Browse Archive - 192 results
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The Horse and the Mule
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 15 (New York, NY) (Center for Ethnomusicology, Columbia University), 3 mins
Sample
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 15 (New York, NY) (Center for Ethnomusicology, Columbia University), 3 mins
Date Written / Recorded
1937
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Walter Garwick, fl. 1935
Author / Creator
Walter Garwick, fl. 1935
Publisher
Center for Ethnomusicology, Columbia University
Copyright Message
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may...
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may freely transcribe from these materials. The Center is committed to repatriating field recordings in its possession to their source communities and descendants of the performers featured, and welcomes inquiries from descendants of original performers or writers of materials on these recordings or from representatives of the communities or institutions in which they were made.
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How Can I Pray
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 6 (New York, NY) , 3 mins
Sample
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 6 (New York, NY) , 3 mins
Date Written / Recorded
1937
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Walter Garwick, fl. 1935
Author / Creator
Walter Garwick, fl. 1935
Copyright Message
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may...
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may freely transcribe from these materials. The Center is committed to repatriating field recordings in its possession to their source communities and descendants of the performers featured, and welcomes inquiries from descendants of original performers or writers of materials on these recordings or from representatives of the communities or institutions in which they were made.
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Hush, Somebody is calling my name
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 5 (New York, NY) , 3 mins
Sample
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 5 (New York, NY) , 3 mins
Date Written / Recorded
1937
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Walter Garwick, fl. 1935
Author / Creator
Walter Garwick, fl. 1935
Copyright Message
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may...
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may freely transcribe from these materials. The Center is committed to repatriating field recordings in its possession to their source communities and descendants of the performers featured, and welcomes inquiries from descendants of original performers or writers of materials on these recordings or from representatives of the communities or institutions in which they were made.
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Hymn
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 5 (New York, NY) , 2 mins
Sample
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 5 (New York, NY) , 2 mins
Date Written / Recorded
1937
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Walter Garwick, fl. 1935
Author / Creator
Walter Garwick, fl. 1935
Copyright Message
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may...
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may freely transcribe from these materials. The Center is committed to repatriating field recordings in its possession to their source communities and descendants of the performers featured, and welcomes inquiries from descendants of original performers or writers of materials on these recordings or from representatives of the communities or institutions in which they were made.
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Hymn
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 5 (New York, NY) , 2 mins
Sample
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 5 (New York, NY) , 2 mins
Date Written / Recorded
1937
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Walter Garwick, fl. 1935
Author / Creator
Walter Garwick, fl. 1935
Copyright Message
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may...
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may freely transcribe from these materials. The Center is committed to repatriating field recordings in its possession to their source communities and descendants of the performers featured, and welcomes inquiries from descendants of original performers or writers of materials on these recordings or from representatives of the communities or institutions in which they were made.
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If it hadn't been for Sinners, I wouldn't have to pray
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 14 (New York, NY) , 3 mins
Sample
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 14 (New York, NY) , 3 mins
Date Written / Recorded
1937
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Walter Garwick, fl. 1935
Author / Creator
Walter Garwick, fl. 1935
Copyright Message
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may...
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may freely transcribe from these materials. The Center is committed to repatriating field recordings in its possession to their source communities and descendants of the performers featured, and welcomes inquiries from descendants of original performers or writers of materials on these recordings or from representatives of the communities or institutions in which they were made.
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If you Love God, Save Him
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 3 (New York, NY) , 3 mins
Sample
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 3 (New York, NY) , 3 mins
Date Written / Recorded
1937
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Walter Garwick, fl. 1935
Author / Creator
Walter Garwick, fl. 1935
Copyright Message
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may...
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may freely transcribe from these materials. The Center is committed to repatriating field recordings in its possession to their source communities and descendants of the performers featured, and welcomes inquiries from descendants of original performers or writers of materials on these recordings or from representatives of the communities or institutions in which they were made.
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I'm goin' home to see my Jesus
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 14 (New York, NY) , 2 mins
Sample
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 14 (New York, NY) , 2 mins
Date Written / Recorded
1937
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Walter Garwick, fl. 1935
Author / Creator
Walter Garwick, fl. 1935
Copyright Message
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may...
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may freely transcribe from these materials. The Center is committed to repatriating field recordings in its possession to their source communities and descendants of the performers featured, and welcomes inquiries from descendants of original performers or writers of materials on these recordings or from representatives of the communities or institutions in which they were made.
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I'm going bye & bye
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 1 (New York, NY) , 3 mins
Sample
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 1 (New York, NY) , 3 mins
Date Written / Recorded
1937
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Walter Garwick, fl. 1935
Author / Creator
Walter Garwick, fl. 1935
Copyright Message
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may...
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may freely transcribe from these materials. The Center is committed to repatriating field recordings in its possession to their source communities and descendants of the performers featured, and welcomes inquiries from descendants of original performers or writers of materials on these recordings or from representatives of the communities or institutions in which they were made.
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I'm going to lay down my heavy load by and by
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 3 (New York, NY) , 2 mins
Sample
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 3 (New York, NY) , 2 mins
Date Written / Recorded
1937
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Walter Garwick, fl. 1935
Author / Creator
Walter Garwick, fl. 1935
Copyright Message
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may...
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may freely transcribe from these materials. The Center is committed to repatriating field recordings in its possession to their source communities and descendants of the performers featured, and welcomes inquiries from descendants of original performers or writers of materials on these recordings or from representatives of the communities or institutions in which they were made.
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