Browse Titles - 69 results
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1-162-84 Information Sheets
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-1.N78-A. Eleven-week fieldtrip, eight weeks in India (Rajasthan) and three weeks in Pakistan (Sind)., 1:162:84 (New Delhi, Delhi State) (1978) , 7 page(s)
Interview with Khair Mohammad Langa of Sind, Pakistan. He discussed and demonstrated music on Kamaicha. It also includes an instrumental track by Surnai band associated with Sunnat ceremony and an interview with Dhani Baksh Manganiar regarding Khartal
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-1.N78-A. Eleven-week fieldtrip, eight weeks in India (Rajasthan) and three weeks in Pakistan (Sind)., 1:162:84 (New Delhi, Delhi State) (1978) , 7 page(s)
Description
Interview with Khair Mohammad Langa of Sind, Pakistan. He discussed and demonstrated music on Kamaicha. It also includes an instrumental track by Surnai band associated with Sunnat ceremony and an interview with Dhani Baksh Manganiar regarding Khartal
Date Written / Recorded
1978
Field of Study
Anthropology
Content Type
Field notes
Contributor
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Topic / Theme
Music, Traditional history, Instrumental, Kamaicha, Pakistanis
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
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A Banda (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR187 (29 May 1950) , 1 page(s)
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR187 (29 May 1950) , 1 page(s)
Date Written / Recorded
29 May 1950, 1950
Field of Study
Anthropology
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Person Discussed
Lucy Nyamangwe, fl. 1950
Topic / Theme
Folk music, Wedding Music, Drum, Tonga (Malawi)
Copyright Message
Material sourced from the International Library of African Music. Copyright © International Library of African Music.
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Caribbean Eye Interviews Pelham Goddard
produced by Banyan Archive; interview by Tony Hall, fl. 1991; performed by Charlie's Roots (Trinidad and Tobago: Banyan Archive, 1990), 12 mins
Tony Hall interviews Pelham Goddard about - why was Charlie's Roots started - when was Charlie's Roots formed - what was the role of Charlie's Roots when you started ** FIRST 2 QUESTIONS ASKED AND ANSWERED AGAIN - different angle - what was Maestro's relationship to Charlie's Roots - what was Maestro's contributio...
Sample
produced by Banyan Archive; interview by Tony Hall, fl. 1991; performed by Charlie's Roots (Trinidad and Tobago: Banyan Archive, 1990), 12 mins
Description
Tony Hall interviews Pelham Goddard about - why was Charlie's Roots started - when was Charlie's Roots formed - what was the role of Charlie's Roots when you started ** FIRST 2 QUESTIONS ASKED AND ANSWERED AGAIN - different angle - what was Maestro's relationship to Charlie's Roots - what was Maestro's contribution to soca music - what was different in Charlie's Roots' approach to soca - the various contracts with London Records and what does tha...
Tony Hall interviews Pelham Goddard about - why was Charlie's Roots started - when was Charlie's Roots formed - what was the role of Charlie's Roots when you started ** FIRST 2 QUESTIONS ASKED AND ANSWERED AGAIN - different angle - what was Maestro's relationship to Charlie's Roots - what was Maestro's contribution to soca music - what was different in Charlie's Roots' approach to soca - the various contracts with London Records and what does that mean - where Maestro would have been now, had he lived.
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Date Written / Recorded
1990
Field of Study
World Music
Content Type
Interview
Performer / Ensemble
Charlie's Roots
Contributor
Banyan Archive
Author / Creator
Charlie's Roots, Tony Hall, fl. 1991
Date Published / Released
1990
Publisher
Banyan Archive
Person Discussed
Pelham Goddard, 1946-
Topic / Theme
Music careers, Soca, Calypso
Copyright Message
Copyright © 1990. Used with permission of the Banyan Archive.
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Carnival King of Europe, Tabom in Bahia
directed by Juan Diego Diaz, fl. 2017 and Nilton Pereira, fl. 2017; produced by Juan Diego Diaz, fl. 2017, Brazil. Embassy (Accra), Tap Portugal and Fiesta Hotels & Resorts, S.L., in Carnival King of Europe (London, England: Royal Anthropological Institute, 2017), 52 mins
There is a small community in Ghana who identify as Brazilians. Their name is the Tabom. They are the descendants of former enslaved Africans and creoles who resettled from Bahia to Ghana during the 19th century, especially after the Malês Revolt in Bahia of 1835. They left Bahia escaping repression, looking for...
Sample
directed by Juan Diego Diaz, fl. 2017 and Nilton Pereira, fl. 2017; produced by Juan Diego Diaz, fl. 2017, Brazil. Embassy (Accra), Tap Portugal and Fiesta Hotels & Resorts, S.L., in Carnival King of Europe (London, England: Royal Anthropological Institute, 2017), 52 mins
Description
There is a small community in Ghana who identify as Brazilians. Their name is the Tabom. They are the descendants of former enslaved Africans and creoles who resettled from Bahia to Ghana during the 19th century, especially after the Malês Revolt in Bahia of 1835. They left Bahia escaping repression, looking for better life opportunities, and in search of their ancestral roots. They were received by the Ga people in British, Danish and Dutch-dom...
There is a small community in Ghana who identify as Brazilians. Their name is the Tabom. They are the descendants of former enslaved Africans and creoles who resettled from Bahia to Ghana during the 19th century, especially after the Malês Revolt in Bahia of 1835. They left Bahia escaping repression, looking for better life opportunities, and in search of their ancestral roots. They were received by the Ga people in British, Danish and Dutch-dominated Accra and gradually integrated to this group and to the larger Ghanaian society. However, despite the fact that they no longer speak Portuguese and that most have never set foot in Brazil, they still cherish Brazil and have never given up their dream to visit Bahia, their ancestral homeland.Master drummer Eric Odwarkei Morton is one of many Tabom who has dreamt all his life about visiting Bahia. He is a sixth generation Tabom and a key member of his community who presides religious and funerary ceremonies through song, drumming, and prayers. Tabom in Bahia documents Eric's journey to Brazil and also his preparation for the trip in Accra. The three-week journey took him to urban and rural locations in Salvador, Cachoeira, Santo Amaro, and Valença. Eric met with capoeira and samba-de-roda masters, Candomblé dancers, musicians, and spiritual leaders, members of carnival associations, music teachers and students, and black activists. He was received with anticipation and treated with utmost respect by an Afro-Bahian community that cherishes their African heritage. During the trip Eric not only discovered capoeira, samba-de-roda, samba-reggae, ijexa, and various Candomblé traditions, but also shared agbe, the musical style that he commands.Ethnomusicologist: Juan Diego Diaz
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Juan Diego Diaz, fl. 2017, Brazil. Embassy (Accra), Tap Portugal, Fiesta Hotels & Resorts, S.L.
Author / Creator
Juan Diego Diaz, fl. 2017, Nilton Pereira, fl. 2017
Date Published / Released
2017
Publisher
Royal Anthropological Institute
Series
Carnival King of Europe
Speaker / Narrator
Juan Diego Diaz, fl. 2017
Topic / Theme
Cultural identity, Drums, Folk music, Samba, Candomblé, Capoeira, African Brazilian, Agudas
Copyright Message
Copyright © 2017 Royal Anthropological Institute
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A Conversation with Brigo (Samuel Abraham)
produced by Gayelle Television; interview by Judith Laird, fl. 1985 (Trinidad and Tobago: Banyan Archive, 2010), 53 mins
Judith Laird talks with Calypsonian, Brigo ( Samuel Abraham).
Sample
produced by Gayelle Television; interview by Judith Laird, fl. 1985 (Trinidad and Tobago: Banyan Archive, 2010), 53 mins
Description
Judith Laird talks with Calypsonian, Brigo ( Samuel Abraham).
Field of Study
Anthropology
Content Type
Interview
Contributor
Gayelle Television
Author / Creator
Judith Laird, fl. 1985
Date Published / Released
2010
Publisher
Banyan Archive
Person Discussed
Brigo, 1940-2017
Topic / Theme
Performing arts life, Musicians, Calypso
Copyright Message
Copyright © 2010. Used with permission of the Banyan Archive.
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David Rudder interview 1990
produced by Banyan Archive; interview by Rachel Carrington, fl. 1990 (Trinidad and Tobago: Banyan Archive, 1990), 16 mins
Rachel Carrington interviews David Rudder about his involvement with the movie BLACK ORCHID.
Sample
produced by Banyan Archive; interview by Rachel Carrington, fl. 1990 (Trinidad and Tobago: Banyan Archive, 1990), 16 mins
Description
Rachel Carrington interviews David Rudder about his involvement with the movie BLACK ORCHID.
Date Written / Recorded
1990-04
Field of Study
World Music
Content Type
Interview
Contributor
Banyan Archive
Author / Creator
Rachel Carrington, fl. 1990
Date Published / Released
1990
Publisher
Banyan Archive
Person Discussed
David Rudder, 1953-
Topic / Theme
Music careers, Soca, Calypso
Copyright Message
Copyright © 1990. Used with permission of the Banyan Archive.
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E kenia matsolo (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR195 (01 May 1963) , 2 page(s)
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR195 (01 May 1963) , 2 page(s)
Date Written / Recorded
01 May 1963, 1963
Field of Study
Anthropology
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Folk music, Coming of age ceremonies, Initiation Songs, Whistle, Rattle, leg, Drum, Sotho
Copyright Message
Material sourced from the International Library of African Music. Copyright © International Library of African Music.
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E lesang goloya (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR195 (01 May 1963) , 2 page(s)
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR195 (01 May 1963) , 2 page(s)
Date Written / Recorded
01 May 1963, 1963
Field of Study
Anthropology
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Folk music, Coming of age ceremonies, Initiation Songs, Whistle, Rattle, leg, Drum, Sotho
Copyright Message
Material sourced from the International Library of African Music. Copyright © International Library of African Music.
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Garland Encyclopedia of World Music Volume 1: AfricaPart 2: Issues and Processes in African MusicTime in African Performance
written by Ruth M. Stone, 1942-; edited by Ruth M. Stone, 1942- (New York: Routledge (Publisher), 1997), 22 page(s)
Sample
written by Ruth M. Stone, 1942-; edited by Ruth M. Stone, 1942- (New York: Routledge (Publisher), 1997), 22 page(s)
Field of Study
World Music
Content Type
General reference book, Compendium
Contributor
Ruth M. Stone, 1942-
Author / Creator
Ruth M. Stone, 1942-
Date Published / Released
1997-08-01, 1997
Publisher
Routledge (Publisher)
Person Discussed
Robert Thompson, 1979-, Gerhard Kubik, 1934-, Joseph Hanson Kwabena Nketia, 1921-, Ruth M. Stone, 1942-, Hugo Zemp, 1937-, Abu Abdullah Muhammad Battuta, 1304-1369, Francis Bebey, 1929-2001, Paul Berliner, Ruth H. Finnegan, 1933-, Roderic C. Knight, James T. Koetting, 1939-1984, Kulung of Koloboi, fl. 1976, Alan P. Merriam, 1923-1980, Hewitt Pantaleoni, 1929-1988, Gilbert Rouget
Topic / Theme
African American, Luvale, Shona, Arab, Yoruba, African, Anglo-American, Babinga, Berber, Gbaya, Ewe, Hausa, Kpelle, Somali, Egyptian, Mandé, Basotho, Sande, Composers, Islam, Vodoo, Religious cults, Music theory, World, Sticks, Drum, Kanango, Drum, slit, Lo, Harp, Horn, Mbira, Rattle, Reed, Trumpet, Voice, Chorus, Narrator, Xylophone
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Garland Encyclopedia of World Music Volume 1: AfricaPart 3: Regional Case StudiesNorth Africa: An Introduction
written by Caroline Card Wendt, fl. 1982; edited by Ruth M. Stone, 1942- (New York: Routledge (Publisher), 1997), 17 page(s)
Sample
written by Caroline Card Wendt, fl. 1982; edited by Ruth M. Stone, 1942- (New York: Routledge (Publisher), 1997), 17 page(s)
Field of Study
World Music
Content Type
General reference book, Compendium
Contributor
Ruth M. Stone, 1942-
Author / Creator
Caroline Card Wendt, fl. 1982
Date Published / Released
1997-08-01, 1997
Publisher
Routledge (Publisher)
Person Discussed
Béla Bartók, 1881-1945, Joseph Harold Greenberg, 1915-2001, Hassan Jouad, George Peter Murdock, 1897-1985, Abu l-Hasan Ali (Ziryab) Nafi
Topic / Theme
Arab, African, American, Andalusian, Bedouin, Berber, San, Greek, Hausa, Persian, Tuareg, Sidi, Moroccan, Arab Andalusian, Algerian, Mauritanian, European, Tunisian, Kabyle, Malian, Nuba, Phoenician, Recreational drugs, Religious literature, Musicians, Religious calendar, Christianity, Islam, Religious rites and ceremonies, Prayer and meditation, Empire, Sufism, Music theory, World, Accordion, Pia...
Arab, African, American, Andalusian, Bedouin, Berber, San, Greek, Hausa, Persian, Tuareg, Sidi, Moroccan, Arab Andalusian, Algerian, Mauritanian, European, Tunisian, Kabyle, Malian, Nuba, Phoenician, Recreational drugs, Religious literature, Musicians, Religious calendar, Christianity, Islam, Religious rites and ceremonies, Prayer and meditation, Empire, Sufism, Music theory, World, Accordion, Piano, Bagpipes, Castanets, Sticks, Clarinet, Cymbals, Drum, Drum, cylindrical, Drum, frame, Tambourine, Darabukka, Drum, goblet, Kettledrum, Viola, Violin, Guitar, Lute, Tar, Ud, Mandolin, Oboe, Organ, Keyboard, Piano, Reed, Saxophone, Trumpet, Fiddle, Chorus, Bendir, Ganga, Tabl, Tidinit, Harp-Lute, Imzad, Drum, mortar, Rabāba, Tahardent, Tbel, Tende
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