Browse Titles - 20 results
A Banda (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR187 (29 May 1950) , 1 page(s)
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR187 (29 May 1950) , 1 page(s)
Date Written / Recorded
29 May 1950, 1950
Field of Study
Anthropology
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Person Discussed
Lucy Nyamangwe, fl. 1950
Topic / Theme
Folk music, Wedding Music, Drum, Tonga (Malawi)
Copyright Message
Material sourced from the International Library of African Music. Copyright © International Library of African Music.
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Carnival King of Europe, Tabom in Bahia
directed by Juan Diego Diaz, fl. 2017 and Nilton Pereira, fl. 2017; produced by Juan Diego Diaz, fl. 2017, Brazil. Embassy (Accra), Tap Portugal and Fiesta Hotels & Resorts, S.L., in Carnival King of Europe (London, England: Royal Anthropological Institute, 2017), 52 mins
There is a small community in Ghana who identify as Brazilians. Their name is the Tabom. They are the descendants of former enslaved Africans and creoles who resettled from Bahia to Ghana during the 19th century, especially after the Malês Revolt in Bahia of 1835. They left Bahia escaping repression, looking for...
Sample
directed by Juan Diego Diaz, fl. 2017 and Nilton Pereira, fl. 2017; produced by Juan Diego Diaz, fl. 2017, Brazil. Embassy (Accra), Tap Portugal and Fiesta Hotels & Resorts, S.L., in Carnival King of Europe (London, England: Royal Anthropological Institute, 2017), 52 mins
Description
There is a small community in Ghana who identify as Brazilians. Their name is the Tabom. They are the descendants of former enslaved Africans and creoles who resettled from Bahia to Ghana during the 19th century, especially after the Malês Revolt in Bahia of 1835. They left Bahia escaping repression, looking for better life opportunities, and in search of their ancestral roots. They were received by the Ga people in British, Danish and Dutch-dom...
There is a small community in Ghana who identify as Brazilians. Their name is the Tabom. They are the descendants of former enslaved Africans and creoles who resettled from Bahia to Ghana during the 19th century, especially after the Malês Revolt in Bahia of 1835. They left Bahia escaping repression, looking for better life opportunities, and in search of their ancestral roots. They were received by the Ga people in British, Danish and Dutch-dominated Accra and gradually integrated to this group and to the larger Ghanaian society. However, despite the fact that they no longer speak Portuguese and that most have never set foot in Brazil, they still cherish Brazil and have never given up their dream to visit Bahia, their ancestral homeland.Master drummer Eric Odwarkei Morton is one of many Tabom who has dreamt all his life about visiting Bahia. He is a sixth generation Tabom and a key member of his community who presides religious and funerary ceremonies through song, drumming, and prayers. Tabom in Bahia documents Eric's journey to Brazil and also his preparation for the trip in Accra. The three-week journey took him to urban and rural locations in Salvador, Cachoeira, Santo Amaro, and Valença. Eric met with capoeira and samba-de-roda masters, Candomblé dancers, musicians, and spiritual leaders, members of carnival associations, music teachers and students, and black activists. He was received with anticipation and treated with utmost respect by an Afro-Bahian community that cherishes their African heritage. During the trip Eric not only discovered capoeira, samba-de-roda, samba-reggae, ijexa, and various Candomblé traditions, but also shared agbe, the musical style that he commands.Ethnomusicologist: Juan Diego Diaz
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Juan Diego Diaz, fl. 2017, Brazil. Embassy (Accra), Tap Portugal, Fiesta Hotels & Resorts, S.L.
Author / Creator
Juan Diego Diaz, fl. 2017, Nilton Pereira, fl. 2017
Date Published / Released
2017
Publisher
Royal Anthropological Institute
Series
Carnival King of Europe
Speaker / Narrator
Juan Diego Diaz, fl. 2017
Topic / Theme
Cultural identity, Drums, Folk music, Samba, Candomblé, Capoeira, African Brazilian, Agudas
Copyright Message
Copyright © 2017 Royal Anthropological Institute
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E kenia matsolo (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR195 (01 May 1963) , 2 page(s)
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR195 (01 May 1963) , 2 page(s)
Date Written / Recorded
01 May 1963, 1963
Field of Study
Anthropology
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Folk music, Coming of age ceremonies, Initiation Songs, Whistle, Rattle, leg, Drum, Sotho
Copyright Message
Material sourced from the International Library of African Music. Copyright © International Library of African Music.
×
E lesang goloya (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR195 (01 May 1963) , 2 page(s)
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR195 (01 May 1963) , 2 page(s)
Date Written / Recorded
01 May 1963, 1963
Field of Study
Anthropology
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Folk music, Coming of age ceremonies, Initiation Songs, Whistle, Rattle, leg, Drum, Sotho
Copyright Message
Material sourced from the International Library of African Music. Copyright © International Library of African Music.
×
Gwilane kangacepe gwilane (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR190 (22 May 1950) , 1 page(s)
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR190 (22 May 1950) , 1 page(s)
Date Written / Recorded
22 May 1950, 1950
Field of Study
Anthropology
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Folk music, Initiation Songs, Clapping, hand, Chichewa
Copyright Message
Material sourced from the International Library of African Music. Copyright © International Library of African Music.
×
Iya-e (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR194 (02 May 1963) , 1 page(s)
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR194 (02 May 1963) , 1 page(s)
Date Written / Recorded
02 May 1963, 1963
Field of Study
Anthropology
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Folk music, Dance, Initiation Songs, Drum, Sotho
Copyright Message
Material sourced from the International Library of African Music. Copyright © International Library of African Music.
×
Iyelele (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR185 (31 May 1950) , 2 page(s)
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR185 (31 May 1950) , 2 page(s)
Date Written / Recorded
31 May 1950, 1950
Field of Study
Anthropology
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Folk music, Folk Song, Zulu, Ngoni
Copyright Message
Material sourced from the International Library of African Music. Copyright © International Library of African Music.
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Kanamanye (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR188 (23 May 1950) , 1 page(s)
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR188 (23 May 1950) , 1 page(s)
Date Written / Recorded
23 May 1950, 1950
Field of Study
Anthropology
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Folk music, Initiation Songs, Dance, Clapping, hand, Drum, goblet, Tumbuka
Copyright Message
Material sourced from the International Library of African Music. Copyright © International Library of African Music.
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Mabolele kgoro (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR194 (02 May 1963) , 1 page(s)
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR194 (02 May 1963) , 1 page(s)
Date Written / Recorded
02 May 1963, 1963
Field of Study
Anthropology
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Folk music, Dance, Initiation Songs, Drum, Sotho
Copyright Message
Material sourced from the International Library of African Music. Copyright © International Library of African Music.
×
Mogobo Segata mosabani (Joined) (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR194 (02 May 1963) , 2 page(s)
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR194 (02 May 1963) , 2 page(s)
Date Written / Recorded
02 May 1963, 1963
Field of Study
Anthropology
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Folk music, Coming of age ceremonies, Dance, Initiation Songs, Sticks, Drum, Horn, Sotho
Copyright Message
Material sourced from the International Library of African Music. Copyright © International Library of African Music.
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