Browse Titles - 51 results
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Amos Ferguson: Match Me if you Can
directed by Thomas Neuwirth, fl. 2008 and Karen Arthur, 1941-; produced by Karen Arthur, 1941- and Thomas Neuwirth, fl. 2008 (New Milford, CT: Karen Arthur Productions, 2011), 59 mins
This film, directed by Karen Arthur and Thomas Neuwirth, is about Amos Ferguson, one of The Bahamas' most well-known outsider artists.
Sample
directed by Thomas Neuwirth, fl. 2008 and Karen Arthur, 1941-; produced by Karen Arthur, 1941- and Thomas Neuwirth, fl. 2008 (New Milford, CT: Karen Arthur Productions, 2011), 59 mins
Description
This film, directed by Karen Arthur and Thomas Neuwirth, is about Amos Ferguson, one of The Bahamas' most well-known outsider artists.
Field of Study
Anthropology
Content Type
Documentary
Contributor
Thomas Neuwirth, fl. 2008, Karen Arthur, 1941-
Author / Creator
Thomas Neuwirth, fl. 2008, Karen Arthur, 1941-
Date Published / Released
2011
Publisher
Karen Arthur Productions
Person Discussed
Amos Ferguson, 1920-2009
Topic / Theme
Bahamian, Religious beliefs, Visual art, Caribbean people, Painters, Australians
Copyright Message
Copyright © 2011 by Karen Arthur Productions
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Aotearoa: Earth and Sky
directed by David Allen, fl. 2001; produced by David Allen, fl. 2001 (Wellington, Wellington Region: Moving Content Limited, 2008), 31 mins
Every culture has its traditions about how the world was created. Māori have many of them - giants digging out lakes, water creatures rising up to form hills, and mountains engaging in a battle for the affections of a beautiful maiden. These stories and many more have been passed down through the generations, rev...
Sample
directed by David Allen, fl. 2001; produced by David Allen, fl. 2001 (Wellington, Wellington Region: Moving Content Limited, 2008), 31 mins
Description
Every culture has its traditions about how the world was created. Māori have many of them - giants digging out lakes, water creatures rising up to form hills, and mountains engaging in a battle for the affections of a beautiful maiden. These stories and many more have been passed down through the generations, revealing a world in constant change and a deep connection with nature and the land. This film brings together a selection of these storie...
Every culture has its traditions about how the world was created. Māori have many of them - giants digging out lakes, water creatures rising up to form hills, and mountains engaging in a battle for the affections of a beautiful maiden. These stories and many more have been passed down through the generations, revealing a world in constant change and a deep connection with nature and the land. This film brings together a selection of these stories with exquisite imagery of New Zealand's extraordinary landscape. The ancient Māori traditions are brought to life by legendary storyteller Joe Harawira, and traditional Māori music by Ngā Taonga Pūoro authority Richard Nunns.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
David Allen, fl. 2001
Author / Creator
David Allen, fl. 2001
Date Published / Released
2008
Publisher
Moving Content Limited
Topic / Theme
Traditional history, Cultural views, Religious beliefs, Maori
Copyright Message
Copyright © 2008 by Moving Content Limited
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Ati-atihan Lives
directed by Patrick Alcedo (Alexandria, VA: York University, 2012), 55 mins
This documentary, by ethnographer Patrick Alcedo, is about the Ati-atihan festival.
Sample
directed by Patrick Alcedo (Alexandria, VA: York University, 2012), 55 mins
Description
This documentary, by ethnographer Patrick Alcedo, is about the Ati-atihan festival.
Field of Study
Anthropology
Content Type
Documentary
Contributor
Patrick Alcedo
Author / Creator
Patrick Alcedo
Date Published / Released
2012
Publisher
York University
Topic / Theme
Filipino, Jesus Christ, Saints, Religious beliefs, Religious conversions, Cultural identity, Local customs, Folklore, Myths and legends, Fairs and festivals, Ethnography, Filipinos
Copyright Message
Copyright 2012. Used by permission of Patrick Alcedo. All rights reserved.
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Ati-atihan: Mother of Phillippine Festivals
directed by Patrick Alcedo (Alexandria, VA: York University, 2010), 22 mins
This documentary, by ethnographer Patrick Alcedo, is about the Ati-atihan festival.
Sample
directed by Patrick Alcedo (Alexandria, VA: York University, 2010), 22 mins
Description
This documentary, by ethnographer Patrick Alcedo, is about the Ati-atihan festival.
Field of Study
Anthropology
Content Type
Documentary
Contributor
Patrick Alcedo
Author / Creator
Patrick Alcedo
Date Published / Released
2010
Publisher
York University
Topic / Theme
Filipino, Local customs, Fairs and festivals, Cultural identity, Religious beliefs, Ethnography, Filipinos
Copyright Message
Copyright © 2010. Used by permission of Patrick Alcedo. All rights reserved.
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Backbone of the World
directed by George Burdeau, fl. 1980-1998; produced by Pamela Roberts, Rattlesnake Productions (Berkeley, CA: Berkeley Media, 1998), 57 mins
Set amid the majestic splendor of the northern Rockies, this innovative and inspiring documentary interweaves two compelling parallel stories: film director George Burdeau's journey home to live and work on the Blackfeet Reservation, and his tribe's determined struggle to protect its sacred lands and forge a new i...
Sample
directed by George Burdeau, fl. 1980-1998; produced by Pamela Roberts, Rattlesnake Productions (Berkeley, CA: Berkeley Media, 1998), 57 mins
Description
Set amid the majestic splendor of the northern Rockies, this innovative and inspiring documentary interweaves two compelling parallel stories: film director George Burdeau's journey home to live and work on the Blackfeet Reservation, and his tribe's determined struggle to protect its sacred lands and forge a new identity. Literally backed up against a wall, the Blackfeet Reservation lies in the great shadow of the northern Rocky Mountains -- know...
Set amid the majestic splendor of the northern Rockies, this innovative and inspiring documentary interweaves two compelling parallel stories: film director George Burdeau's journey home to live and work on the Blackfeet Reservation, and his tribe's determined struggle to protect its sacred lands and forge a new identity. Literally backed up against a wall, the Blackfeet Reservation lies in the great shadow of the northern Rocky Mountains -- known to the tribe as "the backbone of the world." An area called Badger Two Medicine, a 130,000-acre tract of treaty land, was recently opened for oil drilling by the U.S. Forest Service. An important spiritual retreat for the Blackfeet people, the Badger Two Medicine lands are now threatened by water contamination and the inevitable destruction of plants used for medicinal and spiritual purposes. Producer Pamela Roberts and director George Burdeau developed a four-year working relationship with the Blackfeet community, collaborating with tribal elders, government officials, and local Blackfeet videographers. Continuing the tradition of elders before him, veteran filmmaker Burdeau took on the role of mentor by teaching his craft to three young Blackfeet filmmakers, enabling them to pass on tribal stories with a fresh perspective. Under Burdeau’s guidance, the young filmmakers give new voice to the Blackfeet saga by intertwining the ancient tribal account of "Scarface" -- whose healing journey gave the Blackfeet their religious traditions -- with the contemporary crisis facing the community over the Badger Two Medicine despoliation. "Backbone of the World" illustrates that today the Blackfeet live in two worlds, modern America and the Blackfeet Nation. At risk is the language, religion, art, and remaining land belonging to a Native tribe that survived a smallpox epidemic in the late 19th century, and is now besieged by the encroachment of the dominant American culture. The inevitable disenfranchisement of Blackfeet youth is apparent. As one elder recounts, "Youngsters don't know the wilderness, just downtown." "Backbone of the World" is a unique and engaging film that explores the Blackfeet perspective on their culture, environment, and quest for tribal survival in the 21st century. The film will engender reflection and discussion in a wide range of courses in Native American studies, American history and studies, cultural anthropology, comparative religion, and the environment. It was produced by Pamela Roberts and directed by George Burdeau, and is a Rattlesnake Productions Film.
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Date Written / Recorded
1998
Field of Study
Anthropology
Content Type
Documentary
Contributor
Pamela Roberts, Rattlesnake Productions
Author / Creator
George Burdeau, fl. 1980-1998
Date Published / Released
1998
Publisher
Berkeley Media
Topic / Theme
Petroleum industry, Indian reservations, Myths and legends, Religious beliefs, Places of worship, Blackfoot
Copyright Message
Copyright © 1998 Berkeley Media
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Becoming a Woman in Okrika
written by Judith Gleason and David Bellatalla; produced by Judith Gleason and Elisa Mereghetti, Kamel Films (New York, NY: Filmakers Library, 1991), 28 mins
This visually stunning film documents an extraordinary coming of age ritual in a village in the Niger Delta. It suggests the conflict Third World women face between traditions and the values of the modern world. The rite, called Iria, consists of elaborately painting the young women's bodies with beautiful designs...
Sample
written by Judith Gleason and David Bellatalla; produced by Judith Gleason and Elisa Mereghetti, Kamel Films (New York, NY: Filmakers Library, 1991), 28 mins
Description
This visually stunning film documents an extraordinary coming of age ritual in a village in the Niger Delta. It suggests the conflict Third World women face between traditions and the values of the modern world. The rite, called Iria, consists of elaborately painting the young women's bodies with beautiful designs; subjecting their bodies to public scrutiny by the elder women; methodically fattening them; and teaching them the responsibilities of...
This visually stunning film documents an extraordinary coming of age ritual in a village in the Niger Delta. It suggests the conflict Third World women face between traditions and the values of the modern world. The rite, called Iria, consists of elaborately painting the young women's bodies with beautiful designs; subjecting their bodies to public scrutiny by the elder women; methodically fattening them; and teaching them the responsibilities of womanhood. After an elaborate celebration, they run a race pursued by young men and their leader, representing a mythological personage who is armed with sticks. By passing through this rite, the women let go of girlish fantasies and prepare for childbearing. This unique film will provoke discussion in Women's Studies, African Studies, Anthropology, and Development courses. High School College Adult
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Judith Gleason, Elisa Mereghetti, Kamel Films
Author / Creator
Judith Gleason, David Bellatalla, Elisa Mereghetti
Date Published / Released
1991
Publisher
Filmakers Library
Speaker / Narrator
Elisa Mereghetti
Topic / Theme
Nigerian, Marriage, Spirituality, Cultural identity, Pregnancy, Gender roles, Women, Anthropology, Women's issues, Ethnography, Nigerians (Nigeria)
Copyright Message
Copyright © 1991. Used by permission of Filmakers Library. All rights reserved.
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Between Two Worlds: A Japanese Pilgrimage
directed by Joanne Hershfield, 1950- and Susan Caperna Lloyd, fl. 1992; produced by Susan Caperna Lloyd, fl. 1992 and Joanne Hershfield, 1950- (Berkeley, CA: Berkeley Media, 1994), 30 mins,
Source: www.berkeleymedia.com
Source: www.berkeleymedia.com
For centuries, pilgrims have come to the Japanese island of Shikoku to trace the 1,000-mile route known as the 'Pilgrimage to the 88 Sacred Places of Shikoku', a journey believed to have been first undertaken by Kobo Daishi, founder of Buddhism's Shingon sect in the ninth century. This illuminating documentary is...
Sample
directed by Joanne Hershfield, 1950- and Susan Caperna Lloyd, fl. 1992; produced by Susan Caperna Lloyd, fl. 1992 and Joanne Hershfield, 1950- (Berkeley, CA: Berkeley Media, 1994), 30 mins,
Source: www.berkeleymedia.com
Source: www.berkeleymedia.com
Description
For centuries, pilgrims have come to the Japanese island of Shikoku to trace the 1,000-mile route known as the 'Pilgrimage to the 88 Sacred Places of Shikoku', a journey believed to have been first undertaken by Kobo Daishi, founder of Buddhism's Shingon sect in the ninth century. This illuminating documentary is a visual meditation on the phenomenon of pilgrimage and, to a lesser extent, on the processes of ethnographic filmmaking. It combines i...
For centuries, pilgrims have come to the Japanese island of Shikoku to trace the 1,000-mile route known as the 'Pilgrimage to the 88 Sacred Places of Shikoku', a journey believed to have been first undertaken by Kobo Daishi, founder of Buddhism's Shingon sect in the ninth century. This illuminating documentary is a visual meditation on the phenomenon of pilgrimage and, to a lesser extent, on the processes of ethnographic filmmaking. It combines images of traditional and modern Japan, excerpts from the writings of Kobo Daishi, and commentary by pilgrims, everyday Japanese, and the filmmakers themselves to explore the meaning and persistence of 'pilgrimage' in contemporary industrial Japan. By examining the effects that rapid change has had on this ritual journey, the film asks: Why do people still undertake pilgrimages to 'sacred' places? This thought-provoking documentary will generate discussion in courses in Asian studies, Japanese studies, cultural anthropology, Buddhism, and comparative religion. It was produced by Joanne Hershfield and Susan Caperna Lloyd.
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Field of Study
Asian Studies
Content Type
Documentary
Contributor
Susan Caperna Lloyd, fl. 1992, Joanne Hershfield, 1950-
Author / Creator
Joanne Hershfield, 1950-, Susan Caperna Lloyd, fl. 1992
Date Published / Released
1992, 1994
Publisher
Berkeley Media
Topic / Theme
Buddhism, Pilgrimage, Religious beliefs, Japanese
Copyright Message
Copyright © 1994 Berkeley Media
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Bisha: The Awesome Fire Test
written by Nira Sherman-Sides and Elia Sides; produced by Elia Sides and Nira Sherman-Sides, Lily Films (New York, NY: Filmakers Library, 1997), 52 mins
Bedouin of the deserts of Arabia and the Middle East have developed a system of law and order called Haj El Orfi - The Law of Knowledge - which evolved from their harsh environment and has been passed down orally for generations. The Bisha ceremony is the ultimate ordeal for revealing the truth. Suspects lick a wh...
Sample
written by Nira Sherman-Sides and Elia Sides; produced by Elia Sides and Nira Sherman-Sides, Lily Films (New York, NY: Filmakers Library, 1997), 52 mins
Description
Bedouin of the deserts of Arabia and the Middle East have developed a system of law and order called Haj El Orfi - The Law of Knowledge - which evolved from their harsh environment and has been passed down orally for generations. The Bisha ceremony is the ultimate ordeal for revealing the truth. Suspects lick a white-hot iron pan with their tongues. If they are scorched, it shows they are lying: if not, they have unequivocally proven their innoce...
Bedouin of the deserts of Arabia and the Middle East have developed a system of law and order called Haj El Orfi - The Law of Knowledge - which evolved from their harsh environment and has been passed down orally for generations. The Bisha ceremony is the ultimate ordeal for revealing the truth. Suspects lick a white-hot iron pan with their tongues. If they are scorched, it shows they are lying: if not, they have unequivocally proven their innocence. This film tells the stories of three individuals who choose to undergo the Bisha. One has been accused of handing over a tribesman to the Israeli Secret Service. One has been accused of murder, and one woman has been accused of adultery for which the penalty is death. She maintains her innocence and undergoes the Bisha in order to save her life. We watch them attempt to vindicate themselves through this awesome ritual. Bisha is a riveting exploration of this unusual custom. The film also delves into other aspects of Bedouin culture -- the role of honored elders, the exorcism of demons, rituals of mystic sects, and other practices of the Bedouin law system. College Adult
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Nira Sherman-Sides, Elia Sides, Lily Films, Jerry Hyman, fl. 1997
Author / Creator
Nira Sherman-Sides, Elia Sides
Date Published / Released
1997
Publisher
Filmakers Library
Speaker / Narrator
Jerry Hyman, fl. 1997
Topic / Theme
Bedouin, Cultural identity, Murder, Infidelity, Spirituality, Islam, Anthropology, Ethnography, Bedouins
Copyright Message
Copyright © 1997. Used by permission of Filmakers Library. All rights reserved.
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Celebrating Semana Santa: Change, Conflict, and Continuity in Rural Honduras
directed by Sam Pack, fl. 1999-2012; produced by Sam Pack, fl. 1999-2012 (Berkeley, CA: Berkeley Media, 2012), 44 mins
This "superb, thought-provoking" ethnographic documentary explores the vitality and controversies surrounding a remarkable syncretic religious ceremony held in neighboring remote villages in rural Honduras during the Easter Holy Week. The ritual drama enacted in this ceremony resonates with persistent indigenous b...
Sample
directed by Sam Pack, fl. 1999-2012; produced by Sam Pack, fl. 1999-2012 (Berkeley, CA: Berkeley Media, 2012), 44 mins
Description
This "superb, thought-provoking" ethnographic documentary explores the vitality and controversies surrounding a remarkable syncretic religious ceremony held in neighboring remote villages in rural Honduras during the Easter Holy Week. The ritual drama enacted in this ceremony resonates with persistent indigenous beliefs although expressed within a familiar Catholic framework. During the week leading up to Semana Santa, the two villages are litera...
This "superb, thought-provoking" ethnographic documentary explores the vitality and controversies surrounding a remarkable syncretic religious ceremony held in neighboring remote villages in rural Honduras during the Easter Holy Week. The ritual drama enacted in this ceremony resonates with persistent indigenous beliefs although expressed within a familiar Catholic framework. During the week leading up to Semana Santa, the two villages are literally overrun by characters called "Judios" (Spanish for "Jews"), masked individuals who carry wooden swords, speak in a strange guttural manner, and generally cause mayhem by staging riotous mock sword fights. Not surprisingly, members of the local Catholic Church -- most notably the parish priest -- consider these indigenous celebrations to be sacrilegious and want them ended. Tensions between Church members and the celebration participants are high, and the conflict is further exacerbated because the opposing sides are not comfortable speaking directly to one another about the issues involved. However, by including the divergent perspectives of members of the various constituencies, one of the principal goals of the film itself is to facilitate a channel of communication between the opposing parties that will enable dialogue to take place between them. With that goal in mind, the filmmaker returned to Honduras to screen a preliminary version of the film in order to make this invaluable cultural heritage available to the very community to which it belongs. Community members with opposing views were asked for their reactions, which were then incorporated into a final version of Celebrating Semana Santa, thereby adding a unique reflexive component to the film. Celebrating Semana Santa powerfully illustrates how symbols from the past may be re-interpreted in modern contexts and not simply survive but thrive in those radically changed situations. In so doing, the film illuminates the varied ways that people craft their understanding of the present with reference to the past and their hopes for the future. The film will engage students and inspire thought and discussion in a wide variety of courses in Latin American studies, cultural anthropology and ethnography, and religious studies. It was produced and directed by Sam Pack, Associate Professor of Cultural Anthropology at Kenyon College. It is in Spanish with English subtitles.
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Date Written / Recorded
2012
Field of Study
Anthropology
Content Type
Documentary
Contributor
Sam Pack, fl. 1999-2012
Author / Creator
Sam Pack, fl. 1999-2012
Date Published / Released
2012
Publisher
Berkeley Media
Topic / Theme
Indigenous peoples, Holy Week, Religious differences, Religious rites and ceremonies, Hondurans
Copyright Message
Copyright © 2012 Berkeley Media
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Closing the Circle: The People Today
produced by Lawrence Johnson, fl. 1996, Washington State University (Berkeley, CA: Berkeley Media, 1996), 14 mins
Filmed on the Coeur d'Alene and Flathead reservations in Idaho and Montana, this unusual documentary explores the impact of Christian missionaries on the Native peoples of the northwestern Plateau and examines the ongoing tensions and dialogue between Christianity and traditional Native religious practices. Native...
Sample
produced by Lawrence Johnson, fl. 1996, Washington State University (Berkeley, CA: Berkeley Media, 1996), 14 mins
Description
Filmed on the Coeur d'Alene and Flathead reservations in Idaho and Montana, this unusual documentary explores the impact of Christian missionaries on the Native peoples of the northwestern Plateau and examines the ongoing tensions and dialogue between Christianity and traditional Native religious practices. Native elders comment on religious changes and the pain of losing their language, culture, and land since the arrival of the "black robes" 15...
Filmed on the Coeur d'Alene and Flathead reservations in Idaho and Montana, this unusual documentary explores the impact of Christian missionaries on the Native peoples of the northwestern Plateau and examines the ongoing tensions and dialogue between Christianity and traditional Native religious practices. Native elders comment on religious changes and the pain of losing their language, culture, and land since the arrival of the "black robes" 150 years ago. Historic photos of reservation life and scenes of a Catholic Indian mass and traditional stick game illustrate how Native people continue to practice "both the ways," and attest to the survival of Indian sacred traditions despite the adoption of Christianity. "The People Today" will generate thought and discussion in an aray of courses in Native American studies, comparative religion, and cultural anthropology. It was produced by Lawrence Johnson.
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Field of Study
Anthropology
Content Type
Interview, Documentary
Contributor
Jacqueline Peterson, fl. 1983-2010, Lawrence Johnson, fl. 1996, Washington State University
Author / Creator
Jacqueline Peterson, fl. 1983-2010
Date Published / Released
1996
Publisher
Berkeley Media
Topic / Theme
Catholicism, Indian religions, Religious beliefs, Coeur d'Alene, Flathead
Copyright Message
Copyright © 1996 Berkeley Media
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