Browse Titles - 18 results
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Carnival King of Europe, Tabom in Bahia
directed by Juan Diego Diaz, fl. 2017 and Nilton Pereira, fl. 2017; produced by Juan Diego Diaz, fl. 2017, Brazil. Embassy (Accra), Tap Portugal and Fiesta Hotels & Resorts, S.L., in Carnival King of Europe (London, England: Royal Anthropological Institute, 2017), 52 mins
There is a small community in Ghana who identify as Brazilians. Their name is the Tabom. They are the descendants of former enslaved Africans and creoles who resettled from Bahia to Ghana during the 19th century, especially after the Malês Revolt in Bahia of 1835. They left Bahia escaping repression, looking for...
Sample
directed by Juan Diego Diaz, fl. 2017 and Nilton Pereira, fl. 2017; produced by Juan Diego Diaz, fl. 2017, Brazil. Embassy (Accra), Tap Portugal and Fiesta Hotels & Resorts, S.L., in Carnival King of Europe (London, England: Royal Anthropological Institute, 2017), 52 mins
Description
There is a small community in Ghana who identify as Brazilians. Their name is the Tabom. They are the descendants of former enslaved Africans and creoles who resettled from Bahia to Ghana during the 19th century, especially after the Malês Revolt in Bahia of 1835. They left Bahia escaping repression, looking for better life opportunities, and in search of their ancestral roots. They were received by the Ga people in British, Danish and Dutch-dom...
There is a small community in Ghana who identify as Brazilians. Their name is the Tabom. They are the descendants of former enslaved Africans and creoles who resettled from Bahia to Ghana during the 19th century, especially after the Malês Revolt in Bahia of 1835. They left Bahia escaping repression, looking for better life opportunities, and in search of their ancestral roots. They were received by the Ga people in British, Danish and Dutch-dominated Accra and gradually integrated to this group and to the larger Ghanaian society. However, despite the fact that they no longer speak Portuguese and that most have never set foot in Brazil, they still cherish Brazil and have never given up their dream to visit Bahia, their ancestral homeland.Master drummer Eric Odwarkei Morton is one of many Tabom who has dreamt all his life about visiting Bahia. He is a sixth generation Tabom and a key member of his community who presides religious and funerary ceremonies through song, drumming, and prayers. Tabom in Bahia documents Eric's journey to Brazil and also his preparation for the trip in Accra. The three-week journey took him to urban and rural locations in Salvador, Cachoeira, Santo Amaro, and Valença. Eric met with capoeira and samba-de-roda masters, Candomblé dancers, musicians, and spiritual leaders, members of carnival associations, music teachers and students, and black activists. He was received with anticipation and treated with utmost respect by an Afro-Bahian community that cherishes their African heritage. During the trip Eric not only discovered capoeira, samba-de-roda, samba-reggae, ijexa, and various Candomblé traditions, but also shared agbe, the musical style that he commands.Ethnomusicologist: Juan Diego Diaz
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Juan Diego Diaz, fl. 2017, Brazil. Embassy (Accra), Tap Portugal, Fiesta Hotels & Resorts, S.L.
Author / Creator
Juan Diego Diaz, fl. 2017, Nilton Pereira, fl. 2017
Date Published / Released
2017
Publisher
Royal Anthropological Institute
Series
Carnival King of Europe
Speaker / Narrator
Juan Diego Diaz, fl. 2017
Topic / Theme
Cultural identity, Drums, Folk music, Samba, Candomblé, Capoeira, African Brazilian, Agudas
Copyright Message
Copyright © 2017 Royal Anthropological Institute
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Crossing Over, Crossing Over Trinidad – POS II
produced by Banyan Productions, in Crossing Over (Trinidad and Tobago: Banyan Archive, 1988), 17 mins
Koo Nimo (Daniel Amponsah) speaks with people in Woodford Square about his garments
People in Frederick street
Lancelot Layne and Koo Nimo (Daniel Amponsah) buy coconut water
Koo Nimo (Daniel Amponsah) plays for school children FRIDAY NIGHT YOU ASK ME PENNY
Shouter baptist in Woodford Square
Lancelot Layne speak...
Sample
produced by Banyan Productions, in Crossing Over (Trinidad and Tobago: Banyan Archive, 1988), 17 mins
Description
Koo Nimo (Daniel Amponsah) speaks with people in Woodford Square about his garments
People in Frederick street
Lancelot Layne and Koo Nimo (Daniel Amponsah) buy coconut water
Koo Nimo (Daniel Amponsah) plays for school children FRIDAY NIGHT YOU ASK ME PENNY
Shouter baptist in Woodford Square
Lancelot Layne speaks to the students about the common rhythms of Calypso and Highlife. Koo Nimo plays and the children clap the rhythm as Lance speaks abo...
Koo Nimo (Daniel Amponsah) speaks with people in Woodford Square about his garments
People in Frederick street
Lancelot Layne and Koo Nimo (Daniel Amponsah) buy coconut water
Koo Nimo (Daniel Amponsah) plays for school children FRIDAY NIGHT YOU ASK ME PENNY
Shouter baptist in Woodford Square
Lancelot Layne speaks to the students about the common rhythms of Calypso and Highlife. Koo Nimo plays and the children clap the rhythm as Lance speaks about the rhythm of the iron in the steelband and also about the language or tone of the speech with deep and wide vowels
Lorraine Granderson asks question
Children ask more questions
Koo Nimo (Daniel Amponsah) demonstrates rhythm with his feet and hands and then plays to the rhythm
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Banyan Productions
Date Published / Released
1988
Publisher
Banyan Archive
Series
Crossing Over
Topic / Theme
Music, Trinidadians
Copyright Message
Copyright © 1988. Used with permission of the Banyan Archive.
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Gayelle, 1989 Series 1, Programme 47
directed by Errol Fabien, 1960- and Suzanne John-Frontin, fl. 1990; presented by Tony Hall, 1948-, Errol Sitahal, 1942- and Errol Fabien, 1960-; produced by Errol Fabien, 1960-, Suzanne John-Frontin, fl. 1990 and Suzanne Salandy, fl. 1990, Banyan Productions; interview by Errol Fabien, 1960- and Tony Hall, 1948-; performed by Charlie's Roots, in Gayelle (Trinidad and Tobago: Banyan Archive, 1989), 28 mins
This is programme no. 47 of the series Gayelle in Port of Spain, Tobago in 1989.
Sample
directed by Errol Fabien, 1960- and Suzanne John-Frontin, fl. 1990; presented by Tony Hall, 1948-, Errol Sitahal, 1942- and Errol Fabien, 1960-; produced by Errol Fabien, 1960-, Suzanne John-Frontin, fl. 1990 and Suzanne Salandy, fl. 1990, Banyan Productions; interview by Errol Fabien, 1960- and Tony Hall, 1948-; performed by Charlie's Roots, in Gayelle (Trinidad and Tobago: Banyan Archive, 1989), 28 mins
Description
This is programme no. 47 of the series Gayelle in Port of Spain, Tobago in 1989.
Date Written / Recorded
1989-11-23
Field of Study
World Music
Content Type
Documentary
Performer / Ensemble
Charlie's Roots
Contributor
Errol Fabien, 1960-, Suzanne John-Frontin, fl. 1990, Suzanne Salandy, fl. 1990, Banyan Productions
Author / Creator
Errol Fabien, 1960-, Suzanne John-Frontin, fl. 1990, Charlie's Roots, Tony Hall, 1948-, Errol Sitahal, 1942-
Date Published / Released
1989
Publisher
Banyan Archive
Series
Gayelle
Speaker / Narrator
Dennis Hall, 1949-
Person Discussed
Dennis Hall, 1949-, Sonya Moze, Chris Herbert, 1956-, David Rudder, 1953-, Wilcox Morris, Harold Saldenah, fl. 1980
Topic / Theme
Soccer, Martial arts, Music, Soca, Calypso
Copyright Message
Copyright © 1989. Used with permission of the Banyan Archive.
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Historias de la Musica Cubana, Mandinga, mondongo y bacalao con pan
directed by Pavel Giroud, 1973-; produced by Juan Arenas, fl. 2009 and Camilo Vives, Antillana de Comunicacion, Producciones Gutierrez Aragon and Instituto Cubano del Arte e Industrias Cinematográficos, in Historias de la Musica Cubana (Cuba: Productora Internacional ICAIC, 2009), 50 mins
Serie documental de 5 capítulos, de 52 minutos cada uno, sobre la música cubana, todos bajo la dirección general de Manuel Gutiérrez.
A documentary series of 5 chapters with 52 minutes each, about Cuban Music. With the general direction of Manuel Gutiérrez.
Série documental de 5 capítulos, de 52 minutos cada um...
Sample
directed by Pavel Giroud, 1973-; produced by Juan Arenas, fl. 2009 and Camilo Vives, Antillana de Comunicacion, Producciones Gutierrez Aragon and Instituto Cubano del Arte e Industrias Cinematográficos, in Historias de la Musica Cubana (Cuba: Productora Internacional ICAIC, 2009), 50 mins
Description
Serie documental de 5 capítulos, de 52 minutos cada uno, sobre la música cubana, todos bajo la dirección general de Manuel Gutiérrez.
A documentary series of 5 chapters with 52 minutes each, about Cuban Music. With the general direction of Manuel Gutiérrez.
Série documental de 5 capítulos, de 52 minutos cada um, sobre a música cubana. Com a direção geral de Manuel Gutiérrez.
Field of Study
World Music
Content Type
Documentary
Contributor
Juan Arenas, fl. 2009, Camilo Vives, Antillana de Comunicacion, Producciones Gutierrez Aragon, Instituto Cubano del Arte e Industrias Cinematográficos
Author / Creator
Pavel Giroud, 1973-
Date Published / Released
2009
Publisher
Productora Internacional ICAIC
Series
Historias de la Musica Cubana
Person Discussed
Dizzy Gillespie, 1917-1993
Topic / Theme
Intercultural communication, Cuban people, Jazz music, Afro-Cuban, Bop, Latin Jazz, Cuban Revolution, 1956-1959, Americans, Cubans
Copyright Message
Copyright © 2009 Productora Internacional ICAIC
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Historias de la Musica Cubana, Vivir la vida
directed by Manuel Gutiérrez Aragon, 1940-; produced by Juan Arenas, fl. 2009 and Camilo Vives, Producciones Gutierrez Aragon, Instituto Cubano del Arte e Industrias Cinematográficos, Antillana de Comunicacion and Television Espanola, in Historias de la Musica Cubana (Cuba: Productora Internacional ICAIC, 2009), 56 mins
Serie documental de 5 capítulos, de 52 minutos cada uno, sobre la música cubana, todos bajo la dirección general de Manuel Gutiérrez.
A documentary series of 5 chapters with 52 minutes each, about Cuban Music. With the general direction of Manuel Gutiérrez.
Série documental de 5 capítulos, de 52 minutos cada um...
Sample
directed by Manuel Gutiérrez Aragon, 1940-; produced by Juan Arenas, fl. 2009 and Camilo Vives, Producciones Gutierrez Aragon, Instituto Cubano del Arte e Industrias Cinematográficos, Antillana de Comunicacion and Television Espanola, in Historias de la Musica Cubana (Cuba: Productora Internacional ICAIC, 2009), 56 mins
Description
Serie documental de 5 capítulos, de 52 minutos cada uno, sobre la música cubana, todos bajo la dirección general de Manuel Gutiérrez.
A documentary series of 5 chapters with 52 minutes each, about Cuban Music. With the general direction of Manuel Gutiérrez.
Série documental de 5 capítulos, de 52 minutos cada um, sobre a música cubana. Com a direção geral de Manuel Gutiérrez.
Field of Study
World Music
Content Type
Documentary
Contributor
Juan Arenas, fl. 2009, Camilo Vives, Producciones Gutierrez Aragon, Instituto Cubano del Arte e Industrias Cinematográficos, Antillana de Comunicacion, Television Espanola
Author / Creator
Manuel Gutiérrez Aragon, 1940-
Date Published / Released
2009
Publisher
Productora Internacional ICAIC
Series
Historias de la Musica Cubana
Person Discussed
Dizzy Gillespie, 1917-1993
Topic / Theme
Popular culture, Latino community, Cuban people, Jazz music, Bop, Afro-Cuban, Latin Jazz, Cuban Revolution, 1956-1959, Cubans
Copyright Message
Copyright © 2009 Productora Internacional ICAIC
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Interview with Ralph Macdonald
produced by Banyan Archive; interview by Tony Lutchman, fl. 1986 (Trinidad and Tobago: Banyan Archive, 1997), 17 mins
Tony Lutchman interviews Ralph Macdonald.
Sample
produced by Banyan Archive; interview by Tony Lutchman, fl. 1986 (Trinidad and Tobago: Banyan Archive, 1997), 17 mins
Description
Tony Lutchman interviews Ralph Macdonald.
Field of Study
World Music
Content Type
Interview
Contributor
Banyan Archive
Author / Creator
Tony Lutchman, fl. 1986
Date Published / Released
1997
Publisher
Banyan Archive
Person Discussed
Ralph MacDonald, 1944-2011
Topic / Theme
Music, Musical genres, Soca, Calypso
Copyright Message
Copyright © 1997. Used with permission of the Banyan Archive.
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Interviews with Alain Jean Marie Jazz group
produced by Banyan Productions; interview by Tony Hall, 1948- (Trinidad and Tobago: Banyan Archive, 1991), 18 mins
Tony Hall interviews member of Alain Jean Marie Group. Double bass player - Jean Barbee about- how he encountered the pan- whether he would like to learn to play the instrument
Sample
produced by Banyan Productions; interview by Tony Hall, 1948- (Trinidad and Tobago: Banyan Archive, 1991), 18 mins
Description
Tony Hall interviews member of Alain Jean Marie Group. Double bass player - Jean Barbee about- how he encountered the pan- whether he would like to learn to play the instrument
Field of Study
Anthropology
Content Type
Interview
Contributor
Banyan Productions
Author / Creator
Tony Hall, 1948-
Date Published / Released
1991
Publisher
Banyan Archive
Person Discussed
Jean Barbee, fl. 1991
Topic / Theme
Musicians, Music, Jazz
Copyright Message
Copyright © 1991. Used with permission of the Banyan Archive.
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Parang Tape One
produced by Banyan Archive (Trinidad and Tobago: Banyan Archive, 1980), 22 mins
Interview with Pablo Hernandes of Los Pericos
Interview with Errol Mohammed, Chairman and founder of the National Parang Association of Trinidad & Tobago
Interviews with two Aficionados, Christine and Maurice
Interview with Sylvester Javier of Unidas Serenaders
Interview with an aficionado, Ms. Seelal
Intervi...
Sample
produced by Banyan Archive (Trinidad and Tobago: Banyan Archive, 1980), 22 mins
Description
Interview with Pablo Hernandes of Los Pericos
Interview with Errol Mohammed, Chairman and founder of the National Parang Association of Trinidad & Tobago
Interviews with two Aficionados, Christine and Maurice
Interview with Sylvester Javier of Unidas Serenaders
Interview with an aficionado, Ms. Seelal
Interview with Michael ?
Interview with two other attendees at the competition
Interview with aficionado, Sandra Javier
Interview with afic...
Interview with Pablo Hernandes of Los Pericos
Interview with Errol Mohammed, Chairman and founder of the National Parang Association of Trinidad & Tobago
Interviews with two Aficionados, Christine and Maurice
Interview with Sylvester Javier of Unidas Serenaders
Interview with an aficionado, Ms. Seelal
Interview with Michael ?
Interview with two other attendees at the competition
Interview with aficionado, Sandra Javier
Interview with aficionado, Vashti
Interview with aficionado,
Interview with Sharlene Ali Khan of San Jose Serenaders
Interview with Wayne Flores of San Jose Serenaders
Interview with aficionado, Hernandes
Performance by Los Muchachos Del Agua
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Field of Study
World Music
Content Type
Documentary
Contributor
Banyan Archive
Date Published / Released
1980
Publisher
Banyan Archive
Topic / Theme
Music, Folk Music
Copyright Message
Copyright © 1980. Used with permission of the Banyan Archive.
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Parang Tape Three
(Trinidad and Tobago: Banyan Archive, 1980), 22 mins
Santa Rosa Parang Serenaders perform
Daisy Voisin and La Davina Pastora perform
Interview with Daisy Voisin
Interview with Terry Perreira of Los Muchachos Del Agua
Sample
(Trinidad and Tobago: Banyan Archive, 1980), 22 mins
Description
Santa Rosa Parang Serenaders perform
Daisy Voisin and La Davina Pastora perform
Interview with Daisy Voisin
Interview with Terry Perreira of Los Muchachos Del Agua
Field of Study
World Music
Content Type
Performance
Date Published / Released
1980
Publisher
Banyan Archive
Person Discussed
Daisy Voisin, 1924-1991
Topic / Theme
Music, Trinidadians
Copyright Message
Copyright © 1980. Used with permission of the Banyan Archive.
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Polka
directed by Robert Boonzajer-Flaes, fl. 1988; interview by Maarten Rens, fl. 1991 (London, England: Royal Anthropological Institute, 1986), 53 mins
The film confronts the accordion music of Chicano immigrants in southern Texas with the traditional music of accordion players in Austria. Without making any final judgments on the ‘roots’ of ‘conjunto’ music of the Chicanos, the film is able to reveal the different claims to ethnic identity. Most interest...
Sample
directed by Robert Boonzajer-Flaes, fl. 1988; interview by Maarten Rens, fl. 1991 (London, England: Royal Anthropological Institute, 1986), 53 mins
Description
The film confronts the accordion music of Chicano immigrants in southern Texas with the traditional music of accordion players in Austria. Without making any final judgments on the ‘roots’ of ‘conjunto’ music of the Chicanos, the film is able to reveal the different claims to ethnic identity. Most interestingly, Chicanos in Mexico and Texas and Austrians comment upon each others’ way of playing Polka.
Date Written / Recorded
1986-01
Field of Study
World Music
Content Type
Documentary, Interview
Contributor
Robert Boonzajer-Flaes, fl. 1988
Author / Creator
Robert Boonzajer-Flaes, fl. 1988, Maarten Rens, fl. 1991
Date Published / Released
1986
Publisher
Royal Anthropological Institute
Person Discussed
Pavo Garcia, Antonio Tanguma, Hias Kirchgasser, 1954-, Juan Tejeda, Valerio Longoria Sr., 1924-, Eddie "Lalo" Torres, Toby Torres, fl. 1986, Flaco Jiménez, 1939-, John Stark
Topic / Theme
Austrian, Mestizo, Chicano, Musical genres, Cultural identity, Music history, Ethnography, Austrians, Latinos
Copyright Message
Copyright 1986. Used by permission of Royal Anthropological Institute. All rights reserved.
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