Browse Titles - 8 results
See details
August Sun
directed by Prasanna Vithanage, 1962-; performed by Mohamed Rahfiulla, fl. 2003, Nimmi Harasgama, fl. 1997-2012 and Peter D'Almeida, fl. 1994-2003 (Sri Lanka: Privately Published), 1 hour 44 mins
This filmic offering by acclaimed director Prasanna Vithanage (Walls Within and Death on a Full Moon Day) is a poignant narrative of human displacement against the backdrop of the bitter, real-life conflict between the Sinhalese and Tamil people of Sri Lanka. The film traces the experience of three individuals, e...
Sample
directed by Prasanna Vithanage, 1962-; performed by Mohamed Rahfiulla, fl. 2003, Nimmi Harasgama, fl. 1997-2012 and Peter D'Almeida, fl. 1994-2003 (Sri Lanka: Privately Published), 1 hour 44 mins
Description
This filmic offering by acclaimed director Prasanna Vithanage (Walls Within and Death on a Full Moon Day) is a poignant narrative of human displacement against the backdrop of the bitter, real-life conflict between the Sinhalese and Tamil people of Sri Lanka. The film traces the experience of three individuals, each of whom is affected by the war in different ways. Chamari enlists the aid of a London-based journalist to help locate her husband,...
This filmic offering by acclaimed director Prasanna Vithanage (Walls Within and Death on a Full Moon Day) is a poignant narrative of human displacement against the backdrop of the bitter, real-life conflict between the Sinhalese and Tamil people of Sri Lanka. The film traces the experience of three individuals, each of whom is affected by the war in different ways. Chamari enlists the aid of a London-based journalist to help locate her husband, a pilot who was captured by the Tamil Tigers; a young Muslim boy Arfath tries to keep his dog, even as his family joins thousands of other Muslims in a mass exodus to escape the conflict; and Dumida, a lonely young soldier, discovers that his sister has been working as a prostitute in a brothel that serves both Sinhalese and Tamil soldiers. All of these events, presented from a Sinhalese perspective, take place under the searing heat of a hot August sun and the weight of lengthy civil war. Awards/Festivals: Grand Jury Prize and nominated Lino Brocka Award Cinemanila International Film Festival 2003; Grand Prix des Amriques Montreal World Film Festival 2003; FIPRESCI/NETPAC Award Singapore International Film Festival 2004; Amiens International Film Festival 2003; International Film Festival Rotterdam 2004; Deauville Asian Film Festival 2004.
Show more
Show less
Date Written / Recorded
2009-10-19
Field of Study
Asian Studies
Content Type
Performance
Performer / Ensemble
Mohamed Rahfiulla, fl. 2003, Nimmi Harasgama, fl. 1997-2012, Peter D'Almeida, fl. 1994-2003
Contributor
Prasanna Vithanage, 1962-
Author / Creator
Prasanna Vithanage, 1962-, Mohamed Rahfiulla, fl. 2003, Nimmi Harasgama, fl. 1997-2012, Peter D'Almeida, fl. 1994-2003
Date Published / Released
2003
Publisher
Privately Published
Topic / Theme
Sri Lankan, Armed forces, Refugees, War, Civil war
Copyright Message
Copyright © 2003 Used by permission of Prasanna Vithanage.
×
See details
Death on a Full Moon Day
directed by Prasanna Vithanage, 1962-; performed by Kumara Karunananda, fl. 1997, Nayana Hettiarachchi, fl. 1997 and Joe Abeywickrama, 1933-2011 (Sri Lanka: Privately Published), 1 hour 9 mins
Told against the backdrop of civil war, endemic poverty, and the struggles of everyday life in rural Sri Lanka, Death on a Full Moon Day revolves around the central protagonist, Wannihami, a blind man with a fierce sense of independence. When his son Bandara is killed by a land mine while fighting against Tamil r...
Sample
directed by Prasanna Vithanage, 1962-; performed by Kumara Karunananda, fl. 1997, Nayana Hettiarachchi, fl. 1997 and Joe Abeywickrama, 1933-2011 (Sri Lanka: Privately Published), 1 hour 9 mins
Description
Told against the backdrop of civil war, endemic poverty, and the struggles of everyday life in rural Sri Lanka, Death on a Full Moon Day revolves around the central protagonist, Wannihami, a blind man with a fierce sense of independence. When his son Bandara is killed by a land mine while fighting against Tamil rebels, Wannihami refuses to believe he is dead. Despite being overwhelmed by grief, Bandara's sister and her fiancee try to convince Wa...
Told against the backdrop of civil war, endemic poverty, and the struggles of everyday life in rural Sri Lanka, Death on a Full Moon Day revolves around the central protagonist, Wannihami, a blind man with a fierce sense of independence. When his son Bandara is killed by a land mine while fighting against Tamil rebels, Wannihami refuses to believe he is dead. Despite being overwhelmed by grief, Bandara's sister and her fiancee try to convince Wannihami to accept his son's death and the compensation payment the government is offering them. Impoverished as they are as a result of the civil war, the money could be used to complete construction of the family house and provide a better life for the family in a time of economic strife. However, even the poor conditions in which Wannihami and his family live cannot convince him to accept the money. Awards/Festivals: Golden Unicorn Best Feature Film Amiens International Film Festival 1999; FIPRESCI Prize Fribourg International Film Festival 1999; Silver Screen Award Best Asian Actor and Nominated Silver Screen Award Best Asian Film Singapore International Film Festival 1999; Thessaloniki International Film Festival 1998; Palm Springs International Film Festival 1999.
Show more
Show less
Date Written / Recorded
2009-10-19
Field of Study
Asian Studies
Content Type
Performance
Performer / Ensemble
Kumara Karunananda, fl. 1997, Nayana Hettiarachchi, fl. 1997, Joe Abeywickrama, 1933-2011
Contributor
Prasanna Vithanage, 1962-
Author / Creator
Prasanna Vithanage, 1962-, Kumara Karunananda, fl. 1997, Nayana Hettiarachchi, fl. 1997, Joe Abeywickrama, 1933-2011
Date Published / Released
1998
Publisher
Privately Published
Topic / Theme
Sri Lankan, Civil war, Poverty, Rural population, Family relationships
Copyright Message
Copyright © 1998 Used by permission of Prasanna Vithanage.
×
See details
The Gaze
directed by Mani Kaul, 1944-2011; performed by Shekhar Kapur, 1945-, Asha Dandavate, fl. 1991 and A.A. Baig, fl. 1991 (India: National Film Development Corporation Ltd), 1 hour 25 mins
Based on 'The Meek One', a short story by Fyodor Dostoyevsky, a 40-year-old antique shop owner and money lender recounts his first meetings with his 17-year-old wife, when she pawned her items at his shop. As the film progresses, their marriage is revealed to be an unhappy one with his wife growing increasingly di...
Sample
directed by Mani Kaul, 1944-2011; performed by Shekhar Kapur, 1945-, Asha Dandavate, fl. 1991 and A.A. Baig, fl. 1991 (India: National Film Development Corporation Ltd), 1 hour 25 mins
Description
Based on 'The Meek One', a short story by Fyodor Dostoyevsky, a 40-year-old antique shop owner and money lender recounts his first meetings with his 17-year-old wife, when she pawned her items at his shop. As the film progresses, their marriage is revealed to be an unhappy one with his wife growing increasingly distant and contemptuous of him. Their relationship gets more complicated with each quarrel and consequent reconciliation, even driving h...
Based on 'The Meek One', a short story by Fyodor Dostoyevsky, a 40-year-old antique shop owner and money lender recounts his first meetings with his 17-year-old wife, when she pawned her items at his shop. As the film progresses, their marriage is revealed to be an unhappy one with his wife growing increasingly distant and contemptuous of him. Their relationship gets more complicated with each quarrel and consequent reconciliation, even driving his wife to point a gun to his head. Sadly, it is ultimately she herself who gets destroyed. A languidly-paced drama that is a departure from the average Indian narrative film, told largely through the internal monologue of the husband. Festivals: Festival des 3 Continent Nantes, France; Fribourg Film Festival; Hongkong International Film Festival; Lisbon Film Festival; Rotterdam Film Festival; London Film Festival; Locarno Film Festival; Seattle Film Festival; Birmingham Film Festival.
Show more
Show less
Date Written / Recorded
2011-03-24
Field of Study
Asian Studies
Content Type
Performance
Performer / Ensemble
Shekhar Kapur, 1945-, Asha Dandavate, fl. 1991, A.A. Baig, fl. 1991
Contributor
Mani Kaul, 1944-2011
Author / Creator
Mani Kaul, 1944-2011, Shekhar Kapur, 1945-, Asha Dandavate, fl. 1991, A.A. Baig, fl. 1991
Date Published / Released
1990
Publisher
National Film Development Corporation Ltd
Topic / Theme
Indian, Marriage, Family relationships, Indians (Asian)
Copyright Message
Copyright © 1990 Used by permission of National Film Development Corporation.
×
See details
Mirch Masala
directed by Ketan Mehta, 1952-; performed by Om Puri, 1950-, Samita Patil, fl. 1974-1989 and Naseeruddin Shah, 1950- (India: National Film Development Corporation Ltd), 1 hour 58 mins
In a British-ruled India, a subedar, an officer of the Indian Army, is sent to collect taxes in a village. Riding into the village, the subedar chances upon Sonbai, a beautiful, married woman. Abusing his power as an officer, he demands that Sonbai sleeps with him while her husband is away. To his surprise, Son...
Sample
directed by Ketan Mehta, 1952-; performed by Om Puri, 1950-, Samita Patil, fl. 1974-1989 and Naseeruddin Shah, 1950- (India: National Film Development Corporation Ltd), 1 hour 58 mins
Description
In a British-ruled India, a subedar, an officer of the Indian Army, is sent to collect taxes in a village. Riding into the village, the subedar chances upon Sonbai, a beautiful, married woman. Abusing his power as an officer, he demands that Sonbai sleeps with him while her husband is away. To his surprise, Sonbai slaps him in full view of his soldiers before running off. Enraged and embarrassed, the subedar orders his soldiers to capture Son...
In a British-ruled India, a subedar, an officer of the Indian Army, is sent to collect taxes in a village. Riding into the village, the subedar chances upon Sonbai, a beautiful, married woman. Abusing his power as an officer, he demands that Sonbai sleeps with him while her husband is away. To his surprise, Sonbai slaps him in full view of his soldiers before running off. Enraged and embarrassed, the subedar orders his soldiers to capture Sonbai. However, Sonbai escapes to the spice factory, where the elderly watchman locks the soldiers out to protect her. The town leader is then commanded to deliver Sonbai to the subedar and after some deliberation, the patriarchal village decides to sacrifice Sonbai. As the spice factory comes under attack, Sonbai and the female factory workers finally decide to stand up for themselves. Awards/Festivals: Best Feature Film, Hawaii International Film Festival; Moscow International Film Festival.
Show more
Show less
Field of Study
Asian Studies
Content Type
Performance
Performer / Ensemble
Om Puri, 1950-, Samita Patil, fl. 1974-1989, Naseeruddin Shah, 1950-
Contributor
Ketan Mehta, 1952-
Author / Creator
Ketan Mehta, 1952-, Om Puri, 1950-, Samita Patil, fl. 1974-1989, Naseeruddin Shah, 1950-
Date Published / Released
1986
Publisher
National Film Development Corporation Ltd
Topic / Theme
Indian, Military personnel, Towns, Political corruption, Sexual harassment, Gender roles, Indians (Asian)
Copyright Message
Copyright © 1986 Used by permission of National Film Development Corporation.
×
See details
Quiet Flows The River Chitra
directed by Tanvir Mokammel, 1955-; performed by Sumita Devi, 1936-2004, Towkier Ahmed, fl. 1994-1999 and Momtajuddin Ahmed, fl. 1999 (Bangladesh: Privately Published), 1 hour 46 mins
In 1947, following the partition of India, Pakistan was formed. In East Pakistan (now Bangladesh), millions of Hindu families were forced to choose between living under Islamic rule, or abandoning the land, which their ancestors had been living in for centuries. Shashikanta Sengupta, a lawyer, refuses to migrate...
Sample
directed by Tanvir Mokammel, 1955-; performed by Sumita Devi, 1936-2004, Towkier Ahmed, fl. 1994-1999 and Momtajuddin Ahmed, fl. 1999 (Bangladesh: Privately Published), 1 hour 46 mins
Description
In 1947, following the partition of India, Pakistan was formed. In East Pakistan (now Bangladesh), millions of Hindu families were forced to choose between living under Islamic rule, or abandoning the land, which their ancestors had been living in for centuries. Shashikanta Sengupta, a lawyer, refuses to migrate, although he sends his son to study in Calcutta. Together with his daughter, Minoti and his sister, Anuprava Devi, they continue to l...
In 1947, following the partition of India, Pakistan was formed. In East Pakistan (now Bangladesh), millions of Hindu families were forced to choose between living under Islamic rule, or abandoning the land, which their ancestors had been living in for centuries. Shashikanta Sengupta, a lawyer, refuses to migrate, although he sends his son to study in Calcutta. Together with his daughter, Minoti and his sister, Anuprava Devi, they continue to live in their hometown of Narail, by their beloved River Chitra. However, the riots and demonstrations of the sixties end up changing the course of their lives forever. Festivals: London Film Festival; Oslo International Film Festival; Fribourg International Film Festival; Singapore International Film Festival; Delhi International Film Festival; Kolkata International Film Festival; Trivandrum International Film Festival.
Show more
Show less
Field of Study
Asian Studies
Content Type
Performance
Performer / Ensemble
Sumita Devi, 1936-2004, Towkier Ahmed, fl. 1994-1999, Momtajuddin Ahmed, fl. 1999
Contributor
Tanvir Mokammel, 1955-
Author / Creator
Tanvir Mokammel, 1955-, Sumita Devi, 1936-2004, Towkier Ahmed, fl. 1994-1999, Momtajuddin Ahmed, fl. 1999
Date Published / Released
1998
Publisher
Privately Published
Topic / Theme
Bengali, Immigration and emigration, Religion, Riots
Copyright Message
Copyright © 1998 Used by permission of Tanvir Mokammel.
×
See details
The Shelter of Wings
directed by Buddhadeb Dasgupta, 1944-; performed by Rajit Kapoor, fl. 1993-2012, Indrani Haldar, 1971- and Shankar Chakraborty, fl. 1991-2013 (India: Privately Published), 1 hour 22 mins
Based on the novel by Prafulla Roy, Charachar (Shelter of the Wings) revolves around the film's protagonist Lakha, who comes from a family of bird catchers. Each day Lakha traps birds and sells them to Shashmal, the local dealer who in turn sells them to wealthy people who live in the city. Unfortunately, before...
Sample
directed by Buddhadeb Dasgupta, 1944-; performed by Rajit Kapoor, fl. 1993-2012, Indrani Haldar, 1971- and Shankar Chakraborty, fl. 1991-2013 (India: Privately Published), 1 hour 22 mins
Description
Based on the novel by Prafulla Roy, Charachar (Shelter of the Wings) revolves around the film's protagonist Lakha, who comes from a family of bird catchers. Each day Lakha traps birds and sells them to Shashmal, the local dealer who in turn sells them to wealthy people who live in the city. Unfortunately, before they are sold, many of the birds die. Despite being in desperate need of the money he makes from the birds, Lakha's deep love for them...
Based on the novel by Prafulla Roy, Charachar (Shelter of the Wings) revolves around the film's protagonist Lakha, who comes from a family of bird catchers. Each day Lakha traps birds and sells them to Shashmal, the local dealer who in turn sells them to wealthy people who live in the city. Unfortunately, before they are sold, many of the birds die. Despite being in desperate need of the money he makes from the birds, Lakha's deep love for them inspires him to let many go free. Frustrated by her husband's lack of ambition and his obsession with the birds, Lakha's wife Sari has an affair with another bird catcher. This beautifully told narrative reveals the connection between humans and the natural world. Awards/Festivals: Nominated Golden Berlin Bear, Berlin International Film Festival 1994; Won Audience Award and Special Jury Award Fribourg International Film Festival 1995; Won Golden Lotus Award, India National Film Awards 1994.
Show more
Show less
Date Written / Recorded
2009-10-19
Field of Study
Asian Studies
Content Type
Performance
Performer / Ensemble
Rajit Kapoor, fl. 1993-2012, Indrani Haldar, 1971-, Shankar Chakraborty, fl. 1991-2013
Contributor
Buddhadeb Dasgupta, 1944-
Author / Creator
Buddhadeb Dasgupta, 1944-, Rajit Kapoor, fl. 1993-2012, Indrani Haldar, 1971-, Shankar Chakraborty, fl. 1991-2013
Date Published / Released
1993
Publisher
Privately Published
Topic / Theme
Bengali, Marriage, Infidelity
Copyright Message
Copyright © 1993 Used by permission of Buddhadeb Dasgupta.
×
See details
The Song Collector
directed by Erik Koto, fl. 2016; produced by Stanzin Dawa Chonjor, fl. 2016; performed by Morup Namgyal, 1947- (Portland, OR: Collective Eye Films, 2016), 54 mins
Set high in the Indian Himalaya, Ladakh is home to a rich Buddhist culture and an ancient tradition of folk singing. In the 1960s as economic development thrust change upon Ladakh, Morup Namgyal, Ladakh's greatest folk artist, began his lifelong efforts to preserve his beloved folk songs. Using song as the medium,...
Sample
directed by Erik Koto, fl. 2016; produced by Stanzin Dawa Chonjor, fl. 2016; performed by Morup Namgyal, 1947- (Portland, OR: Collective Eye Films, 2016), 54 mins
Description
Set high in the Indian Himalaya, Ladakh is home to a rich Buddhist culture and an ancient tradition of folk singing. In the 1960s as economic development thrust change upon Ladakh, Morup Namgyal, Ladakh's greatest folk artist, began his lifelong efforts to preserve his beloved folk songs. Using song as the medium, Morup and his peers sparked a social movement that would bring about profound and enduring change in Ladakh. It was a movement built o...
Set high in the Indian Himalaya, Ladakh is home to a rich Buddhist culture and an ancient tradition of folk singing. In the 1960s as economic development thrust change upon Ladakh, Morup Namgyal, Ladakh's greatest folk artist, began his lifelong efforts to preserve his beloved folk songs. Using song as the medium, Morup and his peers sparked a social movement that would bring about profound and enduring change in Ladakh. It was a movement built on education, tradition, and preservation.
Show more
Show less
Field of Study
World Music
Content Type
Documentary
Performer / Ensemble
Morup Namgyal, 1947-
Contributor
Stanzin Dawa Chonjor, fl. 2016
Author / Creator
Erik Koto, fl. 2016, Morup Namgyal, 1947-
Date Published / Released
2016
Publisher
Collective Eye Films
Topic / Theme
Folk Song, Ladakhi
Copyright Message
Copyright © The Song Collector, LLC 2016. All Rights Reserved.
×
See details
നാല് പെണ്ണുങ്ങള്
directed by Adoor Gopalakrishnan, 1941-; performed by Padmapriya, fl. 2004-2012, Nandita Das, 1969- and Geetu Mohandas, 1981- (India: Adoor Gopalakhrishnan Productions), 1 hour 41 mins
Based on the short story by Thakazhi Sivasankara Pillai, acclaimed director Adoor Gopalakrishnan's film version focuses on the lives of four women, each of whom is faced with a marital issue. The first story, 'The Prostitute,' features a young prostitute who has decided to give up her life on the streets to be wi...
Sample
directed by Adoor Gopalakrishnan, 1941-; performed by Padmapriya, fl. 2004-2012, Nandita Das, 1969- and Geetu Mohandas, 1981- (India: Adoor Gopalakhrishnan Productions), 1 hour 41 mins
Description
Based on the short story by Thakazhi Sivasankara Pillai, acclaimed director Adoor Gopalakrishnan's film version focuses on the lives of four women, each of whom is faced with a marital issue. The first story, 'The Prostitute,' features a young prostitute who has decided to give up her life on the streets to be with the love of her life. However, the couple's happiness is disrupted when they are caught sleeping on the pavement by the police who...
Based on the short story by Thakazhi Sivasankara Pillai, acclaimed director Adoor Gopalakrishnan's film version focuses on the lives of four women, each of whom is faced with a marital issue. The first story, 'The Prostitute,' features a young prostitute who has decided to give up her life on the streets to be with the love of her life. However, the couple's happiness is disrupted when they are caught sleeping on the pavement by the police who assume they have been engaging in illegal sexual activity. Unable to prove they are married, the couple is threatened with imprisonment. The second story, The 'Virgin,' focuses on a woman whose parents marry her off to a shopkeeper. However, unable to bring himself to be intimate with his new wife, the husband sends the young woman back to her mother and father. The third story, 'The Housewife,' features a married middle-aged woman who is unable to have children of her own. A visiting classmate offers an idea to help solve her problem, but his solution implies dire consequences. The final story involves a woman for whom her parents cannot find a husband. When her younger sister is offered a marriage proposal, the parents are faced with having to break tradition by marrying their youngest daughter off before their eldest. Awards/Festivals: Golden Lotus Award, Best Director, National Film Awards, India, 2009; Seattle International Film Festival 2008.
Show more
Show less
Date Written / Recorded
2009-10-19
Field of Study
Asian Studies
Content Type
Performance
Performer / Ensemble
Padmapriya, fl. 2004-2012, Nandita Das, 1969-, Geetu Mohandas, 1981-
Contributor
Adoor Gopalakrishnan, 1941-
Author / Creator
Adoor Gopalakrishnan, 1941-, Padmapriya, fl. 2004-2012, Nandita Das, 1969-, Geetu Mohandas, 1981-
Date Published / Released
2007
Publisher
Adoor Gopalakhrishnan Productions
Topic / Theme
Indian, Relationships, Sexuality, Children, Gender roles, Prostitution, Arranged marriages, Indians (Asian)
Copyright Message
Copyright © 2007 Used by permission of Adoor Gopalakhrishnan Productions.
×
