Browse Titles - 4 results
Flamenco! The Land Is Still Fertile (Director's Cut)
directed by Eve A. Ma, 1943-; produced by Eve A. Ma, 1943-, Palomino Productions (Berkeley, CA: Palomino Pro, 2023), 1 hour 40 mins
With world-class performance, fascinating interviews, footage of beautiful locations in southern Spain and similar visually compelling materials we examine traditional flamenco - that passionate art form, recognized by UNESCO as part of the Intangible Cultural Heritage of Humanity. What is it? What are its roots?...
Sample
directed by Eve A. Ma, 1943-; produced by Eve A. Ma, 1943-, Palomino Productions (Berkeley, CA: Palomino Pro, 2023), 1 hour 40 mins
Description
With world-class performance, fascinating interviews, footage of beautiful locations in southern Spain and similar visually compelling materials we examine traditional flamenco - that passionate art form, recognized by UNESCO as part of the Intangible Cultural Heritage of Humanity. What is it? What are its roots? What are its ties to farm workers and other dispossessed peoples? Was it created by gitanos (Spanish Gypsies), and is this significant?...
With world-class performance, fascinating interviews, footage of beautiful locations in southern Spain and similar visually compelling materials we examine traditional flamenco - that passionate art form, recognized by UNESCO as part of the Intangible Cultural Heritage of Humanity. What is it? What are its roots? What are its ties to farm workers and other dispossessed peoples? Was it created by gitanos (Spanish Gypsies), and is this significant?. And finally, what is the likely future of traditional flamenco?
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Field of Study
Dance
Content Type
Documentary
Contributor
Eve A. Ma, 1943-, Palomino Productions, Antonio de la Malena, fl. 2010
Author / Creator
Eve A. Ma, 1943-
Date Published / Released
2023
Publisher
Palomino Pro
Speaker / Narrator
Antonio de la Malena, fl. 2010
Topic / Theme
Folk music, Flamenco, Romani
Copyright Message
Copyright © 2023 Palomino Pro, LLC
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N'dolo, Chants, Jeux et Danses en Pays Baoulé
produced by Koffi Célestin Yao (Paris, Ile-de-France: L'Harmattan, 2013), 57 mins
Les baoulés sont un peuple de Côte d'Ivoire, issus du groupe akan. Au niveau de la culture et des arts, ils constituent l'un des peuples les plus prolifiques et créatifs d'Afrique. L'art sculptural baoulé fait le bonheur de nombreux musées occidentaux. Cependant, au pays baoulé, il n'y a pas que les masques...
Sample
produced by Koffi Célestin Yao (Paris, Ile-de-France: L'Harmattan, 2013), 57 mins
Description
Les baoulés sont un peuple de Côte d'Ivoire, issus du groupe akan. Au niveau de la culture et des arts, ils constituent l'un des peuples les plus prolifiques et créatifs d'Afrique. L'art sculptural baoulé fait le bonheur de nombreux musées occidentaux. Cependant, au pays baoulé, il n'y a pas que les masques et les statuettes, nous pouvons mentionner de nombreuses autres formes artistiques, dont l'art du chant et de la danse. En règle gé...
Les baoulés sont un peuple de Côte d'Ivoire, issus du groupe akan. Au niveau de la culture et des arts, ils constituent l'un des peuples les plus prolifiques et créatifs d'Afrique. L'art sculptural baoulé fait le bonheur de nombreux musées occidentaux. Cependant, au pays baoulé, il n'y a pas que les masques et les statuettes, nous pouvons mentionner de nombreuses autres formes artistiques, dont l'art du chant et de la danse. En règle général, ces formes s'associent pleinement au cérémoniel dit du « masque », quand le pagne dit baoulé ou le raphia endossent le corps du danseur qui performe, accompagné par l'orchestre des membres initiés. La pratique très féminine du n'dolo ou aka combine le chant, la danse et le jeu, lors des cérémonies villageoises.
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Date Written / Recorded
2011-10
Field of Study
Anthropology
Content Type
Documentary
Contributor
Koffi Célestin Yao
Date Published / Released
2013
Publisher
L'Harmattan
Copyright Message
Copyright © 2013 L'Harmattan
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Stamping Ground, 2, Road to the Stamping Ground
directed by David Muir, fl. 1984 and Hans Hulscher, fl. 1984; choreographed by Jiří Kylián, 1947-; produced by Neil Mundy, fl. 1994 and Timothy Read, fl. 1973, NOS-TV Holland, Polygon Pictures and RM Arts; performed by Nederlands Dans Theater, in Stamping Ground, 2 (Halle, Saxony-Anhalt: Monarda Arts, 1984), 57 mins
An invitation to attend a large gathering of Aboriginal dancers in Australia fuelled Jiri Kylián's abiding interest in their traditions. Film of his experience there, together with footage of the work it inspired him to undertake with the Nederlands Dans Theater, form an introduction to a studio recording of the...
Sample
directed by David Muir, fl. 1984 and Hans Hulscher, fl. 1984; choreographed by Jiří Kylián, 1947-; produced by Neil Mundy, fl. 1994 and Timothy Read, fl. 1973, NOS-TV Holland, Polygon Pictures and RM Arts; performed by Nederlands Dans Theater, in Stamping Ground, 2 (Halle, Saxony-Anhalt: Monarda Arts, 1984), 57 mins
Description
An invitation to attend a large gathering of Aboriginal dancers in Australia fuelled Jiri Kylián's abiding interest in their traditions. Film of his experience there, together with footage of the work it inspired him to undertake with the Nederlands Dans Theater, form an introduction to a studio recording of the stunning ballet that resulted: Stamping Ground. This stunningly innovative and athletic piece of choreography is danced to music by Car...
An invitation to attend a large gathering of Aboriginal dancers in Australia fuelled Jiri Kylián's abiding interest in their traditions. Film of his experience there, together with footage of the work it inspired him to undertake with the Nederlands Dans Theater, form an introduction to a studio recording of the stunning ballet that resulted: Stamping Ground. This stunningly innovative and athletic piece of choreography is danced to music by Carlos Chavez. This performance is also available with a documentary introduction, Road To The Stamping Ground.
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Field of Study
World Music
Content Type
Documentary
Performer / Ensemble
Nederlands Dans Theater
Contributor
Jiří Kylián, 1947-, Neil Mundy, fl. 1994, Timothy Read, fl. 1973, NOS-TV Holland, Polygon Pictures, RM Arts, Kit Denton
Author / Creator
Jiří Kylián, 1947-, David Muir, fl. 1984, Hans Hulscher, fl. 1984, Nederlands Dans Theater
Date Published / Released
1984
Publisher
Monarda Arts
Series
Stamping Ground
Speaker / Narrator
Kit Denton
Topic / Theme
Ritual, Traditional, Ballet, Australian Aborigines
Copyright Message
Copyright © 1984 Monarda Arts
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A Zest for Life: Afro-Peruvian Rhythms, a Source of Latin Jazz
directed by Eve A. Ma, 1943-; presented by Eve A. Ma, 1943-; produced by Eve A. Ma, 1943-, Palomino Productions (Berkeley, CA: Palomino Productions, 2015), 57 mins
The music and dance in this documentary come from a corner of the African Diaspora with which few people are familiar: the Afro-Peruvians. One aim of the film is to acquaint the viewer with this lively and fascinating culture. In addition, the music is very attractive - upbeat and rhythmic. The dances are colorful...
Sample
directed by Eve A. Ma, 1943-; presented by Eve A. Ma, 1943-; produced by Eve A. Ma, 1943-, Palomino Productions (Berkeley, CA: Palomino Productions, 2015), 57 mins
Description
The music and dance in this documentary come from a corner of the African Diaspora with which few people are familiar: the Afro-Peruvians. One aim of the film is to acquaint the viewer with this lively and fascinating culture. In addition, the music is very attractive - upbeat and rhythmic. The dances are colorful. And the history of Afro-Peruvians, which is recounted in brief in the documentary, is highly reminiscent of that of African Americans...
The music and dance in this documentary come from a corner of the African Diaspora with which few people are familiar: the Afro-Peruvians. One aim of the film is to acquaint the viewer with this lively and fascinating culture. In addition, the music is very attractive - upbeat and rhythmic. The dances are colorful. And the history of Afro-Peruvians, which is recounted in brief in the documentary, is highly reminiscent of that of African Americans.
Our star is Lalo Izquierdo: dancer, choreographer, percussionist, and folklorist of his Afro-Peruvian community. Through his explanations and his performance, to say nothing of the choreographies he taught, we discover a part of Latin America that differs significantly from that with which we usually are in contact with. The filming took place in both California and Peru. Izquierdo spent a year in California, teaching a Bay Area group (de Rompe y Raja) which had obtained a grant to bring him here. This made it easy for us to shoot the performance part (captured in the studios of Contra Costa Television, through the good offices of AC5 - the Arts & Culture Commission of Contra Costa County). Director Eve A. Ma also spent time in Peru, both in its capitol of Lima and in the coastal countryside to the north and the south where the Afro-Peruvian influence has been strongest.People in the United States have only recently begun to learn about people of African descent in Latin America, and this documentary provides a fascinating glimpse into one segment of this population. "A Zest for Life" has shown on individual PBS stations from Washington, D.C. through California, enlarging our understanding of these people and their wonderful art forms.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Eve A. Ma, 1943-, Palomino Productions
Author / Creator
Eve A. Ma, 1943-
Date Published / Released
2015
Publisher
Palomino Productions
Speaker / Narrator
Lalo Izquierdo, 1950-
Person Discussed
Lalo Izquierdo, 1950-
Topic / Theme
Peruvians, Africans
Copyright Message
Copyright © 2015 Palomino Pro
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