Browse Titles - 44 results
Ainikien Jidjid Ilo Boñ: The Sound of Crickets at Night
directed by Jack Niedenthal, fl. 2008 and Suzanne Chutaro, fl. 2010; produced by Jack Niedenthal, fl. 2008 and Suzanne Chutaro, fl. 2010 (Microwave Films, 2012), 1 hour 20 mins
Ainikien Jidjid ilo Boñ (The Sound of Crickets at Night) is the story of a family displaced as a result of nuclear testing on Bikini Atoll and now living in exile on Ejit Island on Majuro Atoll in the Marshall Islands.
Kali, a darling-though-curious 10-year-old Bikinian girl, watches in dismay as her mother and f...
Sample
directed by Jack Niedenthal, fl. 2008 and Suzanne Chutaro, fl. 2010; produced by Jack Niedenthal, fl. 2008 and Suzanne Chutaro, fl. 2010 (Microwave Films, 2012), 1 hour 20 mins
Description
Ainikien Jidjid ilo Boñ (The Sound of Crickets at Night) is the story of a family displaced as a result of nuclear testing on Bikini Atoll and now living in exile on Ejit Island on Majuro Atoll in the Marshall Islands.
Kali, a darling-though-curious 10-year-old Bikinian girl, watches in dismay as her mother and father argue bitterly, then finally separate and leave the island.
Left alone to care for her elderly grandfather, Jebuki, who has been...
Ainikien Jidjid ilo Boñ (The Sound of Crickets at Night) is the story of a family displaced as a result of nuclear testing on Bikini Atoll and now living in exile on Ejit Island on Majuro Atoll in the Marshall Islands.
Kali, a darling-though-curious 10-year-old Bikinian girl, watches in dismay as her mother and father argue bitterly, then finally separate and leave the island.
Left alone to care for her elderly grandfather, Jebuki, who has been hiding a life-threatening illness, Kali deteriorates, refusing to eat, work or play. Fearing for his granddaughter’s wellbeing, Jebuki makes a desperate decision to summon Worejabato, an ancient deity from Bikini Atoll. Appearing in the form of an unshaven American stranger, Worejabato washes up on the beach on Ejit Island, and is discovered by Kali. The deity immediately begins to weave his way into Kali's life, but wishes from Worejabato do not come for free. What will Jebuki promise to Worejabato to ensure Kali’s happiness?
Actors in this film are mostly from the Bikinian community that resides in exile on Ejit Island of Majuro Atoll.
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Field of Study
Asian Studies
Content Type
Performance
Contributor
Jack Niedenthal, fl. 2008, Suzanne Chutaro, fl. 2010
Author / Creator
Jack Niedenthal, fl. 2008, Suzanne Chutaro, fl. 2010
Date Published / Released
2012
Publisher
Microwave Films
Topic / Theme
Marshallese, Cultural change and history, Religious beliefs, Folklore, Island life
Copyright Message
Copyright © 2012 by Jack Neidenthal
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The Ainu Bear Ceremony
directed by Neil Gordon Munro, 1863-1942; produced by Royal Anthropological Institute (London, England: Royal Anthropological Institute, 2001), 29 mins
The RAI has reedited the original film of this ceremony among the Ainu people of Japan. In the bear ceremony, now no longer performed, a specially reared bear was reverently killed and its flesh and blood eaten by the participants. The film shows a series of ritual acts with some commentary on their meaning.
Sample
directed by Neil Gordon Munro, 1863-1942; produced by Royal Anthropological Institute (London, England: Royal Anthropological Institute, 2001), 29 mins
Description
The RAI has reedited the original film of this ceremony among the Ainu people of Japan. In the bear ceremony, now no longer performed, a specially reared bear was reverently killed and its flesh and blood eaten by the participants. The film shows a series of ritual acts with some commentary on their meaning.
Date Written / Recorded
1931
Field of Study
Anthropology
Content Type
Documentary
Contributor
Neil Gordon Munro, 1863-1942, Royal Anthropological Institute
Author / Creator
Neil Gordon Munro, 1863-1942
Date Published / Released
2001
Publisher
Royal Anthropological Institute
Topic / Theme
Ainu, Ethnozoology, Tribal and national groups, Cultural change and history, Religious beliefs, Social customs, Religious rites and ceremonies, Ethnography
Copyright Message
Copyright 2001. Used by permission of Royal Anthropological Institute. All rights reserved.
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The Akha Way
written by Sharon Hainsfurther, fl. 1999 and Mary Flannery; directed by Sharon Hainsfurther, fl. 1999; produced by Sharon Hainsfurther, fl. 1999, Yellowcat Productions (Watertown, MA: Documentary Educational Resources (DER), 1999), 25 mins
For over a thousand years, the Akha people have inhabited the hills of Asia — mainly Southern China, Burma and Northern Thailand. The Akha Way or Akhazaunh, is the code by which they live. This documentary describes their origins and their culture.
Sample
written by Sharon Hainsfurther, fl. 1999 and Mary Flannery; directed by Sharon Hainsfurther, fl. 1999; produced by Sharon Hainsfurther, fl. 1999, Yellowcat Productions (Watertown, MA: Documentary Educational Resources (DER), 1999), 25 mins
Description
For over a thousand years, the Akha people have inhabited the hills of Asia — mainly Southern China, Burma and Northern Thailand. The Akha Way or Akhazaunh, is the code by which they live. This documentary describes their origins and their culture. For over a thousand years, the Akha people have inhabited the hills of Asia — mainly Southern China, Burma and Northern Thailand. The Akha Way or Akhazaunh, is the code by which they live. This doc...
For over a thousand years, the Akha people have inhabited the hills of Asia — mainly Southern China, Burma and Northern Thailand. The Akha Way or Akhazaunh, is the code by which they live. This documentary describes their origins and their culture. For over a thousand years, the Akha people have inhabited the hills of Asia — mainly Southern China, Burma and Northern Thailand. The Akha Way or Akhazaunh, is the code by which they live. This documentary describes their origins and their culture. It contains extraordinary footage of a shaman healing ceremony; a funeral, with the ritual sacrifice of a water buffalo; the reading of a pig's liver after a new house is built, and more. Today the Akha Way is fast disappearing. Forced migration, Christianity, money and drugs are eroding the cultural heritage of the Akha tribe.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Sharon Hainsfurther, fl. 1999, Mary Flannery, Yellowcat Productions
Author / Creator
Sharon Hainsfurther, fl. 1999, Mary Flannery
Date Published / Released
1999
Publisher
Documentary Educational Resources (DER)
Speaker / Narrator
Mary Flannery
Topic / Theme
Akha, Cultural change and history, Religious beliefs, Cultural identity, Tribal and national groups, Indigenous peoples, Ethnography
Copyright Message
© Documentary Educational Resources
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Alaskan Eskimo, The Drums of Winter (Uksuum Cauyai)
written by Sarah Elder, fl. 1973-2015 and Leonard Kamerling, fl. 1974-2012; directed by Sarah Elder, fl. 1973-2015 and Leonard Kamerling, fl. 1974-2012; produced by Leonard Kamerling, fl. 1974-2012 and Sarah Elder, fl. 1973-2015, in Alaskan Eskimo (Watertown, MA: Documentary Educational Resources (DER), 1988), 42 mins
This feature-length documentary explores the traditional dance, music and spiritual world of the Yupik Eskimo people of Emmonak, a remote village at the mouth of the Yukon River on the Bering Sea coast.
Sample
written by Sarah Elder, fl. 1973-2015 and Leonard Kamerling, fl. 1974-2012; directed by Sarah Elder, fl. 1973-2015 and Leonard Kamerling, fl. 1974-2012; produced by Leonard Kamerling, fl. 1974-2012 and Sarah Elder, fl. 1973-2015, in Alaskan Eskimo (Watertown, MA: Documentary Educational Resources (DER), 1988), 42 mins
Description
This feature-length documentary explores the traditional dance, music and spiritual world of the Yupik Eskimo people of Emmonak, a remote village at the mouth of the Yukon River on the Bering Sea coast. This documentary explores the traditional dance, music and spiritual world of the Yupik Eskimo people of Emmonak, a remote village at the mouth of the Yukon River on the Bering Sea coast. In The Drums of Winter, the people of Emmonak tell us throu...
This feature-length documentary explores the traditional dance, music and spiritual world of the Yupik Eskimo people of Emmonak, a remote village at the mouth of the Yukon River on the Bering Sea coast. This documentary explores the traditional dance, music and spiritual world of the Yupik Eskimo people of Emmonak, a remote village at the mouth of the Yukon River on the Bering Sea coast. In The Drums of Winter, the people of Emmonak tell us through actualities and interviews how their history, social values and spiritual beliefs are woven around the songs and dances that have been handed down to them through the generations. It is not just old songs that are important; new songs and dance movements are created to reflect modern life with all its complexities. Each time a person gets up to dance, he is strengthening the continuity of the ages. The film follows the elders of Emmonak as they prepare for the coming ceremonial gathering (potlatch) with a neighboring village. In the Kashim (qasgiq or men's house), they practice their songs and painstakingly work out the motions of the dances. Each movement has meaning and plays a part in telling a story. In the days before television, radio, bingo and weekly basketball games, dance was the sole means of entertainment. Throughout the film, archival photographs and film footage accompany the words of early missionaries who brought Christianity to the area. These sequences provide a historical context for the film and give us a strong sense of the resilience of Yup'ik culture, having survived despite a century of missionary suppression.
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Date Written / Recorded
1977
Field of Study
Anthropology
Content Type
Documentary
Contributor
Sarah Elder, fl. 1973-2015, Leonard Kamerling, fl. 1974-2012
Author / Creator
Sarah Elder, fl. 1973-2015, Leonard Kamerling, fl. 1974-2012
Date Published / Released
1988
Publisher
Documentary Educational Resources (DER)
Series
Alaskan Eskimo
Topic / Theme
Folk music, Spirituality, Tribal and national groups, Cultural change and history, Cultural identity, Dance and dancing, Indigenous ethnic groups, Ethnography
Copyright Message
by Documentary Educational Resources
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Ancient Mysteries, Season 3, Knights Templar
produced by Steven R. Talley, Tracey Benger, fl. 1995 and Susan Lutz, fl. 1996, Filmroos Inc., in Ancient Mysteries, Season 3 (New York, NY: A&E Television Networks, 1997), 45 mins
Ancient Mysteries is a series of one-hour documentaries exploring archaeological, historical, and cultural mysteries of the ancient past. Episode: Knights Templar: 900 years ago in the holy land of Muslims who fought the Crusaders suddenly were attacked by an unusual nightmare inspiring legions of armed force blad...
Sample
produced by Steven R. Talley, Tracey Benger, fl. 1995 and Susan Lutz, fl. 1996, Filmroos Inc., in Ancient Mysteries, Season 3 (New York, NY: A&E Television Networks, 1997), 45 mins
Description
Ancient Mysteries is a series of one-hour documentaries exploring archaeological, historical, and cultural mysteries of the ancient past. Episode: Knights Templar: 900 years ago in the holy land of Muslims who fought the Crusaders suddenly were attacked by an unusual nightmare inspiring legions of armed force blades monks entitled Knights Templar. Who were these mysterious war cross.
Field of Study
Anthropology
Content Type
Documentary
Contributor
Steven R. Talley, Tracey Benger, fl. 1995, Susan Lutz, fl. 1996, Filmroos Inc., Leonard Nimoy, 1931-2015
Date Published / Released
1997
Publisher
A&E Television Networks
Series
Ancient Mysteries
Speaker / Narrator
Malcolm Charles Barber, 1943-, Henry Lincoln, Leonard Nimoy, 1931-2015
Person Discussed
Malcolm Charles Barber, 1943-, Henry Lincoln, Hugues de Payens, 1070-1136, Philip IV of France, 1268-1314, Bernard, of Clairvaux, Saint, 1090-1153, Jesus Christ, 0006-0033
Topic / Theme
Churches, Soldiers, Catholicism, Bible, Religious cults, Religious beliefs, Traditional history, Islam, Christianity, Knights
Copyright Message
Copyright © 1997 A+E Networks. All Rights Reserved
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Ancient Mysteries, Season 3, Quest For The Holy Grail
produced by Truusje Kushner, Tracey Benger, fl. 1995 and Susan Lutz, fl. 1996, Filmroos Inc., in Ancient Mysteries, Season 3 (New York, NY: A&E Television Networks, 1997), 45 mins
Ancient Mysteries is a series of one-hour documentaries exploring archaeological, historical, and cultural mysteries of the ancient past. Episode: Quest For The Holy Grail: A staple in medieval legend, it sometimes appeared as a cup, a chalice, or a dish. Some say it was taken to England, where it became a part of...
Sample
produced by Truusje Kushner, Tracey Benger, fl. 1995 and Susan Lutz, fl. 1996, Filmroos Inc., in Ancient Mysteries, Season 3 (New York, NY: A&E Television Networks, 1997), 45 mins
Description
Ancient Mysteries is a series of one-hour documentaries exploring archaeological, historical, and cultural mysteries of the ancient past. Episode: Quest For The Holy Grail: A staple in medieval legend, it sometimes appeared as a cup, a chalice, or a dish. Some say it was taken to England, where it became a part of the Arthurian legend. Was it the vessel from which Christ shared wine at the Last Supper?
Field of Study
Art & Architecture
Content Type
Documentary
Contributor
Truusje Kushner, Tracey Benger, fl. 1995, Susan Lutz, fl. 1996, Filmroos Inc., Leonard Nimoy, 1931-2015
Date Published / Released
1997
Publisher
A&E Television Networks
Series
Ancient Mysteries
Speaker / Narrator
Laurence Gardner, 1943-2010, Norris J. Lacy, 1940-, Caitlin Matthews, 1952-, John Matthews, 1948-, Leonard Nimoy, 1931-2015
Person Discussed
Laurence Gardner, 1943-2010, Norris J. Lacy, 1940-, Caitlin Matthews, 1952-, John Matthews, 1948-, Mary Magdalene, Arthur, legendary King of England, Jesus Christ, 0006-0033
Topic / Theme
Jesus Christ, Religious practices, Religious faiths, Religious artifacts, Spirituality, Spiritual healing, Traditional history, Bible, Christianity, Crucifixion of Jesus Christ, ca. 30 C.E., Europeans
Copyright Message
Copyright © 1997 A+E Networks. All Rights Reserved
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Aotearoa: Earth and Sky
directed by David Allen, fl. 2001; produced by David Allen, fl. 2001 (Wellington, Wellington Region: Moving Content Limited, 2008), 31 mins
Every culture has its traditions about how the world was created. Māori have many of them - giants digging out lakes, water creatures rising up to form hills, and mountains engaging in a battle for the affections of a beautiful maiden. These stories and many more have been passed down through the generations, rev...
Sample
directed by David Allen, fl. 2001; produced by David Allen, fl. 2001 (Wellington, Wellington Region: Moving Content Limited, 2008), 31 mins
Description
Every culture has its traditions about how the world was created. Māori have many of them - giants digging out lakes, water creatures rising up to form hills, and mountains engaging in a battle for the affections of a beautiful maiden. These stories and many more have been passed down through the generations, revealing a world in constant change and a deep connection with nature and the land. This film brings together a selection of these storie...
Every culture has its traditions about how the world was created. Māori have many of them - giants digging out lakes, water creatures rising up to form hills, and mountains engaging in a battle for the affections of a beautiful maiden. These stories and many more have been passed down through the generations, revealing a world in constant change and a deep connection with nature and the land. This film brings together a selection of these stories with exquisite imagery of New Zealand's extraordinary landscape. The ancient Māori traditions are brought to life by legendary storyteller Joe Harawira, and traditional Māori music by Ngā Taonga Pūoro authority Richard Nunns.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
David Allen, fl. 2001
Author / Creator
David Allen, fl. 2001
Date Published / Released
2008
Publisher
Moving Content Limited
Topic / Theme
Traditional history, Cultural views, Religious beliefs, Maori
Copyright Message
Copyright © 2008 by Moving Content Limited
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Ausangate
written by Andrea Heckman, fl. 1978-2017; directed by Tad Fettig, fl. 1995-2016 and Andrea Heckman, fl. 1978-2017; produced by Judy Walgren DeHaas, 1964-, Tad Fettig, fl. 1995-2016 and Andrea Heckman, fl. 1978-2017 (Watertown, MA: Documentary Educational Resources (DER), 2006), 1 hour 2 mins
This film documents the lives of Quechua people who live around Ausangate, a sacred peak in southeastern Peru. It is based on anthropological research conducted over twenty years and reveals how the weavers make textiles encoded with symbolic images that reinforce ancestral beliefs during rituals and in everyday l...
Sample
written by Andrea Heckman, fl. 1978-2017; directed by Tad Fettig, fl. 1995-2016 and Andrea Heckman, fl. 1978-2017; produced by Judy Walgren DeHaas, 1964-, Tad Fettig, fl. 1995-2016 and Andrea Heckman, fl. 1978-2017 (Watertown, MA: Documentary Educational Resources (DER), 2006), 1 hour 2 mins
Description
This film documents the lives of Quechua people who live around Ausangate, a sacred peak in southeastern Peru. It is based on anthropological research conducted over twenty years and reveals how the weavers make textiles encoded with symbolic images that reinforce ancestral beliefs during rituals and in everyday life. Four Quechua people's stories are told against a backdrop of high Andean lakes and mountains showing a harsh existence possible on...
This film documents the lives of Quechua people who live around Ausangate, a sacred peak in southeastern Peru. It is based on anthropological research conducted over twenty years and reveals how the weavers make textiles encoded with symbolic images that reinforce ancestral beliefs during rituals and in everyday life. Four Quechua people's stories are told against a backdrop of high Andean lakes and mountains showing a harsh existence possible only through a strong symbiotic relationship to their alpacas and llamas. This film documents the lives of Quechua people who live around Ausangate, a sacred peak in southeastern Peru. Four Quechua people's stories are told against a backdrop of high Andean lakes and mountains showing a harsh existence possible only through a strong symbiotic relationship to their alpacas and llamas. From these animals they gain food, pelts, dried dung for fuel, transport for goods, and yarn for clothing. The film shows weaving techniques, first haircutting rites of passage, and the annual pilgrimage of Qoyllur Rit'I, in which dancers known as ukus stand all night on the 15,000-foot-high glacier so they may have the privilege of taking a chunk of ice from the mountain that is later melted and drunk by their community as sacred water. Visually cinematic, the film carries a deep message of survival and cultural continuity in an environment with elevations over 14,000 feet. Faced with the pressures of modernization, Quechuas are confronted with choices about whether to move to the cities in search of jobs and educations-- thus separating themselves from nature and from Ausangate- or to continue in a lifestyle that has sustained them for centuries. Theirs is a story of change incorporated onto a bedrock of tradition that is dynamic and capable of adaptation.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Andrea Heckman, fl. 1978-2017, Miguel Pacsi Mayu, Roman Vizcarra, Maria Merma Gonzalo, Dr. Juan Victor Nuñez del Prado, Dr. Jorge Flores Ochoa, Judy Walgren DeHaas, 1964-, Tad Fettig, fl. 1995-2016, Liam Lockhart
Author / Creator
Andrea Heckman, fl. 1978-2017, Tad Fettig, fl. 1995-2016
Date Published / Released
2006
Publisher
Documentary Educational Resources (DER)
Speaker / Narrator
Liam Lockhart
Topic / Theme
Quechua, Anthropology, Cultural identity, Cultural change and history, Immigration and emigration, Textile industry, Agriculture, Rural population, Religious beliefs, Ethnography, Quiquima
Copyright Message
© Documentary Educational Resources
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The Bakairi Indians of Brazil: Politics, Ecology, and Change
written by Debra Picchi (Long Grove, IL: Waveland Press, Inc., 2006, originally published 2000), 252 page(s)
Sample
written by Debra Picchi (Long Grove, IL: Waveland Press, Inc., 2006, originally published 2000), 252 page(s)
Field of Study
Anthropology
Content Type
General reference book
Contributor
Debra Picchi
Author / Creator
Debra Picchi
Date Published / Released
2000, 2006
Publisher
Waveland Press, Inc.
Topic / Theme
American Indian, Religion, Gender status, Farm work, Daily life, Relationships, American Indians, Cultural change and history, South Americans
Copyright Message
Copyright © 2006 by Waveland Press
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Bridewealth for A Goddess
written by Andrew J. Strathern; directed by Chris Owen, 1980-; produced by Chris Owen, 1980-, Institute of Papua New Guinea Studies (Watertown, MA: Documentary Educational Resources (DER), 2000), 1 hour 12 mins
The film documents the last performance of the ritual for the fertility goddess Amb Kor, in the Western Highlands Province of Papua New Guinea. Shot over a period of approximately 15 years, the anthropologists and filmmakers have been participant-observers during a time of pivotal change for the clans of the Kavel...
Sample
written by Andrew J. Strathern; directed by Chris Owen, 1980-; produced by Chris Owen, 1980-, Institute of Papua New Guinea Studies (Watertown, MA: Documentary Educational Resources (DER), 2000), 1 hour 12 mins
Description
The film documents the last performance of the ritual for the fertility goddess Amb Kor, in the Western Highlands Province of Papua New Guinea. Shot over a period of approximately 15 years, the anthropologists and filmmakers have been participant-observers during a time of pivotal change for the clans of the Kavelka tribal group. The film is narrated by the headman, Ru, who speaks directly to us about the clans recent problems, infant mortality,...
The film documents the last performance of the ritual for the fertility goddess Amb Kor, in the Western Highlands Province of Papua New Guinea. Shot over a period of approximately 15 years, the anthropologists and filmmakers have been participant-observers during a time of pivotal change for the clans of the Kavelka tribal group. The film is narrated by the headman, Ru, who speaks directly to us about the clans recent problems, infant mortality, and decision to return to previously abandoned tribal territories. The film documents the last performance of the ritual for the fertility goddess Amb Kor, in the Western Highlands Province of Papua New Guinea. Shot over a period of approximately 15 years, the anthropologists and filmmakers have been participant-observers during a time of pivotal change for the clans of the Kavelka tribal group. The film is narrated by the headman, Ru, who speaks directly to us about the clans recent problems, infant mortality, and decision to return to previously abandoned tribal territories. The arrival of the ancient female spirit Amb Kor comes to him in a dream and he is convinced that in order to regain their former strength and health the clans must perform this ritual for the Goddess. One clansmen tells us that the Lutheran church condemns the cult ritual as the work of the devil but that the Catholic missionaries are more supportive. In the end, participation in the ritual by anyone who has been baptized in the Christian church is forbidden. Meat distribution, clan alliances, and the symbolic bridewealth for the Goddess are observed. Near the end of the film we see a distinctly older Ru watching the ritual on a monitor, and 14 years later young men are no longer interested in carrying on the clan traditions.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Andrew J. Strathern, Ru Kundil, Chris Owen, 1980-, Institute of Papua New Guinea Studies
Author / Creator
Andrew J. Strathern, Chris Owen, 1980-
Date Published / Released
2000
Publisher
Documentary Educational Resources (DER)
Topic / Theme
Kawelka, Religious beliefs, Childbirth, Gender roles, Cultural change and history, Religious rites and ceremonies, Ethnography, Melpa
Copyright Message
by Documentary Educational Resources
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