Browse Titles - 41 results
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2 Contretänze
composed by Wolfgang Amadeus Mozart, 1756-1791 (1791), 2 Contretänze (Breitkopf and Härtel, 1907), 3 page(s)
Sample
composed by Wolfgang Amadeus Mozart, 1756-1791 (1791), 2 Contretänze (Breitkopf and Härtel, 1907), 3 page(s)
Collection
Classical Scores Library, Volume I
Date Written / Recorded
1791
Field of Study
Classical Music
Author / Creator
Wolfgang Amadeus Mozart, 1756-1791
Date Published / Released
1907
Publisher
Breitkopf and Härtel
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5 Contretänze
composed by Wolfgang Amadeus Mozart, 1756-1791 (1791), 5 Contretänze (Breitkopf and Härtel, 1907), 6 page(s)
Sample
composed by Wolfgang Amadeus Mozart, 1756-1791 (1791), 5 Contretänze (Breitkopf and Härtel, 1907), 6 page(s)
Collection
Classical Scores Library, Volume I
Date Written / Recorded
1791
Field of Study
Classical Music
Author / Creator
Wolfgang Amadeus Mozart, 1756-1791
Date Published / Released
1907
Publisher
Breitkopf and Härtel
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The Art of the Recorder
composed by Giovanni Battista Fontana, 1571-1630; produced by Nick Parker, fl. 1980; performed by Marion Verbruggen, Trio Sonnerie (Gaudeamus), 50 mins
Denmark's Michala Petri has continued to dominate the modest but persistent recorder "scene" despite the emergence of a host of younger recorder players from the ranks of Dutch-trained historical-instrument specialists. Collecting a group of her 1970s and 1980s recordings, as has been done here, is an eminently ju...
Sample
composed by Giovanni Battista Fontana, 1571-1630; produced by Nick Parker, fl. 1980; performed by Marion Verbruggen, Trio Sonnerie (Gaudeamus), 50 mins
Description
Denmark's Michala Petri has continued to dominate the modest but persistent recorder "scene" despite the emergence of a host of younger recorder players from the ranks of Dutch-trained historical-instrument specialists. Collecting a group of her 1970s and 1980s recordings, as has been done here, is an eminently justifiable enterprise, for it was these recordings whose laserlike intonation, whip-smart ornamentation, and all-around attractiveness t...
Denmark's Michala Petri has continued to dominate the modest but persistent recorder "scene" despite the emergence of a host of younger recorder players from the ranks of Dutch-trained historical-instrument specialists. Collecting a group of her 1970s and 1980s recordings, as has been done here, is an eminently justifiable enterprise, for it was these recordings whose laserlike intonation, whip-smart ornamentation, and all-around attractiveness that caught the attention of listeners in the first place. Petri uncovered and recorded a good deal of Baroque repertory for the instruments, recording it with the likes of England's Academy of St. Martin-in-the-Fields. Contemporary performances of the Italian concertos here may have a bit more zip, but actually the group serves as a nicely restrained foil for Petri, who can easily hold the spotlight all by herself. Her sheer technical facility continues to amaze in the little-known French works of the eighteenth century mixed in the program. About the only complaint is the short shrift given to contemporary music, which Petri has championed energetically, both in Denmark and internationally. Despite the inclusion in the booklet of an entire section devoted to the twentieth century, the only contemporary work included is Gordon Jacob's Suite for recorder and strings -- an explicitly neo-Baroque work that is not even typical of the music Petri has commissioned for the instrument. Nevertheless, all the music in this box is worth having and hearing. Listen to the sharp registral leaps in the Allegro molto finale of Vivaldi's Concerto in C for flautino, RV 443 (CD 1, track 3): nobody does these as crisply as Petri does. A nice resource for those who enjoy Baroque recorder music. ~ James Manheim, All Music Guide
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Date Written / Recorded
1989
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Trio Sonnerie, Marion Verbruggen
Contributor
Nicholas Parker, Nick Parker, fl. 1980
Author / Creator
Giovanni Battista Fontana, 1571-1630, Trio Sonnerie, Marion Verbruggen
Publisher
Gaudeamus
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composed by Wolfgang Amadeus Mozart, 1756-1791 (1769), Cassation (Breitkopf and Härtel, 1907), 18 page(s)
Collection
Classical Scores Library, Volume I
Date Written / Recorded
1769
Field of Study
Classical Music
Author / Creator
Wolfgang Amadeus Mozart, 1756-1791
Date Published / Released
1907
Publisher
Breitkopf and Härtel
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Cassation, K. 99, B Flat Major
composed by Wolfgang Amadeus Mozart, 1756-1791 (1769), Cassation (Breitkopf and Härtel, 1907), 14 page(s)
Sample
composed by Wolfgang Amadeus Mozart, 1756-1791 (1769), Cassation (Breitkopf and Härtel, 1907), 14 page(s)
Collection
Classical Scores Library, Volume I
Date Written / Recorded
1769
Field of Study
Classical Music
Content Type
Score
Author / Creator
Wolfgang Amadeus Mozart, 1756-1791
Date Published / Released
1907
Publisher
Breitkopf and Härtel
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Contemporary Romantics
produced by Max Lifchitz, 1948-; performed by Max Lifchitz, 1948- (North-South), 1 hour 7 mins
Sample
produced by Max Lifchitz, 1948-; performed by Max Lifchitz, 1948- (North-South), 1 hour 7 mins
Date Written / Recorded
1992
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Max Lifchitz, 1948-
Contributor
James McLean, Max Lifchitz, 1948-
Author / Creator
Max Lifchitz, 1948-
Publisher
North-South
Tracks
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Contredanse: Les Filles Malicieuses
composed by Wolfgang Amadeus Mozart, 1756-1791 (1791); produced by Gothenburg Symphony; performed by Freiburg Baroque Orchestra (Freiburger Barockorchester) (Windrose (Film distributor), 2015), 2 mins
The Freiburger Barockorchester conquered the most famous international concert halls thanks to their mastery of historical instruments. The great Italian soloist Lorenzo Coppola plays Mozart's Clarinet Concerto on a replica of the clarinetto that Anton Stadler used for the Première. Christian Gerhaher, German Bar...
Sample
composed by Wolfgang Amadeus Mozart, 1756-1791 (1791); produced by Gothenburg Symphony; performed by Freiburg Baroque Orchestra (Freiburger Barockorchester) (Windrose (Film distributor), 2015), 2 mins
Description
The Freiburger Barockorchester conquered the most famous international concert halls thanks to their mastery of historical instruments. The great Italian soloist Lorenzo Coppola plays Mozart's Clarinet Concerto on a replica of the clarinetto that Anton Stadler used for the Première. Christian Gerhaher, German Bariton, sings the well-known Mozart Arias, a vigorous version of Mozart's "Paris" Symphony, No 31 and Contredance “Les filles des malic...
The Freiburger Barockorchester conquered the most famous international concert halls thanks to their mastery of historical instruments. The great Italian soloist Lorenzo Coppola plays Mozart's Clarinet Concerto on a replica of the clarinetto that Anton Stadler used for the Première. Christian Gerhaher, German Bariton, sings the well-known Mozart Arias, a vigorous version of Mozart's "Paris" Symphony, No 31 and Contredance “Les filles des malicieuses”.
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Date Written / Recorded
1791
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Freiburg Baroque Orchestra (Freiburger Barockorchester)
Contributor
Gothenburg Symphony
Author / Creator
Wolfgang Amadeus Mozart, 1756-1791, Freiburg Baroque Orchestra (Freiburger Barockorchester)
Date Published / Released
2015
Publisher
Windrose (Film distributor)
Copyright Message
Copyright © 2015 Göteborg Sympfoniker. All Rights Reserved
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Contretanz
composed by Wolfgang Amadeus Mozart, 1756-1791 (1791), Contretanz (Breitkopf and Härtel, 1907), 1 page(s)
Sample
composed by Wolfgang Amadeus Mozart, 1756-1791 (1791), Contretanz (Breitkopf and Härtel, 1907), 1 page(s)
Collection
Classical Scores Library, Volume I
Date Written / Recorded
1791
Field of Study
Classical Music
Author / Creator
Wolfgang Amadeus Mozart, 1756-1791
Date Published / Released
1907
Publisher
Breitkopf and Härtel
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Contretanz
composed by Wolfgang Amadeus Mozart, 1756-1791 (1789), Contretanz (Breitkopf and Härtel, 1907), 3 page(s)
Sample
composed by Wolfgang Amadeus Mozart, 1756-1791 (1789), Contretanz (Breitkopf and Härtel, 1907), 3 page(s)
Collection
Classical Scores Library, Volume I
Date Written / Recorded
1789
Field of Study
Classical Music
Author / Creator
Wolfgang Amadeus Mozart, 1756-1791
Date Published / Released
1907
Publisher
Breitkopf and Härtel
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Coronation Of The First Elizabeth
produced by Paul Pinchbeck (Griffin / Qualiton Imports, Ltd., 2002), 1 hour 16 mins
Sample
produced by Paul Pinchbeck (Griffin / Qualiton Imports, Ltd., 2002), 1 hour 16 mins
Date Written / Recorded
1994
Field of Study
Classical Music
Content Type
Music recording
Contributor
Paul Pinchbeck
Date Published / Released
2002
Publisher
Griffin / Qualiton Imports, Ltd.
Copyright Message
2001 Griffin & Co Limited
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