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3 Piano Concertos/3 Piano Sonatas
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composed by Johann Christian Bach, 1735-1782 and Wolfgang Amadeus Mozart, 1756-1791; conducted by Thomas Fey, 1960-; performed by Gerrit Zitterbart, 1952-, Schlierbacher Kammerorchester, 3 Piano Concertos/3 Piano Sonatas (Hänssler Classic, 1996), 13 page(s)
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composed by Johann Christian Bach, 1735-1782 and Wolfgang Amadeus Mozart, 1756-1791; conducted by Thomas Fey, 1960-; performed by Gerrit Zitterbart, 1952-, Schlierbacher Kammerorchester, 3 Piano Concertos/3 Piano Sonatas (Hänssler Classic, 1996), 13 page(s)
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32 Sounds
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directed by Sam Green, fl. 2004; produced by Thomas O. Kriegsmann, fl. 2005 and Josh Penn, fl. 2008-2016, ArKtype, Sundance Institute, Wavelength Productions and Impact Partners (Sausalito, CA: Ro*Co Films, 2023), 1 hour 37 mins
32 Sounds is an immersive feature documentary and profound sensory experience from Academy-Award nominated filmmaker Sam Green (The Weather Underground, A Thousand Thoughts) featuring original music by JD Samson (Le Tigre, MEN). The film explores the elemental phenomenon of sound by weaving together 32 specific so...
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directed by Sam Green, fl. 2004; produced by Thomas O. Kriegsmann, fl. 2005 and Josh Penn, fl. 2008-2016, ArKtype, Sundance Institute, Wavelength Productions and Impact Partners (Sausalito, CA: Ro*Co Films, 2023), 1 hour 37 mins
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60 Minutes, Alma
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presented by Scott Pelley, 1957-; produced by Aaron Weisz and Robert G. Anderson, fl. 2000; interview by Scott Pelley, 1957-, in 60 Minutes (New York, NY: Columbia Broadcasting System (CBS), 2014), 13 mins
A profile of Alma Deutscher, a 12-year-old British music prodigy accomplished in the classical style who wrote her first opera at age ten. Includes interviews with: Guy and Janie Deutscher, Alma's parents; Robert Gjerdingen, professor of music at Northwestern University.
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presented by Scott Pelley, 1957-; produced by Aaron Weisz and Robert G. Anderson, fl. 2000; interview by Scott Pelley, 1957-, in 60 Minutes (New York, NY: Columbia Broadcasting System (CBS), 2014), 13 mins
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60 Minutes, The Music Of Zomba Prison
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presented by Bill Whitaker, fl. 1961-2015; produced by David M. Levine, fl. 2014 and Michael H. Gavshon, fl. 1999-2013; interview by Anderson Cooper, 1967-, in 60 Minutes (New York, NY: Columbia Broadcasting System (CBS), 2016), 13 mins
A report on the Zomba Music Project, a Grammy-nominated recording group featuring music composed and performed by prisoners and their guards at the maximum-security Zomba Central Prison in Malawi, Africa. Their first album “I Have No Everything Here” and current album “I Will Not Stop Singing” are produced...
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presented by Bill Whitaker, fl. 1961-2015; produced by David M. Levine, fl. 2014 and Michael H. Gavshon, fl. 1999-2013; interview by Anderson Cooper, 1967-, in 60 Minutes (New York, NY: Columbia Broadcasting System (CBS), 2016), 13 mins
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60 Minutes, Second Act
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presented by Holly Williams, fl. 2012; produced by David M. Levine, fl. 2014 and Michael H. Gavshon, fl. 1999-2013; interview by Holly Williams, fl. 2012, in 60 Minutes (New York, NY: Columbia Broadcasting System (CBS), 2018), 14 mins
A profile of the Israeli conductor and current Music Director of the State Opera in Berlin Daniel Barenboim, who attempts to bridge the Middle East conflict through his musical initiatives that bring together young musicians from Israel and countries across the Middle East. Includes interviews with: Daniel Barenb...
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presented by Holly Williams, fl. 2012; produced by David M. Levine, fl. 2014 and Michael H. Gavshon, fl. 1999-2013; interview by Holly Williams, fl. 2012, in 60 Minutes (New York, NY: Columbia Broadcasting System (CBS), 2018), 14 mins
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60 Minutes, The Lost Music, Part 1
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presented by Lewis Jonathan Wertheim, 1970-; produced by Katherine Davis, fl. 2004-2015; interview by Lewis Jonathan Wertheim, 1970-, in 60 Minutes (New York, NY: Columbia Broadcasting System (CBS), 2019), 12 mins
A profile of Francesco Lotoro, the Italian composer and pianist who has worked 30 years to recover, catalog, and perform music written during the Holocaust – including works written and performed secretly in Nazi concentration camps. Lotoro converted to Judaism after gravitating towards the religion from a young...
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presented by Lewis Jonathan Wertheim, 1970-; produced by Katherine Davis, fl. 2004-2015; interview by Lewis Jonathan Wertheim, 1970-, in 60 Minutes (New York, NY: Columbia Broadcasting System (CBS), 2019), 12 mins
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Chapter Two: True Relations
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written by John Minton; in 78 Blues: Folksongs and Phonographs in the American South (Jackson, MS: University Press of Mississippi, 2008), 45-54
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written by John Minton; in 78 Blues: Folksongs and Phonographs in the American South (Jackson, MS: University Press of Mississippi, 2008), 45-54
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Accent on the Offbeat
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directed by Albert Maysles, 1926-2015, Peter Gelb, 1953-, Susan Froemke, fl. 1975 and Deborah Dickson, fl. 1983 (1992); designed by Barbara Matera, 1929-2001 and Peter Martins, 1946-; produced by Peter Gelb, 1953- and Susan Froemke, fl. 1975; performed by Wynton Marsalis Septet, in Accent on the Offbeat (Berlin, Berlin State: C Major Entertainment, 1994), 57 mins
In 1992, Jazz at Lincoln Center and New York City Ballet commissioned the famous jazz musician Wynton Marsalis to compose music for a new ballet by choreographer Peter Martins, Ballet Master in Chief of the NYCB. The film shows the preparation and the perfomance of the ballet.
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directed by Albert Maysles, 1926-2015, Peter Gelb, 1953-, Susan Froemke, fl. 1975 and Deborah Dickson, fl. 1983 (1992); designed by Barbara Matera, 1929-2001 and Peter Martins, 1946-; produced by Peter Gelb, 1953- and Susan Froemke, fl. 1975; performed by Wynton Marsalis Septet, in Accent on the Offbeat (Berlin, Berlin State: C Major Entertainment, 1994), 57 mins
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Acrobatic Dance Music from Gulac
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composed by Matvei Stepanovich Pavlov-Azancheev, 1888-1963; performed by Oleg Timofeyev, 1963-, Acrobatic Dance Music from Gulac (Hänssler Classic, 2001), 16 page(s)
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composed by Matvei Stepanovich Pavlov-Azancheev, 1888-1963; performed by Oleg Timofeyev, 1963-, Acrobatic Dance Music from Gulac (Hänssler Classic, 2001), 16 page(s)
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The Adventurers of the Lost Mass
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directed by Laurent Portes, fl. 2008; composed by Orazio Benevoli, 1605-1672, Claudio Monteverdi, 1567-1643 and Alessandro Striggio, 1536-1592; conducted by Hervé Niquet, 1957-; produced by Amélie Girard; performed by Le Concert Spirituel, in The Adventurers of the Lost Mass (Paris, Ile-de-France: Windrose (Film distributor), 2011), 52 mins
Hervé Niquet conducts the never­-performed since baroque times 40-­voice Mass by Alessandro Striggio. This monumental Mass, up to 60 voices for the finale, was lost and forgotten. Its harmonic sophistication remains unsurpassed. How could Alessandro Striggio achieve such a prowess? The rehearsals interviews wit...
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directed by Laurent Portes, fl. 2008; composed by Orazio Benevoli, 1605-1672, Claudio Monteverdi, 1567-1643 and Alessandro Striggio, 1536-1592; conducted by Hervé Niquet, 1957-; produced by Amélie Girard; performed by Le Concert Spirituel, in The Adventurers of the Lost Mass (Paris, Ile-de-France: Windrose (Film distributor), 2011), 52 mins
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