Browse Titles - 12 results
George London: Between Gods and Demons
directed by Marita Stocker, fl. 2010-2017; produced by Oliver Becker, fl. 2002; performed by Hilde Zadek, Neil Shicoff, Catherine Malfitano, 1948-, Deborah Polaski, Waldemar Kmentt and George London, 1920-1985, in George London: Between Gods and Demons (Germany: ArtHaus Musik, 2011), 2 hours 34 mins
George London was one of the most impressive bass-baritones of the postwar era. He sang on the side of Maria Callas, Renata Tebaldi and Nicolai Gedda, to name only a few, and captured the audience’s hearts with his distinctive voice and his charismatic stage presence. Way too early he had to stop his singing car...
Sample
directed by Marita Stocker, fl. 2010-2017; produced by Oliver Becker, fl. 2002; performed by Hilde Zadek, Neil Shicoff, Catherine Malfitano, 1948-, Deborah Polaski, Waldemar Kmentt and George London, 1920-1985, in George London: Between Gods and Demons (Germany: ArtHaus Musik, 2011), 2 hours 34 mins
Description
George London was one of the most impressive bass-baritones of the postwar era. He sang on the side of Maria Callas, Renata Tebaldi and Nicolai Gedda, to name only a few, and captured the audience’s hearts with his distinctive voice and his charismatic stage presence. Way too early he had to stop his singing career due to a vocal chord disease. The film portrays this exceptional artist in all its diversity, shows rare archive footage of his gre...
George London was one of the most impressive bass-baritones of the postwar era. He sang on the side of Maria Callas, Renata Tebaldi and Nicolai Gedda, to name only a few, and captured the audience’s hearts with his distinctive voice and his charismatic stage presence. Way too early he had to stop his singing career due to a vocal chord disease. The film portrays this exceptional artist in all its diversity, shows rare archive footage of his great performances as an opera singer but also as an interpreter of traditional spirituals and operetta. Another important element of the film are interviews with his widow Nora London, with former colleagues, experts and current stars of the opera scene as Neil Shicoff, Catherine Malfitano and Deborah Polaski, who have been taught by George London, supported in their career by the George London Foundation or see themselves as his followers.
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Field of Study
Classical Music
Content Type
Documentary, Performance
Performer / Ensemble
Hilde Zadek, Neil Shicoff, Catherine Malfitano, 1948-, Deborah Polaski, Waldemar Kmentt, George London, 1920-1985
Contributor
Oliver Becker, fl. 2002
Author / Creator
Marita Stocker, fl. 2010-2017, Hilde Zadek, Neil Shicoff, Catherine Malfitano, 1948-, Deborah Polaski, Waldemar Kmentt, George London, 1920-1985
Date Published / Released
2011
Publisher
ArtHaus Musik
Person Discussed
George London, 1920-1985
Topic / Theme
Musical performances, Singers, Performing arts life, Classical Music
Copyright Message
Copyright © 2011 by Arthaus Musik GmbH
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Herbert von Karajan
directed by Gernot Friedel, 1941-; conducted by Herbert von Karajan, 1908-1989; produced by Herbert von Karajan Centrum Wien and Austrian Broadcasting Corporation Radio & Television (ORF); performed by Herbert von Karajan, 1908-1989, in Herbert von Karajan (Bristol, England: Digital Classics Distribution, 1999), 1 hour 28 mins
Herbert von Karajan (1908-89), one of the twentieth century’s most fascinating and complex geniuses, bestrode the post-war classical music world like a colossus. He won unprecedented musical power and public acclaim but also had many detractors. This definitive film reveals the phenomenon of the maestro, chartin...
Sample
directed by Gernot Friedel, 1941-; conducted by Herbert von Karajan, 1908-1989; produced by Herbert von Karajan Centrum Wien and Austrian Broadcasting Corporation Radio & Television (ORF); performed by Herbert von Karajan, 1908-1989, in Herbert von Karajan (Bristol, England: Digital Classics Distribution, 1999), 1 hour 28 mins
Description
Herbert von Karajan (1908-89), one of the twentieth century’s most fascinating and complex geniuses, bestrode the post-war classical music world like a colossus. He won unprecedented musical power and public acclaim but also had many detractors. This definitive film reveals the phenomenon of the maestro, charting his life both on and off the podium. Karajan himself talks in archive interviews and throughout the film there is his music, drawn fr...
Herbert von Karajan (1908-89), one of the twentieth century’s most fascinating and complex geniuses, bestrode the post-war classical music world like a colossus. He won unprecedented musical power and public acclaim but also had many detractors. This definitive film reveals the phenomenon of the maestro, charting his life both on and off the podium. Karajan himself talks in archive interviews and throughout the film there is his music, drawn from the many sound and audiovisual recordings he made.
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Field of Study
Classical Music
Content Type
Documentary
Performer / Ensemble
Herbert von Karajan, 1908-1989
Contributor
Herbert von Karajan, 1908-1989, Herbert von Karajan Centrum Wien, Austrian Broadcasting Corporation Radio & Television (ORF)
Author / Creator
Gernot Friedel, 1941-, Herbert von Karajan, 1908-1989
Date Published / Released
1999
Publisher
Digital Classics Distribution
Person Discussed
Herbert von Karajan, 1908-1989
Topic / Theme
Performing arts occupations, Singers, Orchestras, Biographies, Performing arts life, Audio recordings, Artistic collaboration, Music conducting
Copyright Message
Copyright © 2014. Used by permission of Digital Classics Distribution, Ltd. All rights reserved.
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History of Vocal Teaching I: An Exploration of a Vocal Lineage
directed by Norbert Meyn, fl. 1997 and Janis Kelly; produced by Janis Kelly and Norbert Meyn, fl. 1997, Lieder Theatre Limited; performed by Jutta Vulpius, 1927-, Janis Kelly and Norbert Meyn, fl. 1997 (Sydney, New South Wales: Lieder Theatre Limited, 2010), 44 mins
Discussing fundamental principles of singing passed down through the generations since the old italian masters. The film gives an account of the teaching of Franziska Martienssen-Lohmann (1887-1971), one of the most influential German singing teachers in the 20th century, and of the famous German soprano Elisab...
Open Access
directed by Norbert Meyn, fl. 1997 and Janis Kelly; produced by Janis Kelly and Norbert Meyn, fl. 1997, Lieder Theatre Limited; performed by Jutta Vulpius, 1927-, Janis Kelly and Norbert Meyn, fl. 1997 (Sydney, New South Wales: Lieder Theatre Limited, 2010), 44 mins
Description
Discussing fundamental principles of singing passed down through the generations since the old italian masters. The film gives an account of the teaching of Franziska Martienssen-Lohmann (1887-1971), one of the most influential German singing teachers in the 20th century, and of the famous German soprano Elisabeth Grümmer (1911-1985), featuring the German coloratura soprano Jutta Vulpius (born 1927) and her pupil Carola Höhn of the Staatsope...
Discussing fundamental principles of singing passed down through the generations since the old italian masters. The film gives an account of the teaching of Franziska Martienssen-Lohmann (1887-1971), one of the most influential German singing teachers in the 20th century, and of the famous German soprano Elisabeth Grümmer (1911-1985), featuring the German coloratura soprano Jutta Vulpius (born 1927) and her pupil Carola Höhn of the Staatsoper Berlin. Following a direct lineage to great teachers in the 19th century, the Dutch baritone Johannes Messchaert (1857-1922), the German teacher Julius Stockhausen (1826-1906) and the Spanish educator Manuel Patricio Rodríguez García (1805-1906). Giving examples of exercises for beginners and advanced students. This film is suitable for classroom teaching or individual study.
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Field of Study
Classical Music
Content Type
Lecture/presentation
Performer / Ensemble
Jutta Vulpius, 1927-, Janis Kelly, Norbert Meyn, fl. 1997
Contributor
Janis Kelly, Norbert Meyn, fl. 1997, Lieder Theatre Limited
Author / Creator
Norbert Meyn, fl. 1997, Janis Kelly, Jutta Vulpius, 1927-
Date Published / Released
2010
Publisher
Lieder Theatre Limited
Person Discussed
Manuel Garcia, 1805-1906, Johannes Messchaert, 1857-1922, Elisabeth Grümmer, Franziska Martienssen-Lohmann, 1887-1971
Topic / Theme
Performance coaching, Educational methods, Music practice, Musical technique, Singing, Singers, Baritone, Soprano
Copyright Message
Copyright © 2010 Lieder Theatre Limited
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Mirella Freni: A Life Devoted to Opera
directed by Marita Stocker, fl. 2010-2017; produced by Oliver Becker, fl. 2002; performed by Luciano Pavarotti, 1935-2007, Nicolaï Ghiaurov, 1929-2004, Plácido Domingo, 1941-, Herbert von Karajan, 1908-1989 and Mirella Freni, in Mirella Freni: A Life Devoted to Opera (Germany: ArtHaus Musik, 2010), 58 mins
Mirella Freni is one of the most remarkable soprano singers in the world of opera. She has been winning over audiences for half a century with her ever fresh and youthful vocals and with a voice quality which remains undiminished. The portrait shows Mirella Freni during masterclasses in her hometown of Modena; in...
Sample
directed by Marita Stocker, fl. 2010-2017; produced by Oliver Becker, fl. 2002; performed by Luciano Pavarotti, 1935-2007, Nicolaï Ghiaurov, 1929-2004, Plácido Domingo, 1941-, Herbert von Karajan, 1908-1989 and Mirella Freni, in Mirella Freni: A Life Devoted to Opera (Germany: ArtHaus Musik, 2010), 58 mins
Description
Mirella Freni is one of the most remarkable soprano singers in the world of opera. She has been winning over audiences for half a century with her ever fresh and youthful vocals and with a voice quality which remains undiminished. The portrait shows Mirella Freni during masterclasses in her hometown of Modena; in an extended interview, filmed in the Teatro Comunale, Freni speaks about her extraordinary career. One of her first performances with L...
Mirella Freni is one of the most remarkable soprano singers in the world of opera. She has been winning over audiences for half a century with her ever fresh and youthful vocals and with a voice quality which remains undiminished. The portrait shows Mirella Freni during masterclasses in her hometown of Modena; in an extended interview, filmed in the Teatro Comunale, Freni speaks about her extraordinary career. One of her first performances with Luciano Pavarotti in Puccini’s 'La Boheme' is shown. Interviews with colleagues and friends such as famous tenor Placido Domingo and conductor Herbert von Karajan as well as Freni’s greatest stage performances, private pictures and rare material from the archive complete the portrait. 'I am really touched by this movie. I feel honoured by its sensitive presentation of my life, my career, my work as a teacher and my feelings about all these aspects.' Mirella Freni
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Field of Study
Classical Music
Content Type
Documentary
Performer / Ensemble
Luciano Pavarotti, 1935-2007, Nicolaï Ghiaurov, 1929-2004, Plácido Domingo, 1941-, Herbert von Karajan, 1908-1989, Mirella Freni
Contributor
Oliver Becker, fl. 2002
Author / Creator
Marita Stocker, fl. 2010-2017, Luciano Pavarotti, 1935-2007, Nicolaï Ghiaurov, 1929-2004, Plácido Domingo, 1941-, Herbert von Karajan, 1908-1989, Mirella Freni
Date Published / Released
2010
Publisher
ArtHaus Musik
Person Discussed
Mirella Freni
Topic / Theme
Musical performances, Performance influences, Singers, Performing arts life, Expression in performance, Artistic collaboration, Classical Music
Copyright Message
Copyright © 2010 by Arthaus Musik GmbH
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Music, Mon Amour
directed by Günther Huesmann, 1957- and Daniela Schmidt-Langels, 1962-; performed by Helmut Oehring, 1961-, Midori Goto, 1971- and Yasmin Levy, in Music, Mon Amour (Berlin, Berlin State: C Major Entertainment, 2009), 1 hour 34 mins
‘Music, Mon Amour’ delves into the secret of a grand passion – the love of music. What makes it irresistible? Why can’t we live without music? In ‘Music, Mon Amour’ we embark on a search for clues – together with the Israeli singer Yasmin Levy, the Japanese violinist Midori and the German composer He...
Sample
directed by Günther Huesmann, 1957- and Daniela Schmidt-Langels, 1962-; performed by Helmut Oehring, 1961-, Midori Goto, 1971- and Yasmin Levy, in Music, Mon Amour (Berlin, Berlin State: C Major Entertainment, 2009), 1 hour 34 mins
Description
‘Music, Mon Amour’ delves into the secret of a grand passion – the love of music. What makes it irresistible? Why can’t we live without music? In ‘Music, Mon Amour’ we embark on a search for clues – together with the Israeli singer Yasmin Levy, the Japanese violinist Midori and the German composer Helmut Oehring. They reveal their deep love of music and talk of the joy and despair that go with it. Their accounts, intimate and affect...
‘Music, Mon Amour’ delves into the secret of a grand passion – the love of music. What makes it irresistible? Why can’t we live without music? In ‘Music, Mon Amour’ we embark on a search for clues – together with the Israeli singer Yasmin Levy, the Japanese violinist Midori and the German composer Helmut Oehring. They reveal their deep love of music and talk of the joy and despair that go with it. Their accounts, intimate and affecting, and from widely differing perspectives, convey their existential and contradictory relationship to music. Aired successfully on arte.
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Field of Study
Classical Music
Content Type
Documentary
Performer / Ensemble
Helmut Oehring, 1961-, Midori Goto, 1971-, Yasmin Levy
Author / Creator
Günther Huesmann, 1957-, Daniela Schmidt-Langels, 1962-, Helmut Oehring, 1961-, Midori Goto, 1971-, Yasmin Levy
Date Published / Released
2009
Publisher
C Major Entertainment
Topic / Theme
Psychology, Singers, Composers, Musicians, Emotions and feelings, Performing arts life, Musical performances, Music, Expression in performance, Classical Music
Copyright Message
Copyright 2012. Used by permission of C Major Entertainment. All rights reserved.
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Pavarotti: A Voice for the Ages
directed by John Walker, 1956-; produced by John Walker, 1956-, Decca Records and Thirteen Productions; performed by Luciano Pavarotti, 1935-2007, in Pavarotti: A Voice for the Ages (Berlin, Berlin State: C Major Entertainment, 2013), 59 mins
This program celebrates the 50th anniversary since the launch of the international phenomenon. In 1963 he debuted in Amsterdam, Vienna, Zurich and finally London where he substituted for the ailing Giuseppe di Stefano as Rodolfo in La Bohème. Today it is still his powerful sound with its natural grace and brillia...
Sample
directed by John Walker, 1956-; produced by John Walker, 1956-, Decca Records and Thirteen Productions; performed by Luciano Pavarotti, 1935-2007, in Pavarotti: A Voice for the Ages (Berlin, Berlin State: C Major Entertainment, 2013), 59 mins
Description
This program celebrates the 50th anniversary since the launch of the international phenomenon. In 1963 he debuted in Amsterdam, Vienna, Zurich and finally London where he substituted for the ailing Giuseppe di Stefano as Rodolfo in La Bohème. Today it is still his powerful sound with its natural grace and brilliant colour which is considered by many the world's greatest voice. This one hour program includes that hit and other beloved arias from...
This program celebrates the 50th anniversary since the launch of the international phenomenon. In 1963 he debuted in Amsterdam, Vienna, Zurich and finally London where he substituted for the ailing Giuseppe di Stefano as Rodolfo in La Bohème. Today it is still his powerful sound with its natural grace and brilliant colour which is considered by many the world's greatest voice. This one hour program includes that hit and other beloved arias from La Bohème, Rigoletto and Aida; Neapolitan songs in arrangements by Henry Mancini including 'Mamma' and 'O Sole Mio'; favourite sacred songs like 'Panis Angelicus'; as well as popular duets with Bono, Sting and Eric Clapton.
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Field of Study
Classical Music
Content Type
Documentary
Performer / Ensemble
Luciano Pavarotti, 1935-2007
Contributor
John Walker, 1956-, Decca Records, Thirteen Productions
Author / Creator
John Walker, 1956-, Luciano Pavarotti, 1935-2007
Date Published / Released
2000, 2013
Publisher
C Major Entertainment
Person Discussed
Luciano Pavarotti, 1935-2007
Topic / Theme
Anniversaries, Concerts, Opera, Singers, Italians
Copyright Message
Copyright © 2013 by C Major Entertainment
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A Short History of Opera
written by Donald Jay Grout and Hermine Weigel Williams (New York: Columbia University Press, 2003), 922 page(s)
Sample
written by Donald Jay Grout and Hermine Weigel Williams (New York: Columbia University Press, 2003), 922 page(s)
Field of Study
Classical Music
Content Type
General reference book
Author / Creator
Donald Jay Grout, Hermine Weigel Williams
Date Published / Released
2003
Publisher
Columbia University Press
Copyright Message
Copyright © 2003 Columbia University Press. All rights reserved.
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What Would Beethoven Do?
directed by Jonathan Keijser, fl. 2014; composed by Ludwig van Beethoven, 1770-1827; conducted by Benjamin Zander, 1939-, Larry Livingston and Sonia Marie De León de Vega, 1964-; produced by Sabrina Skau, fl. 2013, Michèle DesLauriers, fl. 2015, Daniel Beresh, fl. 2011, Veronica An, fl. 2016 and Jonathan Keijser, fl. 2014, Wire Walker Studios; performed by Boston Symphony Orchestra and Orchestra of the Accademia di Santa Cecilia (Toronto, ON and Los Angeles, CA: Wire Walker Studios, 2017), 1 hour 14 mins
Classical music doesn’t exactly have a reputation for being hip. But What Would Beethoven Do? gives an old genre a new twist by exposing classical music through the eyes of renegades, from composers flirting with modern mediums, to young musicians dedicated to changing the narrative, to a man who’s bringing tu...
Sample
directed by Jonathan Keijser, fl. 2014; composed by Ludwig van Beethoven, 1770-1827; conducted by Benjamin Zander, 1939-, Larry Livingston and Sonia Marie De León de Vega, 1964-; produced by Sabrina Skau, fl. 2013, Michèle DesLauriers, fl. 2015, Daniel Beresh, fl. 2011, Veronica An, fl. 2016 and Jonathan Keijser, fl. 2014, Wire Walker Studios; performed by Boston Symphony Orchestra and Orchestra of the Accademia di Santa Cecilia (Toronto, ON and Los Angeles, CA: Wire Walker Studios, 2017), 1 hour 14 mins
Description
Classical music doesn’t exactly have a reputation for being hip. But What Would Beethoven Do? gives an old genre a new twist by exposing classical music through the eyes of renegades, from composers flirting with modern mediums, to young musicians dedicated to changing the narrative, to a man who’s bringing turntables and orchestras together. This documentary captures the rise of an exciting revolution as innovative individuals break stereoty...
Classical music doesn’t exactly have a reputation for being hip. But What Would Beethoven Do? gives an old genre a new twist by exposing classical music through the eyes of renegades, from composers flirting with modern mediums, to young musicians dedicated to changing the narrative, to a man who’s bringing turntables and orchestras together. This documentary captures the rise of an exciting revolution as innovative individuals break stereotypes and bring classical music to today’s audience.
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Field of Study
Classical Music
Content Type
Documentary
Performer / Ensemble
Boston Symphony Orchestra, Orchestra of the Accademia di Santa Cecilia
Contributor
Benjamin Zander, 1939-, Larry Livingston, Sonia Marie De León de Vega, 1964-, Brian LaGuardia, fl. 2015, Sabrina Skau, fl. 2013, Michèle DesLauriers, fl. 2015, Daniel Beresh, fl. 2011, Veronica An, fl. 2016, Jonathan Keijser, fl. 2014, Wire Walker Studios
Author / Creator
Ludwig van Beethoven, 1770-1827, Jonathan Keijser, fl. 2014, Boston Symphony Orchestra, Orchestra of the Accademia di Santa Cecilia
Date Published / Released
2016, 2017
Publisher
Wire Walker Studios
Person Discussed
Eric Whitacre, 1970-, Bobby McFerrin, 1950-, Rich Capparela, fl. 1972
Topic / Theme
Music, Orchestras, Outreach, Singers, Crossover, Symphony orchestra, Chorus
Copyright Message
Copyright © 2017 Wire Walker Studios
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Women Composers: Music Through the Ages, vol. 4de Villars, Henriette-Adelaïde (1748-1803)
written by Deborah Kauffman; edited by Martha Furman Schleifer and Sylvia Glickman (New York, NY: G.K. Hall & Co., 1996), 16 page(s)
Sample
written by Deborah Kauffman; edited by Martha Furman Schleifer and Sylvia Glickman (New York, NY: G.K. Hall & Co., 1996), 16 page(s)
Field of Study
Classical Music
Content Type
Biography, Compendium
Contributor
Martha Furman Schleifer, Sylvia Glickman
Author / Creator
Deborah Kauffman
Date Published / Released
1996
Publisher
G.K. Hall & Co.
Person Discussed
Henriette-Adelaïde de Villard, 1748-1803
Topic / Theme
Singers, Performing arts life, Composers, Music composition, Performance practice, Music theory
Copyright Message
Copyright © 1996 by G.K. Hall
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Women Composers: Music Through the Ages, vol. 4Mara, Madame (1749-1833)
written by Barbara Garvey Jackson; edited by Martha Furman Schleifer and Sylvia Glickman (New York, NY: G.K. Hall & Co., 1996), 13 page(s)
Sample
written by Barbara Garvey Jackson; edited by Martha Furman Schleifer and Sylvia Glickman (New York, NY: G.K. Hall & Co., 1996), 13 page(s)
Field of Study
Classical Music
Content Type
Biography, Compendium
Contributor
Martha Furman Schleifer, Sylvia Glickman
Author / Creator
Barbara Garvey Jackson
Date Published / Released
1996
Publisher
G.K. Hall & Co.
Person Discussed
Madame Mara, 1749-1833
Topic / Theme
Singers, Composers, Performing arts life, Music composition, Performance practice, Orchestration (Music)
Copyright Message
Copyright © 1996 by G.K. Hall
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