Browse Titles - 30 results
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Atiba Williams: Pan Prodige
produced by Christopher Laird, 1945- and Bruce Paddington, fl. 1974-2016, Banyan Productions (Trinidad and Tobago: Banyan Archive, 2000), 7 mins
Nine year old Atiba Williams is the youngest person ever to arrange for a steelband at the premier steelband competition, Panorama. This film looks at a day in his life, from home to school to rehearsal to performance. (Dubbed in French)
Feature on Atiba Williams, youngest Panorama arranger,
Keywords: steelband...
Sample
produced by Christopher Laird, 1945- and Bruce Paddington, fl. 1974-2016, Banyan Productions (Trinidad and Tobago: Banyan Archive, 2000), 7 mins
Description
Nine year old Atiba Williams is the youngest person ever to arrange for a steelband at the premier steelband competition, Panorama. This film looks at a day in his life, from home to school to rehearsal to performance. (Dubbed in French)
Feature on Atiba Williams, youngest Panorama arranger,
Keywords: steelband, steelpan music, panorama
Field of Study
World Music
Content Type
Documentary
Contributor
Atiba Williams, fl. 1997, Christopher Laird, 1945-, Bruce Paddington, fl. 1974-2016, Banyan Productions
Date Published / Released
2000
Publisher
Banyan Archive
Topic / Theme
Musical ensembles, Contests and competitions, Music composition
Copyright Message
Copyright © 2000. Used with permission of the Banyan Archive.
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Atiba Williams: Pan Prodigy
produced by Christopher Laird, 1945- and Bruce Paddington, fl. 1974-2016, Banyan Productions (Trinidad and Tobago: Banyan Archive, 2000), 7 mins
Nine year old Atiba Williams is the youngest person ever to arrange for a steelband at the premier steelband competition, Panorama. This film looks at a day in his life, from home to school to rehearsal to performance.
Feature on Atiba Williams, youngest Panorama arranger,
Keywords: steelband, steelpan, calypso...
Sample
produced by Christopher Laird, 1945- and Bruce Paddington, fl. 1974-2016, Banyan Productions (Trinidad and Tobago: Banyan Archive, 2000), 7 mins
Description
Nine year old Atiba Williams is the youngest person ever to arrange for a steelband at the premier steelband competition, Panorama. This film looks at a day in his life, from home to school to rehearsal to performance.
Feature on Atiba Williams, youngest Panorama arranger,
Keywords: steelband, steelpan, calypso, kaiso
Field of Study
World Music
Content Type
Documentary
Contributor
Atiba Williams, fl. 1997, Christopher Laird, 1945-, Bruce Paddington, fl. 1974-2016, Banyan Productions
Date Published / Released
2000
Publisher
Banyan Archive
Topic / Theme
Music arrangement, Musical performances, Contests and competitions, Musical ensembles
Copyright Message
Copyright © 2000. Used with permission of the Banyan Archive.
×
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Atiba Williams: Pan Prodigy (without titles)
produced by Christopher Laird, 1945- and Bruce Paddington, fl. 1974-2016, Banyan Productions (Trinidad and Tobago: Banyan Archive, 2000), 7 mins
Nine year old Atiba Williams is the youngest person ever to arrange for a steelband at the premier steelband competition, Panorama. This film looks at a day in his life, from home to school to rehearsal to performance.
Feature on Atiba Williams, youngest Panorama arranger,
Keywords: steelband, steelpan music, p...
Sample
produced by Christopher Laird, 1945- and Bruce Paddington, fl. 1974-2016, Banyan Productions (Trinidad and Tobago: Banyan Archive, 2000), 7 mins
Description
Nine year old Atiba Williams is the youngest person ever to arrange for a steelband at the premier steelband competition, Panorama. This film looks at a day in his life, from home to school to rehearsal to performance.
Feature on Atiba Williams, youngest Panorama arranger,
Keywords: steelband, steelpan music, panorama
Field of Study
World Music
Content Type
Documentary
Contributor
Atiba Williams, fl. 1997, Christopher Laird, 1945-, Bruce Paddington, fl. 1974-2016, Banyan Productions
Date Published / Released
2000
Publisher
Banyan Archive
Topic / Theme
Contests and competitions, Musical ensembles, Musical performances, Music arrangement
Copyright Message
Copyright © 2000. Used with permission of the Banyan Archive.
×
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Aves de Paso (Birds of Passage)
directed by Rachel Lears; produced by Martín Ubillos, fl. 2009 and Rachel Lears, Honeycomb Films (Watertown, MA: Documentary Educational Resources (DER), 2009), 53 mins
Birds of Passage presents a lyrical journey through the everyday lives of two young Uruguayan songwriters. Ernesto and Yisela have moved to the capital, leaving behind their respective hometowns on the borders of Brazil and Argentina. After many years of composing songs that reflect their origins, both decide to...
Sample
directed by Rachel Lears; produced by Martín Ubillos, fl. 2009 and Rachel Lears, Honeycomb Films (Watertown, MA: Documentary Educational Resources (DER), 2009), 53 mins
Description
Birds of Passage presents a lyrical journey through the everyday lives of two young Uruguayan songwriters. Ernesto and Yisela have moved to the capital, leaving behind their respective hometowns on the borders of Brazil and Argentina. After many years of composing songs that reflect their origins, both decide to explore new horizons and each seeks to fulfill the dream of recording an album.
While Yisela struggles to reconcile the emerging possi...
Birds of Passage presents a lyrical journey through the everyday lives of two young Uruguayan songwriters. Ernesto and Yisela have moved to the capital, leaving behind their respective hometowns on the borders of Brazil and Argentina. After many years of composing songs that reflect their origins, both decide to explore new horizons and each seeks to fulfill the dream of recording an album.
While Yisela struggles to reconcile the emerging possibilities of a career in Uruguay with her plans to move to Argentina, Ernesto confronts personal conflicts that threaten to sabotage his creative passion. The film fuses the arts of documentary film and music, interweaving the songs and stories of these two young composers. With striking vérité cinematography and an unforgettable soundtrack, Birds of Passage explores the challenges of being a young artist and the art of searching, inside and outside oneself.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Martín Ubillos, fl. 2009, Rachel Lears, Honeycomb Films
Author / Creator
Rachel Lears
Date Published / Released
2009
Publisher
Documentary Educational Resources (DER)
Topic / Theme
Musicians, Latin, Brazilian Pop, Pop, Uruguayans
Copyright Message
Copyright © Honeycomb Films 2009
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Camacho Feliciano
directed by Eduardo Montes-Bradley, 1960- (Heritage Film Project, 2013), 28 mins
This documentary, directed by Eduardo Montes-Bradley, features Wichi Camacho visiting Cheo Camacho.
Sample
directed by Eduardo Montes-Bradley, 1960- (Heritage Film Project, 2013), 28 mins
Description
This documentary, directed by Eduardo Montes-Bradley, features Wichi Camacho visiting Cheo Camacho.
Field of Study
World Music
Content Type
Documentary
Author / Creator
Eduardo Montes-Bradley, 1960-
Date Published / Released
2013
Publisher
Heritage Film Project
Topic / Theme
Musicians, Family
Copyright Message
Copyright © 2013 by Eduardo Montes-Bradley
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Carnival King of Europe, Tabom in Bahia
directed by Juan Diego Diaz, fl. 2017 and Nilton Pereira, fl. 2017; produced by Juan Diego Diaz, fl. 2017, Brazil. Embassy (Accra), Tap Portugal and Fiesta Hotels & Resorts, S.L., in Carnival King of Europe (London, England: Royal Anthropological Institute, 2017), 52 mins
There is a small community in Ghana who identify as Brazilians. Their name is the Tabom. They are the descendants of former enslaved Africans and creoles who resettled from Bahia to Ghana during the 19th century, especially after the Malês Revolt in Bahia of 1835. They left Bahia escaping repression, looking for...
Sample
directed by Juan Diego Diaz, fl. 2017 and Nilton Pereira, fl. 2017; produced by Juan Diego Diaz, fl. 2017, Brazil. Embassy (Accra), Tap Portugal and Fiesta Hotels & Resorts, S.L., in Carnival King of Europe (London, England: Royal Anthropological Institute, 2017), 52 mins
Description
There is a small community in Ghana who identify as Brazilians. Their name is the Tabom. They are the descendants of former enslaved Africans and creoles who resettled from Bahia to Ghana during the 19th century, especially after the Malês Revolt in Bahia of 1835. They left Bahia escaping repression, looking for better life opportunities, and in search of their ancestral roots. They were received by the Ga people in British, Danish and Dutch-dom...
There is a small community in Ghana who identify as Brazilians. Their name is the Tabom. They are the descendants of former enslaved Africans and creoles who resettled from Bahia to Ghana during the 19th century, especially after the Malês Revolt in Bahia of 1835. They left Bahia escaping repression, looking for better life opportunities, and in search of their ancestral roots. They were received by the Ga people in British, Danish and Dutch-dominated Accra and gradually integrated to this group and to the larger Ghanaian society. However, despite the fact that they no longer speak Portuguese and that most have never set foot in Brazil, they still cherish Brazil and have never given up their dream to visit Bahia, their ancestral homeland.Master drummer Eric Odwarkei Morton is one of many Tabom who has dreamt all his life about visiting Bahia. He is a sixth generation Tabom and a key member of his community who presides religious and funerary ceremonies through song, drumming, and prayers. Tabom in Bahia documents Eric's journey to Brazil and also his preparation for the trip in Accra. The three-week journey took him to urban and rural locations in Salvador, Cachoeira, Santo Amaro, and Valença. Eric met with capoeira and samba-de-roda masters, Candomblé dancers, musicians, and spiritual leaders, members of carnival associations, music teachers and students, and black activists. He was received with anticipation and treated with utmost respect by an Afro-Bahian community that cherishes their African heritage. During the trip Eric not only discovered capoeira, samba-de-roda, samba-reggae, ijexa, and various Candomblé traditions, but also shared agbe, the musical style that he commands.Ethnomusicologist: Juan Diego Diaz
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Juan Diego Diaz, fl. 2017, Brazil. Embassy (Accra), Tap Portugal, Fiesta Hotels & Resorts, S.L.
Author / Creator
Juan Diego Diaz, fl. 2017, Nilton Pereira, fl. 2017
Date Published / Released
2017
Publisher
Royal Anthropological Institute
Series
Carnival King of Europe
Speaker / Narrator
Juan Diego Diaz, fl. 2017
Topic / Theme
Cultural identity, Drums, Folk music, Samba, Candomblé, Capoeira, African Brazilian, Agudas
Copyright Message
Copyright © 2017 Royal Anthropological Institute
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Concert in the Rain Forest
directed by Christopher Laird, 1945- and Michael Gilkes, 1933-; produced by Michael Gilkes, 1933-, Banyan Productions and Heartland Productions (Trinidad and Tobago: Banyan Archive, 2002), 25 mins
March 2002 saw Christopher Laird of Banyan working with filmmaker and cultural activist Michel Gilkes filming a visit Michael organised to the Waiwai village of Masakeňari in Guyana with Guyanese concert pianist and music professor, Ray Luck, and piano technician Remington Ally to join the Waiwai's in a concert o...
Sample
directed by Christopher Laird, 1945- and Michael Gilkes, 1933-; produced by Michael Gilkes, 1933-, Banyan Productions and Heartland Productions (Trinidad and Tobago: Banyan Archive, 2002), 25 mins
Description
March 2002 saw Christopher Laird of Banyan working with filmmaker and cultural activist Michel Gilkes filming a visit Michael organised to the Waiwai village of Masakeňari in Guyana with Guyanese concert pianist and music professor, Ray Luck, and piano technician Remington Ally to join the Waiwai's in a concert of music and song.
A Concert Pianist and Piano Technician form part of an exhibition to Masakenari, a Wai Wai village in Guyana near th...
March 2002 saw Christopher Laird of Banyan working with filmmaker and cultural activist Michel Gilkes filming a visit Michael organised to the Waiwai village of Masakeňari in Guyana with Guyanese concert pianist and music professor, Ray Luck, and piano technician Remington Ally to join the Waiwai's in a concert of music and song.
A Concert Pianist and Piano Technician form part of an exhibition to Masakenari, a Wai Wai village in Guyana near the Brazilian border to recondition their piano and play a concert.
Keywords: music, piano, piannist, John Blashford Snell, Indigenous peoples
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Field of Study
World Music
Content Type
Documentary
Contributor
Ray Luck, 1942-, Michael Gilkes, 1933-, Banyan Productions, Heartland Productions
Author / Creator
Christopher Laird, 1945-, Michael Gilkes, 1933-
Date Published / Released
2002
Publisher
Banyan Archive
Topic / Theme
Musical performances, Musical instruments, Indigenous peoples, American Indian communities, Waiwai
Copyright Message
Copyright © 2002. Used with permission of the Banyan Archive.
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Concert in the Rain Forest (French)
directed by Christopher Laird, 1945- and Michael Gilkes, 1933-; produced by Michael Gilkes, 1933-, Heartland Productions and Banyan Productions (Trinidad and Tobago: Banyan Archive, 2002), 25 mins
A Concert Pianist and Piano Technician form part of an exhibition to Masakenari, a Wai Wai village in Guyana near the Brazilian border to recondition their piano and play a concert
Keywords: John Blashford
Sample
directed by Christopher Laird, 1945- and Michael Gilkes, 1933-; produced by Michael Gilkes, 1933-, Heartland Productions and Banyan Productions (Trinidad and Tobago: Banyan Archive, 2002), 25 mins
Description
A Concert Pianist and Piano Technician form part of an exhibition to Masakenari, a Wai Wai village in Guyana near the Brazilian border to recondition their piano and play a concert
Keywords: John Blashford
Field of Study
World Music
Content Type
Documentary
Contributor
Ray Luck, 1942-, Michael Gilkes, 1933-, Heartland Productions, Banyan Productions
Author / Creator
Christopher Laird, 1945-, Michael Gilkes, 1933-
Date Published / Released
2002
Publisher
Banyan Archive
Topic / Theme
American Indian communities, Indigenous peoples, Musical instruments, Musical performances, Waiwai
Copyright Message
Copyright © 2002. Used with permission of the Banyan Archive.
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Crossing Over, Crossing Over Trinidad – POS II
produced by Banyan Productions, in Crossing Over (Trinidad and Tobago: Banyan Archive, 1988), 17 mins
Koo Nimo (Daniel Amponsah) speaks with people in Woodford Square about his garments
People in Frederick street
Lancelot Layne and Koo Nimo (Daniel Amponsah) buy coconut water
Koo Nimo (Daniel Amponsah) plays for school children FRIDAY NIGHT YOU ASK ME PENNY
Shouter baptist in Woodford Square
Lancelot Layne speak...
Sample
produced by Banyan Productions, in Crossing Over (Trinidad and Tobago: Banyan Archive, 1988), 17 mins
Description
Koo Nimo (Daniel Amponsah) speaks with people in Woodford Square about his garments
People in Frederick street
Lancelot Layne and Koo Nimo (Daniel Amponsah) buy coconut water
Koo Nimo (Daniel Amponsah) plays for school children FRIDAY NIGHT YOU ASK ME PENNY
Shouter baptist in Woodford Square
Lancelot Layne speaks to the students about the common rhythms of Calypso and Highlife. Koo Nimo plays and the children clap the rhythm as Lance speaks abo...
Koo Nimo (Daniel Amponsah) speaks with people in Woodford Square about his garments
People in Frederick street
Lancelot Layne and Koo Nimo (Daniel Amponsah) buy coconut water
Koo Nimo (Daniel Amponsah) plays for school children FRIDAY NIGHT YOU ASK ME PENNY
Shouter baptist in Woodford Square
Lancelot Layne speaks to the students about the common rhythms of Calypso and Highlife. Koo Nimo plays and the children clap the rhythm as Lance speaks about the rhythm of the iron in the steelband and also about the language or tone of the speech with deep and wide vowels
Lorraine Granderson asks question
Children ask more questions
Koo Nimo (Daniel Amponsah) demonstrates rhythm with his feet and hands and then plays to the rhythm
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Banyan Productions
Date Published / Released
1988
Publisher
Banyan Archive
Series
Crossing Over
Topic / Theme
Music, Trinidadians
Copyright Message
Copyright © 1988. Used with permission of the Banyan Archive.
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Cuba Mia: Portrait of an All-Woman Orchestra
directed by Cecilia Domeyko, fl. 1995; produced by Cecilia Domeyko, fl. 1995 (Privately Published, 2002), 59 mins
Cuba Mia: Es el retrato de una orquesta femenina, la Camerata Romeu, mientras se preparan para un concierto de fin de año en la Basílica de San Francisco de Asís de La Habana Vieja. En una de las iglesias más bellas del mundo, las mujeres desempeñan la música clásica creada por famosos compositores cubanos...
Sample
directed by Cecilia Domeyko, fl. 1995; produced by Cecilia Domeyko, fl. 1995 (Privately Published, 2002), 59 mins
Description
Cuba Mia: Es el retrato de una orquesta femenina, la Camerata Romeu, mientras se preparan para un concierto de fin de año en la Basílica de San Francisco de Asís de La Habana Vieja. En una de las iglesias más bellas del mundo, las mujeres desempeñan la música clásica creada por famosos compositores cubanos y latinoamericanos. Cuba Mia sigue a los músicos y la conductora, Zenaida Romeu, cómo dan cuenta de los estudios, y la vida personal,...
Cuba Mia: Es el retrato de una orquesta femenina, la Camerata Romeu, mientras se preparan para un concierto de fin de año en la Basílica de San Francisco de Asís de La Habana Vieja. En una de las iglesias más bellas del mundo, las mujeres desempeñan la música clásica creada por famosos compositores cubanos y latinoamericanos. Cuba Mia sigue a los músicos y la conductora, Zenaida Romeu, cómo dan cuenta de los estudios, y la vida personal, con un horario exigente y un complejo repertorio musical.
Cuba Mia: Retrato de uma orquestra feminina, a Camerata Romeu. Enquanto se preparam para um concerto de fim-de-ano na Basílica de São Francisco de Assis em Havana Velha. Com uma das igrejas mais bonitas do mundo como pano de fundo, as mulheres desempenham uma mistura única de música clássica, criada por compositores cubanos e latino-americanos famosos. Cuba Mia segue os músicos e a regente, Zenaida Romeu, e como conciliam seus estudos e vida pessoal, com uma programação exigente e um complexo repertório musical.
Cuba Mia: Portrait of An All-Woman Orchestra captures the musicians of the all-female orchestra Camerata Romeu as they prepare for an end-of-the-year concert in Old Havana's Basilica of St. Francis of Assisi. With one of the world's most beautiful churches as the backdrop, the women play a unique blend of classical music, created by famous Cuban and Latin American composers. Cuba Mia follows the musicians and conductor Zenaida Romeu as they juggle their studies, and personal lives, with a demanding schedule and complex musical repertoire.
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Field of Study
World Music
Content Type
Documentary
Contributor
Cecilia Domeyko, fl. 1995
Author / Creator
Cecilia Domeyko, fl. 1995
Date Published / Released
2002
Publisher
Privately Published
Topic / Theme
Musicians, Women, Orchestras
Copyright Message
Copyright © 2003 by Cecilia Domeyko
×
