Browse Titles - 213 results
The 3 Tenors - The Birth of a Legend
directed by Brian Large, 1939-; conducted by Zubin Mehta, 1936-; produced by Elmar Kruse, 2004-2009, Mario, Dradi, fl. 1999-2006 and Herbert Chappell, 1934-, Sounding Images; performed by Orchestra del Teatro dell'Opera di Roma and Orchestra del Maggio Musicale Fiorentino, in The 3 Tenors: Birth of a Legend (Berlin, Berlin State: C Major Entertainment, 2015), 1 hour 15 mins
Excitement after a spectacular open-air concert. At the 1990 Football World Cup, the three tenors, José Carreras, Plácido Domingo and Luciano Pavarotti met the first time together with the conductor Zubin Mehta for an extraordinary musical experience. Six thousand excited live viewers and one billion watching on...
Sample
directed by Brian Large, 1939-; conducted by Zubin Mehta, 1936-; produced by Elmar Kruse, 2004-2009, Mario, Dradi, fl. 1999-2006 and Herbert Chappell, 1934-, Sounding Images; performed by Orchestra del Teatro dell'Opera di Roma and Orchestra del Maggio Musicale Fiorentino, in The 3 Tenors: Birth of a Legend (Berlin, Berlin State: C Major Entertainment, 2015), 1 hour 15 mins
Description
Excitement after a spectacular open-air concert. At the 1990 Football World Cup, the three tenors, José Carreras, Plácido Domingo and Luciano Pavarotti met the first time together with the conductor Zubin Mehta for an extraordinary musical experience. Six thousand excited live viewers and one billion watching on television. The beginning of a new era of classical music. In the following years, the 3 Tenors held audiences around the world under...
Excitement after a spectacular open-air concert. At the 1990 Football World Cup, the three tenors, José Carreras, Plácido Domingo and Luciano Pavarotti met the first time together with the conductor Zubin Mehta for an extraordinary musical experience. Six thousand excited live viewers and one billion watching on television. The beginning of a new era of classical music. In the following years, the 3 Tenors held audiences around the world under their spell in over thirty performances. They helped to bring about an unexpected flourishing of classical music. The concert in the Caracalla Baths of Rome was the Birth of a Legend. The programme interweaves performance and background information, including previously unseen material.
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Date Written / Recorded
1990
Field of Study
Classical Music
Content Type
Documentary
Performer / Ensemble
Orchestra del Teatro dell'Opera di Roma, Orchestra del Maggio Musicale Fiorentino
Contributor
Zubin Mehta, 1936-, Elmar Kruse, 2004-2009, Mario, Dradi, fl. 1999-2006, Herbert Chappell, 1934-, Sounding Images
Author / Creator
Brian Large, 1939-, Orchestra del Teatro dell'Opera di Roma, Orchestra del Maggio Musicale Fiorentino
Date Published / Released
2015
Publisher
C Major Entertainment
Copyright Message
Copyright © 2015 by C Major Entertainment
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4 Better, 4 Worse: The Anatomy of a String Quartet
directed by Reiner Moritz, 1938-; composed by Joseph Haydn, 1732-1809; produced by Reiner Moritz, 1938-; performed by Lindsay String Quartet, in Haydn String Quartets - The Lindsays (Opus Arte, 2005), 52 mins
This documentary features the Lindsay String Quartet and is about the history and importance of string quartets. Concert footage is excerpted.
Sample
directed by Reiner Moritz, 1938-; composed by Joseph Haydn, 1732-1809; produced by Reiner Moritz, 1938-; performed by Lindsay String Quartet, in Haydn String Quartets - The Lindsays (Opus Arte, 2005), 52 mins
Description
This documentary features the Lindsay String Quartet and is about the history and importance of string quartets. Concert footage is excerpted.
Field of Study
Classical Music
Content Type
Documentary
Performer / Ensemble
Lindsay String Quartet
Contributor
Reiner Moritz, 1938-
Author / Creator
Joseph Haydn, 1732-1809, Reiner Moritz, 1938-, Lindsay String Quartet
Date Published / Released
2005
Publisher
Opus Arte
Topic / Theme
Performance practice, Music history, Classical Music
Copyright Message
Copyright © 2011. Used by permission of Opus Arte.
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60 Minutes, The Lost Music, Part 1
presented by Lewis Jonathan Wertheim, 1970-; produced by Katherine Davis, fl. 2004-2015; interview by Lewis Jonathan Wertheim, 1970-, in 60 Minutes (New York, NY: Columbia Broadcasting System (CBS), 2019), 12 mins
A profile of Francesco Lotoro, the Italian composer and pianist who has worked 30 years to recover, catalog, and perform music written during the Holocaust – including works written and performed secretly in Nazi concentration camps. Lotoro converted to Judaism after gravitating towards the religion from a young...
Sample
presented by Lewis Jonathan Wertheim, 1970-; produced by Katherine Davis, fl. 2004-2015; interview by Lewis Jonathan Wertheim, 1970-, in 60 Minutes (New York, NY: Columbia Broadcasting System (CBS), 2019), 12 mins
Description
A profile of Francesco Lotoro, the Italian composer and pianist who has worked 30 years to recover, catalog, and perform music written during the Holocaust – including works written and performed secretly in Nazi concentration camps. Lotoro converted to Judaism after gravitating towards the religion from a young age. At the Auschwitz-Birkenau concentration camp, inmate orchestras were set up by the Nazis for their entertainment. The main functi...
A profile of Francesco Lotoro, the Italian composer and pianist who has worked 30 years to recover, catalog, and perform music written during the Holocaust – including works written and performed secretly in Nazi concentration camps. Lotoro converted to Judaism after gravitating towards the religion from a young age. At the Auschwitz-Birkenau concentration camp, inmate orchestras were set up by the Nazis for their entertainment. The main function of the Auschwitz Camp Orchestra was to play marches and concerts. As an entire generation of musicians and artists were imprisoned or killed, Lotoro feels the course of European music would have differed drastically with their influence. He has catalogued over 8,000 pieces of music, which range from symphonies to tunes scribbled on discarded paper. Lotoro collects, arranges, and sometimes completes the works with great care. He argues the point of connection between life and death, in a place like a concentration camp, is music. Prisoners felt the music allowed them a sense of dignity, which Lotoro continues to work to preserve. Includes interviews with Bret Werb, music curator at the U.S. Holocaust Museum; Anita Lasker-Wallfisch, Holocaust survivor and former Auschwitz women’s orchestra member; Waldemar Kropinski, son of composer Jozef Kropinski; and Christoph Kulisiewicz, son of composer Aleksander Kulisiewicz.
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Field of Study
World History
Content Type
Interview, News story
Contributor
Katherine Davis, fl. 2004-2015
Author / Creator
Lewis Jonathan Wertheim, 1970-
Date Published / Released
2019
Publisher
Columbia Broadcasting System (CBS)
Series
60 Minutes
Person Discussed
Francesco Lotoro, 1964-
Topic / Theme
Genocide, Music composition, Music history, Holocaust, 1939-1945, War and Violence, Jews, 21st Century in World History (2001– )
Copyright Message
Copyright © 2019 CBS Broadcasting Inc. All Rights Reserved.
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The Adventurers of the Lost Mass
directed by Laurent Portes, fl. 2008; composed by Orazio Benevoli, 1605-1672, Claudio Monteverdi, 1567-1643 and Alessandro Striggio, 1536-1592; conducted by Hervé Niquet, 1957-; produced by Amélie Girard; performed by Le Concert Spirituel, in The Adventurers of the Lost Mass (Paris, Ile-de-France: Windrose (Film distributor), 2011), 52 mins
Hervé Niquet conducts the never-performed since baroque times 40-voice Mass by Alessandro Striggio. This monumental Mass, up to 60 voices for the finale, was lost and forgotten. Its harmonic sophistication remains unsurpassed. How could Alessandro Striggio achieve such a prowess? The rehearsals interviews wit...
Sample
directed by Laurent Portes, fl. 2008; composed by Orazio Benevoli, 1605-1672, Claudio Monteverdi, 1567-1643 and Alessandro Striggio, 1536-1592; conducted by Hervé Niquet, 1957-; produced by Amélie Girard; performed by Le Concert Spirituel, in The Adventurers of the Lost Mass (Paris, Ile-de-France: Windrose (Film distributor), 2011), 52 mins
Description
Hervé Niquet conducts the never-performed since baroque times 40-voice Mass by Alessandro Striggio. This monumental Mass, up to 60 voices for the finale, was lost and forgotten. Its harmonic sophistication remains unsurpassed. How could Alessandro Striggio achieve such a prowess? The rehearsals interviews with the jubilant Hervé Niquet and musicologists, the recalls of musical composition techniques of the Renaissance are as exceptional as...
Hervé Niquet conducts the never-performed since baroque times 40-voice Mass by Alessandro Striggio. This monumental Mass, up to 60 voices for the finale, was lost and forgotten. Its harmonic sophistication remains unsurpassed. How could Alessandro Striggio achieve such a prowess? The rehearsals interviews with the jubilant Hervé Niquet and musicologists, the recalls of musical composition techniques of the Renaissance are as exceptional as the piece itself.
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Field of Study
Classical Music
Content Type
Documentary
Performer / Ensemble
Le Concert Spirituel
Contributor
Hervé Niquet, 1957-, Amélie Girard
Author / Creator
Orazio Benevoli, 1605-1672, Claudio Monteverdi, 1567-1643, Alessandro Striggio, 1536-1592, Laurent Portes, fl. 2008, Le Concert Spirituel
Date Published / Released
2011
Publisher
Windrose (Film distributor)
Person Discussed
Alessandro Striggio, 1536-1592
Topic / Theme
Music composition
Copyright Message
Copyright © 2011. Used by permission of Windrose Distribution.
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Alice: At Home with Alice Parker
directed by Eduardo Montes-Bradley, 1960-; produced by Soledad Liendo, fl. 2000-2017, Heritage Film Project; interview by Alice Parker, 1925- (Charlottesville, VA: Heritage Film Project, 2020), 31 mins
Alice Parker (b.1925), is a composer of choral music living in a small village in the Western mountains of Massachusetts. Her career that spans over seventy years initially having found prominence as Robert Shaw’s protégé and then as a choral composer with strong collaborators, such as Archibald McLeish and Eu...
Sample
directed by Eduardo Montes-Bradley, 1960-; produced by Soledad Liendo, fl. 2000-2017, Heritage Film Project; interview by Alice Parker, 1925- (Charlottesville, VA: Heritage Film Project, 2020), 31 mins
Description
Alice Parker (b.1925), is a composer of choral music living in a small village in the Western mountains of Massachusetts. Her career that spans over seventy years initially having found prominence as Robert Shaw’s protégé and then as a choral composer with strong collaborators, such as Archibald McLeish and Eudora Welty, or subjects whose strength lies in their emotional intensity or commitment to social justice, such as Emily Dickinson or Ma...
Alice Parker (b.1925), is a composer of choral music living in a small village in the Western mountains of Massachusetts. Her career that spans over seventy years initially having found prominence as Robert Shaw’s protégé and then as a choral composer with strong collaborators, such as Archibald McLeish and Eudora Welty, or subjects whose strength lies in their emotional intensity or commitment to social justice, such as Emily Dickinson or Martin Luther King. Alice’s musical reach is extensive and inclusive, from songs for children and church hymns to the cathedral and concert hall. In “Alice,” the documentary film, Alice Parker collaborates with Eduardo Montes-Bradley in a series of intimate conversations that illuminate her artistic achievements.
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Field of Study
Classical Music
Content Type
Documentary
Contributor
Soledad Liendo, fl. 2000-2017, Heritage Film Project
Author / Creator
Eduardo Montes-Bradley, 1960-, Alice Parker, 1925-
Date Published / Released
2020
Publisher
Heritage Film Project
Person Discussed
Eduardo Montes-Bradley, 1960-
Copyright Message
Copyright © 2020 Heritage Film Project, LLC
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American Masters, Episode 4, Marvin Hamlisch: What He Did For Love
directed by Dori Berinstein, 1960-; produced by Dori Berinstein, 1960-, THIRTEEN American Masters and Dramatic Forces, in American Masters, Episode 4 (Arlington, VA: Public Broadcasting Service, 2013), 1 hour 25 mins
Dramatic Forces and THIRTEEN's American Masters explore composer, conductor, genius Marvin Hamlisch's prolific life and career, with exclusive access to Hamlisch's personal archival treasure trove.
Sample
directed by Dori Berinstein, 1960-; produced by Dori Berinstein, 1960-, THIRTEEN American Masters and Dramatic Forces, in American Masters, Episode 4 (Arlington, VA: Public Broadcasting Service, 2013), 1 hour 25 mins
Description
Dramatic Forces and THIRTEEN's American Masters explore composer, conductor, genius Marvin Hamlisch's prolific life and career, with exclusive access to Hamlisch's personal archival treasure trove. Marvin Hamlisch, 1944-2012
Field of Study
Popular Music
Content Type
Documentary
Contributor
Marvin Hamlisch, 1944-2012, Dori Berinstein, 1960-, THIRTEEN American Masters, Dramatic Forces
Author / Creator
Dori Berinstein, 1960-
Date Published / Released
2013
Publisher
Public Broadcasting Service
Series
American Masters
Person Discussed
Barbra Streisand, 1942-, Christopher Walken, 1943-, Leslie Marian Uggams, 1943-, Howard Stringer, 1942-, Steven Soderbergh, 1963-, Carly Simon, 1945-, Tim Rice, Liza Minnelli, 1946-, Donna McKechnie, 1940-, Melissa Manchester, 1951-, John Lithgow, 1945-, Robert Klein Engler, fl. 1991, Quincy Jones III, 1968-, Brian d'Arcy James, 1968-, Marilyn Bergman, 1929-, Alan Bergman, 1925-, Carole Bayer Sage...
Barbra Streisand, 1942-, Christopher Walken, 1943-, Leslie Marian Uggams, 1943-, Howard Stringer, 1942-, Steven Soderbergh, 1963-, Carly Simon, 1945-, Tim Rice, Liza Minnelli, 1946-, Donna McKechnie, 1940-, Melissa Manchester, 1951-, John Lithgow, 1945-, Robert Klein Engler, fl. 1991, Quincy Jones III, 1968-, Brian d'Arcy James, 1968-, Marilyn Bergman, 1929-, Alan Bergman, 1925-, Carole Bayer Sager, 1947-, Lucie Arnaz, 1951-, Ann Margret, 1941-, Woody Allen, 1935-, Marvin Hamlisch, 1944-2012
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Copyright Message
Copyright © 2013 The People's Composer, LLC
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Americans in Pyongyang: The New York Philharmonic's trip to North Korea
directed by Ayelet Heller; produced by Paul Smaczny, fl. 1995-2015; performed by New York Philharmonic, in The Pyongyang Concert (EuroArts, 2008), 53 mins
This documentary features performances by New York Philharmonic.
Sample
directed by Ayelet Heller; produced by Paul Smaczny, fl. 1995-2015; performed by New York Philharmonic, in The Pyongyang Concert (EuroArts, 2008), 53 mins
Description
This documentary features performances by New York Philharmonic.
Field of Study
Classical Music
Content Type
Documentary
Performer / Ensemble
New York Philharmonic
Contributor
Paul Smaczny, fl. 1995-2015
Author / Creator
Ayelet Heller, New York Philharmonic
Date Published / Released
2008
Publisher
EuroArts
Topic / Theme
Tourism industry, Concerts, Music schools, Classical Music
Copyright Message
Copyright © 2011. Used by permission of EuroArts Music International GmbH.
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Andrea Bocelli: The Making Of A Dream
directed by Mark Haefeli, fl. 1992; produced by Mark Haefeli, fl. 1992, Mark Haefeli (Berlin, Berlin State: C Major Entertainment, 2011), 50 mins
This film shows the making of a once in a lifetime musical event: The world’s most beloved tenor, Andrea Bocelli, gifts New York City with a free concert with the New York Philharmonic to take place at Central Park’s Great Lawn, joined by Celine Dion, Tony Bennett and Bryn Terfel. The New York Philharmonic’s...
Sample
directed by Mark Haefeli, fl. 1992; produced by Mark Haefeli, fl. 1992, Mark Haefeli (Berlin, Berlin State: C Major Entertainment, 2011), 50 mins
Description
This film shows the making of a once in a lifetime musical event: The world’s most beloved tenor, Andrea Bocelli, gifts New York City with a free concert with the New York Philharmonic to take place at Central Park’s Great Lawn, joined by Celine Dion, Tony Bennett and Bryn Terfel. The New York Philharmonic’s music director, Alan Gilbert, conducts.
Field of Study
Classical Music
Content Type
Documentary
Contributor
Mark Haefeli, fl. 1992, Mark Haefeli
Author / Creator
Mark Haefeli, fl. 1992
Date Published / Released
2011
Publisher
C Major Entertainment
Person Discussed
Andrea Bocelli
Copyright Message
Copyright © 2011 C Major Entertainment
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Andrea Chénier
directed by Keith Cheetham; composed by Umberto Giordano, 1867-1948 (1895); conducted by Plácido Domingo, Jr., 1965-, Lamberto Gardelli, Bernard Haitink, 1929-, Riccardo Chailly, 1953-, Raymond Leppard, 1927-, Donato Renzetti, Zoltán Peskó, 1937-, Riccardo Muti, Georges Prêtre, 1924-2017 and Sir Georg Solti, 1912-1997; presented by Dame Kiri Te Kanawa, 1944-; produced by Robin Scott, 1920-2000, NVC Arts; performed by Josef Meinrad, John Rawnsley, Gwynne Howell, 1938-, Sir Thomas Allen, 1944-, Neil Shicoff, Ileana Cotrubas, 1939-, Robert Lloyd, 1940-, José Carreras, 1946-, Dame Janet Baker, 1933-, Alberto Rinaldi, fl. 2008, Roderick Kennedy, Claudio Desderi, Laura Zannini, Laurence Dale, Kathleen Kuhlmann, 1950-, Vladimir Atlantov, Mirella Freni, Placido Domingo, 1941-, Barbara Bonney, 1956-, Anne Howells and Dame Kiri Te Kanawa, 1944-, Chorus of the Teatro alla Scala and Orchestra of the Teatro alla Scala (Berlin, Berlin State: C Major Entertainment, 1991), 4 mins
In this programme, Dame Kiri Te Kanawa introduces a personal selection of her own favourite operatic scenes recorded at some of the world’s major venues, and shares with viewers her recollections of memorable performances from the world of opera. Includes excerpts from, The Royal Opera House: Der Rosenkavalier,...
Sample
directed by Keith Cheetham; composed by Umberto Giordano, 1867-1948 (1895); conducted by Plácido Domingo, Jr., 1965-, Lamberto Gardelli, Bernard Haitink, 1929-, Riccardo Chailly, 1953-, Raymond Leppard, 1927-, Donato Renzetti, Zoltán Peskó, 1937-, Riccardo Muti, Georges Prêtre, 1924-2017 and Sir Georg Solti, 1912-1997; presented by Dame Kiri Te Kanawa, 1944-; produced by Robin Scott, 1920-2000, NVC Arts; performed by Josef Meinrad, John Rawnsley, Gwynne Howell, 1938-, Sir Thomas Allen, 1944-, Neil Shicoff, Ileana Cotrubas, 1939-, Robert Lloyd, 1940-, José Carreras, 1946-, Dame Janet Baker, 1933-, Alberto Rinaldi, fl. 2008, Roderick Kennedy, Claudio Desderi, Laura Zannini, Laurence Dale, Kathleen Kuhlmann, 1950-, Vladimir Atlantov, Mirella Freni, Placido Domingo, 1941-, Barbara Bonney, 1956-, Anne Howells and Dame Kiri Te Kanawa, 1944-, Chorus of the Teatro alla Scala and Orchestra of the Teatro alla Scala (Berlin, Berlin State: C Major Entertainment, 1991), 4 mins
Description
In this programme, Dame Kiri Te Kanawa introduces a personal selection of her own favourite operatic scenes recorded at some of the world’s major venues, and shares with viewers her recollections of memorable performances from the world of opera. Includes excerpts from, The Royal Opera House: Der Rosenkavalier, Les Contes d’Hoffmann, Con Carlo, La Bohème, Die Fledermaus; from Teatro alla Scala, Milan: Ernani, Andrea Chénier, Nabucco; from A...
In this programme, Dame Kiri Te Kanawa introduces a personal selection of her own favourite operatic scenes recorded at some of the world’s major venues, and shares with viewers her recollections of memorable performances from the world of opera. Includes excerpts from, The Royal Opera House: Der Rosenkavalier, Les Contes d’Hoffmann, Con Carlo, La Bohème, Die Fledermaus; from Teatro alla Scala, Milan: Ernani, Andrea Chénier, Nabucco; from Arena di Verona: Otello; from Glyndebourne: La Cenerentola, Orfeo ed Euridice
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Date Written / Recorded
1895
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Chorus of the Teatro alla Scala, Orchestra of the Teatro alla Scala, Josef Meinrad, John Rawnsley, Gwynne Howell, 1938-, Sir Thomas Allen, 1944-, Neil Shicoff, Ileana Cotrubas, 1939-, Robert Lloyd, 1940-, José Carreras, 1946-, Dame Janet Baker, 1933-, Alberto Rinaldi, fl. 2008, Roderick Kennedy, Claudio Desderi, Laura Zannini, Laurence Dale, Kathleen Kuhlmann, 1950-, Vladimir Atlantov, Mirella Fr...
Chorus of the Teatro alla Scala, Orchestra of the Teatro alla Scala, Josef Meinrad, John Rawnsley, Gwynne Howell, 1938-, Sir Thomas Allen, 1944-, Neil Shicoff, Ileana Cotrubas, 1939-, Robert Lloyd, 1940-, José Carreras, 1946-, Dame Janet Baker, 1933-, Alberto Rinaldi, fl. 2008, Roderick Kennedy, Claudio Desderi, Laura Zannini, Laurence Dale, Kathleen Kuhlmann, 1950-, Vladimir Atlantov, Mirella Freni, Placido Domingo, 1941-, Barbara Bonney, 1956-, Anne Howells, Dame Kiri Te Kanawa, 1944-
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Contributor
Plácido Domingo, Jr., 1965-, Lamberto Gardelli, Bernard Haitink, 1929-, Riccardo Chailly, 1953-, Raymond Leppard, 1927-, Donato Renzetti, Zoltán Peskó, 1937-, Riccardo Muti, Georges Prêtre, 1924-2017, Sir Georg Solti, 1912-1997, Robin Scott, 1920-2000, NVC Arts
Author / Creator
Umberto Giordano, 1867-1948, Keith Cheetham, Chorus of the Teatro alla Scala, Orchestra of the Teatro alla Scala, Josef Meinrad, John Rawnsley, Gwynne Howell, 1938-, Sir Thomas Allen, 1944-, Neil Shicoff, Ileana Cotrubas, 1939-, Robert Lloyd, 1940-, José Carreras, 1946-, Dame Janet Baker, 1933-, Alberto Rinaldi, fl. 2008, Roderick Kennedy, Claudio Desderi, Laura Zannini, Laurence Dale, Kathleen K...
Umberto Giordano, 1867-1948, Keith Cheetham, Chorus of the Teatro alla Scala, Orchestra of the Teatro alla Scala, Josef Meinrad, John Rawnsley, Gwynne Howell, 1938-, Sir Thomas Allen, 1944-, Neil Shicoff, Ileana Cotrubas, 1939-, Robert Lloyd, 1940-, José Carreras, 1946-, Dame Janet Baker, 1933-, Alberto Rinaldi, fl. 2008, Roderick Kennedy, Claudio Desderi, Laura Zannini, Laurence Dale, Kathleen Kuhlmann, 1950-, Vladimir Atlantov, Mirella Freni, Placido Domingo, 1941-, Barbara Bonney, 1956-, Anne Howells, Dame Kiri Te Kanawa, 1944-
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Date Published / Released
1991
Publisher
C Major Entertainment
Topic / Theme
Andrea Chénier, Carlo Gérard, Maddalena de Coigny, Bersi, Madelon, La Contessa de Coigny, Roucher, Pietro Fléville, Fouquier Tinville, Mathieu, Incroyable, Abbé, Schmidt, Master of the Household
Copyright Message
Copyright © 1991 C Major Entertainment
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András Schiff in Conversation
directed by Claus Wischmann, 1966-; produced by Christina Sas; performed by András Schiff, 1953-, in András Schiff with Capella Andrea Barca (EuroArts, 2010), 14 mins
This documentary features András Schiff.
Sample
directed by Claus Wischmann, 1966-; produced by Christina Sas; performed by András Schiff, 1953-, in András Schiff with Capella Andrea Barca (EuroArts, 2010), 14 mins
Description
This documentary features András Schiff.
Date Written / Recorded
2008-05-02
Field of Study
Classical Music
Content Type
Documentary
Performer / Ensemble
András Schiff, 1953-
Contributor
Christina Sas
Author / Creator
Claus Wischmann, 1966-, András Schiff, 1953-
Date Published / Released
2010
Publisher
EuroArts
Person Discussed
Wolfgang Amadeus Mozart, 1756-1791
Topic / Theme
Music composition, Composers, Classical Music
Copyright Message
Copyright © 2011. Used by permission of EuroArts Music International GmbH.
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