Browse Titles - 39 results
Aditi Exhibition - devotional song - Bahurupia - Bhat - Rajasthan
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-2.N78-B. Five-week fieldtrip to India (Delhi, Rajasthan) to continue research on kathputli puppetry, Rajasthani performing groups and to attend the meetings of the International Congress of Anthropological and Ethnological Sciences in New Delhi. Audio recordings made on Nakamichi 550 and Soni TC 150. Photographs on Minolta XD 11. 15 cassettes., 1:172:84 (New Delhi, Delhi State) , 2 mins
A devotional song dedicated to the Hindu deity 'Shankar', sung by a male singer of the Bahurupia community with Ektara accompaniment. This was recorded in connection with the exhibition Aditi which was part of the Festival of India in the USA in 1985.
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-2.N78-B. Five-week fieldtrip to India (Delhi, Rajasthan) to continue research on kathputli puppetry, Rajasthani performing groups and to attend the meetings of the International Congress of Anthropological and Ethnological Sciences in New Delhi. Audio recordings made on Nakamichi 550 and Soni TC 150. Photographs on Minolta XD 11. 15 cassettes., 1:172:84 (New Delhi, Delhi State) , 2 mins
Description
A devotional song dedicated to the Hindu deity 'Shankar', sung by a male singer of the Bahurupia community with Ektara accompaniment. This was recorded in connection with the exhibition Aditi which was part of the Festival of India in the USA in 1985.
Date Written / Recorded
1978
Field of Study
World Music
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
×
Aditi Exhibition - Meera Bhajan - Langa - Rajasthan
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-2.N78-B. Five-week fieldtrip to India (Delhi, Rajasthan) to continue research on kathputli puppetry, Rajasthani performing groups and to attend the meetings of the International Congress of Anthropological and Ethnological Sciences in New Delhi. Audio recordings made on Nakamichi 550 and Soni TC 150. Photographs on Minolta XD 11. 15 cassettes., 1:172:84 (New Delhi, Delhi State) , 6 mins
A Meera Bhajan sung by Rehmat Khan Langa, Nizamuddin Langa and Jalaluddin Langa with Sarangi and Dholak accompaniment. The saint poet Meera is part of the Bhakti cult where romantic love is seen as love for God. In this Bhajan, Meera addresses Krishna saying that he does not understand her pain. This was recorded...
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-2.N78-B. Five-week fieldtrip to India (Delhi, Rajasthan) to continue research on kathputli puppetry, Rajasthani performing groups and to attend the meetings of the International Congress of Anthropological and Ethnological Sciences in New Delhi. Audio recordings made on Nakamichi 550 and Soni TC 150. Photographs on Minolta XD 11. 15 cassettes., 1:172:84 (New Delhi, Delhi State) , 6 mins
Description
A Meera Bhajan sung by Rehmat Khan Langa, Nizamuddin Langa and Jalaluddin Langa with Sarangi and Dholak accompaniment. The saint poet Meera is part of the Bhakti cult where romantic love is seen as love for God. In this Bhajan, Meera addresses Krishna saying that he does not understand her pain. This was recorded in connection with the exhibition Aditi which was part of the Festival of India in the USA in 1985.
Date Written / Recorded
1978
Field of Study
Anthropology
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
×
Barubai varavenu - welcome song - Talam - Tamil Nadu
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:233:84 (New Delhi, Delhi State) , 5 mins
A male singer sung a song inviting a female deity, accompanying himself on Talam. This starts with a conversation among the performers.
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:233:84 (New Delhi, Delhi State) , 5 mins
Description
A male singer sung a song inviting a female deity, accompanying himself on Talam. This starts with a conversation among the performers.
Date Written / Recorded
1984
Field of Study
Anthropology
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
×
Bhajan - Arugununi paniganaya- men and women - Tamil Nadu
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:235:84 (New Delhi, Delhi State) , 5 mins
Bhajan sung by a group of male and women with a lead singer, sung with Mridangam, Jalara, Harmonium and Flute at the Madurai Meenakshi temple
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:235:84 (New Delhi, Delhi State) , 5 mins
Description
Bhajan sung by a group of male and women with a lead singer, sung with Mridangam, Jalara, Harmonium and Flute at the Madurai Meenakshi temple
Date Written / Recorded
1984
Field of Study
World Music
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
×
Bhajan - Brahma muarai surachita lingam - men and women - Tamil Nadu
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:235:84 (New Delhi, Delhi State) , 8 mins
Bhajan sung by a group of male and women with a lead singer, sung with Mridangam, Jalara, Harmonium and Flute at the Madurai Meenakshi temple. It ends with a conversation among the performers.
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:235:84 (New Delhi, Delhi State) , 8 mins
Description
Bhajan sung by a group of male and women with a lead singer, sung with Mridangam, Jalara, Harmonium and Flute at the Madurai Meenakshi temple. It ends with a conversation among the performers.
Date Written / Recorded
1984
Field of Study
World Music
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
×
Bhajan - Kanuro - Asan - Tambura - Ghara - Pakistan
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N83. Three-week fieldtrip to India (2 weeks – Bhopal, Bombay – Kach) and Pakistan (1 week – Islamabad, Karachi, Hyderabad). Purpose of trip was to accompany Ralph Rinzler (Director, International Center (?), Smithsonian) and Peter Seitel (Director, Folklife Program, Smithsonian) on a feasibility study to explore areas of collaboration between the Smithsonian and Indian and Pakistani institutions. Miscellaneous recordings of Madhya Pradesh folk, devotional and tribal traditions, Kachi devotional songs, Pakistani classical music and Sindhi folk traditions. Recordings on Sony TC D5M and photographs on Canon A1. 5 audio cassettes. Still photographs. Diary (incomplete). Tape contents., 1:198:84 (New Delhi, Delhi State) , 9 mins, 1 page(s)
Kanuro - of Jalal Shan, sung by Asan, Gulu and Dahyo singers of the Bhil community. They sung with the accompaniment of Tambura and Ghara.
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N83. Three-week fieldtrip to India (2 weeks – Bhopal, Bombay – Kach) and Pakistan (1 week – Islamabad, Karachi, Hyderabad). Purpose of trip was to accompany Ralph Rinzler (Director, International Center (?), Smithsonian) and Peter Seitel (Director, Folklife Program, Smithsonian) on a feasibility study to explore areas of collaboration between the Smithsonian and Indian and Pakistani institutions. Miscellaneous recordings of Madhya Pradesh folk, devotional and tribal traditions, Kachi devotional songs, Pakistani classical music and Sindhi folk traditions. Recordings on Sony TC D5M and photographs on Canon A1. 5 audio cassettes. Still photographs. Diary (incomplete). Tape contents., 1:198:84 (New Delhi, Delhi State) , 9 mins, 1 page(s)
Description
Kanuro - of Jalal Shan, sung by Asan, Gulu and Dahyo singers of the Bhil community. They sung with the accompaniment of Tambura and Ghara.
Date Written / Recorded
1983
Field of Study
Anthropology
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
×
Bhajan - men and women - Tamil Nadu
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:235:84 (New Delhi, Delhi State) , 2 mins
Bhajan sung by a group of male and women with a lead singer, sung with Mridangam, Jalara, Harmonium and Flute at the Madurai Meenakshi temple. It ends with a conversation among the performers.
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:235:84 (New Delhi, Delhi State) , 2 mins
Description
Bhajan sung by a group of male and women with a lead singer, sung with Mridangam, Jalara, Harmonium and Flute at the Madurai Meenakshi temple. It ends with a conversation among the performers.
Date Written / Recorded
1984
Field of Study
World Music
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
×
Bhajan - men and women - Tamil Nadu
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:235:84 (New Delhi, Delhi State) , 5 mins
Bhajan sung by a group of male and women with a lead singer, sung with Mridangam, Jalara, Harmonium and Flute at the Madurai Meenakshi temple. The recording starts with a conversation among the performers.
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:235:84 (New Delhi, Delhi State) , 5 mins
Description
Bhajan sung by a group of male and women with a lead singer, sung with Mridangam, Jalara, Harmonium and Flute at the Madurai Meenakshi temple. The recording starts with a conversation among the performers.
Field of Study
Anthropology
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
×
Bhajan - Ninaitta dikka yetamail - men and women - Tamil Nadu
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:235:84 (New Delhi, Delhi State) , 5 mins
Bhajan sung by a group of male and women with a lead singer, sung with Mridangam, Jalara, Harmonium and Flute at the Madurai Meenakshi temple.
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:235:84 (New Delhi, Delhi State) , 5 mins
Description
Bhajan sung by a group of male and women with a lead singer, sung with Mridangam, Jalara, Harmonium and Flute at the Madurai Meenakshi temple.
Date Written / Recorded
1984
Field of Study
Anthropology
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
×
Bhajan - Param navi - men and women - Tamil Nadu
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:235:84 (New Delhi, Delhi State) , 5 mins
Bhajan sung by a group of male and women with a lead singer, sung with Mridangam, Jalara, Harmonium and Flute at the Madurai Meenakshi temple. The recording starts with a discussion with Nazir Jairazbhoy.
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:235:84 (New Delhi, Delhi State) , 5 mins
Description
Bhajan sung by a group of male and women with a lead singer, sung with Mridangam, Jalara, Harmonium and Flute at the Madurai Meenakshi temple. The recording starts with a discussion with Nazir Jairazbhoy.
Date Written / Recorded
1984
Field of Study
Anthropology
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
×