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9 NIGHTS FOR LEROY a TAAL Special
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9 NIGHTS FOR LEROY a TAAL Special

(Trinidad and Tobago: Banyan Archive, 2004), 53 mins
Documentary on a 9 nights memorial for Leroy Thomas.
Sample

9 NIGHTS FOR LEROY a TAAL Special

(Trinidad and Tobago: Banyan Archive, 2004), 53 mins
Description
Documentary on a 9 nights memorial for Leroy Thomas.
Date Written / Recorded
2004-11-01
Field of Study
World Music
Content Type
Documentary
Date Published / Released
2004
Publisher
Banyan Archive
Person Discussed
Leroy Thomas, 1948-2004
Topic / Theme
Calypso
Copyright Message
Copyright © 2004. Used with permission of the Banyan Archive.
×
Bèlè or Belair
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Bèlè or Belair

produced by Bruce Paddington, fl. 1974-2016, Mucurapo School Community (Trinidad and Tobago: Banyan Archive, 1979), 28 mins
This video is about the Bele -- a folk dance of Trinidad and Tobago.
Sample

Bèlè or Belair

produced by Bruce Paddington, fl. 1974-2016, Mucurapo School Community (Trinidad and Tobago: Banyan Archive, 1979), 28 mins
Description
This video is about the Bele -- a folk dance of Trinidad and Tobago.
Field of Study
Anthropology
Content Type
Documentary
Contributor
Bruce Paddington, fl. 1974-2016, Mucurapo School Community, Elizabeth O'Brien, fl. 1979
Date Published / Released
1979
Publisher
Banyan Archive
Speaker / Narrator
Ronnie St. Andre, fl. 1970, Elizabeth O'Brien, fl. 1979
Person Discussed
Ronnie St. Andre, fl. 1970
Topic / Theme
Bele, Folk, Caribbean and West Indians
Copyright Message
Copyright © 1979. Used with permission of the Banyan Archive.
×
Capoeira, Episode 1
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Capoeira, Episode 1

directed by Luiz Fernando Goulart, 1941-; produced by Helio Pitanga, fl. 2014, TV Brasil and Bossa Produções; performed by Mestre Boneco, fl. 1989, in Capoeira (Rio de Janeiro, Rio de Janeiro State: Bossa Produções, 2010), 26 mins

En Capoeira, Beto Simas, Maestro Muñeco, visita las más diversas escuelas de capoeira en Brasil y en el mundo, hablando con otros profesores y estudiantes, y revelando toda la magia y el encanto de esta arte brasileña.

Em Capoeira, Beto Simas, Mestre Boneco, visita as mais distintas escolas de capoeira no Brasil e...

Sample

Capoeira, Episode 1

directed by Luiz Fernando Goulart, 1941-; produced by Helio Pitanga, fl. 2014, TV Brasil and Bossa Produções; performed by Mestre Boneco, fl. 1989, in Capoeira (Rio de Janeiro, Rio de Janeiro State: Bossa Produções, 2010), 26 mins
Description

En Capoeira, Beto Simas, Maestro Muñeco, visita las más diversas escuelas de capoeira en Brasil y en el mundo, hablando con otros profesores y estudiantes, y revelando toda la magia y el encanto de esta arte brasileña.

Em Capoeira, Beto Simas, Mestre Boneco, visita as mais distintas escolas de capoeira no Brasil e no mundo, onde conversa com professores e alunos, e revela a mágica e o charme desta arte genuinamente brasileira.

In Capoeira, Beto S...

En Capoeira, Beto Simas, Maestro Muñeco, visita las más diversas escuelas de capoeira en Brasil y en el mundo, hablando con otros profesores y estudiantes, y revelando toda la magia y el encanto de esta arte brasileña.

Em Capoeira, Beto Simas, Mestre Boneco, visita as mais distintas escolas de capoeira no Brasil e no mundo, onde conversa com professores e alunos, e revela a mágica e o charme desta arte genuinamente brasileira.

In Capoeira, Beto Simas, Master Snowman, visit the most different schools of capoeira in Brazil and the world, talking with other teachers and students, revealing all the magic and charm of this genuine Brazilian art.

 Show more Show less
Field of Study
Anthropology
Content Type
Documentary
Performer / Ensemble
Mestre Boneco, fl. 1989
Contributor
Helio Pitanga, fl. 2014, TV Brasil, Bossa Produções
Author / Creator
Luiz Fernando Goulart, 1941-, Mestre Boneco, fl. 1989, Flávia Orlando, fl. 2001-2014
Date Published / Released
2010
Publisher
Bossa Produções
Series
Capoeira
Topic / Theme
Dances, Religious beliefs, Martial arts, Capoeira, Religion and Belief Systems, African Cubans
Copyright Message
Copyright © 2010 TV Brasil
×
Capoeira, Episode 2
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Capoeira, Episode 2

directed by Luiz Fernando Goulart, 1941-; produced by Helio Pitanga, fl. 2014, TV Brasil and Bossa Produções; performed by Mestre Boneco, fl. 1989, in Capoeira (Rio de Janeiro, Rio de Janeiro State: Bossa Produções, 2010), 26 mins

En Capoeira, Beto Simas, Maestro Muñeco, visita las más diversas escuelas de capoeira en Brasil y en el mundo, hablando con otros profesores y estudiantes, y revelando toda la magia y el encanto de esta arte brasileña.

Em Capoeira, Beto Simas, Mestre Boneco, visita as mais distintas escolas de capoeira no Brasil e...

Sample

Capoeira, Episode 2

directed by Luiz Fernando Goulart, 1941-; produced by Helio Pitanga, fl. 2014, TV Brasil and Bossa Produções; performed by Mestre Boneco, fl. 1989, in Capoeira (Rio de Janeiro, Rio de Janeiro State: Bossa Produções, 2010), 26 mins
Description

En Capoeira, Beto Simas, Maestro Muñeco, visita las más diversas escuelas de capoeira en Brasil y en el mundo, hablando con otros profesores y estudiantes, y revelando toda la magia y el encanto de esta arte brasileña.

Em Capoeira, Beto Simas, Mestre Boneco, visita as mais distintas escolas de capoeira no Brasil e no mundo, onde conversa com professores e alunos, e revela a mágica e o charme desta arte genuinamente brasileira.

In Capoeira, Beto...

En Capoeira, Beto Simas, Maestro Muñeco, visita las más diversas escuelas de capoeira en Brasil y en el mundo, hablando con otros profesores y estudiantes, y revelando toda la magia y el encanto de esta arte brasileña.

Em Capoeira, Beto Simas, Mestre Boneco, visita as mais distintas escolas de capoeira no Brasil e no mundo, onde conversa com professores e alunos, e revela a mágica e o charme desta arte genuinamente brasileira.

In Capoeira, Beto Simas, Master Snowman, visit the most different schools of capoeira in Brazil and the world, talking with other teachers and students, revealing all the magic and charm of this genuine Brazilian art.

Show more Show less
Field of Study
Anthropology
Content Type
Documentary
Performer / Ensemble
Mestre Boneco, fl. 1989
Contributor
Helio Pitanga, fl. 2014, TV Brasil, Bossa Produções
Author / Creator
Luiz Fernando Goulart, 1941-, Mestre Boneco, fl. 1989, Flávia Orlando, fl. 2001-2014
Date Published / Released
2010
Publisher
Bossa Produções
Series
Capoeira
Person Discussed
Mestre Bimba, 1899-1974
Topic / Theme
Dances, Religious beliefs, Martial arts, Capoeira, Religion and Belief Systems, African Cubans
Copyright Message
Copyright © 2010 TV Brasil
×
Capoeira, Episode 3
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Capoeira, Episode 3

directed by Luiz Fernando Goulart, 1941-; produced by Helio Pitanga, fl. 2014, TV Brasil and Bossa Produções; performed by Mestre Boneco, fl. 1989, in Capoeira (Rio de Janeiro, Rio de Janeiro State: Bossa Produções, 2010), 26 mins

En Capoeira, Beto Simas, Maestro Muñeco, visita las más diversas escuelas de capoeira en Brasil y en el mundo, hablando con otros profesores y estudiantes, y revelando toda la magia y el encanto de esta arte brasileña.

Em Capoeira, Beto Simas, Mestre Boneco, visita as mais distintas escolas de capoeira no Brasil e...

Sample

Capoeira, Episode 3

directed by Luiz Fernando Goulart, 1941-; produced by Helio Pitanga, fl. 2014, TV Brasil and Bossa Produções; performed by Mestre Boneco, fl. 1989, in Capoeira (Rio de Janeiro, Rio de Janeiro State: Bossa Produções, 2010), 26 mins
Description

En Capoeira, Beto Simas, Maestro Muñeco, visita las más diversas escuelas de capoeira en Brasil y en el mundo, hablando con otros profesores y estudiantes, y revelando toda la magia y el encanto de esta arte brasileña.

Em Capoeira, Beto Simas, Mestre Boneco, visita as mais distintas escolas de capoeira no Brasil e no mundo, onde conversa com professores e alunos, e revela a mágica e o charme desta arte genuinamente brasileira.

In Capoeira, Beto S...

En Capoeira, Beto Simas, Maestro Muñeco, visita las más diversas escuelas de capoeira en Brasil y en el mundo, hablando con otros profesores y estudiantes, y revelando toda la magia y el encanto de esta arte brasileña.

Em Capoeira, Beto Simas, Mestre Boneco, visita as mais distintas escolas de capoeira no Brasil e no mundo, onde conversa com professores e alunos, e revela a mágica e o charme desta arte genuinamente brasileira.

In Capoeira, Beto Simas, Master Snowman, visit the most different schools of capoeira in Brazil and the world, talking with other teachers and students, revealing all the magic and charm of this genuine Brazilian art.

 Show more Show less
Field of Study
Anthropology
Content Type
Documentary
Performer / Ensemble
Mestre Boneco, fl. 1989
Contributor
Helio Pitanga, fl. 2014, TV Brasil, Bossa Produções
Author / Creator
Luiz Fernando Goulart, 1941-, Mestre Boneco, fl. 1989, Flávia Orlando, fl. 2001-2014
Date Published / Released
2010
Publisher
Bossa Produções
Series
Capoeira
Topic / Theme
Dances, Religious beliefs, Martial arts, Capoeira, Religion and Belief Systems, Canadians, Americans, Israelis, African Cubans
Copyright Message
Copyright © 2010 TV Brasil
×
Capoeira, Episode 4
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Capoeira, Episode 4

directed by Luiz Fernando Goulart, 1941-; produced by Helio Pitanga, fl. 2014, TV Brasil and Bossa Produções; performed by Mestre Boneco, fl. 1989, in Capoeira (Rio de Janeiro, Rio de Janeiro State: Bossa Produções, 2010), 26 mins

En Capoeira, Beto Simas, Maestro Muñeco, visita las más diversas escuelas de capoeira en Brasil y en el mundo, hablando con otros profesores y estudiantes, y revelando toda la magia y el encanto de esta arte brasileña.

Em Capoeira, Beto Simas, Mestre Boneco, visita as mais distintas escolas de capoeira no Brasil e...

Sample

Capoeira, Episode 4

directed by Luiz Fernando Goulart, 1941-; produced by Helio Pitanga, fl. 2014, TV Brasil and Bossa Produções; performed by Mestre Boneco, fl. 1989, in Capoeira (Rio de Janeiro, Rio de Janeiro State: Bossa Produções, 2010), 26 mins
Description

En Capoeira, Beto Simas, Maestro Muñeco, visita las más diversas escuelas de capoeira en Brasil y en el mundo, hablando con otros profesores y estudiantes, y revelando toda la magia y el encanto de esta arte brasileña.

Em Capoeira, Beto Simas, Mestre Boneco, visita as mais distintas escolas de capoeira no Brasil e no mundo, onde conversa com professores e alunos, e revela a mágica e o charme desta arte genuinamente brasileira.

In Capoeira, Beto S...

En Capoeira, Beto Simas, Maestro Muñeco, visita las más diversas escuelas de capoeira en Brasil y en el mundo, hablando con otros profesores y estudiantes, y revelando toda la magia y el encanto de esta arte brasileña.

Em Capoeira, Beto Simas, Mestre Boneco, visita as mais distintas escolas de capoeira no Brasil e no mundo, onde conversa com professores e alunos, e revela a mágica e o charme desta arte genuinamente brasileira.

In Capoeira, Beto Simas, Master Snowman, visit the most different schools of capoeira in Brazil and the world, talking with other teachers and students, revealing all the magic and charm of this genuine Brazilian art.

 Show more Show less
Field of Study
Anthropology
Content Type
Documentary
Performer / Ensemble
Mestre Boneco, fl. 1989
Contributor
Helio Pitanga, fl. 2014, TV Brasil, Bossa Produções
Author / Creator
Luiz Fernando Goulart, 1941-, Mestre Boneco, fl. 1989
Date Published / Released
2010
Publisher
Bossa Produções
Series
Capoeira
Topic / Theme
Dances, Religious beliefs, Martial arts, Capoeira, Religion and Belief Systems
Copyright Message
Copyright © 2010 TV Brasil
×
Carnival King of Europe, Tabom in Bahia
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Carnival King of Europe, Tabom in Bahia

directed by Juan Diego Diaz, fl. 2017 and Nilton Pereira, fl. 2017; produced by Juan Diego Diaz, fl. 2017, Brazil. Embassy (Accra), Tap Portugal and Fiesta Hotels & Resorts, S.L., in Carnival King of Europe (London, England: Royal Anthropological Institute, 2017), 52 mins
There is a small community in Ghana who identify as Brazilians. Their name is the Tabom. They are the descendants of former enslaved Africans and creoles who resettled from Bahia to Ghana during the 19th century, especially after the Malês Revolt in Bahia of 1835. They left Bahia escaping repression, looking for...
Sample

Carnival King of Europe, Tabom in Bahia

directed by Juan Diego Diaz, fl. 2017 and Nilton Pereira, fl. 2017; produced by Juan Diego Diaz, fl. 2017, Brazil. Embassy (Accra), Tap Portugal and Fiesta Hotels & Resorts, S.L., in Carnival King of Europe (London, England: Royal Anthropological Institute, 2017), 52 mins
Description
There is a small community in Ghana who identify as Brazilians. Their name is the Tabom. They are the descendants of former enslaved Africans and creoles who resettled from Bahia to Ghana during the 19th century, especially after the Malês Revolt in Bahia of 1835. They left Bahia escaping repression, looking for better life opportunities, and in search of their ancestral roots. They were received by the Ga people in British, Danish and Dutch-dom... There is a small community in Ghana who identify as Brazilians. Their name is the Tabom. They are the descendants of former enslaved Africans and creoles who resettled from Bahia to Ghana during the 19th century, especially after the Malês Revolt in Bahia of 1835. They left Bahia escaping repression, looking for better life opportunities, and in search of their ancestral roots. They were received by the Ga people in British, Danish and Dutch-dominated Accra and gradually integrated to this group and to the larger Ghanaian society. However, despite the fact that they no longer speak Portuguese and that most have never set foot in Brazil, they still cherish Brazil and have never given up their dream to visit Bahia, their ancestral homeland.Master drummer Eric Odwarkei Morton is one of many Tabom who has dreamt all his life about visiting Bahia. He is a sixth generation Tabom and a key member of his community who presides religious and funerary ceremonies through song, drumming, and prayers. Tabom in Bahia documents Eric's journey to Brazil and also his preparation for the trip in Accra. The three-week journey took him to urban and rural locations in Salvador, Cachoeira, Santo Amaro, and Valença. Eric met with capoeira and samba-de-roda masters, Candomblé dancers, musicians, and spiritual leaders, members of carnival associations, music teachers and students, and black activists. He was received with anticipation and treated with utmost respect by an Afro-Bahian community that cherishes their African heritage. During the trip Eric not only discovered capoeira, samba-de-roda, samba-reggae, ijexa, and various Candomblé traditions, but also shared agbe, the musical style that he commands.Ethnomusicologist: Juan Diego Diaz Show more Show less
Field of Study
Anthropology
Content Type
Documentary
Contributor
Juan Diego Diaz, fl. 2017, Brazil. Embassy (Accra), Tap Portugal, Fiesta Hotels & Resorts, S.L.
Author / Creator
Juan Diego Diaz, fl. 2017, Nilton Pereira, fl. 2017
Date Published / Released
2017
Publisher
Royal Anthropological Institute
Series
Carnival King of Europe
Speaker / Narrator
Juan Diego Diaz, fl. 2017
Topic / Theme
Cultural identity, Drums, Folk music, Samba, Candomblé, Capoeira, African Brazilian, Agudas
Copyright Message
Copyright © 2017 Royal Anthropological Institute
×
Crossing Over, Crossing Over Trinidad – Maracas
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Crossing Over, Crossing Over Trinidad – Maracas

directed by Wallace Bampoe-Addo, fl. 1988 and Christopher Laird, 1945-; produced by Christopher Laird, 1945-, National Film and Television Institute of Ghana and Banyan Productions, in Crossing Over (Trinidad and Tobago: Banyan Archive, 1988), 19 mins
Koo Nimo (Daniel Amponsah) and Lancelot Layne sitting and discussing East Indian influence on Trinidad music at Football field in Maracas Valley.. (1:10) Youths playing football in front of Koo Nimo (Daniel Amponsah) and Lancelot Layne.. (2:33) Koo Nimo (Daniel Amponsah) and Lancelot Layne sitting and continue dis...
Sample

Crossing Over, Crossing Over Trinidad – Maracas

directed by Wallace Bampoe-Addo, fl. 1988 and Christopher Laird, 1945-; produced by Christopher Laird, 1945-, National Film and Television Institute of Ghana and Banyan Productions, in Crossing Over (Trinidad and Tobago: Banyan Archive, 1988), 19 mins
Description
Koo Nimo (Daniel Amponsah) and Lancelot Layne sitting and discussing East Indian influence on Trinidad music at Football field in Maracas Valley.. (1:10) Youths playing football in front of Koo Nimo (Daniel Amponsah) and Lancelot Layne.. (2:33) Koo Nimo (Daniel Amponsah) and Lancelot Layne sitting and continue discussing East Indian influence on Trinidad music at Football field in Maracas Valley.. (6:41) Steelband (VOICES) approaches and Koo Nimo... Koo Nimo (Daniel Amponsah) and Lancelot Layne sitting and discussing East Indian influence on Trinidad music at Football field in Maracas Valley.. (1:10) Youths playing football in front of Koo Nimo (Daniel Amponsah) and Lancelot Layne.. (2:33) Koo Nimo (Daniel Amponsah) and Lancelot Layne sitting and continue discussing East Indian influence on Trinidad music at Football field in Maracas Valley.. (6:41) Steelband (VOICES) approaches and Koo Nimo (Daniel Amponsah) and Lancelot Layne join it and they proceed to Lancelot layne's house.. (11:14) Koo Nimo (Daniel Amponsah) and Lancelot Layne are talking and eating discussing the things they have experienced in their exchange of visits. Show more Show less
Date Written / Recorded
1988-03
Field of Study
World Music
Content Type
Documentary
Contributor
Lancelot Layne, Koo Nimo, 1934-, Christopher Laird, 1945-, National Film and Television Institute of Ghana, Banyan Productions
Author / Creator
Wallace Bampoe-Addo, fl. 1988, Christopher Laird, 1945-
Date Published / Released
1988
Publisher
Banyan Archive
Series
Crossing Over
Topic / Theme
Caribbean, Calypso
Copyright Message
Copyright © 1988. Used with permission of the Banyan Archive.
×
Crossing Over Ghana Tape 6
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Crossing Over Ghana Tape 6

performed by Adadam Agofomma (Trinidad and Tobago: Banyan Archive, 1987), 20 mins
00:00:00- Calypso musician, spoken word performer and composer Lancelot Layne and Ghanaian Highlife guitarist Koo Nimo (Daniel Amponsah) at Koo Nimo's house . Koo Nimo introduces Lancelot Layne to his music group (ADADAM AGOFOMMA) and explains the significance of the robes they wear and demonstrates a specific rhy...
Sample

Crossing Over Ghana Tape 6

performed by Adadam Agofomma (Trinidad and Tobago: Banyan Archive, 1987), 20 mins
Description
00:00:00- Calypso musician, spoken word performer and composer Lancelot Layne and Ghanaian Highlife guitarist Koo Nimo (Daniel Amponsah) at Koo Nimo's house . Koo Nimo introduces Lancelot Layne to his music group (ADADAM AGOFOMMA) and explains the significance of the robes they wear and demonstrates a specific rhythm .(Techiman) Koo Nimo explains the use of the 'Talking Drum' Ghanaian Highlife guitarist Koo Nimo explains how important proverbs a... 00:00:00- Calypso musician, spoken word performer and composer Lancelot Layne and Ghanaian Highlife guitarist Koo Nimo (Daniel Amponsah) at Koo Nimo's house . Koo Nimo introduces Lancelot Layne to his music group (ADADAM AGOFOMMA) and explains the significance of the robes they wear and demonstrates a specific rhythm .(Techiman) Koo Nimo explains the use of the 'Talking Drum' Ghanaian Highlife guitarist Koo Nimo explains how important proverbs are to the traditional music and songs.He demonstrates. calypso musician, spoken word performer and composer Lancelot Layne joins with percussion 00:03:06- Ghanaian Highlife guitarist Koo Nimo (Daniel Amponsah) and calypso musician, spoken word performer and composer Lancelot Layne move to another section of the music group (ADADAM AGOFOMMA) to demonstrate another traditional rhythm. Individual instruments start and join in 00:05:46- calypso musician, spoken word performer and composer Lancelot layne comments on Ghanaian Highlife guitarist Koo Nimo's Kente cloth robes and Koo Nimo explains its meaning. He explains the rhythm they will demonstrate (Apente) and the band demonstrates the rhythm 00:08:36- Ghanaian Highlife guitarist Koo Nimo asks calypso musician, spoken word performer and composer Lancelot Layne how he enjoyed the concert he attended the night before and Lancelot layne responds. (three takes)Lancelot thought aspects of the concert denigrates the traditions of Africa 00:11:24- Ghanaian Highlife guitarist Koo Nimo explains the aims of his group to teach the youth not to despise their traditions and introduces two rhythms as demonstration Show more Show less
Date Written / Recorded
1987-11
Field of Study
World Music
Content Type
Documentary
Performer / Ensemble
Adadam Agofomma
Author / Creator
Adadam Agofomma
Date Published / Released
1987
Publisher
Banyan Archive
Speaker / Narrator
Lancelot Layne, Koo Nimo, 1934-
Person Discussed
Lancelot Layne, Koo Nimo, 1934-
Topic / Theme
African Drumming, Ghanaians
Copyright Message
Copyright © 1987. Used with permission of the Banyan Archive.
×
Crossing Over Trinidad – Roots 2
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Crossing Over Trinidad – Roots 2

performed by David Rudder, 1953-, Chris Herbert, 1956- and Koo Nimo, 1934- (Trinidad and Tobago: Banyan Archive, 1988), 17 mins
David Rudder, Christopher Tambu Herbert and Pelham Goddard discuss Soca music and calypso with Koo Nimo (Daniel Amponsah).. (2:59) Koo Nimo (Daniel Amponsah) plays and sings accompanied by Pelham Goddard on piano and David Rudder and Christopher Tambu Herbert join in the chorus and scat singing.. (7:03) Christophe...
Sample

Crossing Over Trinidad – Roots 2

performed by David Rudder, 1953-, Chris Herbert, 1956- and Koo Nimo, 1934- (Trinidad and Tobago: Banyan Archive, 1988), 17 mins
Description
David Rudder, Christopher Tambu Herbert and Pelham Goddard discuss Soca music and calypso with Koo Nimo (Daniel Amponsah).. (2:59) Koo Nimo (Daniel Amponsah) plays and sings accompanied by Pelham Goddard on piano and David Rudder and Christopher Tambu Herbert join in the chorus and scat singing.. (7:03) Christopher Tambu Herbert sings CULTURE with Pelham Goddard on piano, David Rudder harmonising and Koo Nimo (Daniel Amponsah) on drum at the Poli... David Rudder, Christopher Tambu Herbert and Pelham Goddard discuss Soca music and calypso with Koo Nimo (Daniel Amponsah).. (2:59) Koo Nimo (Daniel Amponsah) plays and sings accompanied by Pelham Goddard on piano and David Rudder and Christopher Tambu Herbert join in the chorus and scat singing.. (7:03) Christopher Tambu Herbert sings CULTURE with Pelham Goddard on piano, David Rudder harmonising and Koo Nimo (Daniel Amponsah) on drum at the Police Band Room, Wrightson Road, port of Spain. Show more Show less
Date Written / Recorded
1988-03
Field of Study
World Music
Content Type
Documentary
Performer / Ensemble
David Rudder, 1953-, Chris Herbert, 1956-, Koo Nimo, 1934-
Author / Creator
David Rudder, 1953-, Chris Herbert, 1956-, Koo Nimo, 1934-
Date Published / Released
1988
Publisher
Banyan Archive
Topic / Theme
Soca, Calypso
Copyright Message
Copyright © 1988. Used with permission of the Banyan Archive.
×

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