Browse Titles - 16 results

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Classic Blues
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written by Amiri Baraka, 1934-2014; in Blues People: The Negro Experience in White America and the Music that Developed from It. (New York, NY: William Morrow and Company, 1963), 93-106
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written by Amiri Baraka, 1934-2014; in Blues People: The Negro Experience in White America and the Music that Developed from It. (New York, NY: William Morrow and Company, 1963), 93-106
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Minstrel Songs
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written by Beatrice Landeck; in Echoes of Africa in Folk Songs of the Americas (New York, NY: David McKay Company, 1961), 175-182
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written by Beatrice Landeck; in Echoes of Africa in Folk Songs of the Americas (New York, NY: David McKay Company, 1961), 175-182
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A Survey of the Jazz Pianists and Their Tradition
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written by Len Lyons, fl. 1983; in The Great Jazz Pianists: Speaking of Their Lives and Music (New York, NY: Quill, 1983), 16-52
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written by Len Lyons, fl. 1983; in The Great Jazz Pianists: Speaking of Their Lives and Music (New York, NY: Quill, 1983), 16-52
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Chapter 1: Coon Shouters and Titular Blues
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written by Francis Davis, 1946-; in The History of the Blues (New York, NY: Hyperion, 1995), 65-78
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written by Francis Davis, 1946-; in The History of the Blues (New York, NY: Hyperion, 1995), 65-78
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Pentecostalism And Black Secular Music
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written by Teresa L. Reed, fl. 2004; in The Holy Profane: Religion in Black Popular Music (University of Kentucky Press), 23-46
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written by Teresa L. Reed, fl. 2004; in The Holy Profane: Religion in Black Popular Music (University of Kentucky Press), 23-46
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Jazz: America's Classical Music
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written by Grover Sales, 1920-2004 (Englewood Cliffs, NJ: Prentice-Hall, 1984), 246 page(s)
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written by Grover Sales, 1920-2004 (Englewood Cliffs, NJ: Prentice-Hall, 1984), 246 page(s)
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6: Ragtime
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written by Ross Russell, 1909-2000; in Jazz Style in Kansas City and the Southwest (Berkeley, CA: University of California Press, 1971), 59-70
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written by Ross Russell, 1909-2000; in Jazz Style in Kansas City and the Southwest (Berkeley, CA: University of California Press, 1971), 59-70
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Jelly Roll, Bix and Hoagy: Gennett Studios and the Birth of Recorded Jazz
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written by Rick Kennedy (Bloomington, IN: Indiana University Press, 1994), 233 page(s)
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written by Rick Kennedy (Bloomington, IN: Indiana University Press, 1994), 233 page(s)
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Epilogue
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written by William M. Gaines, 1922-1992 and Howard Reich, fl. 2003; in Jelly's Blues: The Life, Music and Redemption of Jelly Roll Morton (Da Capo Press, 2003), 251-256
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written by William M. Gaines, 1922-1992 and Howard Reich, fl. 2003; in Jelly's Blues: The Life, Music and Redemption of Jelly Roll Morton (Da Capo Press, 2003), 251-256
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King Joe Oliver
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written by Brian A. L. Rust, 1922- and Walter Carl Allen, 1920- (Fjaltring, Central Jutland: Sidgwick & Jackson, 1958), 224 page(s)
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written by Brian A. L. Rust, 1922- and Walter Carl Allen, 1920- (Fjaltring, Central Jutland: Sidgwick & Jackson, 1958), 224 page(s)
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