Browse Titles - 103 results
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Alice
composed by David Del Tredici, 1937-; conducted by Ermanno Florio, 1954-; choreographed by Glen Tetley, 1926-2007; designed by Nadine Baylis, Nadine Baylis, Michael J. Whitfield and Gil Densham; produced by W. Paterson Ferns, 1945-, Cheryl Knapp, fl. 1991 and Norman Campbell, 1924-2004; performed by Karen Kain, 1951-, Kimberly Glasco, Rex Harrington, 1962-, Peter Ottman, Owen Montague, Joanne Kolomyjec, Jeremy Ransom, John Alleyne, Philippe Dubuc, Michael Greyeyes, Andrew Needhammer, Jacques Gorrissen, Hazaros Surmeyan, Stephanie Landry, Mark Raab and Clinton Luckett, National Ballet of Canada and National Ballet of Canada Orchestra (ArtHaus Musik, 1989), 1 hour 3 mins
"On a July afternoon in 1862, Charles Dodgson took a friend's 10 year old daughter Alice and her two sisters on a picnic. He improvised a story for the young girls which he later published under the pen name Lewis Carroll. The story was called "Alice's adventures in Wonderland". When Alice grew up she married Regi...
Sample
composed by David Del Tredici, 1937-; conducted by Ermanno Florio, 1954-; choreographed by Glen Tetley, 1926-2007; designed by Nadine Baylis, Nadine Baylis, Michael J. Whitfield and Gil Densham; produced by W. Paterson Ferns, 1945-, Cheryl Knapp, fl. 1991 and Norman Campbell, 1924-2004; performed by Karen Kain, 1951-, Kimberly Glasco, Rex Harrington, 1962-, Peter Ottman, Owen Montague, Joanne Kolomyjec, Jeremy Ransom, John Alleyne, Philippe Dubuc, Michael Greyeyes, Andrew Needhammer, Jacques Gorrissen, Hazaros Surmeyan, Stephanie Landry, Mark Raab and Clinton Luckett, National Ballet of Canada and National Ballet of Canada Orchestra (ArtHaus Musik, 1989), 1 hour 3 mins
Description
"On a July afternoon in 1862, Charles Dodgson took a friend's 10 year old daughter Alice and her two sisters on a picnic. He improvised a story for the young girls which he later published under the pen name Lewis Carroll. The story was called "Alice's adventures in Wonderland". When Alice grew up she married Reginald Hargreaves, had children and lived to the age of 82. But she never forgot Lewis Carroll. "Full many a year has slipped away since...
"On a July afternoon in 1862, Charles Dodgson took a friend's 10 year old daughter Alice and her two sisters on a picnic. He improvised a story for the young girls which he later published under the pen name Lewis Carroll. The story was called "Alice's adventures in Wonderland". When Alice grew up she married Reginald Hargreaves, had children and lived to the age of 82. But she never forgot Lewis Carroll. "Full many a year has slipped away since that golden afternoon that gave thee birth, but I can call it up almost as clearly as if it were yesterday."--- Opening frames.
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Date Written / Recorded
1988
Field of Study
Dance
Content Type
Performance
Performer / Ensemble
National Ballet of Canada, National Ballet of Canada Orchestra, Karen Kain, 1951-, Kimberly Glasco, Rex Harrington, 1962-, Peter Ottman, Owen Montague, Joanne Kolomyjec, Jeremy Ransom, John Alleyne, Philippe Dubuc, Michael Greyeyes, Andrew Needhammer, Jacques Gorrissen, Hazaros Surmeyan, Stephanie Landry, Mark Raab, Clinton Luckett
Contributor
Glen Tetley, 1926-2007, Ermanno Florio, 1954-, Nadine Baylis, Simon Bowers, Tom Wood, fl. 2000, Michael J. Whitfield, Gil Densham, W. Paterson Ferns, 1945-, Cheryl Knapp, fl. 1991, Norman Campbell, 1924-2004, David Del Tredici, 1937-, National Ballet of Canada, National Ballet of Canada Orchestra, Jeff Herd, fl. 1973, Ernest Abugov, fl. 1975
Author / Creator
Glen Tetley, 1926-2007, David Del Tredici, 1937-, National Ballet of Canada, National Ballet of Canada Orchestra, Karen Kain, 1951-, Kimberly Glasco, Rex Harrington, 1962-, Peter Ottman, Owen Montague, Joanne Kolomyjec, Jeremy Ransom, John Alleyne, Philippe Dubuc, Michael Greyeyes, Andrew Needhammer, Jacques Gorrissen, Hazaros Surmeyan, Stephanie Landry, Mark Raab, Clinton Luckett
Date Published / Released
1989
Publisher
ArtHaus Musik
Topic / Theme
Dance, Alice Pleasance Liddell Hargreaves, Alice, Lewis Carroll, Reginald Hargreaves, Dormouse, Gryphon, Cook, White Rabbit, Mad Hatter, March Hare, Queen of Hearts, King of Hearts, Knave of Hearts, Caterpillar, Mock Turtle, Duchess
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Baroque Dance Unmasked: Workshop to Performance
directed by Catherine Turocy; choreographed by Catherine Turocy; produced by Milt Wallace, fl. 2011; performed by Catherine Turocy, Deda Cristina Colonna and Carlos Fittante, fl. 2010, New York Baroque Dance Company (Dancetime Publications, 2011), 39 mins
A vivid Baroque dance documentary produced by Dancetime Publications in association with Catherine Turocy, the renowned Artistic Director of The New York Baroque Dance Company. The video provides a rare look at the artistic process in re-creating dance and dance-theater, from studio to stage.
Included, there is in...
Sample
directed by Catherine Turocy; choreographed by Catherine Turocy; produced by Milt Wallace, fl. 2011; performed by Catherine Turocy, Deda Cristina Colonna and Carlos Fittante, fl. 2010, New York Baroque Dance Company (Dancetime Publications, 2011), 39 mins
Description
A vivid Baroque dance documentary produced by Dancetime Publications in association with Catherine Turocy, the renowned Artistic Director of The New York Baroque Dance Company. The video provides a rare look at the artistic process in re-creating dance and dance-theater, from studio to stage.
Included, there is information about Baroque music, fencing, mask work, notation, costumes, and the inner life of dance performers working in this dance sty...
A vivid Baroque dance documentary produced by Dancetime Publications in association with Catherine Turocy, the renowned Artistic Director of The New York Baroque Dance Company. The video provides a rare look at the artistic process in re-creating dance and dance-theater, from studio to stage.
Included, there is information about Baroque music, fencing, mask work, notation, costumes, and the inner life of dance performers working in this dance style.
BAROQUE DANCE UNMASKED: Workshop to Performance features brilliant performance excerpts which reveal the most important theatrical dance styles of the 18th century: the danse heroique, the demi-caractère, and the comic/grotesque style. The dancers are in period costumes and perform with an original instrument ensemble, Concert Royal.
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Field of Study
Dance
Content Type
Documentary
Performer / Ensemble
New York Baroque Dance Company, Catherine Turocy, Deda Cristina Colonna, Carlos Fittante, fl. 2010
Contributor
Catherine Turocy, Milt Wallace, fl. 2011, New York Baroque Dance Company
Author / Creator
Catherine Turocy, New York Baroque Dance Company, Deda Cristina Colonna, Carlos Fittante, fl. 2010
Date Published / Released
2011
Publisher
Dancetime Publications
Topic / Theme
Performance practice, Dance
Copyright Message
Copyright © 2011 by Dancetime Publications
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The Bassarids
directed by Tiziano Mancini, fl. 2003; conducted by Kent Nagano, 1951-; choreographed by Claude Bardouil; designed by Malgorzata Szczesniak, Malgorzata Szczesniak; produced by Magdalena Herbst, Unitel; performed by Sean Panikkar, Russell Braun, Sir Willard White, Nikolai Schukoff, Karoly Szemeredy, Tanja Ariane Baumgartner, Anna Maria Dur, Rosalba Torres Guerrero and Lotte Bocker (Halle, Saxony-Anhalt: Monarda Arts, 2018), 2 hours 33 mins
52 years after their premiere, Hans Werner Henze’s The Bassarids return, with Kent Nagano at the helm, to the Salzburg Festival for a rare revival of this modern classic in a highly dramatic psychological staging by Krzysztof Warlikowski. The opera, inspired by Euripides’ tragedy The Bacchae, is as seductive a...
Sample
directed by Tiziano Mancini, fl. 2003; conducted by Kent Nagano, 1951-; choreographed by Claude Bardouil; designed by Malgorzata Szczesniak, Malgorzata Szczesniak; produced by Magdalena Herbst, Unitel; performed by Sean Panikkar, Russell Braun, Sir Willard White, Nikolai Schukoff, Karoly Szemeredy, Tanja Ariane Baumgartner, Anna Maria Dur, Rosalba Torres Guerrero and Lotte Bocker (Halle, Saxony-Anhalt: Monarda Arts, 2018), 2 hours 33 mins
Description
52 years after their premiere, Hans Werner Henze’s The Bassarids return, with Kent Nagano at the helm, to the Salzburg Festival for a rare revival of this modern classic in a highly dramatic psychological staging by Krzysztof Warlikowski. The opera, inspired by Euripides’ tragedy The Bacchae, is as seductive as it is topical: When Dionysus – is he a charlatan? is he a demigod? – bursts into the intact world of ancient Thebes, he plunges a...
52 years after their premiere, Hans Werner Henze’s The Bassarids return, with Kent Nagano at the helm, to the Salzburg Festival for a rare revival of this modern classic in a highly dramatic psychological staging by Krzysztof Warlikowski. The opera, inspired by Euripides’ tragedy The Bacchae, is as seductive as it is topical: When Dionysus – is he a charlatan? is he a demigod? – bursts into the intact world of ancient Thebes, he plunges a city into chaos. In stark contrast to his cousin, King Pentheus, who leads a life marked by purity and asceticism, Dionysus preaches intoxicating excess and sensuality. This personified battle between the rational and civilized side andthe instinctive, purely sensual side of human nature leads the royal family into disaster.Star conductor Kent Nagano, who was close to Henze, includes “The Judgment of Calliope” in the festival Bassarids, a 20-minute section included in the original score, which adds a new dimension to the opera’s presentation of the Dionysian cult. Henze’s score manages a rare balance of experimental and traditional effects. By combining the best of both worlds, the world of the post-World War II avantgarde and the world of the Romantic, it develops an irresistible pulling power. Nagano leads the Wiener Philharmoniker with clarity and precision, ensuring transparency even with the largest orchestra volume. With “an ensemble that without exception has an outstanding cast”, the musical realization is “simply sublime” (Der Standard). The young US tenor Sean Panikkar excels with displays of effortless heroic power as Dionysus - “a triumph” (BR Klassik). His opponent Pentheus is excellently sung by Russel Braun with carved diction and vocal focus. How Tanja Ariane Baumgartner and Vera-Lotte Böcker portray Agave and Autonoe is “an art of singing and playing of the highest order” (Neue Zürcher Zeitung). Willard White’s Cadmus convinces with his strong personality. The Konzertvereinigung Wiener Staatsopernchor are the “overwhelming protagonists of this new production” (Süddeutsche Zeitung).
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Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Sean Panikkar, Russell Braun, Sir Willard White, Nikolai Schukoff, Karoly Szemeredy, Tanja Ariane Baumgartner, Anna Maria Dur, Rosalba Torres Guerrero, Lotte Bocker
Contributor
Claude Bardouil, Kent Nagano, 1951-, Malgorzata Szczesniak, Magdalena Herbst, Unitel, Hans Werner Henze, 1926-2012
Author / Creator
Claude Bardouil, Tiziano Mancini, fl. 2003, Sean Panikkar, Russell Braun, Sir Willard White, Nikolai Schukoff, Karoly Szemeredy, Tanja Ariane Baumgartner, Anna Maria Dur, Rosalba Torres Guerrero, Lotte Bocker
Date Published / Released
2018
Publisher
Monarda Arts
Topic / Theme
Dionysus, Pentheus, Cadmus, Tiresias, Captain, Agave, Autonoe, Beroe
Copyright Message
Copyright © 2018 Monarda Arts
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Bolero (1962)
directed by Jean-Marc Landier, fl. 1960; choreographed by Maurice Béjart, 1927-2007; produced by Pierre Levie, 1916-2010; performed by Dušanka Sifnios, 1933-2016, Ballet du XXe Siècle (Berlin, Berlin State: EuroArts, 1962), 15 mins
Apart from "Rite of Spring", this edition features Béjart's masterpiece "Boléro", set to Maurice Ravel's most famous composition. Created in 1960, "Boléro" features a dancer on a tabletop first stepping to the tune's simplicity, surrounded by seated men, who, in turn, slowly participate in the dance, adding com...
Sample
directed by Jean-Marc Landier, fl. 1960; choreographed by Maurice Béjart, 1927-2007; produced by Pierre Levie, 1916-2010; performed by Dušanka Sifnios, 1933-2016, Ballet du XXe Siècle (Berlin, Berlin State: EuroArts, 1962), 15 mins
Description
Apart from "Rite of Spring", this edition features Béjart's masterpiece "Boléro", set to Maurice Ravel's most famous composition. Created in 1960, "Boléro" features a dancer on a tabletop first stepping to the tune's simplicity, surrounded by seated men, who, in turn, slowly participate in the dance, adding complexity to the building in the orchestration, culminating in a climactic union of the dancers atop the table. The same decade was to be...
Apart from "Rite of Spring", this edition features Béjart's masterpiece "Boléro", set to Maurice Ravel's most famous composition. Created in 1960, "Boléro" features a dancer on a tabletop first stepping to the tune's simplicity, surrounded by seated men, who, in turn, slowly participate in the dance, adding complexity to the building in the orchestration, culminating in a climactic union of the dancers atop the table. The same decade was to be the pinnacle of Serbian ballerina Dušanka Sifnios' career as well, for whom Maurice Béjart choreographed "Boléro".
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Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Ballet du XXe Siècle, Dušanka Sifnios, 1933-2016
Contributor
Maurice Béjart, 1927-2007, Pierre Levie, 1916-2010, Maurice Ravel, 1875-1937
Author / Creator
Maurice Béjart, 1927-2007, Jean-Marc Landier, fl. 1960, Ballet du XXe Siècle, Dušanka Sifnios, 1933-2016
Date Published / Released
1962
Publisher
EuroArts
Copyright Message
Copyright © 1962 EuroArts Music International
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Bolero (1977)
choreographed by Maurice Béjart, 1927-2007; produced by Artium Summa; performed by Maya Plisetskaya, 1925-, Ballet du XXe Siècle (Berlin, Berlin State: EuroArts, 1977), 20 mins
Apart from "Rite of Spring", this edition features Béjart's masterpiece "Boléro", set to Maurice Ravel's most famous composition. Created in 1960, "Boléro" features a dancer on a tabletop first stepping to the tune's simplicity, surrounded by seated men, who, in turn, slowly participate in the dance, adding com...
Sample
choreographed by Maurice Béjart, 1927-2007; produced by Artium Summa; performed by Maya Plisetskaya, 1925-, Ballet du XXe Siècle (Berlin, Berlin State: EuroArts, 1977), 20 mins
Description
Apart from "Rite of Spring", this edition features Béjart's masterpiece "Boléro", set to Maurice Ravel's most famous composition. Created in 1960, "Boléro" features a dancer on a tabletop first stepping to the tune's simplicity, surrounded by seated men, who, in turn, slowly participate in the dance, adding complexity to the building in the orchestration, culminating in a climactic union of the dancers atop the table. The same decade was to be...
Apart from "Rite of Spring", this edition features Béjart's masterpiece "Boléro", set to Maurice Ravel's most famous composition. Created in 1960, "Boléro" features a dancer on a tabletop first stepping to the tune's simplicity, surrounded by seated men, who, in turn, slowly participate in the dance, adding complexity to the building in the orchestration, culminating in a climactic union of the dancers atop the table. The same decade was to be the pinnacle of Serbian ballerina Dušanka Sifnios' career as well, for whom Maurice Béjart choreographed "Boléro". Jump forward to 1977 and become enraptured by one of the most legendary ballet dancers ever: Maïa Plissetskaïa. Among her most notable performances was a free-form dance, in a modern style, set to Ravel’s "Boléro".
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Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Ballet du XXe Siècle, Maya Plisetskaya, 1925-
Contributor
Maurice Béjart, 1927-2007, Artium Summa, Maurice Ravel, 1875-1937
Author / Creator
Maurice Béjart, 1927-2007, Ballet du XXe Siècle, Maya Plisetskaya, 1925-
Date Published / Released
1977
Publisher
EuroArts
Copyright Message
Copyright © 1977 EuroArts Music International
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Boston Waltz, from the film "Nastenka Ustinova"
produced by Carl Simons and Julia Matheson, NVC Arts; performed by Bolshoi Ballet (Berlin, Berlin State: C Major Entertainment, 1995), 2 mins
The Bolshoi Ballet’s first tours abroad in the mid-20th century revealed the classic Bolshoi style – a thrilling athleticism that never lost the essential beauty of the dance. This fascinating footage of many of the company’s greatest dancers draws on five years’ research in Russia’s film archives. Extra...
Sample
produced by Carl Simons and Julia Matheson, NVC Arts; performed by Bolshoi Ballet (Berlin, Berlin State: C Major Entertainment, 1995), 2 mins
Description
The Bolshoi Ballet’s first tours abroad in the mid-20th century revealed the classic Bolshoi style – a thrilling athleticism that never lost the essential beauty of the dance. This fascinating footage of many of the company’s greatest dancers draws on five years’ research in Russia’s film archives. Extracts from: Les Sylphides, Moment Musical, Moszkowski Waltz, Swan Lake, Ribbon Dance, Boston Waltz, The Nutcracker, Le Corsaire, Laurenci...
The Bolshoi Ballet’s first tours abroad in the mid-20th century revealed the classic Bolshoi style – a thrilling athleticism that never lost the essential beauty of the dance. This fascinating footage of many of the company’s greatest dancers draws on five years’ research in Russia’s film archives. Extracts from: Les Sylphides, Moment Musical, Moszkowski Waltz, Swan Lake, Ribbon Dance, Boston Waltz, The Nutcracker, Le Corsaire, Laurencia, Don Quixote, Spartacus, Shuraleh, Étude, The Fountain of Bakhchiserai, The Flames of Paris, Ravel Waltzes, Paganini, The Little Humpbacked Horse.
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Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Bolshoi Ballet
Contributor
Carl Simons, Julia Matheson, NVC Arts
Author / Creator
Bolshoi Ballet
Date Published / Released
1995
Publisher
C Major Entertainment
Copyright Message
Copyright © 1995 C Major Entertainment
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Le Corsaire
composed by Riccardo Drigo, 1846-1930; choreographed by Marius Petipa, 1818-1910; produced by Carl Simons and Julia Matheson, NVC Arts; performed by Alla Sizova, 1939-2014 and Rudolf Nureyev, 1938-1993 (Berlin, Berlin State: C Major Entertainment, 1995), 5 mins
From the early 20th century, the Maryinsky Ballet, later the Kirov, dazzled audiences with the beauty of dance. This fascinating footage of many of the company’s greatest dancers draws on five years’ research in Russia’s film archives. Extracts from: Swan Lake, Raymonda, Viennese Waltz, Reflection, Le Corsai...
Sample
composed by Riccardo Drigo, 1846-1930; choreographed by Marius Petipa, 1818-1910; produced by Carl Simons and Julia Matheson, NVC Arts; performed by Alla Sizova, 1939-2014 and Rudolf Nureyev, 1938-1993 (Berlin, Berlin State: C Major Entertainment, 1995), 5 mins
Description
From the early 20th century, the Maryinsky Ballet, later the Kirov, dazzled audiences with the beauty of dance. This fascinating footage of many of the company’s greatest dancers draws on five years’ research in Russia’s film archives. Extracts from: Swan Lake, Raymonda, Viennese Waltz, Reflection, Le Corsaire, Laurencia, The Tale of Serf Nikish, The Dying Swan, Pas de Quatre, Syrinx, Spartacus, Romeo and Juliet, The Ice Maiden, Les Sylphides
Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Alla Sizova, 1939-2014, Rudolf Nureyev, 1938-1993
Contributor
Marius Petipa, 1818-1910, Carl Simons, Julia Matheson, NVC Arts
Author / Creator
Marius Petipa, 1818-1910, Riccardo Drigo, 1846-1930, Alla Sizova, 1939-2014, Rudolf Nureyev, 1938-1993
Date Published / Released
1995
Publisher
C Major Entertainment
Copyright Message
Copyright © 1995 C Major Entertainment
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Dance Vivaldi: A Contemporary Baroque Ballet
composed by Antonio Vivaldi, 1678-1741; choreographed by Marie-Geneviève Massé; produced by Carol Téten; performed by Compagnie l'Eventail (Dancetime Publications), 35 mins
Dance Vivaldi: A Contemporary Baroque Ballet infuses traditional French Baroque dance with modern concepts. Set to Vivaldi’s Four Seasons, this recorded live performance dissolves the boundaries between past and present. Blending a historically delicate technique with the vibrant motion of contemporary dance voc...
Sample
composed by Antonio Vivaldi, 1678-1741; choreographed by Marie-Geneviève Massé; produced by Carol Téten; performed by Compagnie l'Eventail (Dancetime Publications), 35 mins
Description
Dance Vivaldi: A Contemporary Baroque Ballet infuses traditional French Baroque dance with modern concepts. Set to Vivaldi’s Four Seasons, this recorded live performance dissolves the boundaries between past and present. Blending a historically delicate technique with the vibrant motion of contemporary dance vocabulary, the dancers create a unique expression both traditional and new.
Dance Vivaldi: A Contemporary Baroque Ballet depicts a perfo...
Dance Vivaldi: A Contemporary Baroque Ballet infuses traditional French Baroque dance with modern concepts. Set to Vivaldi’s Four Seasons, this recorded live performance dissolves the boundaries between past and present. Blending a historically delicate technique with the vibrant motion of contemporary dance vocabulary, the dancers create a unique expression both traditional and new.
Dance Vivaldi: A Contemporary Baroque Ballet depicts a performance style not usually seen by the American public. It was created by Marie-Geneviève Massé, a French choreographer with an intimate depth of understanding of this music and dance vocabulary. With her mastery of the Baroque movement vocabulary, she infuses this work with perfectly balanced modernity.
This video is a 40 minute recording of a performance by the French Eventail Company (Compagnie l’Eventail).
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Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Compagnie l'Eventail
Contributor
Marie-Geneviève Massé, Carol Téten, Antonio Vivaldi, 1678-1741, Compagnie l'Eventail
Author / Creator
Marie-Geneviève Massé, Antonio Vivaldi, 1678-1741, Compagnie l'Eventail
Date Published / Released
2006
Publisher
Dancetime Publications
Topic / Theme
Dance
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Daphnis et Chloe
directed by Patrick Lauze, fl. 2008; composed by Maurice Ravel, 1875-1937 (1912); conducted by Maxime Pascal, fl. 2000; choreographed by Thierry Malandain, 1959-; designed by Jorge Gallardo, fl. 2006, Jorge Gallardo, fl. 2006, François Menou; produced by Opera national du Capitole, Les Films Figures Libres and Mezzo; performed by Orchestre du Capitole de Toulouse, Le Chœur de l'Opéra national du Capitole and Ballet de l'Opéra National du Capitole (Berlin State: EuroArts, 2022), 1 hour 4 mins
In 1912, with Daphnis and Chloe, Ravel offered Diaghilev's Ballets Russes a veritable choreographic symphony with choir, a masterpiece of French music that was taken up by the choreographer Fokine and the dancer Nijinsky. A century later, the great choreographer Thierry Malandain reinvents, for the Ballet du Capit...
Sample
directed by Patrick Lauze, fl. 2008; composed by Maurice Ravel, 1875-1937 (1912); conducted by Maxime Pascal, fl. 2000; choreographed by Thierry Malandain, 1959-; designed by Jorge Gallardo, fl. 2006, Jorge Gallardo, fl. 2006, François Menou; produced by Opera national du Capitole, Les Films Figures Libres and Mezzo; performed by Orchestre du Capitole de Toulouse, Le Chœur de l'Opéra national du Capitole and Ballet de l'Opéra National du Capitole (Berlin State: EuroArts, 2022), 1 hour 4 mins
Description
In 1912, with Daphnis and Chloe, Ravel offered Diaghilev's Ballets Russes a veritable choreographic symphony with choir, a masterpiece of French music that was taken up by the choreographer Fokine and the dancer Nijinsky. A century later, the great choreographer Thierry Malandain reinvents, for the Ballet du Capitole, this pastoral myth of innocence in love and unfolds a vast and fascinating impressionist fresco. Preceded by his rereading of Debu...
In 1912, with Daphnis and Chloe, Ravel offered Diaghilev's Ballets Russes a veritable choreographic symphony with choir, a masterpiece of French music that was taken up by the choreographer Fokine and the dancer Nijinsky. A century later, the great choreographer Thierry Malandain reinvents, for the Ballet du Capitole, this pastoral myth of innocence in love and unfolds a vast and fascinating impressionist fresco. Preceded by his rereading of Debussy's famous Après-midi d'un faune, this world premiere brings together the vital forces of the Capitole: the Ballet, the Chorus and the Orchestra under the direction of Maxime Pascal. An exceptional evening at the Halle aux grains.
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Date Written / Recorded
1912
Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Orchestre du Capitole de Toulouse, Le Chœur de l'Opéra national du Capitole, Ballet de l'Opéra National du Capitole
Contributor
Thierry Malandain, 1959-, Maxime Pascal, fl. 2000, Jorge Gallardo, fl. 2006, François Menou, Opera national du Capitole, Les Films Figures Libres, Mezzo, Maurice Ravel, 1875-1937
Author / Creator
Thierry Malandain, 1959-, Maurice Ravel, 1875-1937, Patrick Lauze, fl. 2008, Orchestre du Capitole de Toulouse, Le Chœur de l'Opéra national du Capitole, Ballet de l'Opéra National du Capitole
Date Published / Released
2022
Publisher
EuroArts
Copyright Message
Copyright © 2022 EuroArts Music International
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Don Quixote
directed by Jeff Tudor, 1967- and Adrienne Liron, 1969-; composed by Ludwig Minkus, 1826-1917 (1869); conducted by Kevin Rhodes, fl. 2010; choreographed by Marius Petipa, 1818-1910; produced by Jeff Tudor, 1967- and Adrienne Liron, 1969-, NTR, 3 Minutes West and Stopera. Muziektheater, Amsterdam; performed by Peter de Jong, fl. 1998, Matthew Golding, 1985- and Anna Tsygankova, 1979-, Holland Symfonia and Dutch National Ballet (Germany: ArtHaus Musik, 2010), 2 hours 8 mins
Don Quichot – an audience favourite of prestigious companies worldwide – is a dazzling display of high spirits, virtuosity and Spanish temperament. The flamboyant leaps, dizzying pirouettes and crisp pointe work that are standard features of the production give the performers every opportunity to show off thei...
Sample
directed by Jeff Tudor, 1967- and Adrienne Liron, 1969-; composed by Ludwig Minkus, 1826-1917 (1869); conducted by Kevin Rhodes, fl. 2010; choreographed by Marius Petipa, 1818-1910; produced by Jeff Tudor, 1967- and Adrienne Liron, 1969-, NTR, 3 Minutes West and Stopera. Muziektheater, Amsterdam; performed by Peter de Jong, fl. 1998, Matthew Golding, 1985- and Anna Tsygankova, 1979-, Holland Symfonia and Dutch National Ballet (Germany: ArtHaus Musik, 2010), 2 hours 8 mins
Description
Don Quichot – an audience favourite of prestigious companies worldwide – is a dazzling display of high spirits, virtuosity and Spanish temperament. The flamboyant leaps, dizzying pirouettes and crisp pointe work that are standard features of the production give the performers every opportunity to show off their technical prowess. But at the same time, the comic story based on Cervantes’ masterpiece makes strong demands on the dancers’ act...
Don Quichot – an audience favourite of prestigious companies worldwide – is a dazzling display of high spirits, virtuosity and Spanish temperament. The flamboyant leaps, dizzying pirouettes and crisp pointe work that are standard features of the production give the performers every opportunity to show off their technical prowess. But at the same time, the comic story based on Cervantes’ masterpiece makes strong demands on the dancers’ acting abilities.
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Date Written / Recorded
1869, 2010-02-13
Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Holland Symfonia, Dutch National Ballet, Peter de Jong, fl. 1998, Matthew Golding, 1985-, Anna Tsygankova, 1979-
Contributor
Marius Petipa, 1818-1910, Kevin Rhodes, fl. 2010, Jeff Tudor, 1967-, Adrienne Liron, 1969-, NTR, 3 Minutes West, Stopera. Muziektheater, Amsterdam
Author / Creator
Marius Petipa, 1818-1910, Ludwig Minkus, 1826-1917, Jeff Tudor, 1967-, Adrienne Liron, 1969-, Holland Symfonia, Dutch National Ballet, Peter de Jong, fl. 1998, Matthew Golding, 1985-, Anna Tsygankova, 1979-
Date Published / Released
2010
Publisher
ArtHaus Musik
Topic / Theme
Don Quixote, Sancho Panza, Innkeeper, Innkeeper's Daughter, Dulcinea, Barber, Espada, Mercedes, Gamache, Amor
Copyright Message
Copyright © 2010 Arthaus Musik
×
