Browse Titles - 459 results
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2 Men of Fiji
directed by Brett Porter, fl. 1959; produced by Bern Gandy, fl. 1959, Shell Oil Company (New Caledonia: Secretariat of the Pacific Community (Organization), 1996), 57 mins
The story of two men from the village of Lakeba, in the Lau group, who left their village for the city.
Sample
directed by Brett Porter, fl. 1959; produced by Bern Gandy, fl. 1959, Shell Oil Company (New Caledonia: Secretariat of the Pacific Community (Organization), 1996), 57 mins
Description
The story of two men from the village of Lakeba, in the Lau group, who left their village for the city.
Field of Study
Anthropology
Content Type
Documentary
Contributor
Brett Porter, fl. 1959, Bern Gandy, fl. 1959, Shell Oil Company
Author / Creator
Brett Porter, fl. 1959
Date Published / Released
1959, 1996
Publisher
Secretariat of the Pacific Community (Organization)
Topic / Theme
Fijian, Imperialism, City life, Island life, Local customs, Cultural change and history, Fijian people, Brazilians
Copyright Message
©1996
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37 Uses for a Dead Sheep
directed by Ben Hopkins (London, England: Royal Anthropological Institute, 2006), 1 hour 25 mins
The Pamir Kirghiz are a tribe of some 2,000 people from the Pamir region of Central Asia. For the last 27 years they have lived in exile in Eastern Turkey. In 2005 an Anglo-Turkish film crew arrives in their village to work with the tribe to tell their story. (Winner Basil Wright Film Prize 2007)
Sample
directed by Ben Hopkins (London, England: Royal Anthropological Institute, 2006), 1 hour 25 mins
Description
The Pamir Kirghiz are a tribe of some 2,000 people from the Pamir region of Central Asia. For the last 27 years they have lived in exile in Eastern Turkey. In 2005 an Anglo-Turkish film crew arrives in their village to work with the tribe to tell their story. (Winner Basil Wright Film Prize 2007)
Date Written / Recorded
2005
Field of Study
Anthropology
Content Type
Documentary
Contributor
Ben Hopkins
Author / Creator
Ben Hopkins
Date Published / Released
2006
Publisher
Royal Anthropological Institute
Topic / Theme
Kyrgyz, Tribal and national groups, Exile, Historical reconstructions, Cultural change and history, Ethnography
Copyright Message
Copyright 2006. Used by permission of Royal Anthropological Institute. All rights reserved.
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1700 Metres from the Future
directed by Ulla Rasmussen, fl. 1990 (London, England: Royal Anthropological Institute, 1990), 1 hour 24 mins
Inhabitants of an isolated settlement called Gásadalur (on the Faroe Islands in the North Atlantic) discuss the pending tunnel planned to connect them to the rest of the island. They share their outlooks concerning the future impact it will have on their present way of life and living conditions.
Sample
directed by Ulla Rasmussen, fl. 1990 (London, England: Royal Anthropological Institute, 1990), 1 hour 24 mins
Description
Inhabitants of an isolated settlement called Gásadalur (on the Faroe Islands in the North Atlantic) discuss the pending tunnel planned to connect them to the rest of the island. They share their outlooks concerning the future impact it will have on their present way of life and living conditions.
Field of Study
Anthropology
Content Type
Documentary
Contributor
Ulla Rasmussen, fl. 1990
Author / Creator
Ulla Rasmussen, fl. 1990
Date Published / Released
1990
Publisher
Royal Anthropological Institute
Topic / Theme
Faroese, Islands, Construction, Cultural change and history, Herders, Agrarian life, Rural population, Ethnography
Copyright Message
Copyright © 1990. Used by permission of Royal Anthropological Institute. All rights reserved.
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4224 - Making Place
directed by Jeff Licence, fl. 2012; produced by Jeff Licence, fl. 2012 (Acton, Australian Capital Territory: Tigermonkey Productions, 2013), 31 mins
What makes a good community? Why do people choose a place and then choose to stay there? This is a documentary about the places, spaces and faces of Tugun village on the southern Gold Coast.
Sample
directed by Jeff Licence, fl. 2012; produced by Jeff Licence, fl. 2012 (Acton, Australian Capital Territory: Tigermonkey Productions, 2013), 31 mins
Description
What makes a good community? Why do people choose a place and then choose to stay there? This is a documentary about the places, spaces and faces of Tugun village on the southern Gold Coast.
Field of Study
Anthropology
Content Type
Documentary
Contributor
Jeff Licence, fl. 2012
Author / Creator
Jeff Licence, fl. 2012
Date Published / Released
2013
Publisher
Tigermonkey Productions
Topic / Theme
Australian, Sociocultural trends, Cultural identity, Cultural life, Indigenous ethnic groups, Australians
Copyright Message
Copyright © 2013 by Tigermonkey Productions
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The 9th Festival of Pacific Arts: Oltobed a Malt
produced by Ernest Ongidobel, fl. 2000, Republic of Palau and Secretariat of the Pacific Community (Organization), in The 9th Festival of Pacific Arts: Oltobed a Malt (New Caledonia: Secretariat of the Pacific Community (Organization), 2004), 44 mins
This film recounts the events and the highlights of the 9th Festival of Arts and for 10 days, Islanders of diverse nationalities performed, spoke about, and demonstrated their cultures and what it means to be a Pacific Islander in the 21st century.
Sample
produced by Ernest Ongidobel, fl. 2000, Republic of Palau and Secretariat of the Pacific Community (Organization), in The 9th Festival of Pacific Arts: Oltobed a Malt (New Caledonia: Secretariat of the Pacific Community (Organization), 2004), 44 mins
Description
This film recounts the events and the highlights of the 9th Festival of Arts and for 10 days, Islanders of diverse nationalities performed, spoke about, and demonstrated their cultures and what it means to be a Pacific Islander in the 21st century.
Field of Study
Anthropology
Content Type
Documentary
Contributor
Rhonda Griffiths, fl. 2004, Aren Baoa, fl. 2011, Ernest Ongidobel, fl. 2000, Republic of Palau, Secretariat of the Pacific Community (Organization), Joe Chilton, fl. 2004
Author / Creator
Rhonda Griffiths, fl. 2004, Aren Baoa, fl. 2011
Date Published / Released
2004
Publisher
Secretariat of the Pacific Community (Organization)
Speaker / Narrator
Joe Chilton, fl. 2004
Topic / Theme
Cultural participation, Local customs, Revitalization and ethnogenesis, Fairs and festivals, Pacific Islander ethnic groups, Brazilians
Copyright Message
©2004
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Acting Like a Thief
written by Shashwati Talukdar, fl. 1996 and P. Kerim Friedman, fl. 2006; directed by P. Kerim Friedman, fl. 2006 and Shashwati Talukdar, fl. 1996; produced by P. Kerim Friedman, fl. 2006 and Shashwati Talukdar, fl. 1996 (Watertown, MA: Documentary Educational Resources (DER), 2005), 15 mins
Acting Like a Thief is about a Chhara tribal theatre group in Ahmedabad, India. Starting with the arrest of playwright DaKxin Bajrange (Chhara), the documentary reveals how the Budhan Theatre has transformed the lives of adults and children within the community.
Sample
written by Shashwati Talukdar, fl. 1996 and P. Kerim Friedman, fl. 2006; directed by P. Kerim Friedman, fl. 2006 and Shashwati Talukdar, fl. 1996; produced by P. Kerim Friedman, fl. 2006 and Shashwati Talukdar, fl. 1996 (Watertown, MA: Documentary Educational Resources (DER), 2005), 15 mins
Description
Acting Like a Thief is about a Chhara tribal theatre group in Ahmedabad, India. Starting with the arrest of playwright DaKxin Bajrange (Chhara), the documentary reveals how the Budhan Theatre has transformed the lives of adults and children within the community. Acting Like a Thief is about a Chhara tribal theatre group in Ahmedabad, India. Starting with the arrest of playwright DaKxin Bajrange (Chhara), the documentary reveals how the Budhan The...
Acting Like a Thief is about a Chhara tribal theatre group in Ahmedabad, India. Starting with the arrest of playwright DaKxin Bajrange (Chhara), the documentary reveals how the Budhan Theatre has transformed the lives of adults and children within the community. Acting Like a Thief is about a Chhara tribal theatre group in Ahmedabad, India. Starting with the arrest of playwright DaKxin Bajrange (Chhara), the documentary reveals how the Budhan Theatre has transformed the lives of adults and children within the community. Chhara tribals were notified as "natural criminals" by the British in 1871 and imprisoned in a labor camp in Ahmedabad. After Indian independence, they were de-notified, but the stigma of being a "born criminal" follows them to this day. The Budhan Theatre was inspired by the activism work of Mahasweta Devi.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Shashwati Talukdar, fl. 1996, P. Kerim Friedman, fl. 2006, Dakxin Bajrange, fl. 2005
Author / Creator
Shashwati Talukdar, fl. 1996, P. Kerim Friedman, fl. 2006
Date Published / Released
2005
Publisher
Documentary Educational Resources (DER)
Topic / Theme
Chhara, Politics, Theatrical productions, Tribal and national groups, Cultural change and history, Cultural identity, Ethnic relations, Indigenous peoples, Ethnography, Haryanvi
Copyright Message
© Documentary Educational Resources
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Add & Mabel's Punkin Center
written by Dillon Bustin, fl. 1982; directed by Dillon Bustin, fl. 1982 and Richard Kane, 1944-; produced by Richard Kane, 1944- (Watertown, MA: Documentary Educational Resources (DER), 1984), 16 mins
Add & Mabel's Punkin Center is about memories. It's about the urge to collect things from the past to help make vivid those cherished times. But it's also about today, about two old-timers whose tender and jovial banter reveals a contentment with the present derived only from knowing their past. To experience Punk...
Sample
written by Dillon Bustin, fl. 1982; directed by Dillon Bustin, fl. 1982 and Richard Kane, 1944-; produced by Richard Kane, 1944- (Watertown, MA: Documentary Educational Resources (DER), 1984), 16 mins
Description
Add & Mabel's Punkin Center is about memories. It's about the urge to collect things from the past to help make vivid those cherished times. But it's also about today, about two old-timers whose tender and jovial banter reveals a contentment with the present derived only from knowing their past. To experience Punkin Center in Southern Indiana is to experience the value of reminiscence. Today, we see a homespun folk museum filled with hundreds of...
Add & Mabel's Punkin Center is about memories. It's about the urge to collect things from the past to help make vivid those cherished times. But it's also about today, about two old-timers whose tender and jovial banter reveals a contentment with the present derived only from knowing their past. To experience Punkin Center in Southern Indiana is to experience the value of reminiscence. Today, we see a homespun folk museum filled with hundreds of thousands of antiques and curiosities Add and Mabel Gray have collected since the 1920s. Each item inspires stories about vaudeville acts and organ grinders, Kraft cheese parties and Western Swing, Depression days and Amish neighbors. Over the years, Punkin Center grew to become the hub - the true backbone of their Midwestern community, fulfilling a need for isolated rural folk to be in touch with each other and the rest of the world. Add & Mabel's Punkin Center is about memories. It's about the urge to collect things from the past to help make vivid those cherished times. But it's also about today, about two old-timers whose tender and jovial banter reveals a contentment with the present derived only from knowing their past. To experience Punkin Center in Southern Indiana is to experience the value of reminiscence. Today, we see a homespun folk museum filled with hundreds of thousands of antiques and curiosities Add and Mabel Gray have collected since the 1920s. Each item inspires stories about vaudeville acts and organ grinders, Kraft cheese parties and western swing, Depression days and Amish neighbors. Over the years, Punkin Center grew to become the hub - the true backbone of their Midwestern community, fulfilling a need for isolated rural folk to be in touch with each other and the rest of the world.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Dillon Bustin, fl. 1982, Richard Kane, 1944-, Mabel Gray, fl. 1984, Add Gray, fl. 1984, Mark Hammer, 1937-2007
Author / Creator
Dillon Bustin, fl. 1982, Richard Kane, 1944-
Date Published / Released
1984
Publisher
Documentary Educational Resources (DER)
Speaker / Narrator
Mark Hammer, 1937-2007
Person Discussed
Mabel Gray, fl. 1984, Add Gray, fl. 1984
Topic / Theme
American, Folklore, Museums, Collecting and collectables, Cultural change and history, Ethnography, Americans
Copyright Message
© Documentary Educational Resources
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African Dance: Sand, Drum, and Shostakovich
written by Ken Glazebrook, fl. 1970 and Alla Kovgan, 1973-; directed by Ken Glazebrook, fl. 1970 and Alla Kovgan, 1973-; produced by Ken Glazebrook, fl. 1970 and Alla Kovgan, 1973- (Watertown, MA: Documentary Educational Resources (DER), 2002), 1 hour 10 mins
This documentary explores African contemporary dance through eight modern dance companies from Africa, Europe and Canada that participated in the Festival International de Nouvelle Danse in Montreal, Canada in 1999.
Sample
written by Ken Glazebrook, fl. 1970 and Alla Kovgan, 1973-; directed by Ken Glazebrook, fl. 1970 and Alla Kovgan, 1973-; produced by Ken Glazebrook, fl. 1970 and Alla Kovgan, 1973- (Watertown, MA: Documentary Educational Resources (DER), 2002), 1 hour 10 mins
Description
This documentary explores African contemporary dance through eight modern dance companies from Africa, Europe and Canada that participated in the Festival International de Nouvelle Danse in Montreal, Canada in 1999. This documentary explores African contemporary dance through eight modern dance companies from Africa, Europe and Canada that participated in the Festival International de Nouvelle Danse in Montreal, Canada in 1999. Interviews, includ...
This documentary explores African contemporary dance through eight modern dance companies from Africa, Europe and Canada that participated in the Festival International de Nouvelle Danse in Montreal, Canada in 1999. This documentary explores African contemporary dance through eight modern dance companies from Africa, Europe and Canada that participated in the Festival International de Nouvelle Danse in Montreal, Canada in 1999. Interviews, including those with dance historians Yacouba Konate and Alponse Tierou, add insight to beautifully-photographed performances. What emerges is a fascinating diversity of contemporary African dance themes and styles. Exploring the interactions between tradition and modernism, the consequences of colonization and urbanization, the self-expression of women through dance, and the roles of masculinity and family relationships, the film is a unique source of information and inspiration for dancers, dance historians, choreographers, critics, as well as those interested in African culture, past and present. "More than ever, as a forum for cross-cultural exchanges, this ninth edition of the Festival showcases African dance because it appears to be undergoing a cultural and artistic renaissance nurtured by the contact and clash between tradition and modernity, and by a reevaluation of its global links." — Festival International de Nouvelle Danse
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Field of Study
Dance
Content Type
Documentary
Contributor
Ken Glazebrook, fl. 1970, Alla Kovgan, 1973-, Yacouba Konaté, Alphonse Tierou, fl. 1988, Susanne Linke, 1944-, Mathilde Monnier, 1959-, Seydou Boro, 1968-, Vincent Mantsoe, 1971-, Germaine Acogny, 1944-
Author / Creator
Ken Glazebrook, fl. 1970, Alla Kovgan, 1973-
Date Published / Released
2004, 2002
Publisher
Documentary Educational Resources (DER)
Topic / Theme
African, Movement in performance, Choreographers, Dance theory, Expression in performance, Cultural change and history, Cultural identity, Dance, Ethnography, Africans
Copyright Message
© Documentary Educational Resources
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Aftertaste
written by Ceridwen Dovey, 1980-; directed by Ceridwen Dovey, 1980-; produced by Ceridwen Dovey, 1980- (Watertown, MA: Documentary Educational Resources (DER), 2004), 36 mins
Wine has been made in the Western Cape region of South Africa for over 300 years. At first, slaves and indigenous Khoisan worked the vineyards owned by white European settlers. Classified as 'Coloureds,' the descendants of these laborers have continued to work these vineyards for generations. Until recently, they...
Sample
written by Ceridwen Dovey, 1980-; directed by Ceridwen Dovey, 1980-; produced by Ceridwen Dovey, 1980- (Watertown, MA: Documentary Educational Resources (DER), 2004), 36 mins
Description
Wine has been made in the Western Cape region of South Africa for over 300 years. At first, slaves and indigenous Khoisan worked the vineyards owned by white European settlers. Classified as 'Coloureds,' the descendants of these laborers have continued to work these vineyards for generations. Until recently, they could not own the houses they lived in, and were paid for their labor partly in alcohol. This instituted form of abuse – called the d...
Wine has been made in the Western Cape region of South Africa for over 300 years. At first, slaves and indigenous Khoisan worked the vineyards owned by white European settlers. Classified as 'Coloureds,' the descendants of these laborers have continued to work these vineyards for generations. Until recently, they could not own the houses they lived in, and were paid for their labor partly in alcohol. This instituted form of abuse – called the dop system – was designed by wine farm owners to encourage alcohol dependency in their workers so that they would not leave the farm to look for work elsewhere. Wine has been made in the Western Cape region of South Africa for over 300 years. At first, slaves and indigenous Khoisan worked the vineyards owned by white European settlers, and the descendants of these laborers have continued to work these vineyards for generations. Until recently, laborers could not own their houses, and were paid for their labor partly in alcohol. This exploitation – called the dop system – was designed by wine farm owners to encourage alcohol dependency in their workers so that they would not leave the farm to look for work elsewhere. This film focuses on two wine farms where “empowerment” projects have recently been started in response to calls for change. The wine farm workers receive part of the profits from the sale of “empowerment” brand wine Winds of Change. They have used this money to buy their own houses and shares in the wine farm business. On the surface, these “empowerment” projects seem to be a radical departure from the abusive, paternalistic labor relationship between farm owners and workers that has existed for so long. But the legacy of centuries of abuse cannot be eradicated overnight. The film tells an optimistic – but realistic – story about life and change in the new South Africa.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Ceridwen Dovey, 1980-, Jaco van der Merwe, Loala Van der Westhuizen, Johan Booysen, Andries Lotter, Lilly Lotter
Author / Creator
Ceridwen Dovey, 1980-
Date Published / Released
2004
Publisher
Documentary Educational Resources (DER)
Topic / Theme
Khoisan, South African, Cultural change and history, Economics, Wine, Agriculture, Imperialism, Human rights, Racial integration, Ethnography, South Africans
Copyright Message
by Documentary Educational Resources
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The Ainu Bear Ceremony
directed by Neil Gordon Munro, 1863-1942; produced by Royal Anthropological Institute (London, England: Royal Anthropological Institute, 2001), 29 mins
The RAI has reedited the original film of this ceremony among the Ainu people of Japan. In the bear ceremony, now no longer performed, a specially reared bear was reverently killed and its flesh and blood eaten by the participants. The film shows a series of ritual acts with some commentary on their meaning.
Sample
directed by Neil Gordon Munro, 1863-1942; produced by Royal Anthropological Institute (London, England: Royal Anthropological Institute, 2001), 29 mins
Description
The RAI has reedited the original film of this ceremony among the Ainu people of Japan. In the bear ceremony, now no longer performed, a specially reared bear was reverently killed and its flesh and blood eaten by the participants. The film shows a series of ritual acts with some commentary on their meaning.
Date Written / Recorded
1931
Field of Study
Anthropology
Content Type
Documentary
Contributor
Neil Gordon Munro, 1863-1942, Royal Anthropological Institute
Author / Creator
Neil Gordon Munro, 1863-1942
Date Published / Released
2001
Publisher
Royal Anthropological Institute
Topic / Theme
Ainu, Ethnozoology, Tribal and national groups, Cultural change and history, Religious beliefs, Social customs, Religious rites and ceremonies, Ethnography
Copyright Message
Copyright 2001. Used by permission of Royal Anthropological Institute. All rights reserved.
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