Browse Titles - 39 results
History of Vocal Teaching I: An Exploration of a Vocal Lineage
directed by Norbert Meyn, fl. 1997 and Janis Kelly; produced by Janis Kelly and Norbert Meyn, fl. 1997, Lieder Theatre Limited; performed by Jutta Vulpius, 1927-, Janis Kelly and Norbert Meyn, fl. 1997 (Sydney, New South Wales: Lieder Theatre Limited, 2010), 44 mins
Discussing fundamental principles of singing passed down through the generations since the old italian masters. The film gives an account of the teaching of Franziska Martienssen-Lohmann (1887-1971), one of the most influential German singing teachers in the 20th century, and of the famous German soprano Elisab...
Open Access
directed by Norbert Meyn, fl. 1997 and Janis Kelly; produced by Janis Kelly and Norbert Meyn, fl. 1997, Lieder Theatre Limited; performed by Jutta Vulpius, 1927-, Janis Kelly and Norbert Meyn, fl. 1997 (Sydney, New South Wales: Lieder Theatre Limited, 2010), 44 mins
Description
Discussing fundamental principles of singing passed down through the generations since the old italian masters. The film gives an account of the teaching of Franziska Martienssen-Lohmann (1887-1971), one of the most influential German singing teachers in the 20th century, and of the famous German soprano Elisabeth Grümmer (1911-1985), featuring the German coloratura soprano Jutta Vulpius (born 1927) and her pupil Carola Höhn of the Staatsope...
Discussing fundamental principles of singing passed down through the generations since the old italian masters. The film gives an account of the teaching of Franziska Martienssen-Lohmann (1887-1971), one of the most influential German singing teachers in the 20th century, and of the famous German soprano Elisabeth Grümmer (1911-1985), featuring the German coloratura soprano Jutta Vulpius (born 1927) and her pupil Carola Höhn of the Staatsoper Berlin. Following a direct lineage to great teachers in the 19th century, the Dutch baritone Johannes Messchaert (1857-1922), the German teacher Julius Stockhausen (1826-1906) and the Spanish educator Manuel Patricio Rodríguez García (1805-1906). Giving examples of exercises for beginners and advanced students. This film is suitable for classroom teaching or individual study.
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Field of Study
Classical Music
Content Type
Lecture/presentation
Performer / Ensemble
Jutta Vulpius, 1927-, Janis Kelly, Norbert Meyn, fl. 1997
Contributor
Janis Kelly, Norbert Meyn, fl. 1997, Lieder Theatre Limited
Author / Creator
Norbert Meyn, fl. 1997, Janis Kelly, Jutta Vulpius, 1927-
Date Published / Released
2010
Publisher
Lieder Theatre Limited
Person Discussed
Manuel Garcia, 1805-1906, Johannes Messchaert, 1857-1922, Elisabeth Grümmer, Franziska Martienssen-Lohmann, 1887-1971
Topic / Theme
Performance coaching, Educational methods, Music practice, Musical technique, Singing, Singers, Baritone, Soprano
Copyright Message
Copyright © 2010 Lieder Theatre Limited
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History of Vocal Teaching III: My Building Blocks of Singing, with Laura Sarti
directed by Mairi Ankers, fl. 1997; produced by Norbert Meyn, fl. 1997, Lieder Theatre Limited; interview by Norbert Meyn, fl. 1997 (Sydney, New South Wales: Lieder Theatre Limited, 2010), 1 hour 22 mins
At the age of 90, Laura Sarti summarises the fundamental building blocks of her exceptionally long teaching practice, in conversation with Norbert Meyn. Laura Sarti's vocal teaching brings together influences from her native Italy, from the tradition of Mathilde and Blanche Marchesi as well as the bel canto teach...
Open Access
directed by Mairi Ankers, fl. 1997; produced by Norbert Meyn, fl. 1997, Lieder Theatre Limited; interview by Norbert Meyn, fl. 1997 (Sydney, New South Wales: Lieder Theatre Limited, 2010), 1 hour 22 mins
Description
At the age of 90, Laura Sarti summarises the fundamental building blocks of her exceptionally long teaching practice, in conversation with Norbert Meyn. Laura Sarti's vocal teaching brings together influences from her native Italy, from the tradition of Mathilde and Blanche Marchesi as well as the bel canto teacher Lucie Manen, and from the German/Austrian tradition through Emmy Heim and her long time coach Paul Hamburger. Laura Sarti was born i...
At the age of 90, Laura Sarti summarises the fundamental building blocks of her exceptionally long teaching practice, in conversation with Norbert Meyn. Laura Sarti's vocal teaching brings together influences from her native Italy, from the tradition of Mathilde and Blanche Marchesi as well as the bel canto teacher Lucie Manen, and from the German/Austrian tradition through Emmy Heim and her long time coach Paul Hamburger. Laura Sarti was born in 1924 in Trieste, Italy where she heard many of the great Italian singers. Her family emigrated to Egypt in 1939. After the war she came to England, where she stayed for the rest of her life. During her operatic career she sang for E.N.O., W.N.O. and Glyndebourne, and she was a founder cast member of both Kent and Scottish Opera. She made many recordings for the BBC and was a noted recitalist. She sings in the Glyndebourne CD of Barber of Seville and in Erato CD of Monteverdi’s Orfeo. A professor and Fellow of the Guildhall School of Music & Drama since the 1970s, she has developed an international reputation as a teacher and regularly gave Master Classes in Britain, France, Switzerland, Sweden, Germany, Ireland and Portugal. She has many pupils of world renown. Beginning with breathing and posture, going on to focusing and balancing vowel sounds, lifting the soft palate, articulation of consonants and appoggio (‘leaning on the breath’), she demonstrates the basic elements of building a technique that will enable a singer to become a true interpreter, able to reveal colours fuelled by the artistic imagination in the sound of the voice. With her pupils Clare Ghigo and Ricardo Panela she demonstrates a typical sequence of exercises and gives brief coaching on operatic repertoire.
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Field of Study
Classical Music
Content Type
Lecture/presentation
Contributor
Norbert Meyn, fl. 1997, Lieder Theatre Limited
Author / Creator
Mairi Ankers, fl. 1997, Norbert Meyn, fl. 1997
Date Published / Released
2010
Publisher
Lieder Theatre Limited
Person Discussed
Laura Sarti
Topic / Theme
Educational methods, Singing, Performance coaching, Music practice, Musical technique, Opera, Voice
Copyright Message
Copyright © 2015 Lieder Theatre Limited
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A Short History of Opera
written by Donald Jay Grout and Hermine Weigel Williams (New York: Columbia University Press, 2003), 922 page(s)
Sample
written by Donald Jay Grout and Hermine Weigel Williams (New York: Columbia University Press, 2003), 922 page(s)
Field of Study
Classical Music
Content Type
General reference book
Author / Creator
Donald Jay Grout, Hermine Weigel Williams
Date Published / Released
2003
Publisher
Columbia University Press
Copyright Message
Copyright © 2003 Columbia University Press. All rights reserved.
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Women Composers: Music Through the Ages, vol. 4Martines, Marianna (1744-1812)
written by Shirley Bean; edited by Martha Furman Schleifer and Sylvia Glickman (New York, NY: G.K. Hall & Co., 1996), 24 page(s)
Sample
written by Shirley Bean; edited by Martha Furman Schleifer and Sylvia Glickman (New York, NY: G.K. Hall & Co., 1996), 24 page(s)
Field of Study
Classical Music
Content Type
Biography, Compendium
Contributor
Martha Furman Schleifer, Sylvia Glickman
Author / Creator
Shirley Bean
Date Published / Released
1996
Publisher
G.K. Hall & Co.
Person Discussed
Marianna Martines, 1744-1812
Topic / Theme
Composers, Music education, Performance practice
Copyright Message
Copyright © 1996 by G.K. Hall
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Women Composers: Music Through the Ages, vol. 4Schröter, Corona (1751-1802)
written by Annie Janeiro Randall; edited by Martha Furman Schleifer and Sylvia Glickman (New York, NY: G.K. Hall & Co., 1996), 21 page(s)
Sample
written by Annie Janeiro Randall; edited by Martha Furman Schleifer and Sylvia Glickman (New York, NY: G.K. Hall & Co., 1996), 21 page(s)
Field of Study
Classical Music
Content Type
Biography, Compendium
Contributor
Martha Furman Schleifer, Sylvia Glickman
Author / Creator
Annie Janeiro Randall
Date Published / Released
1996
Publisher
G.K. Hall & Co.
Person Discussed
Corona Schröter, 1751-1802, Johann Wolfgang von Goethe, 1749-1832
Topic / Theme
Composers, Performing arts life, Music composition, Performance practice, Music education, Expression in performance
Copyright Message
Copyright © 1996 by G.K. Hall
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Women Composers: Music Through the Ages, vol. 4Zumsteeg, Emilie (1796-1857)
written by Suzanne Summerville; edited by Martha Furman Schleifer and Sylvia Glickman (New York, NY: G.K. Hall & Co., 1996), 24 page(s)
Sample
written by Suzanne Summerville; edited by Martha Furman Schleifer and Sylvia Glickman (New York, NY: G.K. Hall & Co., 1996), 24 page(s)
Field of Study
Classical Music
Content Type
Biography, Compendium
Contributor
Martha Furman Schleifer, Sylvia Glickman
Author / Creator
Suzanne Summerville
Date Published / Released
1996
Publisher
G.K. Hall & Co.
Person Discussed
Emilie Zumsteeg, 1796-1857
Topic / Theme
Composers, Music composition, Expression in performance, Performance practice, Music theory, Music education
Copyright Message
Copyright © 1996 by G.K. Hall
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Women Composers: Music Through the Ages, Vol. 8Johanna Kinkel: (1810-1858)
written by Linda Siegel; edited by Sylvia Glickman and Martha Furman Schleifer (G.K. Hall & Co., 2006), 56 page(s)
Sample
written by Linda Siegel; edited by Sylvia Glickman and Martha Furman Schleifer (G.K. Hall & Co., 2006), 56 page(s)
Field of Study
Classical Music
Content Type
General reference book, Compendium
Contributor
Sylvia Glickman, Martha Furman Schleifer
Author / Creator
Linda Siegel
Date Published / Released
2006
Publisher
G.K. Hall & Co.
Person Discussed
Johanna Kinkel, 1810-
Topic / Theme
Performance influences, Music criticism, Family, Politics, Suicides, Performance practice, Music education, Music theory, Overture, Lied
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Women Composers: Music Through the Ages, Vol. 8Leopoldine Blahetka: (1811-1885)
written by Lydia Ledeen; edited by Sylvia Glickman and Martha Furman Schleifer (G.K. Hall & Co., 2006), 44 page(s)
Sample
written by Lydia Ledeen; edited by Sylvia Glickman and Martha Furman Schleifer (G.K. Hall & Co., 2006), 44 page(s)
Field of Study
Classical Music
Content Type
General reference book, Compendium
Contributor
Sylvia Glickman, Martha Furman Schleifer
Author / Creator
Lydia Ledeen
Date Published / Released
2006
Publisher
G.K. Hall & Co.
Person Discussed
Leopoldine Blahetka, 1809-1885
Topic / Theme
Fathers, Music reviews, Performance practice, Concerts, Music education, Music theory
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Women Composers: Music Through the Ages, Vol. 8Emilie Mayer: (1812-1883)
written by Martha Furman Schleifer and Linda Plaut; edited by Sylvia Glickman and Martha Furman Schleifer (G.K. Hall & Co., 2006), 12 page(s)
Sample
written by Martha Furman Schleifer and Linda Plaut; edited by Sylvia Glickman and Martha Furman Schleifer (G.K. Hall & Co., 2006), 12 page(s)
Field of Study
Classical Music
Content Type
General reference book, Compendium
Contributor
Sylvia Glickman, Martha Furman Schleifer
Author / Creator
Martha Furman Schleifer, Linda Plaut
Date Published / Released
2006
Publisher
G.K. Hall & Co.
Person Discussed
Emilie Mayer, 1812-1883
Topic / Theme
Music criticism, Music education, Performance practice, Music theory
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Women Composers: Music Through the Ages, Vol. 8Agnes Zimmermann: (1847-1923)
written by John R. Gardner and Tamara Beldom; edited by Sylvia Glickman and Martha Furman Schleifer (G.K. Hall & Co., 2006), 22 page(s)
Sample
written by John R. Gardner and Tamara Beldom; edited by Sylvia Glickman and Martha Furman Schleifer (G.K. Hall & Co., 2006), 22 page(s)
Field of Study
Classical Music
Content Type
General reference book, Compendium
Contributor
Sylvia Glickman, Martha Furman Schleifer
Author / Creator
John R. Gardner, Tamara Beldom
Date Published / Released
2006
Publisher
G.K. Hall & Co.
Person Discussed
Agnes Marie Jacobina Zimmermann, 1847-1925
Topic / Theme
Music criticism, Immigration and emigration, Music education, Concerts, Performance practice, Music theory
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