Browse Titles - 5 results
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The Shelter of Wings
directed by Buddhadeb Dasgupta, 1944-; performed by Rajit Kapoor, fl. 1993-2012, Indrani Haldar, 1971- and Shankar Chakraborty, fl. 1991-2013 (India: Privately Published), 1 hour 22 mins
Based on the novel by Prafulla Roy, Charachar (Shelter of the Wings) revolves around the film's protagonist Lakha, who comes from a family of bird catchers. Each day Lakha traps birds and sells them to Shashmal, the local dealer who in turn sells them to wealthy people who live in the city. Unfortunately, before...
Sample
directed by Buddhadeb Dasgupta, 1944-; performed by Rajit Kapoor, fl. 1993-2012, Indrani Haldar, 1971- and Shankar Chakraborty, fl. 1991-2013 (India: Privately Published), 1 hour 22 mins
Description
Based on the novel by Prafulla Roy, Charachar (Shelter of the Wings) revolves around the film's protagonist Lakha, who comes from a family of bird catchers. Each day Lakha traps birds and sells them to Shashmal, the local dealer who in turn sells them to wealthy people who live in the city. Unfortunately, before they are sold, many of the birds die. Despite being in desperate need of the money he makes from the birds, Lakha's deep love for them...
Based on the novel by Prafulla Roy, Charachar (Shelter of the Wings) revolves around the film's protagonist Lakha, who comes from a family of bird catchers. Each day Lakha traps birds and sells them to Shashmal, the local dealer who in turn sells them to wealthy people who live in the city. Unfortunately, before they are sold, many of the birds die. Despite being in desperate need of the money he makes from the birds, Lakha's deep love for them inspires him to let many go free. Frustrated by her husband's lack of ambition and his obsession with the birds, Lakha's wife Sari has an affair with another bird catcher. This beautifully told narrative reveals the connection between humans and the natural world. Awards/Festivals: Nominated Golden Berlin Bear, Berlin International Film Festival 1994; Won Audience Award and Special Jury Award Fribourg International Film Festival 1995; Won Golden Lotus Award, India National Film Awards 1994.
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Date Written / Recorded
2009-10-19
Field of Study
Asian Studies
Content Type
Performance
Performer / Ensemble
Rajit Kapoor, fl. 1993-2012, Indrani Haldar, 1971-, Shankar Chakraborty, fl. 1991-2013
Contributor
Buddhadeb Dasgupta, 1944-
Author / Creator
Buddhadeb Dasgupta, 1944-, Rajit Kapoor, fl. 1993-2012, Indrani Haldar, 1971-, Shankar Chakraborty, fl. 1991-2013
Date Published / Released
1993
Publisher
Privately Published
Topic / Theme
Bengali, Marriage, Infidelity
Copyright Message
Copyright © 1993 Used by permission of Buddhadeb Dasgupta.
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Thương nhớ đồng quê
directed by Dang Nhat Minh, 1938- (Vietnam: Privately Published), 1 hour 56 mins
Set in a rice-growing village in Vietnam, this is a tale of crossroads where stories flow together like small rivers of sorrow. 17-year-old Nham has left school to care for his widowed mother, his little sister Minh, and his sister-in-law Ngu. Ngu, whose husband left to work in a coal mine five years ago and has...
Sample
directed by Dang Nhat Minh, 1938- (Vietnam: Privately Published), 1 hour 56 mins
Description
Set in a rice-growing village in Vietnam, this is a tale of crossroads where stories flow together like small rivers of sorrow. 17-year-old Nham has left school to care for his widowed mother, his little sister Minh, and his sister-in-law Ngu. Ngu, whose husband left to work in a coal mine five years ago and has only come home twice for a few days, lives in daily sadness and with a deep longing for him and a complete life. Nham and his family...
Set in a rice-growing village in Vietnam, this is a tale of crossroads where stories flow together like small rivers of sorrow. 17-year-old Nham has left school to care for his widowed mother, his little sister Minh, and his sister-in-law Ngu. Ngu, whose husband left to work in a coal mine five years ago and has only come home twice for a few days, lives in daily sadness and with a deep longing for him and a complete life. Nham and his family are visited by Quyen, who has come from America to revisit the village where she was raised by her aunt, Nham's relative. Quyen shares her nostalgia for her childhood with Nham as she remembers the places and the life she left before leaving her bad marriage. As Nham befriends her, his sexuality is awakened by her attractive personality and vivacious good looks. Ngu sees this attention being paid to Quyen by Nham and harbors a quiet jealousy. As Nham opens to his sexual feelings, his embarrassment drives him from Quyen but his sexuality is further awakened by innocent comfort given to Ngu. Nostalgia for the Countryside sweeps us through strong emotions as we experience the characters' heartbreaks and sorrows.
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Date Written / Recorded
2009-10-19
Field of Study
Asian Studies
Content Type
Performance
Contributor
Dang Nhat Minh, 1938-
Author / Creator
Dang Nhat Minh, 1938-
Date Published / Released
1995
Publisher
Privately Published
Topic / Theme
Vietnamese, Emotions and feelings, Romantic relationships, Nostalgia, Family, Sexuality
Copyright Message
Copyright © 1995 Used by permission of Dang Nhat Minh.
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益西卓玛 = Song of Tibet
directed by Xie Fei, 1942-; performed by Dawangdui, fl. 2000, Laqiong, fl. 2000 and Danzengzhuoga, fl. 2000 (China: Privately Published, 2000), 1 hour 43 mins
During her summer vacation, Dawa returned to Lhasa to see her grandparents. Unfortunately her grandfather was ill and dying. During this time, her grandmother, Yixi Zhuoma, told Dawa her love stories with three men. The first man in Yixi's life was Jiacuo, a strong mule boy from Kangba. At the same time Gongsa, t...
Sample
directed by Xie Fei, 1942-; performed by Dawangdui, fl. 2000, Laqiong, fl. 2000 and Danzengzhuoga, fl. 2000 (China: Privately Published, 2000), 1 hour 43 mins
Description
During her summer vacation, Dawa returned to Lhasa to see her grandparents. Unfortunately her grandfather was ill and dying. During this time, her grandmother, Yixi Zhuoma, told Dawa her love stories with three men. The first man in Yixi's life was Jiacuo, a strong mule boy from Kangba. At the same time Gongsa, the young master of Luoga Garden, had fallen in love with Yixi. Jiacuo was not persuaded and eloped with Yixi and married her. Their mar...
During her summer vacation, Dawa returned to Lhasa to see her grandparents. Unfortunately her grandfather was ill and dying. During this time, her grandmother, Yixi Zhuoma, told Dawa her love stories with three men. The first man in Yixi's life was Jiacuo, a strong mule boy from Kangba. At the same time Gongsa, the young master of Luoga Garden, had fallen in love with Yixi. Jiacuo was not persuaded and eloped with Yixi and married her. Their marriage and Jiacuo's great energy brought Yixi a very happy and romantic time in her life. However, as a mule boy, Jiacuo was used to an unstable lifestyle, which drove Yixi back to Gongsa. During the 1950s, Gongsa fled with the Dalai Lama and took Yixi's youngest son with him, asserting that the son was his. In the meantime, Jiacuo could not tolerate Yixi's betrayal and decided to return to his hometown Kongba with his oldest daughter. Several years later, when Yixi got the news that Jiacuo was seriously ill, she immediately decided to begin her difficult and dangerous journey searching for her husband. During that difficult time, she met her old friend Songqiu Lama, who was her third man as well as her forever lover in her life. In their youth, they used to spend a lot of time together, and Songqiu taught Yixi how to write and sing. Unfortunately, they were separated after Songqiu became a monk. With the coming of the Cultural Revolution, Songqiu was forced to leave his temple and lived as an ordinary man again. This enabled him to accompany Yixi to continue her difficult journey. He also encouraged Yixi to return to her husband and he would like to go back to being a Lama again. Dawa sets out to find these men. Awards/Festivals: Won Golden Rooster for Best Music, Special Jury Prize for Acting and Directing, Nominated for Golden Rooster for Best Actress, Best Film, Best Screenplay 2000; Won Film of Merit and Best Director, Shanghai Film Critics Award 2000; Interfaith Award, St. Louis International Film Festival 2001.
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Date Written / Recorded
2000
Field of Study
Asian Studies
Content Type
Performance
Performer / Ensemble
Dawangdui, fl. 2000, Laqiong, fl. 2000, Danzengzhuoga, fl. 2000
Contributor
Xie Fei, 1942-
Author / Creator
Xie Fei, 1942-, Dawangdui, fl. 2000, Laqiong, fl. 2000, Danzengzhuoga, fl. 2000
Date Published / Released
2000
Publisher
Privately Published
Topic / Theme
Tibetan, Romantic relationships
Copyright Message
Copyright © 2000 Used by permission of Xie Fei.
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黑骏马
directed by Xie Fei, 1942-; performed by Bayirtcya, fl. 1997, Aojirdai, fl. 1997 and Dalarsurong, fl. 1997 (China: Privately Published), 1 hour 41 mins
Adapted from the novel Black Steed by Zhang Chengzhi (who spent four years during the Chinese Cultural Revolution with an Inner Mongolian family), A Mongolian Tale begins with two children being raised by Nai Nai, a wise grandmother, in the peaceful purity of childhood and the Mongolian steppes. Xie Fei's storytel...
Sample
directed by Xie Fei, 1942-; performed by Bayirtcya, fl. 1997, Aojirdai, fl. 1997 and Dalarsurong, fl. 1997 (China: Privately Published), 1 hour 41 mins
Description
Adapted from the novel Black Steed by Zhang Chengzhi (who spent four years during the Chinese Cultural Revolution with an Inner Mongolian family), A Mongolian Tale begins with two children being raised by Nai Nai, a wise grandmother, in the peaceful purity of childhood and the Mongolian steppes. Xie Fei's storytelling is simple and resonates with dignity. The spacious, traditional world of the steppe people is an idyllic landscape that seems time...
Adapted from the novel Black Steed by Zhang Chengzhi (who spent four years during the Chinese Cultural Revolution with an Inner Mongolian family), A Mongolian Tale begins with two children being raised by Nai Nai, a wise grandmother, in the peaceful purity of childhood and the Mongolian steppes. Xie Fei's storytelling is simple and resonates with dignity. The spacious, traditional world of the steppe people is an idyllic landscape that seems timeless. Yet this is no fairytale but the story of childhood sweethearts separated by a changing world. Beiyinbulog, a boy whose father has left him to be raised by Nai Nai, has to leave Somiya, her shepherd grandmother's helper, when his father summons him to train in veterinary science in the city. When he returns for her as a folksinger, three years later, he finds her circumstances radically changed. As adults the two find their true destinies and the hand that fate has dealt. How do we redeem our idyllic dreams dashed by realities? Can love and acceptance be found despite betrayal and loss? Beiyinbulog is played by Tengger, a Mongolian-born pop singer and composer who composed the film's haunting, nostalgic score. His songs in the film capture the future for the children of the Mongolian steppes and the virtuous legacy of their homeland -'the vast and boundless grasslands are the cradle I was reared in.' Awards/Festivals: Best Director, Best Artistic Contribution Tengger's Music, Montreal World Film Festival; Best Director, Shanghai Film Critics Awards
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Date Written / Recorded
2009-10-19
Field of Study
Asian Studies
Content Type
Performance
Performer / Ensemble
Bayirtcya, fl. 1997, Aojirdai, fl. 1997, Dalarsurong, fl. 1997
Contributor
Xie Fei, 1942-
Author / Creator
Xie Fei, 1942-, Bayirtcya, fl. 1997, Aojirdai, fl. 1997, Dalarsurong, fl. 1997
Date Published / Released
1995
Publisher
Privately Published
Topic / Theme
Mongolian, Nationalism, Family, Love, Romantic relationships, Mongols (Central Asia)
Copyright Message
Copyright © 1995 Used by permission of Xie Fei.
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군용열차
directed by Seo Gwang Je, fl. 1938; performed by Ye-bong Mun, fl. 1938, Jushiro Kobayashi, fl. 1933 and Eun-gi Dog, fl. 1938 (South Korea: Korean Film Archive), 1 hour 7 mins
In 1937, as the Japan-China war intensified, and the Japanese military occupied Chosun (old Korea), this film emerged as a pro-Japanese government-sponsored film. A tale of espionage driven by love, Military Train centers on the friendship between two young Korean men, Jeom-yong and Won-jin. Won-jin is in love wi...
Sample
directed by Seo Gwang Je, fl. 1938; performed by Ye-bong Mun, fl. 1938, Jushiro Kobayashi, fl. 1933 and Eun-gi Dog, fl. 1938 (South Korea: Korean Film Archive), 1 hour 7 mins
Description
In 1937, as the Japan-China war intensified, and the Japanese military occupied Chosun (old Korea), this film emerged as a pro-Japanese government-sponsored film. A tale of espionage driven by love, Military Train centers on the friendship between two young Korean men, Jeom-yong and Won-jin. Won-jin is in love with Jeom-yong's sister and wants to free her from her miserable, degrading hostess job, but it will take money to extricate herself from...
In 1937, as the Japan-China war intensified, and the Japanese military occupied Chosun (old Korea), this film emerged as a pro-Japanese government-sponsored film. A tale of espionage driven by love, Military Train centers on the friendship between two young Korean men, Jeom-yong and Won-jin. Won-jin is in love with Jeom-yong's sister and wants to free her from her miserable, degrading hostess job, but it will take money to extricate herself from work that has left her in debt to her employer. When a Chinese spy approaches Won-jin and seduces him with the cash he needs, Won-jin divulges secret information about the military train, secrets that he gains from spying on Jeom-yong who drives the military train. After Won-jin leaks the information, he is pricked with guilt and this leads to his trying to undo what he has tragically set in motion. The film was released to coincide with the mobilization of military troops soon after the start of the Sino-Japanese war and to promote the importance of the military mission of the railroad to transport the troops. Along with Homeless Angel (Jib-eobsneun cheonsa), Story of Sim-chung (Sim Cheongjeon), and Fisherman's Fire (Eohwa), it is one of just four films from the 1930s whose existence in Korea has been verified.
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Field of Study
Asian Studies
Content Type
Performance
Performer / Ensemble
Ye-bong Mun, fl. 1938, Jushiro Kobayashi, fl. 1933, Eun-gi Dog, fl. 1938
Contributor
Seo Gwang Je, fl. 1938
Author / Creator
Seo Gwang Je, fl. 1938, Ye-bong Mun, fl. 1938, Jushiro Kobayashi, fl. 1933, Eun-gi Dog, fl. 1938
Date Published / Released
1938
Publisher
Korean Film Archive
Topic / Theme
Korean, Romantic relationships, Bribery, Treason, Military occupation
Copyright Message
Copyright © 1938 Used by permission of Korean Film Archive.
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