Browse Titles - 3 results
Music of the Mande
Mande Music and Dance: Performed by Mandinka Musicians in Gambia in the late Twentieth Century.
These films, including 18 separate events, made at the beginning of the Super 8 era with a silent camera and separate tape recorder, and at the end, with a sound-sync camera, feature performances by some of The Gambi...
Mande Music and Dance: Performed by Mandinka Musicians in Gambia in the late Twentieth Century.
These films, including 18 separate events, made at the beginning of the Super 8 era with a silent camera and separate tape recorder, and at the end, with a sound-sync camera, feature performances by some of The Gambia's legendary Mandinka musicians. With a single roving camera, ethnomusicologist, Roderic Knight captures the enthusiasm and artistry o...
Mande Music and Dance: Performed by Mandinka Musicians in Gambia in the late Twentieth Century.
These films, including 18 separate events, made at the beginning of the Super 8 era with a silent camera and separate tape recorder, and at the end, with a sound-sync camera, feature performances by some of The Gambia's legendary Mandinka musicians. With a single roving camera, ethnomusicologist, Roderic Knight captures the enthusiasm and artistry of jaliyaa, one of Africa's classic genres, and several other genres, including tantango drumming, a style that is today being eclipsed by the djembe.
I. Music of the Warriors, Hunters, and Ordinary People - 2:38
II. Professional Music: Mandinka Jaliyaa with the Kora - 38:48 Bai Konteh, Jali Mori Suso, Amadu Bansang Jobarteh, Jali Nyama Suso, Suntu Suso, Masireng Kuyateh, a kullio, kora making.
III. Gambian Tantango Drumming - 31:31 Lenjengo/Seruba, Nyaka Julo, Kanyelango, Nyoboringo (wrestling), Kankurango
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Music of West Africa: The Mandinka and their Neighbors
This video presents ten historical scenes, captured on 8mm film at a time when portable video had not yet emerged as a viable medium. Eight of the scenes were filmed by Roderic Knight; two were contributed by renowned Gambian expert David Gamble. With the invaluable assistance of Elio Trabal, OC 2004, the footage...
This video presents ten historical scenes, captured on 8mm film at a time when portable video had not yet emerged as a viable medium. Eight of the scenes were filmed by Roderic Knight; two were contributed by renowned Gambian expert David Gamble. With the invaluable assistance of Elio Trabal, OC 2004, the footage has been lifted from the confines of the author's classroom to the present format, enabling its presentation to a wider public.
Each sc...
This video presents ten historical scenes, captured on 8mm film at a time when portable video had not yet emerged as a viable medium. Eight of the scenes were filmed by Roderic Knight; two were contributed by renowned Gambian expert David Gamble. With the invaluable assistance of Elio Trabal, OC 2004, the footage has been lifted from the confines of the author's classroom to the present format, enabling its presentation to a wider public.
Each scene focuses on a specific event or musical group. Five are devoted to regional sub-groups of the broad Mande culture: The Mandinka of The Gambia, the Koranko of Guinea, and the Serahuli of Mali. The other five scenes feature the Fula, Balanta, and Jola people. Also included are glimpses of the Super Eagles, a popular Gambian band, and the first Gambian president, Sir Dawda Jawara, speaking at a political rally.
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Village and Town Music of India and Nepal
The forested hills and valleys of the eastern Narmada River in Madhya Pradesh, India attracted Rudyard Kipling a century ago, and more recently, for different reasons, ethnomusicologist Roderic C. Knight. Seeking to document the little-known musics of the region, Knight packed a notebook, movie and still cameras,...
The forested hills and valleys of the eastern Narmada River in Madhya Pradesh, India attracted Rudyard Kipling a century ago, and more recently, for different reasons, ethnomusicologist Roderic C. Knight. Seeking to document the little-known musics of the region, Knight packed a notebook, movie and still cameras, and a tape recorder onto his motorcycle and sought out the musicians in their villages. The results are presented in these scenes: twel...
The forested hills and valleys of the eastern Narmada River in Madhya Pradesh, India attracted Rudyard Kipling a century ago, and more recently, for different reasons, ethnomusicologist Roderic C. Knight. Seeking to document the little-known musics of the region, Knight packed a notebook, movie and still cameras, and a tape recorder onto his motorcycle and sought out the musicians in their villages. The results are presented in these scenes: twelve musical performances and numerous scenes from daily life in 1982. At the time, Super 8 sound movie film was the medium of choice; the digital mini-cam was far in the future. These films, converted to video and digitally edited with the able assistance of Elio Trabal (Oberlin College 2004), capture events of two types: rural music that is today as isolated as it was then, and urban festive music that is as vibrant and current today as it was when filmed.
PART I. VILLAGE MUSIC OF MADHYA PRADESH 30:30
Filmed in Dindori District and Jabalpur
1. The Pardhan bana, a three-string fiddle
2. The Gogia Pardhan bin-baja, a strummed harp
3. Gond Stilt Dance and “Kabadi” game by school boys
4. Gond and Pardhan at work on farms and roads
5. The Ahir algoza, a bamboo fingerhole trumpet
PART II. TOWN MUSIC OF NORTH INDIA AND NEPAL 37:00
Filmed in Nagpur, Raipur, Bhopal, Jabalpur,
Chandigarh, and Kathmandu
1. Daily Work Scenes: carting, threshing, pottery making
2. Itinerant Musicians sing “Matti ke Putle”
3. A Sikh Celebration of Baisakhi: singers with harmonium,
tabla, tumbi, sarangi, and tudd
4. A Sikh Wedding: the street parade, the welcoming
5. A Gaine Singer of Nepal with sarangi
