Browse Titles - 20 results
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AFRYKAS et la boîte magique
directed by Isabel Rivero-Vilá, 1976-; produced by Isabel Rivero-Vilá, 1976-, Cinekap and New Direction Films (Privately Published, 2022), 1 hour 3 mins
AFRYKAS is a journey and a tribute to Senegalese cinema, its directors, women artists and the mothers who inspire us. The film helps us discover the vibrant city of Dakar and the daily life of our characters. The film showcases the beauty, talent and dreams of African filmmakers inspired by the mother figure in Se...
Sample
directed by Isabel Rivero-Vilá, 1976-; produced by Isabel Rivero-Vilá, 1976-, Cinekap and New Direction Films (Privately Published, 2022), 1 hour 3 mins
Description
AFRYKAS is a journey and a tribute to Senegalese cinema, its directors, women artists and the mothers who inspire us. The film helps us discover the vibrant city of Dakar and the daily life of our characters. The film showcases the beauty, talent and dreams of African filmmakers inspired by the mother figure in Senegalese society and dedicated to educating future generations.
Field of Study
Black Studies
Content Type
Documentary
Contributor
Isabel Rivero-Vilá, 1976-, Cinekap, New Direction Films
Author / Creator
Isabel Rivero-Vilá, 1976-
Date Published / Released
2022
Publisher
Privately Published
Topic / Theme
Actors, Film industry
Copyright Message
Copyright © 2023
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Amin = امین
directed by Shahin Parhami, fl. 2007-2015 (Iran: Privately Published), 2 hours
Amin is the story of an ancient musical tradition and one man's struggle to preserve it. It is told using a unique approach to documentary storytelling that challenges the boundaries of fiction and reality. Amin Aghaie is a young modern nomad from the south of Iran. He has dedicated his life to preserving, documen...
Sample
directed by Shahin Parhami, fl. 2007-2015 (Iran: Privately Published), 2 hours
Description
Amin is the story of an ancient musical tradition and one man's struggle to preserve it. It is told using a unique approach to documentary storytelling that challenges the boundaries of fiction and reality. Amin Aghaie is a young modern nomad from the south of Iran. He has dedicated his life to preserving, documenting and teaching the unique musical tradition of his people, the Qashqai tribe, a tradition on the verge of extinction. Despite the fa...
Amin is the story of an ancient musical tradition and one man's struggle to preserve it. It is told using a unique approach to documentary storytelling that challenges the boundaries of fiction and reality. Amin Aghaie is a young modern nomad from the south of Iran. He has dedicated his life to preserving, documenting and teaching the unique musical tradition of his people, the Qashqai tribe, a tradition on the verge of extinction. Despite the fact that Amin's family face steep financial and cultural obstacles, they are devoted to their art and culture and express that by supporting the work of their talented musician son. Every summer, Amin travels to remote towns and villages to record the music of the surviving masters whose numbers decline each year. His nomadic family sell their meager belongings to help support their son's education in performance and ethnomusicology at Tchaikovsky's Conservatory in Kiev, Ukraine, but it is not enough. Amin, desperate to finish his academic education, sells his violins one at a time just to pay for his tuition. Awards: Award of Excellence at Yamagata Documentary Film Festival in 2011; Asian Vision Award at Taiwan International Documentary 2010; Film Festival Special Distinction at Dubai International Film Festival in 2010; Nominated for Best Documentary, Asia Pacific Screen Awards, in 2011.
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Date Written / Recorded
2012-06-06
Field of Study
Asian Studies
Content Type
Documentary
Contributor
Shahin Parhami, fl. 2007-2015
Author / Creator
Shahin Parhami, fl. 2007-2015
Date Published / Released
2010
Publisher
Privately Published
Speaker / Narrator
Amin Aghaie, fl. 2010
Person Discussed
Amin Aghaie, fl. 2010
Topic / Theme
Qashqai, Arts administration, Ethnomusicology
Copyright Message
Copyright © 2010 Used by permission of Shahin Parhami.
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The Arsonist
directed by U-Wei Haji Saari, 1954-; performed by Jamaluddin Kadir, fl. 1995-2009, Anwar Idris, fl. 2008-2004 and Ngasrizal Ngasri, fl. 1993-2010 (Malaysia: Privately Published), 1 hour 7 mins
U-Wei Bin Haji Saari based "The Arsonist" (1995) on William Faulkner's short story "Barn Burning," transposing it from the Deep South to Malaysia. The filmmaker stays true to its core, but depicts the position of a Javanese man who has married a Malaysian woman, and is continually in a state of rebellion. His fami...
Sample
directed by U-Wei Haji Saari, 1954-; performed by Jamaluddin Kadir, fl. 1995-2009, Anwar Idris, fl. 2008-2004 and Ngasrizal Ngasri, fl. 1993-2010 (Malaysia: Privately Published), 1 hour 7 mins
Description
U-Wei Bin Haji Saari based "The Arsonist" (1995) on William Faulkner's short story "Barn Burning," transposing it from the Deep South to Malaysia. The filmmaker stays true to its core, but depicts the position of a Javanese man who has married a Malaysian woman, and is continually in a state of rebellion. His family is isolated from the community, and their life is continually disrupted. They are often reduced to camping out in the open with the...
U-Wei Bin Haji Saari based "The Arsonist" (1995) on William Faulkner's short story "Barn Burning," transposing it from the Deep South to Malaysia. The filmmaker stays true to its core, but depicts the position of a Javanese man who has married a Malaysian woman, and is continually in a state of rebellion. His family is isolated from the community, and their life is continually disrupted. They are often reduced to camping out in the open with their goats. His middle son admires his courage, but asks himself if his honor demands him to stop his father from ruining himself and their family. The movie premiered at the Singapore International Film Festival, and went on to be the most honored Malaysian film in history, selected in Cannes, and winning the Grand Prize (Best International Film) at the Brussels Film Festival. Other Festivals: Nominated Silver Lion Best Short Film Venice Film Festival 2004; Los Angeles International Short Film Festival 2004.
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Field of Study
Asian Studies
Content Type
Performance
Performer / Ensemble
Jamaluddin Kadir, fl. 1995-2009, Anwar Idris, fl. 2008-2004, Ngasrizal Ngasri, fl. 1993-2010
Contributor
U-Wei Haji Saari, 1954-
Author / Creator
U-Wei Haji Saari, 1954-, Jamaluddin Kadir, fl. 1995-2009, Anwar Idris, fl. 2008-2004, Ngasrizal Ngasri, fl. 1993-2010
Date Published / Released
1995
Publisher
Privately Published
Topic / Theme
Malay, Agriculture, Relationships, Marriage, Rural population
Copyright Message
Copyright © 1995 Used by permission of Uwei Haji Saari.
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August Sun
directed by Prasanna Vithanage, 1962-; performed by Mohamed Rahfiulla, fl. 2003, Nimmi Harasgama, fl. 1997-2012 and Peter D'Almeida, fl. 1994-2003 (Sri Lanka: Privately Published), 1 hour 44 mins
This filmic offering by acclaimed director Prasanna Vithanage (Walls Within and Death on a Full Moon Day) is a poignant narrative of human displacement against the backdrop of the bitter, real-life conflict between the Sinhalese and Tamil people of Sri Lanka. The film traces the experience of three individuals, e...
Sample
directed by Prasanna Vithanage, 1962-; performed by Mohamed Rahfiulla, fl. 2003, Nimmi Harasgama, fl. 1997-2012 and Peter D'Almeida, fl. 1994-2003 (Sri Lanka: Privately Published), 1 hour 44 mins
Description
This filmic offering by acclaimed director Prasanna Vithanage (Walls Within and Death on a Full Moon Day) is a poignant narrative of human displacement against the backdrop of the bitter, real-life conflict between the Sinhalese and Tamil people of Sri Lanka. The film traces the experience of three individuals, each of whom is affected by the war in different ways. Chamari enlists the aid of a London-based journalist to help locate her husband,...
This filmic offering by acclaimed director Prasanna Vithanage (Walls Within and Death on a Full Moon Day) is a poignant narrative of human displacement against the backdrop of the bitter, real-life conflict between the Sinhalese and Tamil people of Sri Lanka. The film traces the experience of three individuals, each of whom is affected by the war in different ways. Chamari enlists the aid of a London-based journalist to help locate her husband, a pilot who was captured by the Tamil Tigers; a young Muslim boy Arfath tries to keep his dog, even as his family joins thousands of other Muslims in a mass exodus to escape the conflict; and Dumida, a lonely young soldier, discovers that his sister has been working as a prostitute in a brothel that serves both Sinhalese and Tamil soldiers. All of these events, presented from a Sinhalese perspective, take place under the searing heat of a hot August sun and the weight of lengthy civil war. Awards/Festivals: Grand Jury Prize and nominated Lino Brocka Award Cinemanila International Film Festival 2003; Grand Prix des Amriques Montreal World Film Festival 2003; FIPRESCI/NETPAC Award Singapore International Film Festival 2004; Amiens International Film Festival 2003; International Film Festival Rotterdam 2004; Deauville Asian Film Festival 2004.
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Date Written / Recorded
2009-10-19
Field of Study
Asian Studies
Content Type
Performance
Performer / Ensemble
Mohamed Rahfiulla, fl. 2003, Nimmi Harasgama, fl. 1997-2012, Peter D'Almeida, fl. 1994-2003
Contributor
Prasanna Vithanage, 1962-
Author / Creator
Prasanna Vithanage, 1962-, Mohamed Rahfiulla, fl. 2003, Nimmi Harasgama, fl. 1997-2012, Peter D'Almeida, fl. 1994-2003
Date Published / Released
2003
Publisher
Privately Published
Topic / Theme
Sri Lankan, Armed forces, Refugees, War, Civil war
Copyright Message
Copyright © 2003 Used by permission of Prasanna Vithanage.
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The Champion
directed by U-Wei Haji Saari, 1954-; performed by Sabri, Yunus, fl. 1993-2012, Normah Damanhuri, fl. 1986-2011 and Khalid Salleh, fl. 1992-2011 (Malaysia: Privately Published), 1 hour 32 mins
Based on the novel, Juara, by S. Othman Kelantan, Mamat, a Malaysian, works in Southern Thailand as a trainer in bullfighting (a jogho). In this small village, the winnings from the gambling during bull-fights, maintains the village economy. But when a village leader is killed during a bull-fight, Mamat has to uph...
Sample
directed by U-Wei Haji Saari, 1954-; performed by Sabri, Yunus, fl. 1993-2012, Normah Damanhuri, fl. 1986-2011 and Khalid Salleh, fl. 1992-2011 (Malaysia: Privately Published), 1 hour 32 mins
Description
Based on the novel, Juara, by S. Othman Kelantan, Mamat, a Malaysian, works in Southern Thailand as a trainer in bullfighting (a jogho). In this small village, the winnings from the gambling during bull-fights, maintains the village economy. But when a village leader is killed during a bull-fight, Mamat has to uphold the village's honour by taking revenge. But a cycle of violence soon follows. U-Wei bin Haji Saari is the key Malaysian filmmaker p...
Based on the novel, Juara, by S. Othman Kelantan, Mamat, a Malaysian, works in Southern Thailand as a trainer in bullfighting (a jogho). In this small village, the winnings from the gambling during bull-fights, maintains the village economy. But when a village leader is killed during a bull-fight, Mamat has to uphold the village's honour by taking revenge. But a cycle of violence soon follows. U-Wei bin Haji Saari is the key Malaysian filmmaker preceding the rise of the Malaysian New Wave in 2000. His seminal work was his feature debut, Woman, Wife and Whore (1993). In 1995, his third feature, The Arsonist (1994), became the first Malaysian film to be selected in Cannes. The Champion (Jogho) is his fourth work and his latest feature, Hanyut (2011), based on Joseph Conrad's Almayer's Folly will be released in 2011.
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Date Written / Recorded
2010-11-16
Field of Study
Asian Studies
Content Type
Performance
Performer / Ensemble
Sabri, Yunus, fl. 1993-2012, Normah Damanhuri, fl. 1986-2011, Khalid Salleh, fl. 1992-2011
Contributor
U-Wei Haji Saari, 1954-
Author / Creator
U-Wei Haji Saari, 1954-, Sabri, Yunus, fl. 1993-2012, Normah Damanhuri, fl. 1986-2011, Khalid Salleh, fl. 1992-2011
Date Published / Released
1997
Publisher
Privately Published
Topic / Theme
Malay, Agrarian economy, Crime, Gambling
Copyright Message
Copyright © 1997 Used by permission of Uwei Haji Saari.
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Death on a Full Moon Day
directed by Prasanna Vithanage, 1962-; performed by Kumara Karunananda, fl. 1997, Nayana Hettiarachchi, fl. 1997 and Joe Abeywickrama, 1933-2011 (Sri Lanka: Privately Published), 1 hour 9 mins
Told against the backdrop of civil war, endemic poverty, and the struggles of everyday life in rural Sri Lanka, Death on a Full Moon Day revolves around the central protagonist, Wannihami, a blind man with a fierce sense of independence. When his son Bandara is killed by a land mine while fighting against Tamil r...
Sample
directed by Prasanna Vithanage, 1962-; performed by Kumara Karunananda, fl. 1997, Nayana Hettiarachchi, fl. 1997 and Joe Abeywickrama, 1933-2011 (Sri Lanka: Privately Published), 1 hour 9 mins
Description
Told against the backdrop of civil war, endemic poverty, and the struggles of everyday life in rural Sri Lanka, Death on a Full Moon Day revolves around the central protagonist, Wannihami, a blind man with a fierce sense of independence. When his son Bandara is killed by a land mine while fighting against Tamil rebels, Wannihami refuses to believe he is dead. Despite being overwhelmed by grief, Bandara's sister and her fiancee try to convince Wa...
Told against the backdrop of civil war, endemic poverty, and the struggles of everyday life in rural Sri Lanka, Death on a Full Moon Day revolves around the central protagonist, Wannihami, a blind man with a fierce sense of independence. When his son Bandara is killed by a land mine while fighting against Tamil rebels, Wannihami refuses to believe he is dead. Despite being overwhelmed by grief, Bandara's sister and her fiancee try to convince Wannihami to accept his son's death and the compensation payment the government is offering them. Impoverished as they are as a result of the civil war, the money could be used to complete construction of the family house and provide a better life for the family in a time of economic strife. However, even the poor conditions in which Wannihami and his family live cannot convince him to accept the money. Awards/Festivals: Golden Unicorn Best Feature Film Amiens International Film Festival 1999; FIPRESCI Prize Fribourg International Film Festival 1999; Silver Screen Award Best Asian Actor and Nominated Silver Screen Award Best Asian Film Singapore International Film Festival 1999; Thessaloniki International Film Festival 1998; Palm Springs International Film Festival 1999.
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Date Written / Recorded
2009-10-19
Field of Study
Asian Studies
Content Type
Performance
Performer / Ensemble
Kumara Karunananda, fl. 1997, Nayana Hettiarachchi, fl. 1997, Joe Abeywickrama, 1933-2011
Contributor
Prasanna Vithanage, 1962-
Author / Creator
Prasanna Vithanage, 1962-, Kumara Karunananda, fl. 1997, Nayana Hettiarachchi, fl. 1997, Joe Abeywickrama, 1933-2011
Date Published / Released
1998
Publisher
Privately Published
Topic / Theme
Sri Lankan, Civil war, Poverty, Rural population, Family relationships
Copyright Message
Copyright © 1998 Used by permission of Prasanna Vithanage.
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Jindalee Lady
directed by Brian Syron, 1934-1993; performed by Michael Leslie, fl. 1987, Patrick Ward, 1950- and Lydia Miller, fl. 1987 (Australia: Privately Published), 1 hour 21 mins
Lauren is a rising, beautiful Aboriginal woman at the top of her professional game as an elite Australian fashion designer, but her philandering husband David neglects her constantly. His constant absence mixed with suave flirtation trap her in their one-sided, painful relationship until she walks in on him cheat...
Sample
directed by Brian Syron, 1934-1993; performed by Michael Leslie, fl. 1987, Patrick Ward, 1950- and Lydia Miller, fl. 1987 (Australia: Privately Published), 1 hour 21 mins
Description
Lauren is a rising, beautiful Aboriginal woman at the top of her professional game as an elite Australian fashion designer, but her philandering husband David neglects her constantly. His constant absence mixed with suave flirtation trap her in their one-sided, painful relationship until she walks in on him cheating with one of her star models. Disgusted, disillusioned and angry, she flies into the arms of a handsome, steadfast lover of Aborigin...
Lauren is a rising, beautiful Aboriginal woman at the top of her professional game as an elite Australian fashion designer, but her philandering husband David neglects her constantly. His constant absence mixed with suave flirtation trap her in their one-sided, painful relationship until she walks in on him cheating with one of her star models. Disgusted, disillusioned and angry, she flies into the arms of a handsome, steadfast lover of Aboriginal descent and decides to start her life anew. But as she manages her business, with a new lover beside her, can Lauren find happiness in her new life without David? Or will she run back to his destructive charms? With numerous references to Lauren's ancestral heritage, 'Jindalee Lady' paints a brilliant story of Aboriginal men and women fighting for respect and success in modern society. Awards/Festivals: Best Film East West Award Nominee, 1992 Hawaii International film Festival. First Feature Film by a First Nations Director, 1992 Dreamspeakers International Film & Art Festival. Best Feature Film, 1992 Dreamspeakers International Film & Art Festival. 1993 Literary Fellowship, Australia Council for "Kicking Down the Doors: A History of Australian Indigenous Filmmakers: 1968 to 1993
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Field of Study
Asian Studies
Content Type
Performance
Performer / Ensemble
Michael Leslie, fl. 1987, Patrick Ward, 1950-, Lydia Miller, fl. 1987
Author / Creator
Brian Syron, 1934-1993, Michael Leslie, fl. 1987, Patrick Ward, 1950-, Lydia Miller, fl. 1987
Date Published / Released
1992
Publisher
Privately Published
Topic / Theme
Romantic relationships, Australian Aborigines
Copyright Message
Copyright © 1992 Used by permission of Briann Kearney.
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Little Brown Comedies
directed by Khavn De La Cruz, 1973-; performed by Lav Diaz, 1958- and Banaue Miclat, 1979- (Philippines: Privately Published), 1 hour 13 mins
A collection of short films by the enfant terrible of Philippine cinema, including 'Amen, a brown comedy' -- a satire on the traditional Filipino custom of having younger people raise the hands of their elders, to their own foreheads, as a greeting and also as a superficial mark of respect; 'Ultimo: Different wa...
Sample
directed by Khavn De La Cruz, 1973-; performed by Lav Diaz, 1958- and Banaue Miclat, 1979- (Philippines: Privately Published), 1 hour 13 mins
Description
A collection of short films by the enfant terrible of Philippine cinema, including 'Amen, a brown comedy' -- a satire on the traditional Filipino custom of having younger people raise the hands of their elders, to their own foreheads, as a greeting and also as a superficial mark of respect; 'Ultimo: Different ways of killing a national hero' -- an adaptation of Jose Rizal's poem, 'Mi ultimo adios' (My Last Goodbye). Jose Rizal was a Philippine...
A collection of short films by the enfant terrible of Philippine cinema, including 'Amen, a brown comedy' -- a satire on the traditional Filipino custom of having younger people raise the hands of their elders, to their own foreheads, as a greeting and also as a superficial mark of respect; 'Ultimo: Different ways of killing a national hero' -- an adaptation of Jose Rizal's poem, 'Mi ultimo adios' (My Last Goodbye). Jose Rizal was a Philippine national hero, who had been sentenced to death by firing squad, by the Spanish government in 1896; I'm Not Batman; John Cage; Memory of Dawn; Headless (Pugot); This Is Not a Found Footage Film; By The Suez Canal. Awards/Festivals: .Mov International Digital Film Festival 1998
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Field of Study
Film
Content Type
Performance
Performer / Ensemble
Lav Diaz, 1958-, Banaue Miclat, 1979-
Contributor
Khavn De La Cruz, 1973-
Author / Creator
Khavn De La Cruz, 1973-, Lav Diaz, 1958-, Banaue Miclat, 1979-
Date Published / Released
2009
Publisher
Privately Published
Topic / Theme
Filipino, Sociology, Film and films, Filipinos
Copyright Message
Copyright © 2009 Used by permission of Khavn De La Cruz.
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Quiet Flows The River Chitra
directed by Tanvir Mokammel, 1955-; performed by Sumita Devi, 1936-2004, Towkier Ahmed, fl. 1994-1999 and Momtajuddin Ahmed, fl. 1999 (Bangladesh: Privately Published), 1 hour 46 mins
In 1947, following the partition of India, Pakistan was formed. In East Pakistan (now Bangladesh), millions of Hindu families were forced to choose between living under Islamic rule, or abandoning the land, which their ancestors had been living in for centuries. Shashikanta Sengupta, a lawyer, refuses to migrate...
Sample
directed by Tanvir Mokammel, 1955-; performed by Sumita Devi, 1936-2004, Towkier Ahmed, fl. 1994-1999 and Momtajuddin Ahmed, fl. 1999 (Bangladesh: Privately Published), 1 hour 46 mins
Description
In 1947, following the partition of India, Pakistan was formed. In East Pakistan (now Bangladesh), millions of Hindu families were forced to choose between living under Islamic rule, or abandoning the land, which their ancestors had been living in for centuries. Shashikanta Sengupta, a lawyer, refuses to migrate, although he sends his son to study in Calcutta. Together with his daughter, Minoti and his sister, Anuprava Devi, they continue to l...
In 1947, following the partition of India, Pakistan was formed. In East Pakistan (now Bangladesh), millions of Hindu families were forced to choose between living under Islamic rule, or abandoning the land, which their ancestors had been living in for centuries. Shashikanta Sengupta, a lawyer, refuses to migrate, although he sends his son to study in Calcutta. Together with his daughter, Minoti and his sister, Anuprava Devi, they continue to live in their hometown of Narail, by their beloved River Chitra. However, the riots and demonstrations of the sixties end up changing the course of their lives forever. Festivals: London Film Festival; Oslo International Film Festival; Fribourg International Film Festival; Singapore International Film Festival; Delhi International Film Festival; Kolkata International Film Festival; Trivandrum International Film Festival.
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Field of Study
Asian Studies
Content Type
Performance
Performer / Ensemble
Sumita Devi, 1936-2004, Towkier Ahmed, fl. 1994-1999, Momtajuddin Ahmed, fl. 1999
Contributor
Tanvir Mokammel, 1955-
Author / Creator
Tanvir Mokammel, 1955-, Sumita Devi, 1936-2004, Towkier Ahmed, fl. 1994-1999, Momtajuddin Ahmed, fl. 1999
Date Published / Released
1998
Publisher
Privately Published
Topic / Theme
Bengali, Immigration and emigration, Religion, Riots
Copyright Message
Copyright © 1998 Used by permission of Tanvir Mokammel.
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Ruoma de shi qi sui
directed by Zhang Jiarui, 1958-; performed by Zhigang Yang, fl. 2003, Min Li, fl. 2003 and Linyuan Shu, fl. 2003 (China: Privately Published), 1 hour 29 mins
When Ruo Ma Was Seventeen illustrates the perspectives and fantasies of young people towards love. Ruo Ma, a girl from the Xiani tribe, lives with her grandmother since childhood. Fantasising about the world outside, Ruo Ma wants to visit the city but has no money. She meets Ming, a photographer, who helps her ear...
Sample
directed by Zhang Jiarui, 1958-; performed by Zhigang Yang, fl. 2003, Min Li, fl. 2003 and Linyuan Shu, fl. 2003 (China: Privately Published), 1 hour 29 mins
Description
When Ruo Ma Was Seventeen illustrates the perspectives and fantasies of young people towards love. Ruo Ma, a girl from the Xiani tribe, lives with her grandmother since childhood. Fantasising about the world outside, Ruo Ma wants to visit the city but has no money. She meets Ming, a photographer, who helps her earn money by getting her to pose in her tribal costume with the tourists. But soon Ming has to leave. Screened at the Berlin Internationa...
When Ruo Ma Was Seventeen illustrates the perspectives and fantasies of young people towards love. Ruo Ma, a girl from the Xiani tribe, lives with her grandmother since childhood. Fantasising about the world outside, Ruo Ma wants to visit the city but has no money. She meets Ming, a photographer, who helps her earn money by getting her to pose in her tribal costume with the tourists. But soon Ming has to leave. Screened at the Berlin International Film Festival and the Pusan International Film Festival.
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Date Written / Recorded
2010-10-10
Field of Study
Asian Studies
Content Type
Performance
Performer / Ensemble
Zhigang Yang, fl. 2003, Min Li, fl. 2003, Linyuan Shu, fl. 2003
Contributor
Zhang Jiarui, 1958-
Author / Creator
Zhang Jiarui, 1958-, Zhigang Yang, fl. 2003, Min Li, fl. 2003, Linyuan Shu, fl. 2003
Date Published / Released
2002
Publisher
Privately Published
Topic / Theme
Chinese, Love, Adolescence
Copyright Message
Copyright © 2004. Used by permission of Zhang Jiarui.
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