and welcomes inquiries from descendants of original performers or writers of materials on these recordings or from representatives of the communities or institutions in which they were made.
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Couldn't Hear Nobody
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 6 (New York, NY) , 2 mins
Sample
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 6 (New York, NY) , 2 mins
Date Written / Recorded
1937
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Walter Garwick, fl. 1935
Author / Creator
Walter Garwick, fl. 1935
Copyright Message
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may...
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may freely transcribe from these materials. The Center is committed to repatriating field recordings in its possession to their source communities and descendants of the performers featured, and welcomes inquiries from descendants of original performers or writers of materials on these recordings or from representatives of the communities or institutions in which they were made.
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