Browse Titles - 107 results
African Carving: A Dogon Kanaga Mask
written by Robert G. Gardner, 1925-2014, Eliot Elisofon, 1911-1973 and Thomas D. Blakely; directed by Thomas D. Blakely and Eliot Elisofon, 1911-1973 (Watertown, MA: Documentary Educational Resources (DER), 1974), 18 mins
The Kanaga mask is used in deeply sacred rituals by the Dogon people of Mali. Carving this mask is as important a ritual as the ceremonies in which the mask is used.
Sample
written by Robert G. Gardner, 1925-2014, Eliot Elisofon, 1911-1973 and Thomas D. Blakely; directed by Thomas D. Blakely and Eliot Elisofon, 1911-1973 (Watertown, MA: Documentary Educational Resources (DER), 1974), 18 mins
Description
The Kanaga mask is used in deeply sacred rituals by the Dogon people of Mali. Carving this mask is as important a ritual as the ceremonies in which the mask is used. The Kanaga mask is used in deeply sacred rituals by the Dogon people of Mali. Carving this mask is as important a ritual as the ceremonies in which the mask is used. The carver, a blacksmith, finds the proper tree and, in a secret cave outside the village, he shapes the mask with ges...
The Kanaga mask is used in deeply sacred rituals by the Dogon people of Mali. Carving this mask is as important a ritual as the ceremonies in which the mask is used. The Kanaga mask is used in deeply sacred rituals by the Dogon people of Mali. Carving this mask is as important a ritual as the ceremonies in which the mask is used. The carver, a blacksmith, finds the proper tree and, in a secret cave outside the village, he shapes the mask with gestures which repeat the movement of the dancers who will wear it. When a dancer wears the Kanaga mask he becomes the Creator symbolically. He touches the ground with his mask and directs a soul to Heaven. Although these dances are now frequently performed for the public, the meaning of Kanaga is retained by the Dogon who fear, respect and depend on the power of the mask.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Robert G. Gardner, 1925-2014, Eliot Elisofon, 1911-1973, Thomas D. Blakely
Author / Creator
Robert G. Gardner, 1925-2014, Eliot Elisofon, 1911-1973, Thomas D. Blakely
Date Published / Released
1974
Publisher
Documentary Educational Resources (DER)
Topic / Theme
Dogon, Costumes, Crafts, Tribal and national groups, Religious faiths, Dance and dancing, Religious rites and ceremonies, Cultural identity, Ethnography
Copyright Message
by Documentary Educational Resources
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The Ainu Bear Ceremony
directed by Neil Gordon Munro, 1863-1942; produced by Royal Anthropological Institute (London, England: Royal Anthropological Institute, 2001), 29 mins
The RAI has reedited the original film of this ceremony among the Ainu people of Japan. In the bear ceremony, now no longer performed, a specially reared bear was reverently killed and its flesh and blood eaten by the participants. The film shows a series of ritual acts with some commentary on their meaning.
Sample
directed by Neil Gordon Munro, 1863-1942; produced by Royal Anthropological Institute (London, England: Royal Anthropological Institute, 2001), 29 mins
Description
The RAI has reedited the original film of this ceremony among the Ainu people of Japan. In the bear ceremony, now no longer performed, a specially reared bear was reverently killed and its flesh and blood eaten by the participants. The film shows a series of ritual acts with some commentary on their meaning.
Date Written / Recorded
1931
Field of Study
Anthropology
Content Type
Documentary
Contributor
Neil Gordon Munro, 1863-1942, Royal Anthropological Institute
Author / Creator
Neil Gordon Munro, 1863-1942
Date Published / Released
2001
Publisher
Royal Anthropological Institute
Topic / Theme
Ainu, Ethnozoology, Tribal and national groups, Cultural change and history, Religious beliefs, Social customs, Religious rites and ceremonies, Ethnography
Copyright Message
Copyright 2001. Used by permission of Royal Anthropological Institute. All rights reserved.
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Australia Wild, Series 1, Episode 14, Spirits of the Forest
produced by David Parer, ABC Natural History Unit, in Australia Wild, Series 1, Episode 14 (Sydney, New South Wales: ABC Commercial, 1992), 27 mins
Birds of Paradise hold a magnetic attraction for the highland people of Papua New Guinea who greatly prize their delicate and spectacular plumes as symbols of wealth. Also used as decoration in tribal rituals, the village men search the forests in the hunt for the feathered gold. This program explores the elaborat...
Sample
produced by David Parer, ABC Natural History Unit, in Australia Wild, Series 1, Episode 14 (Sydney, New South Wales: ABC Commercial, 1992), 27 mins
Description
Birds of Paradise hold a magnetic attraction for the highland people of Papua New Guinea who greatly prize their delicate and spectacular plumes as symbols of wealth. Also used as decoration in tribal rituals, the village men search the forests in the hunt for the feathered gold. This program explores the elaborate courtship rituals and remarkable sexual displays of these exotic birds and the relationship between the highlanders and their feather...
Birds of Paradise hold a magnetic attraction for the highland people of Papua New Guinea who greatly prize their delicate and spectacular plumes as symbols of wealth. Also used as decoration in tribal rituals, the village men search the forests in the hunt for the feathered gold. This program explores the elaborate courtship rituals and remarkable sexual displays of these exotic birds and the relationship between the highlanders and their feathered friends.
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Field of Study
Science
Content Type
Documentary
Contributor
David Parer, ABC Natural History Unit, Sandy Gore
Date Published / Released
1992
Publisher
ABC Commercial
Series
Australia Wild
Speaker / Narrator
Sandy Gore
Topic / Theme
Papua New Guinean, Religious rites and ceremonies, Symbolism, Tribal and national groups, Birds, Science, Papua New Guineans
Copyright Message
Copyright © 1992. Used by permission of ABC Commercial.
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Becoming a Man, Becoming a Man in Melanesia
directed by Jérôme Segur, fl. 2001, in Becoming a Man (Paris, Ile-de-France: ZED (Film production), 2003), 52 mins
Becoming a Man in Melanesia follows the epic ordeals of two young men who live on separate islands. And though they will never meet each other, they share a common, singular goal : to make the difficult passage into manhood. Each will face a grueling initiation ritual. To achieve this adult status in Melanesia, Ju...
Sample
directed by Jérôme Segur, fl. 2001, in Becoming a Man (Paris, Ile-de-France: ZED (Film production), 2003), 52 mins
Description
Becoming a Man in Melanesia follows the epic ordeals of two young men who live on separate islands. And though they will never meet each other, they share a common, singular goal : to make the difficult passage into manhood. Each will face a grueling initiation ritual. To achieve this adult status in Melanesia, Junior from Kontu island in Papua has to capture a shark armed only with a lasso and a propeller, whereas Wabak from Pentecost island in...
Becoming a Man in Melanesia follows the epic ordeals of two young men who live on separate islands. And though they will never meet each other, they share a common, singular goal : to make the difficult passage into manhood. Each will face a grueling initiation ritual. To achieve this adult status in Melanesia, Junior from Kontu island in Papua has to capture a shark armed only with a lasso and a propeller, whereas Wabak from Pentecost island in Vanuatu has to jump from a wooden tower, his ankle bound with thick vines
. Two ordeals, each with the same goal : becoming a man!
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Date Written / Recorded
2006
Field of Study
Anthropology
Content Type
Documentary
Contributor
Jérôme Segur, fl. 2001
Author / Creator
Jérôme Segur, fl. 2001
Date Published / Released
2003
Publisher
ZED (Film production)
Series
Becoming a Man
Topic / Theme
Papua New Guinean, Melanesian, Religious rites and ceremonies, Local customs, Cultural identity, Hunting, Tribal and national groups, Men, Ethnography, Papua New Guineans, Pacific Islanders
Copyright Message
Copyright © 2003. Used by permission of ZED.
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Becoming a Man, Becoming a Man in Africa
directed by Jean Queyrat, fl. 2001, in Becoming a Man (Paris, Ile-de-France: ZED (Film production), 2004), 52 mins
Becoming a Man in Africa follow the epic ordeals of young men who live in different countries. And though they'll never meet each others, they share a common, singular goal : to make the difficult passage into manhood. To achieve this dual status in Central Africa, Banda must climb giant trees to gather honey, the...
Sample
directed by Jean Queyrat, fl. 2001, in Becoming a Man (Paris, Ile-de-France: ZED (Film production), 2004), 52 mins
Description
Becoming a Man in Africa follow the epic ordeals of young men who live in different countries. And though they'll never meet each others, they share a common, singular goal : to make the difficult passage into manhood. To achieve this dual status in Central Africa, Banda must climb giant trees to gather honey, the elixir of life, whereas Kolé in Ethiopia must embark on a long journey, which will take him to the bull jumping ceremony
.
Field of Study
Anthropology
Content Type
Documentary
Contributor
Jean Queyrat, fl. 2001, Allan Wenger
Author / Creator
Jean Queyrat, fl. 2001
Date Published / Released
2004
Publisher
ZED (Film production)
Series
Becoming a Man
Speaker / Narrator
Allan Wenger
Topic / Theme
Hammere, BaAka, Religious rites and ceremonies, Foraging, Men, Tribal and national groups, Cultural identity, Ethnography, Hamer-Banna, Baka (Cameroon)
Copyright Message
Copyright © 2004. Used by permission of ZED.
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Benin Kingship Rituals
produced by R. E. Bradbury and Frank Speed, 1918-2006 (London, England: Royal Anthropological Institute, 1963), 20 mins
Until it was conquered by the British in 1897, the city of Benin, in what is now Nigeria, was the centre of a powerful kingdom. Its rulers, the Obas of Benin, were mysterious, secluded figures who spent much of their time in the performance of rituals designed to enhance their power and to ensure the prosperity of...
Sample
produced by R. E. Bradbury and Frank Speed, 1918-2006 (London, England: Royal Anthropological Institute, 1963), 20 mins
Description
Until it was conquered by the British in 1897, the city of Benin, in what is now Nigeria, was the centre of a powerful kingdom. Its rulers, the Obas of Benin, were mysterious, secluded figures who spent much of their time in the performance of rituals designed to enhance their power and to ensure the prosperity of their subjects. Many of the art objects for which Benin is famous were used in these rituals, some of which are still performed.
This...
Until it was conquered by the British in 1897, the city of Benin, in what is now Nigeria, was the centre of a powerful kingdom. Its rulers, the Obas of Benin, were mysterious, secluded figures who spent much of their time in the performance of rituals designed to enhance their power and to ensure the prosperity of their subjects. Many of the art objects for which Benin is famous were used in these rituals, some of which are still performed.
This film shows some of the most significant moments in the rituals that take place around the beginning of the new year, including the greatest event of the ritual year, the Igwe Festival, in which the Obas divine powers are strengthened and renewed. The object of worship is the head of the living Oba, the seat of his ritual energy, on which the well-being of the nation is believed to depend on.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
R. E. Bradbury, Frank Speed, 1918-2006
Author / Creator
R. E. Bradbury, Frank Speed, 1918-2006
Date Published / Released
1963
Publisher
Royal Anthropological Institute
Topic / Theme
Edo, Cultural identity, Religious festivals, Tribal and national groups, Religious rites and ceremonies, Ethnography
Copyright Message
Copyright 1963. Used by permission of Royal Anthropological Institute. All rights reserved.
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Brenda Z. Seligman - Journal no. 5 1909
in Charles and Brenda Seligman Papers, of London School of Economics and Political Science (London, England) (1909), Fieldwork Notes, Sudan, Egypt and Sudan expedition (Brenda Seligman) (Seligman 1/4/4) , 210 page(s)
Sample
in Charles and Brenda Seligman Papers, of London School of Economics and Political Science (London, England) (1909), Fieldwork Notes, Sudan, Egypt and Sudan expedition (Brenda Seligman) (Seligman 1/4/4) , 210 page(s)
Date Written / Recorded
1909
Field of Study
Anthropology
Content Type
Field notes
Contributor
Brenda Seligman, 1883-1965
Author / Creator
Brenda Seligman, 1883-1965
Topic / Theme
Tribal and national groups, Religious rites and ceremonies, Spiritual possession, Social customs, Dinka, Lafofa, Nubian, Shilluk, Egyptians
Copyright Message
Material sourced from the Charles Gabriel Seligman Collection, LSE Library. Used with permission of the LSE Library and the Charles Seligman Estate.
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Brenda Z. Seligman November 1921
in Charles and Brenda Seligman Papers, of London School of Economics and Political Science (London, England) (1921), Fieldwork Notes, Sudan, Sudan journal (Brenda Seligman) (Seligman 1/4/6) , 225 page(s)
Sample
in Charles and Brenda Seligman Papers, of London School of Economics and Political Science (London, England) (1921), Fieldwork Notes, Sudan, Sudan journal (Brenda Seligman) (Seligman 1/4/6) , 225 page(s)
Date Written / Recorded
1921
Field of Study
Anthropology
Content Type
Field notes
Contributor
Brenda Seligman, 1883-1965
Author / Creator
Brenda Seligman, 1883-1965
Topic / Theme
Planned communities, Mosques, Archaeological artifacts, Religious rites and ceremonies, Tribal and national groups, Social customs, Jews, Acholi, Dinka, Shilluk
Copyright Message
Material sourced from the Charles Gabriel Seligman Collection, LSE Library. Used with permission of the LSE Library and the Charles Seligman Estate.
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A Brief History of the Garifuna in Belize
written by Oliver N. Greene, Jr., fl. 2006; directed by Oliver N. Greene, Jr., fl. 2006; produced by Oliver N. Greene, Jr., fl. 2006 (Watertown, MA: Documentary Educational Resources (DER), 2006), 23 mins
The Garifuna are a Central American people of West African and Native American descent. One of their most popular rituals is wanaragua, a three-fold system of masked Christmas processionals commonly called Jankunú. This ritual is a unique blend of African, European, and Native American (Arawak and Carib) art trad...
Sample
written by Oliver N. Greene, Jr., fl. 2006; directed by Oliver N. Greene, Jr., fl. 2006; produced by Oliver N. Greene, Jr., fl. 2006 (Watertown, MA: Documentary Educational Resources (DER), 2006), 23 mins
Description
The Garifuna are a Central American people of West African and Native American descent. One of their most popular rituals is wanaragua, a three-fold system of masked Christmas processionals commonly called Jankunú. This ritual is a unique blend of African, European, and Native American (Arawak and Carib) art traditions in which social and cultural identities are expressed through music, dance, and costume. The Garifuna are a Central American peo...
The Garifuna are a Central American people of West African and Native American descent. One of their most popular rituals is wanaragua, a three-fold system of masked Christmas processionals commonly called Jankunú. This ritual is a unique blend of African, European, and Native American (Arawak and Carib) art traditions in which social and cultural identities are expressed through music, dance, and costume. The Garifuna are a Central American people of West African and Native American descent. One of their most popular rituals is wanaragua, a three-fold system of masked Christmas processionals commonly called Jankunú. This ritual is a unique blend of African, European, and Native American (Arawak and Carib) art traditions in which social and cultural identities are expressed through music, dance, and costume. As dancers adorn themselves in colorful regalia to mimic past foreign oppressors they symbolically affirm their identity. Rare footage of wárini, the now extinct ritual that is the Africanized predecessor to wanaragua, is accompanied by commentary on the significance of the ritual. Examples of wanaragua drumming and dance styles demonstrate how drummers rhythmically interpret the unique movements of each dancer. Gender play and role reversal become part of the revelry as Garifuna men mimic European women. Images of similar processionals in other locations include photos of Masquerade in St. Kitts-Nevis, Gombey in Bermuda, Jonkonnu in Jamaica, John Kuner (now extinct) in North Carolina, Junkanoo in the Bahamas, and Fancy Dress in Ghana. Jankunú Play places the viewer within the context of the Garifuna world at Christmas where music, dance, and art reflect the past to empower the future.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Oliver N. Greene, Jr., fl. 2006, Angel "Pappose" Thomas, Darren Trigueño, Brian Castillo
Author / Creator
Oliver N. Greene, Jr., fl. 2006
Date Published / Released
2006
Publisher
Documentary Educational Resources (DER)
Speaker / Narrator
Oliver N. Greene, Jr., fl. 2006, Brian Castillo
Topic / Theme
Garifuna, Costumes, Gender roles, Religious rites and ceremonies, Social dances, Cultural change and history, Cultural identity, Tribal and national groups, Ethnography
Copyright Message
© Documentary Educational Resources
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A Celebration of Origins
written by Patsy Asch, Timothy Asch, 1932-1994 and E. Douglas Lewis, 1947-; directed by Timothy Asch, 1932-1994, E. Douglas Lewis, 1947- and Patsy Asch; produced by E. Douglas Lewis, 1947-, Patsy Asch and Timothy Asch, 1932-1994 (Watertown, MA: Documentary Educational Resources (DER), 1992), 45 mins
The people of the Tana 'Ai region of Flores, Indonesia live in seven ceremonial domains, of which Wai Brama is the largest and the oldest. The people of Wai Brama are shifting cultivators, hunters and gatherers who, unlike their neighbors, have maintained their traditional ceremonial and social system. A Celebrati...
Sample
written by Patsy Asch, Timothy Asch, 1932-1994 and E. Douglas Lewis, 1947-; directed by Timothy Asch, 1932-1994, E. Douglas Lewis, 1947- and Patsy Asch; produced by E. Douglas Lewis, 1947-, Patsy Asch and Timothy Asch, 1932-1994 (Watertown, MA: Documentary Educational Resources (DER), 1992), 45 mins
Description
The people of the Tana 'Ai region of Flores, Indonesia live in seven ceremonial domains, of which Wai Brama is the largest and the oldest. The people of Wai Brama are shifting cultivators, hunters and gatherers who, unlike their neighbors, have maintained their traditional ceremonial and social system. A Celebration of Origins, filmed in 1980, depicts the first celebration of these rituals since 1960. The people of the Tana 'Ai region of Flores,...
The people of the Tana 'Ai region of Flores, Indonesia live in seven ceremonial domains, of which Wai Brama is the largest and the oldest. The people of Wai Brama are shifting cultivators, hunters and gatherers who, unlike their neighbors, have maintained their traditional ceremonial and social system. A Celebration of Origins, filmed in 1980, depicts the first celebration of these rituals since 1960. The people of the Tana 'Ai region of Flores, Indonesia live in seven ceremonial domains, of which Wai Brama is the largest and the oldest. The people of Wai Brama are shifting cultivators, hunters and gatherers who, unlike their neighbors, have maintained their traditional ceremonial and social system. A Celebration of Origins, filmed in 1980, depicts the first celebration of these rituals since 1960. The rituals, which require the participation of the entire community, had been delayed by poor harvests and epidemics. The film focuses on a small group of ritual leaders who struggle to hold the celebration in the absence of the Source of the Domain, the ritual leader of the community, who died after initiating the rituals. Evoking the contested nature of ritual, the film demonstrates how ritual performance implicates delicate political relationships based on pragmatic alliances, festering antipathies or developing jealousies. Conflict is the thread that weaves together the disparate themes of the film. It is a finely crafted, sensually striking film with a compelling story that focuses on one of the central themes in contemporary anthropological debate: the contested nature of social - and ritual - life.
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Date Written / Recorded
1980
Field of Study
Anthropology
Content Type
Documentary
Contributor
Patsy Asch, Timothy Asch, 1932-1994, E. Douglas Lewis, 1947-, Koa Tapa, Pius Ipir Wai Brama, Sina Ipir Wai Brama
Author / Creator
Patsy Asch, Timothy Asch, 1932-1994, E. Douglas Lewis, 1947-
Date Published / Released
1992
Publisher
Documentary Educational Resources (DER)
Topic / Theme
Ata Tana 'Ai, Religion, Cultural identity, Tribal and national groups, Cultural change and history, Religious rites and ceremonies, Ethnography, Tana 'Ai
Copyright Message
by Documentary Educational Resources
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