Browse Titles - 267 results
Acting Like a Thief
written by Shashwati Talukdar, fl. 1996 and P. Kerim Friedman, fl. 2006; directed by P. Kerim Friedman, fl. 2006 and Shashwati Talukdar, fl. 1996; produced by P. Kerim Friedman, fl. 2006 and Shashwati Talukdar, fl. 1996 (Watertown, MA: Documentary Educational Resources (DER), 2005), 15 mins
Acting Like a Thief is about a Chhara tribal theatre group in Ahmedabad, India. Starting with the arrest of playwright DaKxin Bajrange (Chhara), the documentary reveals how the Budhan Theatre has transformed the lives of adults and children within the community.
Sample
written by Shashwati Talukdar, fl. 1996 and P. Kerim Friedman, fl. 2006; directed by P. Kerim Friedman, fl. 2006 and Shashwati Talukdar, fl. 1996; produced by P. Kerim Friedman, fl. 2006 and Shashwati Talukdar, fl. 1996 (Watertown, MA: Documentary Educational Resources (DER), 2005), 15 mins
Description
Acting Like a Thief is about a Chhara tribal theatre group in Ahmedabad, India. Starting with the arrest of playwright DaKxin Bajrange (Chhara), the documentary reveals how the Budhan Theatre has transformed the lives of adults and children within the community. Acting Like a Thief is about a Chhara tribal theatre group in Ahmedabad, India. Starting with the arrest of playwright DaKxin Bajrange (Chhara), the documentary reveals how the Budhan The...
Acting Like a Thief is about a Chhara tribal theatre group in Ahmedabad, India. Starting with the arrest of playwright DaKxin Bajrange (Chhara), the documentary reveals how the Budhan Theatre has transformed the lives of adults and children within the community. Acting Like a Thief is about a Chhara tribal theatre group in Ahmedabad, India. Starting with the arrest of playwright DaKxin Bajrange (Chhara), the documentary reveals how the Budhan Theatre has transformed the lives of adults and children within the community. Chhara tribals were notified as "natural criminals" by the British in 1871 and imprisoned in a labor camp in Ahmedabad. After Indian independence, they were de-notified, but the stigma of being a "born criminal" follows them to this day. The Budhan Theatre was inspired by the activism work of Mahasweta Devi.
Show more
Show less
Field of Study
Anthropology
Content Type
Documentary
Contributor
Shashwati Talukdar, fl. 1996, P. Kerim Friedman, fl. 2006, Dakxin Bajrange, fl. 2005
Author / Creator
Shashwati Talukdar, fl. 1996, P. Kerim Friedman, fl. 2006
Date Published / Released
2005
Publisher
Documentary Educational Resources (DER)
Topic / Theme
Chhara, Politics, Theatrical productions, Tribal and national groups, Cultural change and history, Cultural identity, Ethnic relations, Indigenous peoples, Ethnography, Haryanvi
Copyright Message
© Documentary Educational Resources
×
Afghanistan: A Cultural and Political History
written by Thomas Barfield, 1900- (Princeton, NJ: Princeton University Press, originally published 2010), 404 page(s)
Sample
written by Thomas Barfield, 1900- (Princeton, NJ: Princeton University Press, originally published 2010), 404 page(s)
Field of Study
Anthropology
Content Type
General reference book
Contributor
Thomas Barfield, 1900-
Author / Creator
Thomas Barfield, 1900-
Date Published / Released
2010
Publisher
Princeton University Press
Topic / Theme
Afghan, Government, Ethnic groups, Economics, Afghans
Copyright Message
Copyright © 2010 by Princeton University Press
Sections
×
African Carving: A Dogon Kanaga Mask
written by Robert G. Gardner, 1925-2014, Eliot Elisofon, 1911-1973 and Thomas D. Blakely; directed by Thomas D. Blakely and Eliot Elisofon, 1911-1973 (Watertown, MA: Documentary Educational Resources (DER), 1974), 18 mins
The Kanaga mask is used in deeply sacred rituals by the Dogon people of Mali. Carving this mask is as important a ritual as the ceremonies in which the mask is used.
Sample
written by Robert G. Gardner, 1925-2014, Eliot Elisofon, 1911-1973 and Thomas D. Blakely; directed by Thomas D. Blakely and Eliot Elisofon, 1911-1973 (Watertown, MA: Documentary Educational Resources (DER), 1974), 18 mins
Description
The Kanaga mask is used in deeply sacred rituals by the Dogon people of Mali. Carving this mask is as important a ritual as the ceremonies in which the mask is used. The Kanaga mask is used in deeply sacred rituals by the Dogon people of Mali. Carving this mask is as important a ritual as the ceremonies in which the mask is used. The carver, a blacksmith, finds the proper tree and, in a secret cave outside the village, he shapes the mask with ges...
The Kanaga mask is used in deeply sacred rituals by the Dogon people of Mali. Carving this mask is as important a ritual as the ceremonies in which the mask is used. The Kanaga mask is used in deeply sacred rituals by the Dogon people of Mali. Carving this mask is as important a ritual as the ceremonies in which the mask is used. The carver, a blacksmith, finds the proper tree and, in a secret cave outside the village, he shapes the mask with gestures which repeat the movement of the dancers who will wear it. When a dancer wears the Kanaga mask he becomes the Creator symbolically. He touches the ground with his mask and directs a soul to Heaven. Although these dances are now frequently performed for the public, the meaning of Kanaga is retained by the Dogon who fear, respect and depend on the power of the mask.
Show more
Show less
Field of Study
Anthropology
Content Type
Documentary
Contributor
Robert G. Gardner, 1925-2014, Eliot Elisofon, 1911-1973, Thomas D. Blakely
Author / Creator
Robert G. Gardner, 1925-2014, Eliot Elisofon, 1911-1973, Thomas D. Blakely
Date Published / Released
1974
Publisher
Documentary Educational Resources (DER)
Topic / Theme
Dogon, Costumes, Crafts, Tribal and national groups, Religious faiths, Dance and dancing, Religious rites and ceremonies, Cultural identity, Ethnography
Copyright Message
by Documentary Educational Resources
×
Ajishama, The White Ibis
written by John Dickinson, 1946-; directed by John Dickinson, 1946-; produced by John Dickinson, 1946- (Watertown, MA: Documentary Educational Resources (DER), 2003), 1 hour 25 mins
Shot in Venezuela over a 30-year period, this documentary depicts the life and work of Jose Maria Korta, the controversial Jesuit Missionary with the indigenous people of the Amazon.
Sample
written by John Dickinson, 1946-; directed by John Dickinson, 1946-; produced by John Dickinson, 1946- (Watertown, MA: Documentary Educational Resources (DER), 2003), 1 hour 25 mins
Description
Shot in Venezuela over a 30-year period, this documentary depicts the life and work of Jose Maria Korta, the controversial Jesuit Missionary with the indigenous people of the Amazon. Shot in Venezuela over a 30-year period, this documentary depicts the life and work of Jose Maria Korta, the controversial Jesuit Missionary who joined the Makiritare tribe in the remote upper Ventuari Amazon Territory to initiate economic self-development projects i...
Shot in Venezuela over a 30-year period, this documentary depicts the life and work of Jose Maria Korta, the controversial Jesuit Missionary with the indigenous people of the Amazon. Shot in Venezuela over a 30-year period, this documentary depicts the life and work of Jose Maria Korta, the controversial Jesuit Missionary who joined the Makiritare tribe in the remote upper Ventuari Amazon Territory to initiate economic self-development projects in which Indians produced honey and meat, managed their own transport systems and participated in a broad based marketing co-op called CEPAI. The success of these ventures, and Korta's increasing dedication to economic development instead of proselytizing caused resentment among other missionaries. The Indians at times mismanaged their new resources as they found themselves unprepared for the increased contact with the outside world. In 1990 Korta realized that although CEPAI had gone a long way to solve some of the economic problems particularly in the Amazon basin, it had not addressed general cultural issues.
Show more
Show less
Field of Study
Anthropology
Content Type
Documentary
Contributor
John Dickinson, 1946-, Virgilio Sarmiento, Henry Quintero, José A. Colinas, Noel Rodriguez, Hector Cantele, Alberto Valdez, Ignacio Castellot, Alejandro Goñi, Antonio Rodriguez, Isaias Rodriguez, José Maria Korta, 1929-
Author / Creator
John Dickinson, 1946-
Date Published / Released
2003
Publisher
Documentary Educational Resources (DER)
Topic / Theme
Yecuana, Cultural assimilation, Schools, Cultural identity, Economic development, Cultural change and history, Tribal and national groups, Missionaries, Indigenous peoples, Ethnography, Maquiritari
Copyright Message
© Documentary Educational Resources
×
The Akha Way
written by Sharon Hainsfurther, fl. 1999 and Mary Flannery; directed by Sharon Hainsfurther, fl. 1999; produced by Sharon Hainsfurther, fl. 1999, Yellowcat Productions (Watertown, MA: Documentary Educational Resources (DER), 1999), 25 mins
For over a thousand years, the Akha people have inhabited the hills of Asia — mainly Southern China, Burma and Northern Thailand. The Akha Way or Akhazaunh, is the code by which they live. This documentary describes their origins and their culture.
Sample
written by Sharon Hainsfurther, fl. 1999 and Mary Flannery; directed by Sharon Hainsfurther, fl. 1999; produced by Sharon Hainsfurther, fl. 1999, Yellowcat Productions (Watertown, MA: Documentary Educational Resources (DER), 1999), 25 mins
Description
For over a thousand years, the Akha people have inhabited the hills of Asia — mainly Southern China, Burma and Northern Thailand. The Akha Way or Akhazaunh, is the code by which they live. This documentary describes their origins and their culture. For over a thousand years, the Akha people have inhabited the hills of Asia — mainly Southern China, Burma and Northern Thailand. The Akha Way or Akhazaunh, is the code by which they live. This doc...
For over a thousand years, the Akha people have inhabited the hills of Asia — mainly Southern China, Burma and Northern Thailand. The Akha Way or Akhazaunh, is the code by which they live. This documentary describes their origins and their culture. For over a thousand years, the Akha people have inhabited the hills of Asia — mainly Southern China, Burma and Northern Thailand. The Akha Way or Akhazaunh, is the code by which they live. This documentary describes their origins and their culture. It contains extraordinary footage of a shaman healing ceremony; a funeral, with the ritual sacrifice of a water buffalo; the reading of a pig's liver after a new house is built, and more. Today the Akha Way is fast disappearing. Forced migration, Christianity, money and drugs are eroding the cultural heritage of the Akha tribe.
Show more
Show less
Field of Study
Anthropology
Content Type
Documentary
Contributor
Sharon Hainsfurther, fl. 1999, Mary Flannery, Yellowcat Productions
Author / Creator
Sharon Hainsfurther, fl. 1999, Mary Flannery
Date Published / Released
1999
Publisher
Documentary Educational Resources (DER)
Speaker / Narrator
Mary Flannery
Topic / Theme
Akha, Cultural change and history, Religious beliefs, Cultural identity, Tribal and national groups, Indigenous peoples, Ethnography
Copyright Message
© Documentary Educational Resources
×
Alaskan Eskimo, The Drums of Winter (Uksuum Cauyai)
written by Sarah Elder, fl. 1973-2015 and Leonard Kamerling, fl. 1974-2012; directed by Sarah Elder, fl. 1973-2015 and Leonard Kamerling, fl. 1974-2012; produced by Leonard Kamerling, fl. 1974-2012 and Sarah Elder, fl. 1973-2015, in Alaskan Eskimo (Watertown, MA: Documentary Educational Resources (DER), 1988), 42 mins
This feature-length documentary explores the traditional dance, music and spiritual world of the Yupik Eskimo people of Emmonak, a remote village at the mouth of the Yukon River on the Bering Sea coast.
Sample
written by Sarah Elder, fl. 1973-2015 and Leonard Kamerling, fl. 1974-2012; directed by Sarah Elder, fl. 1973-2015 and Leonard Kamerling, fl. 1974-2012; produced by Leonard Kamerling, fl. 1974-2012 and Sarah Elder, fl. 1973-2015, in Alaskan Eskimo (Watertown, MA: Documentary Educational Resources (DER), 1988), 42 mins
Description
This feature-length documentary explores the traditional dance, music and spiritual world of the Yupik Eskimo people of Emmonak, a remote village at the mouth of the Yukon River on the Bering Sea coast. This documentary explores the traditional dance, music and spiritual world of the Yupik Eskimo people of Emmonak, a remote village at the mouth of the Yukon River on the Bering Sea coast. In The Drums of Winter, the people of Emmonak tell us throu...
This feature-length documentary explores the traditional dance, music and spiritual world of the Yupik Eskimo people of Emmonak, a remote village at the mouth of the Yukon River on the Bering Sea coast. This documentary explores the traditional dance, music and spiritual world of the Yupik Eskimo people of Emmonak, a remote village at the mouth of the Yukon River on the Bering Sea coast. In The Drums of Winter, the people of Emmonak tell us through actualities and interviews how their history, social values and spiritual beliefs are woven around the songs and dances that have been handed down to them through the generations. It is not just old songs that are important; new songs and dance movements are created to reflect modern life with all its complexities. Each time a person gets up to dance, he is strengthening the continuity of the ages. The film follows the elders of Emmonak as they prepare for the coming ceremonial gathering (potlatch) with a neighboring village. In the Kashim (qasgiq or men's house), they practice their songs and painstakingly work out the motions of the dances. Each movement has meaning and plays a part in telling a story. In the days before television, radio, bingo and weekly basketball games, dance was the sole means of entertainment. Throughout the film, archival photographs and film footage accompany the words of early missionaries who brought Christianity to the area. These sequences provide a historical context for the film and give us a strong sense of the resilience of Yup'ik culture, having survived despite a century of missionary suppression.
Show more
Show less
Date Written / Recorded
1977
Field of Study
Anthropology
Content Type
Documentary
Contributor
Sarah Elder, fl. 1973-2015, Leonard Kamerling, fl. 1974-2012
Author / Creator
Sarah Elder, fl. 1973-2015, Leonard Kamerling, fl. 1974-2012
Date Published / Released
1988
Publisher
Documentary Educational Resources (DER)
Series
Alaskan Eskimo
Topic / Theme
Folk music, Spirituality, Tribal and national groups, Cultural change and history, Cultural identity, Dance and dancing, Indigenous ethnic groups, Ethnography
Copyright Message
by Documentary Educational Resources
×
Amazon Games
directed by Sandrine Leonardelli, fl. 2005 (Paris, Ile-de-France: ZED (Film production), 2005), 1 hour 5 mins
Once a year, an Olympic flame is lit in Brazil announcing the opening of the Indigenous Games, the Games of the Amazon. This year, the event takes place in Porto Seguro, with 800 athletes from 30 different indigenous groups competing in traditional sports. 'The Amazon Games' tells the story of two tribes, the Mati...
Sample
directed by Sandrine Leonardelli, fl. 2005 (Paris, Ile-de-France: ZED (Film production), 2005), 1 hour 5 mins
Description
Once a year, an Olympic flame is lit in Brazil announcing the opening of the Indigenous Games, the Games of the Amazon. This year, the event takes place in Porto Seguro, with 800 athletes from 30 different indigenous groups competing in traditional sports. 'The Amazon Games' tells the story of two tribes, the Matis people and the Enawenes Nawes Indians, who will embark upon the journey of a lifetime to take part in an amazing adventure. Two tribe...
Once a year, an Olympic flame is lit in Brazil announcing the opening of the Indigenous Games, the Games of the Amazon. This year, the event takes place in Porto Seguro, with 800 athletes from 30 different indigenous groups competing in traditional sports. 'The Amazon Games' tells the story of two tribes, the Matis people and the Enawenes Nawes Indians, who will embark upon the journey of a lifetime to take part in an amazing adventure. Two tribes, two voyages, two incredible adventures, with one unique goal: participate in the Games
and win!
Show more
Show less
Field of Study
Anthropology
Content Type
Documentary
Contributor
Sandrine Leonardelli, fl. 2005
Author / Creator
Sandrine Leonardelli, fl. 2005
Date Published / Released
2005
Publisher
ZED (Film production)
Topic / Theme
Enawene Nawe, Matis, Athletic events, American Indians, Tribal and national groups, Cultural identity, Ethnography, African Americans, Americans
Copyright Message
Copyright © 2005. Used by permission of ZED.
×
Amazon Journal
directed by Geoffrey O'Connor; produced by Geoffrey O'Connor (New York, NY: Filmakers Library, 1995), 1 hour
Geoffrey O'Connor, the filmmaker of Contact and At The Edge of Conquest has produced this fascinating chronicle of recent political events in the Brazilian Amazon. Beginning with the assassination of Chico Mendes in 1988 and ending with a return trip to Yanomami Territory in 1995, this six year journey provides an...
Sample
directed by Geoffrey O'Connor; produced by Geoffrey O'Connor (New York, NY: Filmakers Library, 1995), 1 hour
Description
Geoffrey O'Connor, the filmmaker of Contact and At The Edge of Conquest has produced this fascinating chronicle of recent political events in the Brazilian Amazon. Beginning with the assassination of Chico Mendes in 1988 and ending with a return trip to Yanomami Territory in 1995, this six year journey provides an illuminating perspective on the volatile changes of this era. Besides documenting events, O'Connor analyzes the complex interaction be...
Geoffrey O'Connor, the filmmaker of Contact and At The Edge of Conquest has produced this fascinating chronicle of recent political events in the Brazilian Amazon. Beginning with the assassination of Chico Mendes in 1988 and ending with a return trip to Yanomami Territory in 1995, this six year journey provides an illuminating perspective on the volatile changes of this era. Besides documenting events, O'Connor analyzes the complex interaction between semi-isolated indigenous societies and "outsiders." In collaboration with Brazilian anthropologist Alcida Ramos, he explores the return of the "noble savage phenomena", wherein outsiders created misleading illusions about Indian societies. This cultural confusion explains many of the region's tragic events. This insightful look at the Amazon includes exclusive sequences of the events surrounding the massacre of a village of Yanomami Indians, the demarcation of Kayapo Territory, and the rock star Sting's frank assessment of his own involvement in rain forest politics. This new release from a veteran observer of the Amazon scene sheds new light on cultural confrontation. College Adult
Show more
Show less
Field of Study
Anthropology
Content Type
Documentary
Contributor
Alcida Ramos, Geoffrey O'Connor
Author / Creator
Geoffrey O'Connor
Date Published / Released
1995
Publisher
Filmakers Library
Topic / Theme
Yanomamö, Stereotypes, Cultural assimilation, Cultural identity, Tribal and national groups, Anthropology, Indigenous peoples, Ethnography, Yanomámi
Copyright Message
Copyright © 1995. Used by permission of Filmakers Library. All rights reserved.
×
At the Edge of Conquest: The Journey of Chief Wai-Wai
written by Geoffrey O'Connor; produced by Geoffrey O'Connor, Realis Pictures, Inc (New York, NY: Filmakers Library, 1992), 29 mins
At the Edge of Conquest looks at the situation of the Waiapi Indians, a small, isolated tribe that came in contact with the outside world in the late 1970's. Today they are threatened by invading gold miners, by the Brazilian government's recent proposal to reduce their land by 10%, and the state government's plan...
Sample
written by Geoffrey O'Connor; produced by Geoffrey O'Connor, Realis Pictures, Inc (New York, NY: Filmakers Library, 1992), 29 mins
Description
At the Edge of Conquest looks at the situation of the Waiapi Indians, a small, isolated tribe that came in contact with the outside world in the late 1970's. Today they are threatened by invading gold miners, by the Brazilian government's recent proposal to reduce their land by 10%, and the state government's plan to construct a highway directly through their territory. But their strategy for survival has been effective: defend their lands from i...
At the Edge of Conquest looks at the situation of the Waiapi Indians, a small, isolated tribe that came in contact with the outside world in the late 1970's. Today they are threatened by invading gold miners, by the Brazilian government's recent proposal to reduce their land by 10%, and the state government's plan to construct a highway directly through their territory. But their strategy for survival has been effective: defend their lands from invasions while their leaders navigate the tricky waters of Brazilian politics. The film focuses on the charismatic leader, Chief Wai-Wai, as he travels from his remote village to Brazil's capitol, encountering for the first time airplanes, elevators, and skyscrapers. But the real barriers are not physical but bureaucratic and cultural. He doesn't read or write, has never been at a meeting before, and doesn't speak the language of these foreign people. Unlike the traditional depictions of indigenous persons as pristine, removed from the forces of the outside world, At the Edge of Conquest reveals a society grappling with the real politique of a larger nation-state. Chief Wai-Wai is fighting the role of victim in a desperate effort to shape the destiny of his people. It is a voyage resembling a cross between Alice in Wonderland and a Kafkaesque nightmare. But it is one which ultimately all isolated indigenous societies are forced to make if they are to survive this rapidly changing world. High School College Adult
Show more
Show less
Field of Study
Anthropology
Content Type
Documentary
Contributor
Geoffrey O'Connor, Wai-Wai, fl. 1993, Realis Pictures, Inc, Margo Skinner, 1950-2005
Author / Creator
Geoffrey O'Connor
Date Published / Released
1992
Publisher
Filmakers Library
Speaker / Narrator
Margo Skinner, 1950-2005
Person Discussed
Wai-Wai, fl. 1993
Topic / Theme
Wayampi (Waiãpi), Gold mines and mining, Property rights, Evacuations, Capitalism, Economic development, Cultural identity, Tribal and national groups, Anthropology, Ethnography, Wayampi
Copyright Message
Copyright © 1992. Used by permission of Filmakers Library. All rights reserved.
×
The Ax Fight
written by Napoleon A. Chagnon, 1938-; directed by Timothy Asch, 1932-1994 and Napoleon A. Chagnon, 1938-; produced by Timothy Asch, 1932-1994 and Napoleon A. Chagnon, 1938- (Watertown, MA: Documentary Educational Resources (DER), 1975), 30 mins
A fight broke out in Mishimishimabowei-teri on the second day of Chagnon and Asch's stay in this village in 1971. The conflict developed between the villagers of Mishimishimabowei-teri and their visitors from another village. The visitors had formerly been part of Mishimishimabowei-teri, and many still had ties wi...
Sample
written by Napoleon A. Chagnon, 1938-; directed by Timothy Asch, 1932-1994 and Napoleon A. Chagnon, 1938-; produced by Timothy Asch, 1932-1994 and Napoleon A. Chagnon, 1938- (Watertown, MA: Documentary Educational Resources (DER), 1975), 30 mins
Description
A fight broke out in Mishimishimabowei-teri on the second day of Chagnon and Asch's stay in this village in 1971. The conflict developed between the villagers of Mishimishimabowei-teri and their visitors from another village. The visitors had formerly been part of Mishimishimabowei-teri, and many still had ties with members of that village. A fight broke out in Mishimishimabowei-teri on the second day of Chagnon and Asch's stay in this village in...
A fight broke out in Mishimishimabowei-teri on the second day of Chagnon and Asch's stay in this village in 1971. The conflict developed between the villagers of Mishimishimabowei-teri and their visitors from another village. The visitors had formerly been part of Mishimishimabowei-teri, and many still had ties with members of that village. A fight broke out in Mishimishimabowei-teri on the second day of Chagnon and Asch's stay in this village in 1971. The conflict developed between the villagers of Mishimishimabowei-teri and their visitors from another village. The visitors had formerly been part of Mishimishimabowei-teri, and many still had ties with members of that village. They refused to work in their hosts' gardens, yet they demanded to be fed. The event lasted about half an hour, ten minutes of which were filmed. The film is constructed of four parts. The first consists of an unedited version of what the cameraman saw and the sound technician recorded. The apparent chaos of these first ten minutes is clarified in the second section, in which Chagnon explains the sequence of actions, the relationships between the actors, and how the filmmakers' interpretation of the events became coherent. The third section diagrams the lineages in the villages involved to illustrate the fight's relationship to long-standing patterns of conflict and alliance within the village. Finally, in an edited version of the fight, we see how the editors' hands shape the "reality" we view. The Ax Fight thus operates on several levels. It plunges the viewer into the problems of Yanomamo kinship, alliance, and village fission; of violence and conflict resolution. At the same time it raises questions about how anthropologists and filmmakers translate their experience into meaningful words and coherent, moving images.
Show more
Show less
Date Written / Recorded
1971-02-28
Field of Study
Politics & Current Affairs
Content Type
Documentary
Contributor
Timothy Asch, 1932-1994, Napoleon A. Chagnon, 1938-, Craig Johnson
Author / Creator
Napoleon A. Chagnon, 1938-, Timothy Asch, 1932-1994
Date Published / Released
1975
Publisher
Documentary Educational Resources (DER)
Speaker / Narrator
Napoleon A. Chagnon, 1938-
Topic / Theme
Yanomamö, Politics, Negotiation in government, Kin relationships, Violence, Cultural identity, Rural population, Tribal and national groups, Indigenous peoples, Ethnography, Yanomámi
Copyright Message
copyright © Documentary Educational Resources
×