Browse Titles - 63 results
The Ainu Bear Ceremony
directed by Neil Gordon Munro, 1863-1942; produced by Royal Anthropological Institute (London, England: Royal Anthropological Institute, 2001), 29 mins
The RAI has reedited the original film of this ceremony among the Ainu people of Japan. In the bear ceremony, now no longer performed, a specially reared bear was reverently killed and its flesh and blood eaten by the participants. The film shows a series of ritual acts with some commentary on their meaning.
Sample
directed by Neil Gordon Munro, 1863-1942; produced by Royal Anthropological Institute (London, England: Royal Anthropological Institute, 2001), 29 mins
Description
The RAI has reedited the original film of this ceremony among the Ainu people of Japan. In the bear ceremony, now no longer performed, a specially reared bear was reverently killed and its flesh and blood eaten by the participants. The film shows a series of ritual acts with some commentary on their meaning.
Date Written / Recorded
1931
Field of Study
Anthropology
Content Type
Documentary
Contributor
Neil Gordon Munro, 1863-1942, Royal Anthropological Institute
Author / Creator
Neil Gordon Munro, 1863-1942
Date Published / Released
2001
Publisher
Royal Anthropological Institute
Topic / Theme
Ainu, Ethnozoology, Tribal and national groups, Cultural change and history, Religious beliefs, Social customs, Religious rites and ceremonies, Ethnography
Copyright Message
Copyright 2001. Used by permission of Royal Anthropological Institute. All rights reserved.
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Barbara and Her Friends in Candombleland
directed by Carmen Opipari, fl. 1997 and Sylvie Timbert (London, England: Royal Anthropological Institute, 1997), 58 mins
In the divine Afro Brazilian cult Candomble is an initiation religion centred around possession. The filmmakers concentrate on children who introduce and guide us to this world. The children play at Candomble. Passing from simulation of the representation, the children touch on the possession dance. Many are eager...
Sample
directed by Carmen Opipari, fl. 1997 and Sylvie Timbert (London, England: Royal Anthropological Institute, 1997), 58 mins
Description
In the divine Afro Brazilian cult Candomble is an initiation religion centred around possession. The filmmakers concentrate on children who introduce and guide us to this world. The children play at Candomble. Passing from simulation of the representation, the children touch on the possession dance. Many are eager to be possessed. The film explores what Candomble may offer them.
Field of Study
Anthropology
Content Type
Documentary
Contributor
Sylvie Timbert, Carmen Opipari, fl. 1997
Author / Creator
Carmen Opipari, fl. 1997, Sylvie Timbert
Date Published / Released
1997
Publisher
Royal Anthropological Institute
Topic / Theme
African Brazilian, Religious rites and ceremonies, Children's play, Social dances, Spiritual possession, Religious beliefs, Candomblé, Ethnography, Africans, Brazilians
Copyright Message
Copyright 1997. Used by permission of Royal Anthropological Institute. All rights reserved.
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Benin Kingship Rituals
produced by R. E. Bradbury and Frank Speed, 1918-2006 (London, England: Royal Anthropological Institute, 1963), 20 mins
Until it was conquered by the British in 1897, the city of Benin, in what is now Nigeria, was the centre of a powerful kingdom. Its rulers, the Obas of Benin, were mysterious, secluded figures who spent much of their time in the performance of rituals designed to enhance their power and to ensure the prosperity of...
Sample
produced by R. E. Bradbury and Frank Speed, 1918-2006 (London, England: Royal Anthropological Institute, 1963), 20 mins
Description
Until it was conquered by the British in 1897, the city of Benin, in what is now Nigeria, was the centre of a powerful kingdom. Its rulers, the Obas of Benin, were mysterious, secluded figures who spent much of their time in the performance of rituals designed to enhance their power and to ensure the prosperity of their subjects. Many of the art objects for which Benin is famous were used in these rituals, some of which are still performed.
This...
Until it was conquered by the British in 1897, the city of Benin, in what is now Nigeria, was the centre of a powerful kingdom. Its rulers, the Obas of Benin, were mysterious, secluded figures who spent much of their time in the performance of rituals designed to enhance their power and to ensure the prosperity of their subjects. Many of the art objects for which Benin is famous were used in these rituals, some of which are still performed.
This film shows some of the most significant moments in the rituals that take place around the beginning of the new year, including the greatest event of the ritual year, the Igwe Festival, in which the Obas divine powers are strengthened and renewed. The object of worship is the head of the living Oba, the seat of his ritual energy, on which the well-being of the nation is believed to depend on.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
R. E. Bradbury, Frank Speed, 1918-2006
Author / Creator
R. E. Bradbury, Frank Speed, 1918-2006
Date Published / Released
1963
Publisher
Royal Anthropological Institute
Topic / Theme
Edo, Cultural identity, Religious festivals, Tribal and national groups, Religious rites and ceremonies, Ethnography
Copyright Message
Copyright 1963. Used by permission of Royal Anthropological Institute. All rights reserved.
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Burying Hallelujah
directed by Richard Werbner, 1937- (London, England: Royal Anthropological Institute, 2014), 51 mins
This documentary is about a funeral in Botswana.
Sample
directed by Richard Werbner, 1937- (London, England: Royal Anthropological Institute, 2014), 51 mins
Description
This documentary is about a funeral in Botswana.
Field of Study
Anthropology
Content Type
Documentary
Contributor
Richard Werbner, 1937-
Author / Creator
Richard Werbner, 1937-
Date Published / Released
2014
Publisher
Royal Anthropological Institute
Topic / Theme
Religious rites and ceremonies, Funerals, Clergy, Botswanans
Copyright Message
Copyright © 2014 by Richard Werbner. All rights reserved
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CARNIVAL KING OF EUROPE
produced by Museo degli usi e costumi della gente trentina (Royal Anthropological Institute, 2011), 38 mins
Award-winning ethnographic caleidoscope featuring over 50 different masquerades of some 13 European countries. Thanks to some careful editing, the underlying structure of European winter masked ritual is made apparent, from fear (Act 1) to ceremony (Act 2: the marital cortege + ritual ploughing) to the burlesque (...
Sample
produced by Museo degli usi e costumi della gente trentina (Royal Anthropological Institute, 2011), 38 mins
Description
Award-winning ethnographic caleidoscope featuring over 50 different masquerades of some 13 European countries. Thanks to some careful editing, the underlying structure of European winter masked ritual is made apparent, from fear (Act 1) to ceremony (Act 2: the marital cortege + ritual ploughing) to the burlesque (Act 3), and finally to a sobering Epilogue on the pyre. All winter masquerades in Europe – and there are hundreds all over the contin...
Award-winning ethnographic caleidoscope featuring over 50 different masquerades of some 13 European countries. Thanks to some careful editing, the underlying structure of European winter masked ritual is made apparent, from fear (Act 1) to ceremony (Act 2: the marital cortege + ritual ploughing) to the burlesque (Act 3), and finally to a sobering Epilogue on the pyre. All winter masquerades in Europe – and there are hundreds all over the continent – seem to bear reference at some level to this single hidden script, and “Carnival King of Europe” demonstrates it with exceptionally persuasive visuals. Prize-winning in Japan (“Grand Prize for Academic Film”, Kyoto University Museum Academic Film EXPO 2009) and Armenia (“Special Prize by Filmadaran Film Culture Development Organization”, Apricot Tree International Ethno Film Festival 2016), the film was also shown to great acclaim at festivals and conferences in Bristol, Binche, Göttingen, Rome, Čadca, Ljubljana, Zagreb, Beograd, Cluj, Moscow and elsewhere.
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Date Written / Recorded
2012
Field of Study
Anthropology
Content Type
Documentary
Contributor
Michele Trentini, fl. 2015, Giovanni Kezich, 1956-, Museo degli usi e costumi della gente trentina
Author / Creator
Michele Trentini, fl. 2015, Giovanni Kezich, 1956-
Date Published / Released
2011
Publisher
Royal Anthropological Institute
Topic / Theme
Religious rites and ceremonies, Field work for anthropology, Race and culture, Europeans
Copyright Message
Copyright © 2011 Royal Anthropological Institute
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Carnival King of Europe, Carnival King of Europe. Release 2.1
directed by Giovanni Kezich, 1956- and Michele Trentini, fl. 2015; produced by Museo degli usi e costumi della gente trentina, in Carnival King of Europe (London, England: Royal Anthropological Institute, 2011), 38 mins
Award-winning ethnographic caleidoscope featuring over 50 different masquerades of some 13 European countries. Thanks to some careful editing, the underlying structure of European winter masked ritual is made apparent, from fear (Act 1) to ceremony (Act 2: the marital cortege + ritual ploughing) to the burlesque (...
Sample
directed by Giovanni Kezich, 1956- and Michele Trentini, fl. 2015; produced by Museo degli usi e costumi della gente trentina, in Carnival King of Europe (London, England: Royal Anthropological Institute, 2011), 38 mins
Description
Award-winning ethnographic caleidoscope featuring over 50 different masquerades of some 13 European countries. Thanks to some careful editing, the underlying structure of European winter masked ritual is made apparent, from fear (Act 1) to ceremony (Act 2: the marital cortege + ritual ploughing) to the burlesque (Act 3), and finally to a sobering Epilogue on the pyre. All winter masquerades in Europe – and there are hundreds all over the contin...
Award-winning ethnographic caleidoscope featuring over 50 different masquerades of some 13 European countries. Thanks to some careful editing, the underlying structure of European winter masked ritual is made apparent, from fear (Act 1) to ceremony (Act 2: the marital cortege + ritual ploughing) to the burlesque (Act 3), and finally to a sobering Epilogue on the pyre. All winter masquerades in Europe – and there are hundreds all over the continent – seem to bear reference at some level to this single hidden script, and “Carnival King of Europe” demonstrates it with exceptionally persuasive visuals. Prize-winning in Japan (“Grand Prize for Academic Film”, Kyoto University Museum Academic Film EXPO 2009) and Armenia (“Special Prize by Filmadaran Film Culture Development Organization”, Apricot Tree International Ethno Film Festival 2016), the film was also shown to great acclaim at festivals and conferences in Bristol, Binche, Göttingen, Rome, Čadca, Ljubljana, Zagreb, Beograd, Cluj, Moscow and elsewhere.
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Date Written / Recorded
2012
Field of Study
Anthropology
Content Type
Documentary
Contributor
Giovanni Kezich, 1956-, Museo degli usi e costumi della gente trentina
Author / Creator
Giovanni Kezich, 1956-, Michele Trentini, fl. 2015
Date Published / Released
2011
Publisher
Royal Anthropological Institute
Series
Carnival King of Europe
Topic / Theme
Religious rites and ceremonies, Field work for anthropology, Race and culture
Copyright Message
Copyright © 2011 Royal Anthropological Institute
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Carnival King of Europe, The Gilles of La Louvière and the Chinels of Fosses-la-Ville
directed by Michele Trentini, fl. 2015; produced by Museo degli usi e costumi della gente trentina, in Carnival King of Europe (London, England: Royal Anthropological Institute, 2014), 9 mins
In the Catholic, French-speaking part of Belgium, monumental, all-encompassing masquerades take place in the middle of Lent.
Sample
directed by Michele Trentini, fl. 2015; produced by Museo degli usi e costumi della gente trentina, in Carnival King of Europe (London, England: Royal Anthropological Institute, 2014), 9 mins
Description
In the Catholic, French-speaking part of Belgium, monumental, all-encompassing masquerades take place in the middle of Lent.
Field of Study
Religion & Thought
Content Type
Documentary
Contributor
Giovanni Kezich, 1956-, Museo degli usi e costumi della gente trentina
Author / Creator
Michele Trentini, fl. 2015, Giovanni Kezich, 1956-
Date Published / Released
2014
Publisher
Royal Anthropological Institute
Series
Carnival King of Europe
Topic / Theme
Religious rites and ceremonies, Holiday celebrations
Copyright Message
Copyright © 2014 Royal Anthropological Institute
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Carnival King of Europe, DVD 5, Visions of Shrove Thursday in Central Tyrol
directed by Michele Trentini, fl. 2015; produced by Museo degli usi e costumi della gente trentina, in Carnival King of Europe, DVD 5 (London, England: Royal Anthropological Institute, 2014), 10 mins
Due to the strict Jesuit prohibitions in olden days, the central Tyrol Fasnacht tends to ends on Shrove Thursday, a few days earlier than elsewhere.
Sample
directed by Michele Trentini, fl. 2015; produced by Museo degli usi e costumi della gente trentina, in Carnival King of Europe, DVD 5 (London, England: Royal Anthropological Institute, 2014), 10 mins
Description
Due to the strict Jesuit prohibitions in olden days, the central Tyrol Fasnacht tends to ends on Shrove Thursday, a few days earlier than elsewhere.
Field of Study
Anthropology
Content Type
Documentary
Contributor
Giovanni Kezich, 1956-, Museo degli usi e costumi della gente trentina
Author / Creator
Michele Trentini, fl. 2015, Giovanni Kezich, 1956-
Date Published / Released
2014
Publisher
Royal Anthropological Institute
Series
Carnival King of Europe
Topic / Theme
Religious festivals
Copyright Message
Copyright © 2014 Royal Anthropological Institute
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Cham in the Lepcha Village of Lingthem
directed by Asen Balikci, 1929- (London, England: Royal Anthropological Institute, 2007), 50 mins
Every winter, over a period of six days, the lamas of Lingthem's village monastery hold their annual cham. These dramatic ritual masked dances impart elementary Buddhist teachings while providing entertainment to villagers. Their main purpose is to remove obstacles and ward off misfortune for the village, its inha...
Sample
directed by Asen Balikci, 1929- (London, England: Royal Anthropological Institute, 2007), 50 mins
Description
Every winter, over a period of six days, the lamas of Lingthem's village monastery hold their annual cham. These dramatic ritual masked dances impart elementary Buddhist teachings while providing entertainment to villagers. Their main purpose is to remove obstacles and ward off misfortune for the village, its inhabitants and the monastery. However, for lamas and more serious Buddhist practitioners, these cham and their rituals hold deep philosoph...
Every winter, over a period of six days, the lamas of Lingthem's village monastery hold their annual cham. These dramatic ritual masked dances impart elementary Buddhist teachings while providing entertainment to villagers. Their main purpose is to remove obstacles and ward off misfortune for the village, its inhabitants and the monastery. However, for lamas and more serious Buddhist practitioners, these cham and their rituals hold deep philosophical meanings. The dances were beautifully filmed by Dawa Tsering Lepcha in his own village monastery in the Lepcha reserve of Dzongu, North Sikkim. In the course of this village event, the deities who emerge in the period between death and rebirth make their rhythmic appearances followed by the Lord of Death who judges one's good and bad deeds in the after life. This film is the second produced by the Namgyal Institute of Tibetology as part of its visual anthropology project. This training program for indigenous filmmakers aims to produce a documented video record of Sikkim's vanishing indigenous and Buddhist cultures. Its primary purpose is to record and preserve the meaning and proper performance of Sikkim's rituals within their social and economic context.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Asen Balikci, 1929-, Anna Balikci-Denjongpa
Author / Creator
Asen Balikci, 1929-, Anna Balikci-Denjongpa
Date Published / Released
2007
Publisher
Royal Anthropological Institute
Topic / Theme
Indian, Lepcha, Community events, Dancing, Monks, Economics, Cultural identity, Buddhism, Religious rites and ceremonies, Monasteries, Ethnography, Indians (Asian)
Copyright Message
Copyright 2007. Used by permission of Royal Anthropological Institute. All rights reserved.
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Cuyagua, The Devil Dancers: Cuyagua Part I
directed by Georges Drion, fl. 1985 and Paul Henley, fl. 1969, in Cuyagua (London, England: Royal Anthropological Institute, 2011), 41 mins
The men of the Afro-Caribbean population of Cuyagua enact a ritual that occurs 60 days after Easter. The film is a portrait of two men who direct the devil dancing. They tell the history of the village, the organisation of devil dancing, and stories associated with the Devil. The film also focuses on the intriguin...
Sample
directed by Georges Drion, fl. 1985 and Paul Henley, fl. 1969, in Cuyagua (London, England: Royal Anthropological Institute, 2011), 41 mins
Description
The men of the Afro-Caribbean population of Cuyagua enact a ritual that occurs 60 days after Easter. The film is a portrait of two men who direct the devil dancing. They tell the history of the village, the organisation of devil dancing, and stories associated with the Devil. The film also focuses on the intriguing ritual of the dancing itself.
Field of Study
Anthropology
Content Type
Documentary
Contributor
Paul Henley, fl. 1969
Author / Creator
Georges Drion, fl. 1985, Paul Henley, fl. 1969
Date Published / Released
1987, 2011
Publisher
Royal Anthropological Institute
Series
Cuyagua
Topic / Theme
African Caribbean, Rural population, Traditional history, Easter, Social dances, Religious rites and ceremonies, Ethnography, Africans, Carib
Copyright Message
Copyright 1987. Used by permission of Royal Anthropological Institute. All rights reserved.
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