Browse Titles - 13 results

Bit of Black Business, Back Seat
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directed by Pauline Whyman, fl. 1999-2017; produced by Kath Shelper, fl. 2000-2016, Scarlett Pictures, Film Depot, New South Wales. Film & Television Office, SBS Independent and Australian Film Commission, in Bit of Black Business (Australia: Flickerfest, 2007), 6 mins
One day unfolds through the eyes of 12-year-old Janine when she goes with her foster parents to meet her biological family for the first time.
directed by Pauline Whyman, fl. 1999-2017; produced by Kath Shelper, fl. 2000-2016, Scarlett Pictures, Film Depot, New South Wales. Film & Television Office, SBS Independent and Australian Film Commission, in Bit of Black Business (Australia: Flickerfest, 2007), 6 mins
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Bit of Black Business, Bloodlines
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directed by Jacob Nash, fl. 2007-2007; produced by Kath Shelper, fl. 2000-2016, Scarlett Pictures, Film Depot, New South Wales. Film & Television Office, SBS Independent and Australian Film Commission, in Bit of Black Business (Australia: Flickerfest, 2007), 6 mins
Bloodlines is about finding your heritage in urban Australia. Finding out where your blood runs …
directed by Jacob Nash, fl. 2007-2007; produced by Kath Shelper, fl. 2000-2016, Scarlett Pictures, Film Depot, New South Wales. Film & Television Office, SBS Independent and Australian Film Commission, in Bit of Black Business (Australia: Flickerfest, 2007), 6 mins
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Bit of Black Business, Hush
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directed by Dena Curtis, fl. 2006-2017; produced by Kath Shelper, fl. 2000-2016, Scarlett Pictures, Film Depot, New South Wales. Film & Television Office, SBS Independent and Australian Film Commission, in Bit of Black Business (Australia: Flickerfest, 2007), 6 mins
Ethel and her friend Mary resort to an unlikely occupation at night to top up their pensions. Ethel's daughter is horrified when she discovers they are not really "playing cards".
directed by Dena Curtis, fl. 2006-2017; produced by Kath Shelper, fl. 2000-2016, Scarlett Pictures, Film Depot, New South Wales. Film & Television Office, SBS Independent and Australian Film Commission, in Bit of Black Business (Australia: Flickerfest, 2007), 6 mins
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Patterns of American Culture: Ethnography and Estrangement
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written by Dan Rose, in Contemporary Ethnography (Philadelphia, PA: University of Pennsylvania Press, 1989, originally published 1989), 135 page(s)
written by Dan Rose, in Contemporary Ethnography (Philadelphia, PA: University of Pennsylvania Press, 1989, originally published 1989), 135 page(s)
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Daughter from Danang
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directed by Vicente Franco, fl. 1990 and Gail Dolgin, 1945-2010; produced by Gail Dolgin, 1945-2010, Interfaze Educational Productions (Watertown, MA: Documentary Educational Resources (DER), 2002), 1 hour 21 mins
A heartbreaking documentary that upsets your expectations of happily-ever-afters, Daughter from Danang is a riveting emotional drama of longing, identity, and the personal legacy of war. To all outward appearances, Heidi is the proverbial "all-American girl", hailing from small town Pulaski, Tenn. But her birth na...
directed by Vicente Franco, fl. 1990 and Gail Dolgin, 1945-2010; produced by Gail Dolgin, 1945-2010, Interfaze Educational Productions (Watertown, MA: Documentary Educational Resources (DER), 2002), 1 hour 21 mins
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Empty
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directed by Jackie Traverse, fl. 2008; produced by Crossing Communities Art Project and National Film Board of Canada (Winnipeg, MB: Winnipeg Film Group, 2009), 5 mins
Set to music by Little Hawk, this animated and starkly honest story is a daughter’s tribute to her estranged mother.
directed by Jackie Traverse, fl. 2008; produced by Crossing Communities Art Project and National Film Board of Canada (Winnipeg, MB: Winnipeg Film Group, 2009), 5 mins
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Manhattan, Kansas
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written by Tara Wray, 1951-; directed by Tara Wray, 1951-; produced by Tara Wray, 1951-, Alan Oxman, fl. 1995-2017 and Michel Negroponte (Watertown, MA: Documentary Educational Resources (DER)), 1 hour 19 mins
In her first film, Wray travels to rural Kansas in an attempt to reconnect with her mother, Evie, for the first time since Evie's psychotic breakdown five years earlier.
written by Tara Wray, 1951-; directed by Tara Wray, 1951-; produced by Tara Wray, 1951-, Alan Oxman, fl. 1995-2017 and Michel Negroponte (Watertown, MA: Documentary Educational Resources (DER)), 1 hour 19 mins
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in Rattray, Robert Sutherland, of Royal Anthropological Institute. Archives and Manuscripts; photographed by Robert Sutherland Rattray, 1881-1938 (1900) , 2 page(s)
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My Mother's Home, Lagoon
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written by Mehrdad Oskooee; directed by Mehrdad Oskooee; produced by Mehrdad Oskooee and Toufan Nahanghodrati, fl. 2001, European Union. MEDIA Programme (New York, NY: Filmakers Library, 2001), 30 mins
Like Kurosawa's Woman in the Dunes, 67-year-old Kobra battles the elements on a lagoon in Iran to eke out a living for herself and her 100-year-old invalid mother. Even on New Year's day she is out in her rowboat before dawn, dropping and hauling her nets for the modest catch. She must argue fiercely with the men...
written by Mehrdad Oskooee; directed by Mehrdad Oskooee; produced by Mehrdad Oskooee and Toufan Nahanghodrati, fl. 2001, European Union. MEDIA Programme (New York, NY: Filmakers Library, 2001), 30 mins
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New Black, The Farm
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directed by Romaine Moreton, fl. 1996-2012; produced by John Harvey, fl. 2009, in New Black (Australia: Flickerfest, 2009), 11 mins
A young girl named Olivia longs to know the people who came before her, prompting landscape imbued with mystery and treasure, urging her mother Lauren to confront her own beliefs when faced with living histories woven throughout the countryside.
directed by Romaine Moreton, fl. 1996-2012; produced by John Harvey, fl. 2009, in New Black (Australia: Flickerfest, 2009), 11 mins
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