Browse Archive - 192 results
Don't You Know Him, Jesus Christ God's Son
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 6 (New York, NY) , 2 mins
Sample
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 6 (New York, NY) , 2 mins
Date Written / Recorded
1937
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Walter Garwick, fl. 1935
Author / Creator
Walter Garwick, fl. 1935
Copyright Message
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may...
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may freely transcribe from these materials. The Center is committed to repatriating field recordings in its possession to their source communities and descendants of the performers featured, and welcomes inquiries from descendants of original performers or writers of materials on these recordings or from representatives of the communities or institutions in which they were made.
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Don't You Let Nobody Turn You Around
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 15 (New York, NY) , 6 mins
Sample
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 15 (New York, NY) , 6 mins
Date Written / Recorded
1937
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Walter Garwick, fl. 1935
Author / Creator
Walter Garwick, fl. 1935
Copyright Message
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may...
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may freely transcribe from these materials. The Center is committed to repatriating field recordings in its possession to their source communities and descendants of the performers featured, and welcomes inquiries from descendants of original performers or writers of materials on these recordings or from representatives of the communities or institutions in which they were made.
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Down by the Riverside
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 3 (New York, NY) , 1 min
Sample
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 3 (New York, NY) , 1 min
Date Written / Recorded
1937
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Walter Garwick, fl. 1935
Author / Creator
Walter Garwick, fl. 1935
Copyright Message
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may...
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may freely transcribe from these materials. The Center is committed to repatriating field recordings in its possession to their source communities and descendants of the performers featured, and welcomes inquiries from descendants of original performers or writers of materials on these recordings or from representatives of the communities or institutions in which they were made.
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Driftin' and gone'
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 1 (New York, NY) , 3 mins
Sample
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 1 (New York, NY) , 3 mins
Date Written / Recorded
1937
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Walter Garwick, fl. 1935
Author / Creator
Walter Garwick, fl. 1935
Copyright Message
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may...
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may freely transcribe from these materials. The Center is committed to repatriating field recordings in its possession to their source communities and descendants of the performers featured, and welcomes inquiries from descendants of original performers or writers of materials on these recordings or from representatives of the communities or institutions in which they were made.
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Ethan, A Southern Doctor
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 15 (New York, NY) , 4 mins
Sample
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 15 (New York, NY) , 4 mins
Date Written / Recorded
1937
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Walter Garwick, fl. 1935
Author / Creator
Walter Garwick, fl. 1935
Copyright Message
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may...
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may freely transcribe from these materials. The Center is committed to repatriating field recordings in its possession to their source communities and descendants of the performers featured, and welcomes inquiries from descendants of original performers or writers of materials on these recordings or from representatives of the communities or institutions in which they were made.
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Ethan, A Southern Doctor
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 15 (New York, NY) , 4 mins
Sample
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 15 (New York, NY) , 4 mins
Date Written / Recorded
1937
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Walter Garwick, fl. 1935
Author / Creator
Walter Garwick, fl. 1935
Copyright Message
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may...
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may freely transcribe from these materials. The Center is committed to repatriating field recordings in its possession to their source communities and descendants of the performers featured, and welcomes inquiries from descendants of original performers or writers of materials on these recordings or from representatives of the communities or institutions in which they were made.
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Ethan, A Southern Doctor
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 15 (New York, NY) , 2 mins
Sample
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 15 (New York, NY) , 2 mins
Date Written / Recorded
1937
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Walter Garwick, fl. 1935
Author / Creator
Walter Garwick, fl. 1935
Copyright Message
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may...
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may freely transcribe from these materials. The Center is committed to repatriating field recordings in its possession to their source communities and descendants of the performers featured, and welcomes inquiries from descendants of original performers or writers of materials on these recordings or from representatives of the communities or institutions in which they were made.
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Everybody Ought to Pray Sometime
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 2 (New York, NY) , 1 min
Sample
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 2 (New York, NY) , 1 min
Date Written / Recorded
1937
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Walter Garwick, fl. 1935
Author / Creator
Walter Garwick, fl. 1935
Copyright Message
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may...
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may freely transcribe from these materials. The Center is committed to repatriating field recordings in its possession to their source communities and descendants of the performers featured, and welcomes inquiries from descendants of original performers or writers of materials on these recordings or from representatives of the communities or institutions in which they were made.
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Feast at the Welcome Tab
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 9 (New York, NY) , 2 mins
Sample
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 9 (New York, NY) , 2 mins
Date Written / Recorded
1937
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Walter Garwick, fl. 1935
Author / Creator
Walter Garwick, fl. 1935
Copyright Message
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may...
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may freely transcribe from these materials. The Center is committed to repatriating field recordings in its possession to their source communities and descendants of the performers featured, and welcomes inquiries from descendants of original performers or writers of materials on these recordings or from representatives of the communities or institutions in which they were made.
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Fish & Flowers
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 16 (New York, NY) , 2 mins
Sample
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 16 (New York, NY) , 2 mins
Date Written / Recorded
1937
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Walter Garwick, fl. 1935
Author / Creator
Walter Garwick, fl. 1935
Copyright Message
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may...
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may freely transcribe from these materials. The Center is committed to repatriating field recordings in its possession to their source communities and descendants of the performers featured, and welcomes inquiries from descendants of original performers or writers of materials on these recordings or from representatives of the communities or institutions in which they were made.
Show more
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