Browse Titles - 11 results
See details
American Epic, Episode 1, The Big Bang
directed by Bernard MacMahon, fl. 2017; produced by Duke Erikson, 1951-, Bernard MacMahon, fl. 2017 and Allison McGourty, 1964-, British Broadcasting Corporation, Wildwood Enterprises and Thirteen Productions, in American Epic, Episode 1 (Arlington, VA: Public Broadcasting Service, 2017), 57 mins
THE BIG BANG: In the Roaring 20s, music scouts with cutting-edge recording technology set out across America to capture the unsung voices of everyday folk. This is the Big Bang of modern popular music–the first time America hears itself.
Sample
directed by Bernard MacMahon, fl. 2017; produced by Duke Erikson, 1951-, Bernard MacMahon, fl. 2017 and Allison McGourty, 1964-, British Broadcasting Corporation, Wildwood Enterprises and Thirteen Productions, in American Epic, Episode 1 (Arlington, VA: Public Broadcasting Service, 2017), 57 mins
Description
THE BIG BANG: In the Roaring 20s, music scouts with cutting-edge recording technology set out across America to capture the unsung voices of everyday folk. This is the Big Bang of modern popular music–the first time America hears itself.
Field of Study
American Music
Content Type
Documentary
Contributor
Duke Erikson, 1951-, Bernard MacMahon, fl. 2017, Allison McGourty, 1964-, British Broadcasting Corporation, Wildwood Enterprises, Thirteen Productions, Robert Redford, 1936-
Author / Creator
Bernard MacMahon, fl. 2017
Date Published / Released
2017
Publisher
Public Broadcasting Service
Series
American Epic
Speaker / Narrator
Robert Redford, 1936-
Topic / Theme
Music history, World War I & Jazz Age (1914–1928), 20th Century in World History (1914--2000)
Copyright Message
Copyright © 2017 Lo-Max Films Ltd., THIRTEEN Productions LLC, and BBC. All rights reserved.
×
See details
American Epic, Episode 2, Blood and Soil
directed by Bernard MacMahon, fl. 2017; produced by Bernard MacMahon, fl. 2017, Allison McGourty, 1964-, Duke Erikson, 1951-, William Morgan, fl. 2017, Bill Holderman, fl. 2013 and Adam Block, fl. 2017, British Broadcasting Corporation, Wildwood Enterprises and Thirteen Productions, in American Epic, Episode 2 (Arlington, VA: Public Broadcasting Service, 2017), 57 mins
BLOOD & SOIL: America’s poor–cotton field slaves, mine workers, sharecroppers–find freedom through music, creating gospel, protest songs, and Delta Blues.
Sample
directed by Bernard MacMahon, fl. 2017; produced by Bernard MacMahon, fl. 2017, Allison McGourty, 1964-, Duke Erikson, 1951-, William Morgan, fl. 2017, Bill Holderman, fl. 2013 and Adam Block, fl. 2017, British Broadcasting Corporation, Wildwood Enterprises and Thirteen Productions, in American Epic, Episode 2 (Arlington, VA: Public Broadcasting Service, 2017), 57 mins
Description
BLOOD & SOIL: America’s poor–cotton field slaves, mine workers, sharecroppers–find freedom through music, creating gospel, protest songs, and Delta Blues.
Field of Study
American History
Content Type
Documentary
Contributor
Bernard MacMahon, fl. 2017, Allison McGourty, 1964-, Duke Erikson, 1951-, William Morgan, fl. 2017, Bill Holderman, fl. 2013, Adam Block, fl. 2017, British Broadcasting Corporation, Wildwood Enterprises, Thirteen Productions, Robert Redford, 1936-
Author / Creator
Bernard MacMahon, fl. 2017
Date Published / Released
2017
Publisher
Public Broadcasting Service
Series
American Epic
Speaker / Narrator
William Morgan, fl. 2017, Robert Redford, 1936-
Person Discussed
Charley Patton, 1891-1934, Rev. J.E. Burch, fl. 1927
Topic / Theme
Musical instruments, Music history, World War I & Jazz Age (1914–1928), 20th Century in World History (1914--2000)
Copyright Message
Copyright © 2017 Lo-Max Films Ltd., THIRTEEN Productions LLC, and BBC. All rights reserved.
×
See details
American Masters, Season 36, Episode 3, Max Roach: The Drum Also Waltzes
directed by Ben Shapiro, fl. 1969 and Sam Pollard, fl. 1989; produced by Julie Sacks, fl. 1996, Sam Pollard, fl. 1989 and Ben Shapiro, fl. 1969, Ford Foundation JustFilms, American Masters Pictures, Black Public Media and Public Broadcasting Service, in American Masters, Season 36, Episode 3 (Arlington, VA: Public Broadcasting Service, 2023), 1 hour 22 mins
Max Roach: The Drum Also Waltzes explores the life and music of the legendary drummer, bandleader and social activist--a remarkable series of creative peaks, personal struggles and reinventions--from Jim Crow to the Civil Rights years, from the heady days of post-war modern jazz to hip hop and beyond.
Sample
directed by Ben Shapiro, fl. 1969 and Sam Pollard, fl. 1989; produced by Julie Sacks, fl. 1996, Sam Pollard, fl. 1989 and Ben Shapiro, fl. 1969, Ford Foundation JustFilms, American Masters Pictures, Black Public Media and Public Broadcasting Service, in American Masters, Season 36, Episode 3 (Arlington, VA: Public Broadcasting Service, 2023), 1 hour 22 mins
Description
Max Roach: The Drum Also Waltzes explores the life and music of the legendary drummer, bandleader and social activist--a remarkable series of creative peaks, personal struggles and reinventions--from Jim Crow to the Civil Rights years, from the heady days of post-war modern jazz to hip hop and beyond.
Field of Study
American Music
Content Type
Documentary
Contributor
Julie Sacks, fl. 1996, Sam Pollard, fl. 1989, Ben Shapiro, fl. 1969, Ford Foundation JustFilms, American Masters Pictures, Black Public Media, Public Broadcasting Service
Author / Creator
Ben Shapiro, fl. 1969, Sam Pollard, fl. 1989
Date Published / Released
2023
Publisher
Public Broadcasting Service
Series
American Masters
Speaker / Narrator
Quincy Jones, 1933-, Harry Belafonte, 1927-, Fab 5 Freddy, 1951-, Dee Dee Bridgewater, Coleman Hawkins, 1904-1969, Jimmy Heath, 1926-, Max Roach, 1924-2007, Abbey Lincoln, 1930-2010, Randy Weston, 1926-
Person Discussed
Quincy Jones, 1933-, Harry Belafonte, 1927-, Fab 5 Freddy, 1951-, Dee Dee Bridgewater, Coleman Hawkins, 1904-1969, Jimmy Heath, 1926-, Max Roach, 1924-2007, Abbey Lincoln, 1930-2010, Randy Weston, 1926-, Clifford Brown, 1930-1956
Topic / Theme
Drums, Composers, Music composition, Orchestras, Performing arts life, Jazz music, Social reforms, U.S. Civil Rights Movement, 1966-, Jim Crow laws, 1876-1965
Copyright Message
Copyright © 2023 Max Roach Film, LLC
×
See details
Gayelle, Series One, Programme 19, 1988 Series 1, Programme 19
presented by Dennis Hall, 1949- and Ian Eligon, fl. 1988; produced by Christopher Laird, 1945-, Bruce Paddington, fl. 1974-2016 and Tony Hall, 1948-, Banyan Productions; interview by Mark Lyndersay, Karen Martinez, fl. 1991 and Josanne Leonard, fl. 1991; performed by Run DMC, in Gayelle, Series One, Programme 19 (Trinidad and Tobago: Banyan Archive, 1988), 30 mins
Teaser: Run DMC welcome to Gayelle
Opening Sequence with Theme KADAMBARI by Ron Reid
Dennis Hall and broadcaster Ian Eligon rapping radio studio introduce the programme
Mark Lyndersay interviews Master Rapper Big C about Rap, Hip Hop in Trinidad Kenton Johnson dances and speaks to Karen Martinez about his Lip S...
Opening Sequence with Theme KADAMBARI by Ron Reid
Dennis Hall and broadcaster Ian Eligon rapping radio studio introduce the programme
Mark Lyndersay interviews Master Rapper Big C about Rap, Hip Hop in Trinidad Kenton Johnson dances and speaks to Karen Martinez about his Lip S...
Sample
presented by Dennis Hall, 1949- and Ian Eligon, fl. 1988; produced by Christopher Laird, 1945-, Bruce Paddington, fl. 1974-2016 and Tony Hall, 1948-, Banyan Productions; interview by Mark Lyndersay, Karen Martinez, fl. 1991 and Josanne Leonard, fl. 1991; performed by Run DMC, in Gayelle, Series One, Programme 19 (Trinidad and Tobago: Banyan Archive, 1988), 30 mins
Description
Teaser: Run DMC welcome to Gayelle
Opening Sequence with Theme KADAMBARI by Ron Reid
Dennis Hall and broadcaster Ian Eligon rapping radio studio introduce the programme
Mark Lyndersay interviews Master Rapper Big C about Rap, Hip Hop in Trinidad Kenton Johnson dances and speaks to Karen Martinez about his Lip Syncing and performs
'Scientist' talks about his dancing and performs
Fat Boy (Duane Cromwell) and his voice generated 'beats' to Kare... Teaser: Run DMC welcome to Gayelle
Opening Sequence with Theme KADAMBARI by Ron Reid
Dennis Hall and broadcaster Ian Eligon rapping radio studio introduce the programme
Mark Lyndersay interviews Master Rapper Big C about Rap, Hip Hop in Trinidad Kenton Johnson dances and speaks to Karen Martinez about his Lip Syncing and performs
'Scientist' talks about his dancing and performs
Fat Boy (Duane Cromwell) and his voice generated 'beats' to Karen Martinez and performs
'Sister Nancy' (Marilyn Marcelle) talks to Karen Martinez about her chanting and performs
Rap Patrol performs and talks to Karen Martinez about using a US accent for Rap DJ Starchild plays and talks to Karen Martinez about scratching.
Rock Krush Crew performs
Cultural Sprangalang answers the question: What famous American personality formally opened the Little Carib theatre in 1948?
Ian Eligon links to next feature
Professor Gordon Rohlehr talks to Mark Lyndersay and outlines the development of Rap music in the US and its relation to Trinidadian oral performance styles.
Dennis Sprangalang Hall links to beak
Dennis Hall and Ian Eligon link to feature on RUN DMC
Rap group RUN DMC performs at national Stadium and are interviewed on their story to Josanne Leonard
Dennis Hall and Ian Eligon close the show
Show more Show less
Opening Sequence with Theme KADAMBARI by Ron Reid
Dennis Hall and broadcaster Ian Eligon rapping radio studio introduce the programme
Mark Lyndersay interviews Master Rapper Big C about Rap, Hip Hop in Trinidad Kenton Johnson dances and speaks to Karen Martinez about his Lip Syncing and performs
'Scientist' talks about his dancing and performs
Fat Boy (Duane Cromwell) and his voice generated 'beats' to Kare... Teaser: Run DMC welcome to Gayelle
Opening Sequence with Theme KADAMBARI by Ron Reid
Dennis Hall and broadcaster Ian Eligon rapping radio studio introduce the programme
Mark Lyndersay interviews Master Rapper Big C about Rap, Hip Hop in Trinidad Kenton Johnson dances and speaks to Karen Martinez about his Lip Syncing and performs
'Scientist' talks about his dancing and performs
Fat Boy (Duane Cromwell) and his voice generated 'beats' to Karen Martinez and performs
'Sister Nancy' (Marilyn Marcelle) talks to Karen Martinez about her chanting and performs
Rap Patrol performs and talks to Karen Martinez about using a US accent for Rap DJ Starchild plays and talks to Karen Martinez about scratching.
Rock Krush Crew performs
Cultural Sprangalang answers the question: What famous American personality formally opened the Little Carib theatre in 1948?
Ian Eligon links to next feature
Professor Gordon Rohlehr talks to Mark Lyndersay and outlines the development of Rap music in the US and its relation to Trinidadian oral performance styles.
Dennis Sprangalang Hall links to beak
Dennis Hall and Ian Eligon link to feature on RUN DMC
Rap group RUN DMC performs at national Stadium and are interviewed on their story to Josanne Leonard
Dennis Hall and Ian Eligon close the show
Show more Show less
Field of Study
Anthropology
Content Type
Documentary
Performer / Ensemble
Run DMC
Contributor
Ian Eligon, fl. 1988, Dennis Hall, 1949-, Christopher Laird, 1945-, Bruce Paddington, fl. 1974-2016, Tony Hall, 1948-, Banyan Productions
Author / Creator
Run DMC, Mark Lyndersay, Karen Martinez, fl. 1991, Josanne Leonard, fl. 1991, Dennis Hall, 1949-, Ian Eligon, fl. 1988
Date Published / Released
1988
Publisher
Banyan Archive
Series
Gayelle
Person Discussed
Paul Robeson, 1898-1976
Topic / Theme
Rap, Trinidadians, African Americans
Copyright Message
Copyright © 1988. Used with permission of the Banyan Archive.
×
See details
Gospel pour 100 Voix
directed by Greg Germain, 1947-; produced by Marie-Pierre Bousquet, fl. 2011, Ewilona Prod and Axe Sud; performed by Gospel pour 100 voix (Paris, Ile-de-France: Windrose (Film distributor), 2017), 2 hours 19 mins
Gospel for 100 voices is the biggest choir in the world. They sing the great standards of gospel, traditional American religious songs expressing the pain of slavery as much as the joy of being together. They also play Caribbean, African gospel and current urban gospel. It has more than 75 singers from 24 countrie...
Sample
directed by Greg Germain, 1947-; produced by Marie-Pierre Bousquet, fl. 2011, Ewilona Prod and Axe Sud; performed by Gospel pour 100 voix (Paris, Ile-de-France: Windrose (Film distributor), 2017), 2 hours 19 mins
Description
Gospel for 100 voices is the biggest choir in the world. They sing the great standards of gospel, traditional American religious songs expressing the pain of slavery as much as the joy of being together. They also play Caribbean, African gospel and current urban gospel. It has more than 75 singers from 24 countries with different religions, 12 dancers, 8 musicians and 5 internationally renowned vocal Leaders. This group got over 12 million viewer...
Gospel for 100 voices is the biggest choir in the world. They sing the great standards of gospel, traditional American religious songs expressing the pain of slavery as much as the joy of being together. They also play Caribbean, African gospel and current urban gospel. It has more than 75 singers from 24 countries with different religions, 12 dancers, 8 musicians and 5 internationally renowned vocal Leaders. This group got over 12 million viewers for the "Britain Got Talent" TV show, and won the Golden Buzzer and the Favorite Jury's award during the final in 2016. This video created the buzz and was viewed more than 33 million times on Youtube. Due to its globalized composition and the nature of its songs, such as "Oh Happy Days", this choir offers us vibrant moments of communion by singing brotherhood, love and passion of music.
Shot at the Palais des Sports in Paris, Dome of Paris, France.
Show more Show less
Field of Study
American Music
Content Type
Performance
Performer / Ensemble
Gospel pour 100 voix
Contributor
Marie-Pierre Bousquet, fl. 2011, Ewilona Prod, Axe Sud
Author / Creator
Greg Germain, 1947-, Gospel pour 100 voix
Date Published / Released
2017
Publisher
Windrose (Film distributor)
Copyright Message
Copyright © 2017 Windrose SAS
×
See details
Gospel, Season 1, Episode 4, Gospel's Second Century
directed by Shayla Harris; produced by Stacey Holman, fl. 1999, Shayla Harris, Eric Thielman, fl. 2019 and Kevin Burke, Inkwell Media Inc. and McGee Media, in Gospel, Season 1, Episode 4 (Arlington, VA: Public Broadcasting Service, 2024), 53 mins
Gospel’s hour 4 opens in the 1990s, when a new generation of music producers, record executives and artists embraced the secular rhythms of R&B and hip-hop to modernize the gospel sound. The launch of the Platinum Age of Gospel brought commercially successful songs about faith to millions in clubs, on cable TV a...
Sample
directed by Shayla Harris; produced by Stacey Holman, fl. 1999, Shayla Harris, Eric Thielman, fl. 2019 and Kevin Burke, Inkwell Media Inc. and McGee Media, in Gospel, Season 1, Episode 4 (Arlington, VA: Public Broadcasting Service, 2024), 53 mins
Description
Gospel’s hour 4 opens in the 1990s, when a new generation of music producers, record executives and artists embraced the secular rhythms of R&B and hip-hop to modernize the gospel sound. The launch of the Platinum Age of Gospel brought commercially successful songs about faith to millions in clubs, on cable TV and on urban radio, but drew criticism that gospel music had gone too far.
Field of Study
Black Studies
Content Type
Documentary
Contributor
Henry Louis Gates, Jr., 1950-, Stacey Holman, fl. 1999, Shayla Harris, Eric Thielman, fl. 2019, Kevin Burke, Inkwell Media Inc., McGee Media
Author / Creator
Shayla Harris
Date Published / Released
2024
Publisher
Public Broadcasting Service
Series
Gospel
Speaker / Narrator
Donald Lawrence, 1961-, Vicki Lataillade, fl. 1974, Kirk Franklin, 1970-
Person Discussed
Donald Lawrence, 1961-, Vicki Lataillade, fl. 1974, Kirk Franklin, 1970-, Thomas Jakes, 1957-, Tom Joyner, fl. 1970-2007, James Cleveland, 1931-1991
Topic / Theme
Race and culture, Preaching, Black community, Churches, Musicians, Musical performances, Musical genres, Music history, African Americans
Copyright Message
Copyright © 2024 McGee Media, LLC, Inkwell Media, LLC
×
See details
Mr. SOUL!
directed by Sam Pollard, fl. 1989 and Melissa Haizlip; produced by Melissa Haizlip, Shoes in the Bed Productions (Israel-Palestine: Film Platform, 2018), 1 hour 44 mins
From 1968 to 1973, the public television variety show SOUL!, guided by the enigmatic producer and host Ellis Haizlip, offered an uncompromising celebration of Black culture. The series was among the first to provide expanded images of African Americans on television, shifting the gaze from inner-city poverty and v...
Sample
directed by Sam Pollard, fl. 1989 and Melissa Haizlip; produced by Melissa Haizlip, Shoes in the Bed Productions (Israel-Palestine: Film Platform, 2018), 1 hour 44 mins
Description
From 1968 to 1973, the public television variety show SOUL!, guided by the enigmatic producer and host Ellis Haizlip, offered an uncompromising celebration of Black culture. The series was among the first to provide expanded images of African Americans on television, shifting the gaze from inner-city poverty and violence to the vibrancy of the Black Arts Movement. Mr. SOUL! captures a critical moment in culture whose impact continues to resonate,...
From 1968 to 1973, the public television variety show SOUL!, guided by the enigmatic producer and host Ellis Haizlip, offered an uncompromising celebration of Black culture. The series was among the first to provide expanded images of African Americans on television, shifting the gaze from inner-city poverty and violence to the vibrancy of the Black Arts Movement. Mr. SOUL! captures a critical moment in culture whose impact continues to resonate, and an unsung hero whose voice we need now more than ever.
Show more
Show less
Field of Study
Black Studies
Content Type
Documentary
Contributor
Melissa Haizlip, Shoes in the Bed Productions, Blair Underwood, 1964-
Author / Creator
Sam Pollard, fl. 1989, Melissa Haizlip
Date Published / Released
2018
Publisher
Film Platform
Speaker / Narrator
Blair Underwood, 1964-
Person Discussed
Ellis Haizlip, 1929-1991
Topic / Theme
Television programs, Soul / R&B, African Americans
Copyright Message
Copyright © 2018 Film Platform
×
See details
Musical Holdouts
directed by John Cohen, 1932-; produced by John Cohen, 1932- (Berkeley, CA: Berkeley Media, 1976), 49 mins
This classic, entertaining documentary on American traditional music features varied individuals and groups who have not become part of the melting pot of American society.From front porch banjo pickers in Appalachia and the Bluegrass Festival circuit to black children on the Carolina sea islands, cowboys, and Che...
Sample
directed by John Cohen, 1932-; produced by John Cohen, 1932- (Berkeley, CA: Berkeley Media, 1976), 49 mins
Description
This classic, entertaining documentary on American traditional music features varied individuals and groups who have not become part of the melting pot of American society.From front porch banjo pickers in Appalachia and the Bluegrass Festival circuit to black children on the Carolina sea islands, cowboys, and Cheyenne and Comanche Indians, they have all retained their cultural identities despite pressures from the mass media and popular culture....
This classic, entertaining documentary on American traditional music features varied individuals and groups who have not become part of the melting pot of American society.From front porch banjo pickers in Appalachia and the Bluegrass Festival circuit to black children on the Carolina sea islands, cowboys, and Cheyenne and Comanche Indians, they have all retained their cultural identities despite pressures from the mass media and popular culture.This remarkable documentary will stimulate discussion in classes in American studies, folklore, ethnomusicology, popular culture, cultural anthropology, sociology, and the arts and humanities. It was produced by renowned filmmaker and musician John Cohen.
Show more
Show less
Field of Study
American Music
Content Type
Documentary
Contributor
John Cohen, 1932-
Author / Creator
John Cohen, 1932-
Date Published / Released
1975, 1976
Publisher
Berkeley Media
Topic / Theme
Folk music, Ethnomusicology, Singing, Music history, North Americans
Copyright Message
Copyright © 1976 Berkeley Media
×
See details
Noble Sissle's Syncopated Ragtime
directed by Daniel Leonard Bernardi, fl. 2015 and David De Rozas, fl. 2014; produced by Carolina Gratianne, fl. 2017 and Trevor Getz, fl. 2020, El Dorado Films (El Dorado Hills, CA: El Dorado Films, 2018), 23 mins
Combining unseen footage with original scores from the era, this film tells the story of Noble Sissle incredible life journey that spans "The Harlem Hell Fighters" of World War I, Broadway Theatre, the Civil Rights movement, and decades of Black cultural production.
Sample
directed by Daniel Leonard Bernardi, fl. 2015 and David De Rozas, fl. 2014; produced by Carolina Gratianne, fl. 2017 and Trevor Getz, fl. 2020, El Dorado Films (El Dorado Hills, CA: El Dorado Films, 2018), 23 mins
Description
Combining unseen footage with original scores from the era, this film tells the story of Noble Sissle incredible life journey that spans "The Harlem Hell Fighters" of World War I, Broadway Theatre, the Civil Rights movement, and decades of Black cultural production.
Field of Study
American Music
Content Type
Documentary
Contributor
Carolina Gratianne, fl. 2017, Trevor Getz, fl. 2020, El Dorado Films
Author / Creator
Daniel Leonard Bernardi, fl. 2015, David De Rozas, fl. 2014
Date Published / Released
2018
Publisher
El Dorado Films
Speaker / Narrator
Noble Lee Sissle, Jr., Trevor Getz, fl. 2020
Person Discussed
Noble Lee Sissle, Jr., Trevor Getz, fl. 2020, Eubie Blake, 1887-1983, James Reese Europe, 1880-1919, Noble Sissle, 1889-1975
Topic / Theme
African-Americans, Singers, Veterans (Armed services), Composers, Ragtime, World War I, 1914-1918, World War I & Jazz Age (1914–1928), 20th Century in World History (1914--2000)
Copyright Message
Copyright © 2018 El Dorado Films
×
See details
Our Great Day: A Bond with Houston Blues
directed by Rubén Durán, fl. 1992; produced by Rubén Durán, fl. 1992, CAB 95 films (Houston, TX: Rubén Durán, 2019), 53 mins
This documentary pays tribute to the rich African American blues heritage of the largest city in Texas by tracing the unlikely relationship between a cast of colorful characters and a Chicagoborn photographer now living in Ireland. The primary focus is a 1998 reunion of almost 80 musicians for a group portrait, an...
Sample
directed by Rubén Durán, fl. 1992; produced by Rubén Durán, fl. 1992, CAB 95 films (Houston, TX: Rubén Durán, 2019), 53 mins
Description
This documentary pays tribute to the rich African American blues heritage of the largest city in Texas by tracing the unlikely relationship between a cast of colorful characters and a Chicagoborn photographer now living in Ireland. The primary focus is a 1998 reunion of almost 80 musicians for a group portrait, an event staged in a Third Ward building that dates back to Temple Beth Israel, the state’s oldest Jewish congregation. Yet the larger...
This documentary pays tribute to the rich African American blues heritage of the largest city in Texas by tracing the unlikely relationship between a cast of colorful characters and a Chicagoborn photographer now living in Ireland. The primary focus is a 1998 reunion of almost 80 musicians for a group portrait, an event staged in a Third Ward building that dates back to Temple Beth Israel, the state’s oldest Jewish congregation. Yet the larger story incorporates additional video produced, in Houston and in Ireland, between 1995 and 2018. Ultimately Our Great Day blends diverse elements of local history— musical, socioethnic, even entrepreneurial and architectural—with blues performances, interviews with artists and insiders, and personal reflections by and about a fortunate photographer and his transatlantic connection to the original blues people of Houston.
Show more
Show less
Field of Study
American Music
Content Type
Documentary
Contributor
James Fraher, fl. 1980, Rubén Durán, fl. 1992, CAB 95 films
Author / Creator
Rubén Durán, fl. 1992
Date Published / Released
2019
Publisher
Rubén Durán
Topic / Theme
Photographs, Musicians, Blues
Copyright Message
Copyright © 2019 Rubén Durán
×
