Browse Titles - 21 results
See details
Ainikien Jidjid Ilo Boñ: The Sound of Crickets at Night
directed by Jack Niedenthal, fl. 2008 and Suzanne Chutaro, fl. 2010; produced by Jack Niedenthal, fl. 2008 and Suzanne Chutaro, fl. 2010 (Microwave Films, 2012), 1 hour 20 mins
Ainikien Jidjid ilo Boñ (The Sound of Crickets at Night) is the story of a family displaced as a result of nuclear testing on Bikini Atoll and now living in exile on Ejit Island on Majuro Atoll in the Marshall Islands.
Kali, a darling-though-curious 10-year-old Bikinian girl, watches in dismay as her mother and f...
Sample
directed by Jack Niedenthal, fl. 2008 and Suzanne Chutaro, fl. 2010; produced by Jack Niedenthal, fl. 2008 and Suzanne Chutaro, fl. 2010 (Microwave Films, 2012), 1 hour 20 mins
Description
Ainikien Jidjid ilo Boñ (The Sound of Crickets at Night) is the story of a family displaced as a result of nuclear testing on Bikini Atoll and now living in exile on Ejit Island on Majuro Atoll in the Marshall Islands.
Kali, a darling-though-curious 10-year-old Bikinian girl, watches in dismay as her mother and father argue bitterly, then finally separate and leave the island.
Left alone to care for her elderly grandfather, Jebuki, who has been...
Ainikien Jidjid ilo Boñ (The Sound of Crickets at Night) is the story of a family displaced as a result of nuclear testing on Bikini Atoll and now living in exile on Ejit Island on Majuro Atoll in the Marshall Islands.
Kali, a darling-though-curious 10-year-old Bikinian girl, watches in dismay as her mother and father argue bitterly, then finally separate and leave the island.
Left alone to care for her elderly grandfather, Jebuki, who has been hiding a life-threatening illness, Kali deteriorates, refusing to eat, work or play. Fearing for his granddaughter’s wellbeing, Jebuki makes a desperate decision to summon Worejabato, an ancient deity from Bikini Atoll. Appearing in the form of an unshaven American stranger, Worejabato washes up on the beach on Ejit Island, and is discovered by Kali. The deity immediately begins to weave his way into Kali's life, but wishes from Worejabato do not come for free. What will Jebuki promise to Worejabato to ensure Kali’s happiness?
Actors in this film are mostly from the Bikinian community that resides in exile on Ejit Island of Majuro Atoll.
Show more
Show less
Field of Study
Asian Studies
Content Type
Performance
Contributor
Jack Niedenthal, fl. 2008, Suzanne Chutaro, fl. 2010
Author / Creator
Jack Niedenthal, fl. 2008, Suzanne Chutaro, fl. 2010
Date Published / Released
2012
Publisher
Microwave Films
Topic / Theme
Marshallese, Cultural change and history, Religious beliefs, Folklore, Island life
Copyright Message
Copyright © 2012 by Jack Neidenthal
×
See details
China 21
directed by Ruby Yang, fl. 1982-2016; produced by Lambert Yam, fl. 2001, Independent Television Service, National Asian American Telecommunications Association and K. Bik Films (San Francisco, CA: Center for Asian American Media, 2001), 57 mins
This eye-opening documentary follows four Chinese families as they step into the 21st century. Working without official permits, the filmmakers used compact digital video gear to record intimate portraits of ordinary people living in tumultuous times, capturing candid and sometimes emotional interviews. Families a...
Sample
directed by Ruby Yang, fl. 1982-2016; produced by Lambert Yam, fl. 2001, Independent Television Service, National Asian American Telecommunications Association and K. Bik Films (San Francisco, CA: Center for Asian American Media, 2001), 57 mins
Description
This eye-opening documentary follows four Chinese families as they step into the 21st century. Working without official permits, the filmmakers used compact digital video gear to record intimate portraits of ordinary people living in tumultuous times, capturing candid and sometimes emotional interviews. Families are small – one child in the city, two in the country – so children hold center stage. Veterans of the Cultural Revolution are savin...
This eye-opening documentary follows four Chinese families as they step into the 21st century. Working without official permits, the filmmakers used compact digital video gear to record intimate portraits of ordinary people living in tumultuous times, capturing candid and sometimes emotional interviews. Families are small – one child in the city, two in the country – so children hold center stage. Veterans of the Cultural Revolution are saving up to send their son to business school. Another couple, whose son is a prize law student, glows with satisfaction. To insure his children's future, a peasant leaves his remote village to work in the quasi-legal urban job market. A farm family near Shanghai feels manhandled by the privatizing economy; they sacrifice to send their daughter to high school. CHINA 21 introduces otherwise anonymous people whose spark and initiative are changing their country.
Show more
Show less
Field of Study
Anthropology
Content Type
Documentary
Contributor
Ruby Yang, fl. 1982-2016, Lambert Yam, fl. 2001, Independent Television Service, National Asian American Telecommunications Association, K. Bik Films
Author / Creator
Ruby Yang, fl. 1982-2016
Date Published / Released
2001
Publisher
Center for Asian American Media
Topic / Theme
Economic conditions, Social classes, Societal structure, Cultural change and history, Chinese
Copyright Message
Copyright © 2001 by Center for Asian American Media
×
See details
China Insight: Stories of Tibet, 2, Part 2
produced by Kweichow Moutai and IFENG.COM, in China Insight: Stories of Tibet, 2 (Tai Po, Hong Kong (State): Phoenix Satellite Television Company, 2023), 28 mins
Tibet Autonomous Region is located on the southwestern border of the People's Republic of China, in the southwestern part of the Tibetan Plateau. It is famous for its majestic and magnificent natural scenery. It is a vast land with spectacular landscapes, rich resources, and many famous scenic spots and monuments....
Sample
produced by Kweichow Moutai and IFENG.COM, in China Insight: Stories of Tibet, 2 (Tai Po, Hong Kong (State): Phoenix Satellite Television Company, 2023), 28 mins
Description
Tibet Autonomous Region is located on the southwestern border of the People's Republic of China, in the southwestern part of the Tibetan Plateau. It is famous for its majestic and magnificent natural scenery. It is a vast land with spectacular landscapes, rich resources, and many famous scenic spots and monuments. Since ancient times, the people on this land have created a rich and splendid national culture. Ranging from Buddhist culture to vario...
Tibet Autonomous Region is located on the southwestern border of the People's Republic of China, in the southwestern part of the Tibetan Plateau. It is famous for its majestic and magnificent natural scenery. It is a vast land with spectacular landscapes, rich resources, and many famous scenic spots and monuments. Since ancient times, the people on this land have created a rich and splendid national culture. Ranging from Buddhist culture to various intangible cultural heritages to boarding schools, the series takes viewers into the magical land of Tibet from a variety of perspectives.
Show more
Show less
Field of Study
Asian Studies
Content Type
Documentary
Contributor
Kweichow Moutai, IFENG.COM
Date Published / Released
2023
Publisher
Phoenix Satellite Television Company
Series
China Insight: Stories of Tibet
Topic / Theme
Intellectual life, Monasteries, Monks, Religious practices, Religious education, Buddhism, Traditional history, Tibetan
Copyright Message
Copyright © 2023 Phoenix Satellite Television Company Limited
×
See details
Citizen Hong Kong
directed by Ruby Yang, fl. 1982-2016; produced by K. Bik Films (San Francisco, CA: Center for Asian American Media, 1999), 1 hour 27 mins
This multi-layered portrait examines San Francisco filmmaker Ruby Yang’s childhood home in its first year of postcolonial existence. In 1997, as the long-anticipated handover of the city from British rule to Chinese authority was about to occur, Yang returned to see the transition for herself. Instead of mirrori...
Sample
directed by Ruby Yang, fl. 1982-2016; produced by K. Bik Films (San Francisco, CA: Center for Asian American Media, 1999), 1 hour 27 mins
Description
This multi-layered portrait examines San Francisco filmmaker Ruby Yang’s childhood home in its first year of postcolonial existence. In 1997, as the long-anticipated handover of the city from British rule to Chinese authority was about to occur, Yang returned to see the transition for herself. Instead of mirroring mainstream news reporting, Yang intimately explores the everyday lives of the people of Hong Kong, showing how the city’s ever cha...
This multi-layered portrait examines San Francisco filmmaker Ruby Yang’s childhood home in its first year of postcolonial existence. In 1997, as the long-anticipated handover of the city from British rule to Chinese authority was about to occur, Yang returned to see the transition for herself. Instead of mirroring mainstream news reporting, Yang intimately explores the everyday lives of the people of Hong Kong, showing how the city’s ever changing dynamics and energy shaped them. CITIZEN HONG KONG does this by intimately following five individuals who represent a diverse cross section of Hong Kong youth.
Show more
Show less
Field of Study
Anthropology
Content Type
Documentary
Contributor
Ruby Yang, fl. 1982-2016, K. Bik Films
Author / Creator
Ruby Yang, fl. 1982-2016
Date Published / Released
1999
Publisher
Center for Asian American Media
Topic / Theme
Cultural identity, Immigrant populations, Cultural change and history, Urban life, Chinese
Copyright Message
Copyright © 1999 by Center for Asian American Media
×
See details
Exploring Gender Equality Issues in Samoa, Part 1
produced by Steven Percival, fl. 2002 (Sāmoa: Tiapapata Art Centre, 2013), 26 mins
Samoa is a country of great natural beauty and is endowed with a rich and distinguished culture. In 1962, Samoa became the first Pacific country to gain independence and in many respects, Samoa continues to lead the way as a source of harmony and progress for the entire Pacific region. But no country or culture is...
Sample
produced by Steven Percival, fl. 2002 (Sāmoa: Tiapapata Art Centre, 2013), 26 mins
Description
Samoa is a country of great natural beauty and is endowed with a rich and distinguished culture. In 1962, Samoa became the first Pacific country to gain independence and in many respects, Samoa continues to lead the way as a source of harmony and progress for the entire Pacific region. But no country or culture is perfect in all its dimensions, and although Samoa was the first Pacific Island nation to establish, in 1991, a separate Ministry conce...
Samoa is a country of great natural beauty and is endowed with a rich and distinguished culture. In 1962, Samoa became the first Pacific country to gain independence and in many respects, Samoa continues to lead the way as a source of harmony and progress for the entire Pacific region. But no country or culture is perfect in all its dimensions, and although Samoa was the first Pacific Island nation to establish, in 1991, a separate Ministry concerned with women's issues, there may be some cultural practices and beliefs that need to be reexamined if women are to participate fully in all aspects of community life.
Show more
Show less
Field of Study
Asian Studies
Content Type
Documentary
Contributor
Steven Percival, fl. 2002
Author / Creator
Steven Percival, fl. 2002
Date Published / Released
2013
Publisher
Tiapapata Art Centre
Topic / Theme
Samoan, Cultural change and history, Cultural norms, Religious beliefs, Gender status, Gender roles, Samoans
Copyright Message
Copyright 2013 Tiapapata Art Centre
×
See details
Hawaiian Voices: Bridging Past To Present
directed by Eddie Kamae, 1927-; produced by Rodney A. Ohtani, fl. 1998 and Myrna Kamae, fl. 1970 (Honolulu, HI: Hawaiian Legacy Foundation, 1998), 59 mins
This award-winning 1 hr documentary honors the role of kupuna (elders) in preserving Hawaiian culture. It focuses on the legacies of 3 respected Hawaiian elders whose lives bridged the transition from older times into the late 20th century. They are Ruth Makaila Kaholoa‘a; Lilia Wahinemaika‘i Hale; & Reverend...
Sample
directed by Eddie Kamae, 1927-; produced by Rodney A. Ohtani, fl. 1998 and Myrna Kamae, fl. 1970 (Honolulu, HI: Hawaiian Legacy Foundation, 1998), 59 mins
Description
This award-winning 1 hr documentary honors the role of kupuna (elders) in preserving Hawaiian culture. It focuses on the legacies of 3 respected Hawaiian elders whose lives bridged the transition from older times into the late 20th century. They are Ruth Makaila Kaholoa‘a; Lilia Wahinemaika‘i Hale; & Reverend David “Kawika” Ka‘alakea. Each is a living archive whose memories & perspectives need to be shared as a way of bringing the heali...
This award-winning 1 hr documentary honors the role of kupuna (elders) in preserving Hawaiian culture. It focuses on the legacies of 3 respected Hawaiian elders whose lives bridged the transition from older times into the late 20th century. They are Ruth Makaila Kaholoa‘a; Lilia Wahinemaika‘i Hale; & Reverend David “Kawika” Ka‘alakea. Each is a living archive whose memories & perspectives need to be shared as a way of bringing the healing wisdom of the past into the often fragmented world of the present.
Show more
Show less
Date Written / Recorded
1998
Field of Study
Asian Studies
Content Type
Documentary
Contributor
Myrna Kamae, fl. 1970, Eddie Kamae, 1927-, Rodney A. Ohtani, fl. 1998
Author / Creator
Eddie Kamae, 1927-, Myrna Kamae, fl. 1970
Date Published / Released
1998
Publisher
Hawaiian Legacy Foundation
Topic / Theme
Hawaiian, Hawaiian people, Cultural ethos, Cultural norms, Cultural identity, Cultural change and history, Haitians
Copyright Message
Copyright 1998 Hawaiian Legacy Foundation
×
See details
Highlands Trilogy, 1, First Contact
directed by Bob Connolly, 1945- and Robin Anderson, 1948-2002; produced by Robin Anderson, 1948-2002 and Bob Connolly, 1945-, in Highlands Trilogy, 1 (New York, NY: Filmakers Library, 1983), 52 mins
This is the classic film of cultural confrontation that is as compelling today as when it was first released over 20 years ago. When Columbus and Cortez ventured into the New World there was no camera to record the drama of this first encounter. But, in 1930, when the Leahy brothers penetrated the interior of New...
Sample
directed by Bob Connolly, 1945- and Robin Anderson, 1948-2002; produced by Robin Anderson, 1948-2002 and Bob Connolly, 1945-, in Highlands Trilogy, 1 (New York, NY: Filmakers Library, 1983), 52 mins
Description
This is the classic film of cultural confrontation that is as compelling today as when it was first released over 20 years ago. When Columbus and Cortez ventured into the New World there was no camera to record the drama of this first encounter. But, in 1930, when the Leahy brothers penetrated the interior of New Guinea in search of gold, they carried a movie camera. Thus they captured on film their unexpected confrontation with thousands of Ston...
This is the classic film of cultural confrontation that is as compelling today as when it was first released over 20 years ago. When Columbus and Cortez ventured into the New World there was no camera to record the drama of this first encounter. But, in 1930, when the Leahy brothers penetrated the interior of New Guinea in search of gold, they carried a movie camera. Thus they captured on film their unexpected confrontation with thousands of Stone Age people who had no concept of human life beyond their valleys. This amazing footage forms the basis of First Contact. Yet there is more to this extraordinary film than the footage that was recovered. Fifty years later some of the participants are still alive and vividly recall their unique experience. The Papuans tell how they thought the white men were their ancestors, bleached by the sun and returned from the dead. They were amazed at the artifacts of 20th century life such as tin cans, phonographs and airplanes. When shown their younger, innocent selves in the found footage, they recall the darker side of their relationship with these mysterious beings with devastating weapons. Australian Dan Leahy describes his fear at being outnumbered by primitive looking people with whom he could not speak. He felt he had to dominate them for his own survival and to continue his quest for gold. First Contact is one of those rare films that holds an audience spellbound. Humor and pathos are combined in this classic story of colonialism, told by the people who were there. College Adult This is the classic film of cultural confrontation that is as compelling today as when it was first released over 20 years ago. When Columbus and Cortez ventured into the New World there was no camera to record the drama of this first encounter. But, in 1930, when the Leahy brothers penetrated the interior of New Guinea in search of gold, they carried a movie camera. Thus they captured on film their unexpected confrontation with thousands of Stone Age people who had no concept of human life beyond their valleys. This amazing footage forms the basis of First Contact. Yet there is more to this extraordinary film than the footage that was recovered. Fifty years later some of the participants are still alive and vividly recall their unique experience. They were amazed at the artifacts of 20th century life such as tin cans, phonographs and airplanes. When shown their younger, innocent selves in the found footage, they recall the darker side of their relationship with these mysterious beings with devastating weapons. Australian Dan Leahy describes his fear at being outnumbered by primitive looking people with whom he could not speak. He felt he had to dominate them for his own survival and to continue his quest for gold. First Contact is one of those rare films that holds an audience spell-bound. Humor and pathos are combined in this classic story of colonialism, told by the people who were there.
Show more
Show less
Field of Study
Anthropology
Content Type
Documentary
Contributor
Robin Anderson, 1948-2002, Bob Connolly, 1945-, James Leahy, Daniel Leahy, 1912-1991, Richard Oxenburgh, fl. 1969-1982
Author / Creator
Bob Connolly, 1945-, Robin Anderson, 1948-2002
Date Published / Released
1983
Publisher
Filmakers Library
Series
Highlands Trilogy
Speaker / Narrator
Richard Oxenburgh, fl. 1969-1982
Person Discussed
Daniel Leahy, 1912-1991, James Leahy, Michael Leahy, 1901-1979
Topic / Theme
Papua New Guinean, Imperialism, Tribal and national groups, Cultural identity, Intercultural communication, Cultural change and history, Gold mines and mining, Anthropology, Cultural adaptation, Ethnography, Ethnic Studies, Papua New Guineans
Copyright Message
Copyright © 1983. Used by permission of Filmakers Library. All rights reserved.
×
See details
Highlands Trilogy, 1, First Contact: Filmmaker Interviews
directed by Bob Connolly, 1945- and Robin Anderson, 1948-2002; produced by Robin Anderson, 1948-2002 and Bob Connolly, 1945-, in Highlands Trilogy, 1 (New York, NY: Filmakers Library, 1983), 38 mins
This is the classic film of cultural confrontation that is as compelling today as when it was first released over 20 years ago. When Columbus and Cortez ventured into the New World there was no camera to record the drama of this first encounter. But, in 1930, when the Leahy brothers penetrated the interior of New...
Sample
directed by Bob Connolly, 1945- and Robin Anderson, 1948-2002; produced by Robin Anderson, 1948-2002 and Bob Connolly, 1945-, in Highlands Trilogy, 1 (New York, NY: Filmakers Library, 1983), 38 mins
Description
This is the classic film of cultural confrontation that is as compelling today as when it was first released over 20 years ago. When Columbus and Cortez ventured into the New World there was no camera to record the drama of this first encounter. But, in 1930, when the Leahy brothers penetrated the interior of New Guinea in search of gold, they carried a movie camera. Thus they captured on film their unexpected confrontation with thousands of Ston...
This is the classic film of cultural confrontation that is as compelling today as when it was first released over 20 years ago. When Columbus and Cortez ventured into the New World there was no camera to record the drama of this first encounter. But, in 1930, when the Leahy brothers penetrated the interior of New Guinea in search of gold, they carried a movie camera. Thus they captured on film their unexpected confrontation with thousands of Stone Age people who had no concept of human life beyond their valleys. This amazing footage forms the basis of First Contact. Yet there is more to this extraordinary film than the footage that was recovered. Fifty years later some of the participants are still alive and vividly recall their unique experience. The Papuans tell how they thought the white men were their ancestors, bleached by the sun and returned from the dead. They were amazed at the artifacts of 20th century life such as tin cans, phonographs and airplanes. When shown their younger, innocent selves in the found footage, they recall the darker side of their relationship with these mysterious beings with devastating weapons. Australian Dan Leahy describes his fear at being outnumbered by primitive looking people with whom he could not speak. He felt he had to dominate them for his own survival and to continue his quest for gold. First Contact is one of those rare films that holds an audience spellbound. Humor and pathos are combined in this classic story of colonialism, told by the people who were there. College Adult This is the classic film of cultural confrontation that is as compelling today as when it was first released over 20 years ago. When Columbus and Cortez ventured into the New World there was no camera to record the drama of this first encounter. But, in 1930, when the Leahy brothers penetrated the interior of New Guinea in search of gold, they carried a movie camera. Thus they captured on film their unexpected confrontation with thousands of Stone Age people who had no concept of human life beyond their valleys. This amazing footage forms the basis of First Contact. Yet there is more to this extraordinary film than the footage that was recovered. Fifty years later some of the participants are still alive and vividly recall their unique experience. They were amazed at the artifacts of 20th century life such as tin cans, phonographs and airplanes. When shown their younger, innocent selves in the found footage, they recall the darker side of their relationship with these mysterious beings with devastating weapons. Australian Dan Leahy describes his fear at being outnumbered by primitive looking people with whom he could not speak. He felt he had to dominate them for his own survival and to continue his quest for gold. First Contact is one of those rare films that holds an audience spell-bound. Humor and pathos are combined in this classic story of colonialism, told by the people who were there.
Show more
Show less
Field of Study
Anthropology
Content Type
Interview
Contributor
Robin Anderson, 1948-2002, Bob Connolly, 1945-, James Leahy, Daniel Leahy, 1912-1991, Peter Thomson
Author / Creator
Bob Connolly, 1945-, Robin Anderson, 1948-2002
Date Published / Released
1983
Publisher
Filmakers Library
Series
Highlands Trilogy
Person Discussed
James Leahy, Daniel Leahy, 1912-1991, Peter Thomson, Michael Leahy, 1901-1979
Topic / Theme
Papua New Guinean, Imperialism, Tribal and national groups, Cultural identity, Intercultural communication, Cultural change and history, Gold mines and mining, Anthropology, Cultural adaptation, Ethnography, Ethnic Studies, Papua New Guineans
Copyright Message
Copyright © 1983. Used by permission of Filmakers Library. All rights reserved.
×
See details
Highlands Trilogy, 2, Joe Leahy's Neighbors
directed by Bob Connolly, 1945- and Robin Anderson, 1948-2002; produced by Robin Anderson, 1948-2002 and Bob Connolly, 1945-, in Highlands Trilogy, 2 (New York, NY: Filmakers Library, 1994), 1 hour 30 mins
This film is the follow up of First Contact. It traces the fortunes of Joe Leahy, the mixed-race son of Australian explorer Michael Leahy, in his uneasy relationship with his tribal neighbors. Joe built his coffee plantation on land bought from the Ganiga in the mid 1970's. European educated, raised in the highlan...
Sample
directed by Bob Connolly, 1945- and Robin Anderson, 1948-2002; produced by Robin Anderson, 1948-2002 and Bob Connolly, 1945-, in Highlands Trilogy, 2 (New York, NY: Filmakers Library, 1994), 1 hour 30 mins
Description
This film is the follow up of First Contact. It traces the fortunes of Joe Leahy, the mixed-race son of Australian explorer Michael Leahy, in his uneasy relationship with his tribal neighbors. Joe built his coffee plantation on land bought from the Ganiga in the mid 1970's. European educated, raised in the highlands of Papua, freed by his mixed race from the entanglements of tribal obligation, Joe leads a Western lifestyle governed by individuali...
This film is the follow up of First Contact. It traces the fortunes of Joe Leahy, the mixed-race son of Australian explorer Michael Leahy, in his uneasy relationship with his tribal neighbors. Joe built his coffee plantation on land bought from the Ganiga in the mid 1970's. European educated, raised in the highlands of Papua, freed by his mixed race from the entanglements of tribal obligation, Joe leads a Western lifestyle governed by individualism and the pursuit of affluence. While Joe may live in Western grandeur, he is still surrounded by his subsistence level Ganiga 'neighbors,' who never let him forget the original source of his prosperity. Joe spends much of his waking hours just keeping the lid on things. Filmmakers Connolly and Anderson lived for eighteen continuous months on the edge of Joe's plantation, in the 'no man's land' between Leahy and the Ganiga. Their lively, non-judgmental narrative eloquently captures the conflicting values of tribalism and capitalism. College Adult This film is the followup of First Contact. It traces the fortunes of Joe Leahy, the mixed-race son of Australian explorer Michael Leahy, in his uneasy relationship with his tribal neighbors. Joe built his coffee plantation on land bought from the Ganiga in the mid 1970s. European educated, raised in the highlands of Papua, freed by his mixed race from the entanglements of tribal obligation, Joe leads a Western lifestyle governed by individualism and the pursuit of affluence. While Joe may live in Western grandeur, he is still surrounded by his subsistence level Ganiga "neighbors," who never let him forget the original source of his prosperity. Joe spends much of his waking hours just keeping the lid on things. Filmmakers Connolly and Anderson lived for eighteen continuous months on the edge of Joe's plantation, in the "no man's land" between Leahy and the Ganiga. Their lively, non-judgemental narrative eloquently captures the conflicting values of tribalism and capitalism.
Show more
Show less
Field of Study
Anthropology
Content Type
Documentary
Contributor
Robin Anderson, 1948-2002, Bob Connolly, 1945-, Popina Mai, Tumul, Joseph Madang, Joe Leahy
Author / Creator
Bob Connolly, 1945-, Robin Anderson, 1948-2002
Date Published / Released
1988, 1994
Publisher
Filmakers Library
Series
Highlands Trilogy
Person Discussed
Joe Leahy
Topic / Theme
Australian, Ganiga, Property rights, Coffee, Plantations, Tribal and national groups, Imperialism, Economic development, Cultural change and history, Anthropology, Cultural adaptation, Ethnography, Ethnic Studies, Australians
Copyright Message
Copyright © 1994. Used by permission of Filmakers Library. All rights reserved.
×
See details
Highlands Trilogy, 2, Joe Leahy's Neighbors: Film Discussion
directed by Bob Connolly, 1945- and Robin Anderson, 1948-2002; produced by Robin Anderson, 1948-2002 and Bob Connolly, 1945-, in Highlands Trilogy, 2 (New York, NY: Filmakers Library, 1994), 29 mins
This film is the follow up of First Contact. It traces the fortunes of Joe Leahy, the mixed-race son of Australian explorer Michael Leahy, in his uneasy relationship with his tribal neighbors. Joe built his coffee plantation on land bought from the Ganiga in the mid 1970's. European educated, raised in the highlan...
Sample
directed by Bob Connolly, 1945- and Robin Anderson, 1948-2002; produced by Robin Anderson, 1948-2002 and Bob Connolly, 1945-, in Highlands Trilogy, 2 (New York, NY: Filmakers Library, 1994), 29 mins
Description
This film is the follow up of First Contact. It traces the fortunes of Joe Leahy, the mixed-race son of Australian explorer Michael Leahy, in his uneasy relationship with his tribal neighbors. Joe built his coffee plantation on land bought from the Ganiga in the mid 1970's. European educated, raised in the highlands of Papua, freed by his mixed race from the entanglements of tribal obligation, Joe leads a Western lifestyle governed by individuali...
This film is the follow up of First Contact. It traces the fortunes of Joe Leahy, the mixed-race son of Australian explorer Michael Leahy, in his uneasy relationship with his tribal neighbors. Joe built his coffee plantation on land bought from the Ganiga in the mid 1970's. European educated, raised in the highlands of Papua, freed by his mixed race from the entanglements of tribal obligation, Joe leads a Western lifestyle governed by individualism and the pursuit of affluence. While Joe may live in Western grandeur, he is still surrounded by his subsistence level Ganiga 'neighbors,' who never let him forget the original source of his prosperity. Joe spends much of his waking hours just keeping the lid on things. Filmmakers Connolly and Anderson lived for eighteen continuous months on the edge of Joe's plantation, in the 'no man's land' between Leahy and the Ganiga. Their lively, non-judgmental narrative eloquently captures the conflicting values of tribalism and capitalism. College Adult This film is the followup of First Contact. It traces the fortunes of Joe Leahy, the mixed-race son of Australian explorer Michael Leahy, in his uneasy relationship with his tribal neighbors. Joe built his coffee plantation on land bought from the Ganiga in the mid 1970s. European educated, raised in the highlands of Papua, freed by his mixed race from the entanglements of tribal obligation, Joe leads a Western lifestyle governed by individualism and the pursuit of affluence. While Joe may live in Western grandeur, he is still surrounded by his subsistence level Ganiga "neighbors," who never let him forget the original source of his prosperity. Joe spends much of his waking hours just keeping the lid on things. Filmmakers Connolly and Anderson lived for eighteen continuous months on the edge of Joe's plantation, in the "no man's land" between Leahy and the Ganiga. Their lively, non-judgemental narrative eloquently captures the conflicting values of tribalism and capitalism.
Show more
Show less
Field of Study
Anthropology
Content Type
Documentary
Contributor
Robin Anderson, 1948-2002, Bob Connolly, 1945-, Popina Mai, Tumul, Joseph Madang, Joe Leahy
Author / Creator
Bob Connolly, 1945-, Robin Anderson, 1948-2002
Date Published / Released
1988, 1994
Publisher
Filmakers Library
Series
Highlands Trilogy
Person Discussed
Joe Leahy
Topic / Theme
Australian, Ganiga, Property rights, Coffee, Plantations, Tribal and national groups, Imperialism, Economic development, Cultural change and history, Anthropology, Cultural adaptation, Ethnography, Ethnic Studies, Australians
Copyright Message
Copyright © 1994. Used by permission of Filmakers Library. All rights reserved.
×
