Browse Titles - 16 results
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Agrarian Utopia
directed by Uruphong Raksasad, fl. 2001-2009; performed by Sompong Jumma, fl. 2009, Sai Jumma, fl. 2009 and Prayad Jumma, fl. 2009 (Thailand: Extra Virgin Co), 2 hours 1 mins
Two families are employed by a landowner to work on his rice fields. One of them, used to own their own land, but was evicted for being unable to keep up with his hefty loan payments. In the absence of machinery, they plant rice using traditional farming methods and an untrained buffalo. However, the low market...
Sample
directed by Uruphong Raksasad, fl. 2001-2009; performed by Sompong Jumma, fl. 2009, Sai Jumma, fl. 2009 and Prayad Jumma, fl. 2009 (Thailand: Extra Virgin Co), 2 hours 1 mins
Description
Two families are employed by a landowner to work on his rice fields. One of them, used to own their own land, but was evicted for being unable to keep up with his hefty loan payments. In the absence of machinery, they plant rice using traditional farming methods and an untrained buffalo. However, the low market prices for rice mean that they have to supplement their income with picking wild mushrooms. They also eat wild frogs, snakes and hone...
Two families are employed by a landowner to work on his rice fields. One of them, used to own their own land, but was evicted for being unable to keep up with his hefty loan payments. In the absence of machinery, they plant rice using traditional farming methods and an untrained buffalo. However, the low market prices for rice mean that they have to supplement their income with picking wild mushrooms. They also eat wild frogs, snakes and honeycomb when their income proves to be too meagre to feed the family. In contrast, a neighboring farmer, a retired teacher, farms his land organically and hopes to keep the land fertile with the rice stalks, so that he will always be able to grow food for himself. Thai director Uruphong Raksasad had grown up in the same village where the film is beautifully shot, and had chosen to use local farmers as his actors. Awards/Festivals: NETPAC Special Mention Award, International Film Festival Rotterdam; Special Mention Award, Barcelona Asian Film Festival; NETPAC Award, Brisbane International Film Festival; Golden Hanoman Award, Jogja-NETPAC Asian Film Festival; NETPAC Award, Jogja-NETPAC Asian Film Festival; Best Narrative Film, Toronto Reel Asian International Film Festival; !f Inspired Award - Most Inspired Director, !f International Independent Film Festival, Istanbul; Special Jury Award, Millenium International Documentary Film Festival; Green Chilies Award (Best Film), Asian Hot Shot Berlin Festival; Hong Kong International Film Festival; Singapore International Film Festival; Jeonju International Film Festival; Libertas Film Festival; Filmfest Munchen; Vancouver International Film Festival; Yamagata International Documentary Film Festival; Flanders International Film Festival Ghent; Mumbai Film Festival; Vienna International Film Festival; Asiaticafilmmediale, Rome; Mar del Plata International Film Festival; Taipei Golden Horse International Film Festival; International Film Festival Bratislava; International Film Festival of Kerala; Pune International Film Festival; Fajr International Film Festival; San Francisco Asian American Film Festival.
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Field of Study
Asian Studies
Content Type
Performance
Performer / Ensemble
Sompong Jumma, fl. 2009, Sai Jumma, fl. 2009, Prayad Jumma, fl. 2009
Contributor
Uruphong Raksasad, fl. 2001-2009
Author / Creator
Uruphong Raksasad, fl. 2001-2009, Sompong Jumma, fl. 2009, Sai Jumma, fl. 2009, Prayad Jumma, fl. 2009
Date Published / Released
2009
Publisher
Extra Virgin Co
Topic / Theme
Thai, Agrarian occupations, Domestic life
Copyright Message
Copyright © 2009 Used by permission of Extra Virgin Co.
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August Sun
directed by Prasanna Vithanage, 1962-; performed by Mohamed Rahfiulla, fl. 2003, Nimmi Harasgama, fl. 1997-2012 and Peter D'Almeida, fl. 1994-2003 (Sri Lanka: Privately Published), 1 hour 44 mins
This filmic offering by acclaimed director Prasanna Vithanage (Walls Within and Death on a Full Moon Day) is a poignant narrative of human displacement against the backdrop of the bitter, real-life conflict between the Sinhalese and Tamil people of Sri Lanka. The film traces the experience of three individuals, e...
Sample
directed by Prasanna Vithanage, 1962-; performed by Mohamed Rahfiulla, fl. 2003, Nimmi Harasgama, fl. 1997-2012 and Peter D'Almeida, fl. 1994-2003 (Sri Lanka: Privately Published), 1 hour 44 mins
Description
This filmic offering by acclaimed director Prasanna Vithanage (Walls Within and Death on a Full Moon Day) is a poignant narrative of human displacement against the backdrop of the bitter, real-life conflict between the Sinhalese and Tamil people of Sri Lanka. The film traces the experience of three individuals, each of whom is affected by the war in different ways. Chamari enlists the aid of a London-based journalist to help locate her husband,...
This filmic offering by acclaimed director Prasanna Vithanage (Walls Within and Death on a Full Moon Day) is a poignant narrative of human displacement against the backdrop of the bitter, real-life conflict between the Sinhalese and Tamil people of Sri Lanka. The film traces the experience of three individuals, each of whom is affected by the war in different ways. Chamari enlists the aid of a London-based journalist to help locate her husband, a pilot who was captured by the Tamil Tigers; a young Muslim boy Arfath tries to keep his dog, even as his family joins thousands of other Muslims in a mass exodus to escape the conflict; and Dumida, a lonely young soldier, discovers that his sister has been working as a prostitute in a brothel that serves both Sinhalese and Tamil soldiers. All of these events, presented from a Sinhalese perspective, take place under the searing heat of a hot August sun and the weight of lengthy civil war. Awards/Festivals: Grand Jury Prize and nominated Lino Brocka Award Cinemanila International Film Festival 2003; Grand Prix des Amriques Montreal World Film Festival 2003; FIPRESCI/NETPAC Award Singapore International Film Festival 2004; Amiens International Film Festival 2003; International Film Festival Rotterdam 2004; Deauville Asian Film Festival 2004.
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Date Written / Recorded
2009-10-19
Field of Study
Asian Studies
Content Type
Performance
Performer / Ensemble
Mohamed Rahfiulla, fl. 2003, Nimmi Harasgama, fl. 1997-2012, Peter D'Almeida, fl. 1994-2003
Contributor
Prasanna Vithanage, 1962-
Author / Creator
Prasanna Vithanage, 1962-, Mohamed Rahfiulla, fl. 2003, Nimmi Harasgama, fl. 1997-2012, Peter D'Almeida, fl. 1994-2003
Date Published / Released
2003
Publisher
Privately Published
Topic / Theme
Sri Lankan, Armed forces, Refugees, War, Civil war
Copyright Message
Copyright © 2003 Used by permission of Prasanna Vithanage.
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Bird Man Tale
directed by Garin Nugroho, 1961-; performed by Minus Coneston Karoba, fl. 2002-2008, Lulu Tobing, 1977- and Octavianus Rysiat Muabuay, fl. 2002 (Indonesia: Set Film Workshop), 1 hour 30 mins
Arnold, a 15 year old Papuan boy, obsesses over his desire to kiss a young woman he meets at the port. Meanwhile, his father Bertold, is being hunted down by a group of anonymous thugs for his political activities demanding justice for the detention of independence leader, Theys Hiyo Eluay. When Theys is murdered,...
Sample
directed by Garin Nugroho, 1961-; performed by Minus Coneston Karoba, fl. 2002-2008, Lulu Tobing, 1977- and Octavianus Rysiat Muabuay, fl. 2002 (Indonesia: Set Film Workshop), 1 hour 30 mins
Description
Arnold, a 15 year old Papuan boy, obsesses over his desire to kiss a young woman he meets at the port. Meanwhile, his father Bertold, is being hunted down by a group of anonymous thugs for his political activities demanding justice for the detention of independence leader, Theys Hiyo Eluay. When Theys is murdered, Bertold goes into hiding, leaving his son to fend for himself. This is the first Indonesian feature set in Irian Jaya.
Date Written / Recorded
2009-10-19
Field of Study
Asian Studies
Content Type
Performance
Performer / Ensemble
Minus Coneston Karoba, fl. 2002-2008, Lulu Tobing, 1977-, Octavianus Rysiat Muabuay, fl. 2002
Contributor
Garin Nugroho, 1961-
Author / Creator
Garin Nugroho, 1961-, Minus Coneston Karoba, fl. 2002-2008, Lulu Tobing, 1977-, Octavianus Rysiat Muabuay, fl. 2002
Date Published / Released
2002
Publisher
Set Film Workshop
Topic / Theme
Indonesian, Crime, Family, Political causes, Sexuality, Indonesians
Copyright Message
Copyright © 2002 Used by permission of Set Film Workshop.
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FLIMS, Episode 7, Part 1, HAITI 1
produced by Christopher Laird, 1945-, Banyan Productions; interview by Christopher Laird, 1945-, in FLIMS, Episode 7, Part 1 (Trinidad and Tobago: Banyan Archive, 2010), 23 mins
This episode of Flims is Part One of the four part series on Haitian filmmakers, in this episode, Arnold Antonin.
Opening Sequence
Keywords: film, caribbean film, film education, haiti
Sample
produced by Christopher Laird, 1945-, Banyan Productions; interview by Christopher Laird, 1945-, in FLIMS, Episode 7, Part 1 (Trinidad and Tobago: Banyan Archive, 2010), 23 mins
Description
This episode of Flims is Part One of the four part series on Haitian filmmakers, in this episode, Arnold Antonin.
Opening Sequence
Keywords: film, caribbean film, film education, haiti
Field of Study
Film
Content Type
Performance, Interview
Contributor
Christopher Laird, 1945-, Banyan Productions
Author / Creator
Christopher Laird, 1945-
Date Published / Released
2010
Publisher
Banyan Archive
Series
FLIMS
Person Discussed
Kharmeliaud Moïse, Arnold Antonin, 1942-
Copyright Message
Copyright © 2010. Used with permission of the Banyan Archive.
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FLIMS, Episode 8, Part 2, HAITI 2
produced by Christopher Laird, 1945-, Banyan Productions; interview by Christopher Laird, 1945-, in FLIMS, Episode 8, Part 2 (Trinidad and Tobago: Banyan Archive, 2010), 20 mins
This episode of Flims is Part Two of the four part series on Haitian filmmakers.
Opening Sequence
Keywords: film, caribbean film, film education, haiti
Sample
produced by Christopher Laird, 1945-, Banyan Productions; interview by Christopher Laird, 1945-, in FLIMS, Episode 8, Part 2 (Trinidad and Tobago: Banyan Archive, 2010), 20 mins
Description
This episode of Flims is Part Two of the four part series on Haitian filmmakers.
Opening Sequence
Keywords: film, caribbean film, film education, haiti
Field of Study
Film
Content Type
Performance, Interview
Contributor
Frero Pierre, fl. 2008, Christopher Laird, 1945-, Banyan Productions
Author / Creator
Christopher Laird, 1945-
Date Published / Released
2010
Publisher
Banyan Archive
Series
FLIMS
Copyright Message
Copyright © 2010. Used with permission of the Banyan Archive.
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FLIMS, Episode 9, Part 3, HAITI 3
produced by Christopher Laird, 1945-, Banyan Productions; interview by Christopher Laird, 1945-, in FLIMS, Episode 9, Part 3 (Trinidad and Tobago: Banyan Archive, 2010), 23 mins
This episode of Flims is Part Three of the four part series on Haitian filmmakers.
Opening Sequence
Keywords: film, caribbean film, film education, haiti
Sample
produced by Christopher Laird, 1945-, Banyan Productions; interview by Christopher Laird, 1945-, in FLIMS, Episode 9, Part 3 (Trinidad and Tobago: Banyan Archive, 2010), 23 mins
Description
This episode of Flims is Part Three of the four part series on Haitian filmmakers.
Opening Sequence
Keywords: film, caribbean film, film education, haiti
Field of Study
Film
Content Type
Performance, Interview
Contributor
Chery Claudell, fl. 2013-2015, Christopher Laird, 1945-, Banyan Productions
Author / Creator
Christopher Laird, 1945-
Date Published / Released
2010
Publisher
Banyan Archive
Series
FLIMS
Copyright Message
Copyright © 2010. Used with permission of the Banyan Archive.
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FLIMS, Episode 10, Part 4, HAITI 4
produced by Christopher Laird, 1945-, Banyan Productions; interview by Christopher Laird, 1945-, in FLIMS, Episode 10, Part 4 (Trinidad and Tobago: Banyan Archive, 2010), 28 mins
This episode of Flims is Part Four of the four part series on Haitian filmmakers.
Opening Sequence
Keywords: film, caribbean film, film education, haiti
Sample
produced by Christopher Laird, 1945-, Banyan Productions; interview by Christopher Laird, 1945-, in FLIMS, Episode 10, Part 4 (Trinidad and Tobago: Banyan Archive, 2010), 28 mins
Description
This episode of Flims is Part Four of the four part series on Haitian filmmakers.
Opening Sequence
Keywords: film, caribbean film, film education, haiti
Field of Study
Film
Content Type
Performance, Interview
Contributor
Frero Pierre, fl. 2008, Christopher Laird, 1945-, Banyan Productions
Author / Creator
Christopher Laird, 1945-
Date Published / Released
2010
Publisher
Banyan Archive
Series
FLIMS
Copyright Message
Copyright © 2010. Used with permission of the Banyan Archive.
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Little Brown Comedies
directed by Khavn De La Cruz, 1973-; performed by Lav Diaz, 1958- and Banaue Miclat, 1979- (Philippines: Privately Published), 1 hour 13 mins
A collection of short films by the enfant terrible of Philippine cinema, including 'Amen, a brown comedy' -- a satire on the traditional Filipino custom of having younger people raise the hands of their elders, to their own foreheads, as a greeting and also as a superficial mark of respect; 'Ultimo: Different wa...
Sample
directed by Khavn De La Cruz, 1973-; performed by Lav Diaz, 1958- and Banaue Miclat, 1979- (Philippines: Privately Published), 1 hour 13 mins
Description
A collection of short films by the enfant terrible of Philippine cinema, including 'Amen, a brown comedy' -- a satire on the traditional Filipino custom of having younger people raise the hands of their elders, to their own foreheads, as a greeting and also as a superficial mark of respect; 'Ultimo: Different ways of killing a national hero' -- an adaptation of Jose Rizal's poem, 'Mi ultimo adios' (My Last Goodbye). Jose Rizal was a Philippine...
A collection of short films by the enfant terrible of Philippine cinema, including 'Amen, a brown comedy' -- a satire on the traditional Filipino custom of having younger people raise the hands of their elders, to their own foreheads, as a greeting and also as a superficial mark of respect; 'Ultimo: Different ways of killing a national hero' -- an adaptation of Jose Rizal's poem, 'Mi ultimo adios' (My Last Goodbye). Jose Rizal was a Philippine national hero, who had been sentenced to death by firing squad, by the Spanish government in 1896; I'm Not Batman; John Cage; Memory of Dawn; Headless (Pugot); This Is Not a Found Footage Film; By The Suez Canal. Awards/Festivals: .Mov International Digital Film Festival 1998
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Field of Study
Film
Content Type
Performance
Performer / Ensemble
Lav Diaz, 1958-, Banaue Miclat, 1979-
Contributor
Khavn De La Cruz, 1973-
Author / Creator
Khavn De La Cruz, 1973-, Lav Diaz, 1958-, Banaue Miclat, 1979-
Date Published / Released
2009
Publisher
Privately Published
Topic / Theme
Filipino, Sociology, Film and films, Filipinos
Copyright Message
Copyright © 2009 Used by permission of Khavn De La Cruz.
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Ruoma de shi qi sui
directed by Zhang Jiarui, 1958-; performed by Zhigang Yang, fl. 2003, Min Li, fl. 2003 and Linyuan Shu, fl. 2003 (China: Privately Published), 1 hour 29 mins
When Ruo Ma Was Seventeen illustrates the perspectives and fantasies of young people towards love. Ruo Ma, a girl from the Xiani tribe, lives with her grandmother since childhood. Fantasising about the world outside, Ruo Ma wants to visit the city but has no money. She meets Ming, a photographer, who helps her ear...
Sample
directed by Zhang Jiarui, 1958-; performed by Zhigang Yang, fl. 2003, Min Li, fl. 2003 and Linyuan Shu, fl. 2003 (China: Privately Published), 1 hour 29 mins
Description
When Ruo Ma Was Seventeen illustrates the perspectives and fantasies of young people towards love. Ruo Ma, a girl from the Xiani tribe, lives with her grandmother since childhood. Fantasising about the world outside, Ruo Ma wants to visit the city but has no money. She meets Ming, a photographer, who helps her earn money by getting her to pose in her tribal costume with the tourists. But soon Ming has to leave. Screened at the Berlin Internationa...
When Ruo Ma Was Seventeen illustrates the perspectives and fantasies of young people towards love. Ruo Ma, a girl from the Xiani tribe, lives with her grandmother since childhood. Fantasising about the world outside, Ruo Ma wants to visit the city but has no money. She meets Ming, a photographer, who helps her earn money by getting her to pose in her tribal costume with the tourists. But soon Ming has to leave. Screened at the Berlin International Film Festival and the Pusan International Film Festival.
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Date Written / Recorded
2010-10-10
Field of Study
Asian Studies
Content Type
Performance
Performer / Ensemble
Zhigang Yang, fl. 2003, Min Li, fl. 2003, Linyuan Shu, fl. 2003
Contributor
Zhang Jiarui, 1958-
Author / Creator
Zhang Jiarui, 1958-, Zhigang Yang, fl. 2003, Min Li, fl. 2003, Linyuan Shu, fl. 2003
Date Published / Released
2002
Publisher
Privately Published
Topic / Theme
Chinese, Love, Adolescence
Copyright Message
Copyright © 2004. Used by permission of Zhang Jiarui.
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ÐỜI CÁT = Sandy Lives
directed by Nguyen Thanh Van, fl. 1995-2008; performed by Anh Hong, 1977-, Duong Don, 1957-0011 and Ninh Cong, fl. 2001 (Vietnam: Privately Published), 1 hour 28 mins
For twenty years, Camh has lived in North Vietnam, unable to return to his home in the south, a small fishing village where his wife waits for him. She has been a guerrilla fighter for the triumphant communist forces, and has made a living selling food in the market. She is happy to reunite with her husband unti...
Sample
directed by Nguyen Thanh Van, fl. 1995-2008; performed by Anh Hong, 1977-, Duong Don, 1957-0011 and Ninh Cong, fl. 2001 (Vietnam: Privately Published), 1 hour 28 mins
Description
For twenty years, Camh has lived in North Vietnam, unable to return to his home in the south, a small fishing village where his wife waits for him. She has been a guerrilla fighter for the triumphant communist forces, and has made a living selling food in the market. She is happy to reunite with her husband until she learns that he has married a young woman in the north and has a child by her. The love triangle becomes more complicated: Huy, a...
For twenty years, Camh has lived in North Vietnam, unable to return to his home in the south, a small fishing village where his wife waits for him. She has been a guerrilla fighter for the triumphant communist forces, and has made a living selling food in the market. She is happy to reunite with her husband until she learns that he has married a young woman in the north and has a child by her. The love triangle becomes more complicated: Huy, a man who has lost a leg is in love with Troa, who does not return his affection, and there is Hoa, a young woman who has lost both legs and who is in love with him. All of the characters' emotional injuries are as deep as those of Huy and Hoa, but they behave with great kindness towards one another. The movie was made for
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Date Written / Recorded
2010-04-14
Field of Study
Asian Studies
Content Type
Performance
Performer / Ensemble
Anh Hong, 1977-, Duong Don, 1957-0011, Ninh Cong, fl. 2001
Contributor
Nguyen Thanh Van, fl. 1995-2008
Author / Creator
Nguyen Thanh Van, fl. 1995-2008, Anh Hong, 1977-, Duong Don, 1957-0011, Ninh Cong, fl. 2001
Date Published / Released
1999
Publisher
Privately Published
Topic / Theme
Vietnamese, Relationships, War
Copyright Message
Copyright © 1999 Used by permission of Nguyen Thanh Van.
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