Browse Titles - 65 results
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Africa & Africans
written by Philip D. Curtin, 1922-2009 and Paul Bohannan (Long Grove, IL: Waveland Press, Inc., 1995, originally published 1964), 316 page(s)
Sample
written by Philip D. Curtin, 1922-2009 and Paul Bohannan (Long Grove, IL: Waveland Press, Inc., 1995, originally published 1964), 316 page(s)
Field of Study
Anthropology
Content Type
General reference book
Contributor
Philip D. Curtin, 1922-2009, Paul Bohannan
Author / Creator
Philip D. Curtin, 1922-2009, Paul Bohannan
Date Published / Released
1964, 1995
Publisher
Waveland Press, Inc.
Topic / Theme
African, Revolutions, Social institutions, Cultural identity, African ethnic groups, Cultural change and history, Africans
Copyright Message
Copyright © 1988 by Waveland Press
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African Carving: A Dogon Kanaga Mask
written by Robert G. Gardner, 1925-2014, Eliot Elisofon, 1911-1973 and Thomas D. Blakely; directed by Thomas D. Blakely and Eliot Elisofon, 1911-1973 (Watertown, MA: Documentary Educational Resources (DER), 1974), 18 mins
The Kanaga mask is used in deeply sacred rituals by the Dogon people of Mali. Carving this mask is as important a ritual as the ceremonies in which the mask is used.
Sample
written by Robert G. Gardner, 1925-2014, Eliot Elisofon, 1911-1973 and Thomas D. Blakely; directed by Thomas D. Blakely and Eliot Elisofon, 1911-1973 (Watertown, MA: Documentary Educational Resources (DER), 1974), 18 mins
Description
The Kanaga mask is used in deeply sacred rituals by the Dogon people of Mali. Carving this mask is as important a ritual as the ceremonies in which the mask is used. The Kanaga mask is used in deeply sacred rituals by the Dogon people of Mali. Carving this mask is as important a ritual as the ceremonies in which the mask is used. The carver, a blacksmith, finds the proper tree and, in a secret cave outside the village, he shapes the mask with ges...
The Kanaga mask is used in deeply sacred rituals by the Dogon people of Mali. Carving this mask is as important a ritual as the ceremonies in which the mask is used. The Kanaga mask is used in deeply sacred rituals by the Dogon people of Mali. Carving this mask is as important a ritual as the ceremonies in which the mask is used. The carver, a blacksmith, finds the proper tree and, in a secret cave outside the village, he shapes the mask with gestures which repeat the movement of the dancers who will wear it. When a dancer wears the Kanaga mask he becomes the Creator symbolically. He touches the ground with his mask and directs a soul to Heaven. Although these dances are now frequently performed for the public, the meaning of Kanaga is retained by the Dogon who fear, respect and depend on the power of the mask.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Robert G. Gardner, 1925-2014, Eliot Elisofon, 1911-1973, Thomas D. Blakely
Author / Creator
Robert G. Gardner, 1925-2014, Eliot Elisofon, 1911-1973, Thomas D. Blakely
Date Published / Released
1974
Publisher
Documentary Educational Resources (DER)
Topic / Theme
Dogon, Costumes, Crafts, Tribal and national groups, Religious faiths, Dance and dancing, Religious rites and ceremonies, Cultural identity, Ethnography
Copyright Message
by Documentary Educational Resources
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Amir: An Afghan Refugee Musician's Life in Peshawar, Pakistan
written by John Baily, fl. 1973; directed by John Baily, fl. 1973; produced by John Baily, fl. 1973 (Watertown, MA: Documentary Educational Resources (DER), 1985), 53 mins
This film portrays aspects of an Afghan refugee's life - his living conditions in Peshawar and his longing to return to Herat. It is also about Amir's life as a professional musician and his relationships with other musicians in Peshawar.
Sample
written by John Baily, fl. 1973; directed by John Baily, fl. 1973; produced by John Baily, fl. 1973 (Watertown, MA: Documentary Educational Resources (DER), 1985), 53 mins
Description
This film portrays aspects of an Afghan refugee's life - his living conditions in Peshawar and his longing to return to Herat. It is also about Amir's life as a professional musician and his relationships with other musicians in Peshawar. Between 1973 and 1977 John Baily carried out extensive ethnomusicological fieldwork on the urban music of Afghanistan, particularly in the western city of Herat. In 1985, he traveled to Peshawar to film Afghan r...
This film portrays aspects of an Afghan refugee's life - his living conditions in Peshawar and his longing to return to Herat. It is also about Amir's life as a professional musician and his relationships with other musicians in Peshawar. Between 1973 and 1977 John Baily carried out extensive ethnomusicological fieldwork on the urban music of Afghanistan, particularly in the western city of Herat. In 1985, he traveled to Peshawar to film Afghan refugees who were musicians and again met his old friend Amir Mohammad, from Herat. The film portrays aspects of Amir's life as a refugee - his living conditions in Peshawar and his longing to return to Herat. It is also about Amir's life as a professional musician and his relationships with other musicians in Peshawar. Musical performances include resistance songs at a Pakistani wedding. "It is a poignant production. The plight of refugees comes through and should leave no-one indifferent." — Prince Sadruddin Aga Khan, UN Co-ordinator Operation Salam
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Field of Study
Anthropology
Content Type
Documentary
Contributor
John Baily, fl. 1973, Amir Mohammad, Ahmad Wali Sultani, Shah Wali, 1952-
Author / Creator
John Baily, fl. 1973
Date Published / Released
1985
Publisher
Documentary Educational Resources (DER)
Person Discussed
Amir Mohammad
Topic / Theme
Pakistani, Afghan, Economic conditions, Cultural change and history, Islam, Ethnomusicology, Musicians, Cultural identity, Refugees, Ethnography, Pakistanis, Afghans
Copyright Message
by Documentary Educational Resources
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Bisha: The Awesome Fire Test
written by Nira Sherman-Sides and Elia Sides; produced by Elia Sides and Nira Sherman-Sides, Lily Films (New York, NY: Filmakers Library, 1997), 52 mins
Bedouin of the deserts of Arabia and the Middle East have developed a system of law and order called Haj El Orfi - The Law of Knowledge - which evolved from their harsh environment and has been passed down orally for generations. The Bisha ceremony is the ultimate ordeal for revealing the truth. Suspects lick a wh...
Sample
written by Nira Sherman-Sides and Elia Sides; produced by Elia Sides and Nira Sherman-Sides, Lily Films (New York, NY: Filmakers Library, 1997), 52 mins
Description
Bedouin of the deserts of Arabia and the Middle East have developed a system of law and order called Haj El Orfi - The Law of Knowledge - which evolved from their harsh environment and has been passed down orally for generations. The Bisha ceremony is the ultimate ordeal for revealing the truth. Suspects lick a white-hot iron pan with their tongues. If they are scorched, it shows they are lying: if not, they have unequivocally proven their innoce...
Bedouin of the deserts of Arabia and the Middle East have developed a system of law and order called Haj El Orfi - The Law of Knowledge - which evolved from their harsh environment and has been passed down orally for generations. The Bisha ceremony is the ultimate ordeal for revealing the truth. Suspects lick a white-hot iron pan with their tongues. If they are scorched, it shows they are lying: if not, they have unequivocally proven their innocence. This film tells the stories of three individuals who choose to undergo the Bisha. One has been accused of handing over a tribesman to the Israeli Secret Service. One has been accused of murder, and one woman has been accused of adultery for which the penalty is death. She maintains her innocence and undergoes the Bisha in order to save her life. We watch them attempt to vindicate themselves through this awesome ritual. Bisha is a riveting exploration of this unusual custom. The film also delves into other aspects of Bedouin culture -- the role of honored elders, the exorcism of demons, rituals of mystic sects, and other practices of the Bedouin law system. College Adult
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Nira Sherman-Sides, Elia Sides, Lily Films, Jerry Hyman, fl. 1997
Author / Creator
Nira Sherman-Sides, Elia Sides
Date Published / Released
1997
Publisher
Filmakers Library
Speaker / Narrator
Jerry Hyman, fl. 1997
Topic / Theme
Bedouin, Cultural identity, Murder, Infidelity, Spirituality, Islam, Anthropology, Ethnography, Bedouins
Copyright Message
Copyright © 1997. Used by permission of Filmakers Library. All rights reserved.
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Black Atlantic Religion: Tradition, Transnationalism, and Matriarchy in the Afro-Brazilian Candomblé
written by James Lorand Matory (Princeton, NJ: Princeton University Press, 2005, originally published 2005), 392 page(s)
Sample
Black Atlantic Religion: Tradition, Transnationalism, and Matriarchy in the Afro-Brazilian Candomblé
written by James Lorand Matory (Princeton, NJ: Princeton University Press, 2005, originally published 2005), 392 page(s)
Field of Study
Anthropology
Content Type
Ethnography
Contributor
James Lorand Matory
Author / Creator
James Lorand Matory
Date Published / Released
2005
Publisher
Princeton University Press
Topic / Theme
African Brazilian, Candomblé, Cultural identity, Religion, Matriarchies, Africans, Brazilians
Copyright Message
Copyright © 2005 by Princeton University Press
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Black Stalin interview – Front Gallery (Transcript available)
(Trinidad and Tobago: Banyan Archive, 2001), 1 hour 42 mins
This video is about Calypso/Soca musician, Black Stalin known for militant songwriting style.
Sample
(Trinidad and Tobago: Banyan Archive, 2001), 1 hour 42 mins
Description
This video is about Calypso/Soca musician, Black Stalin known for militant songwriting style.
Field of Study
Anthropology
Content Type
Interview
Date Published / Released
2001
Publisher
Banyan Archive
Topic / Theme
Rastafarian, Social activism and activists, Counterculture, Trinidadians
Copyright Message
Copyright © 2001. Used with permission of the Banyan Archive.
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Call for Grace
directed by Laetitia Merli, 1969-; produced by University of Manchester. Granada Centre for Visual Anthropology (Manchester, England: University of Manchester. Granada Centre for Visual Anthropology, 2000), 31 mins
During Mongolia's seventy years of domination by the Soviet Union, shamanism, like many aspects of Mongolian tradition, was forbidden by the Communist authorities, and went into decline. Since the early 1990s, however, it has been undergoing a revival, and is rapidly regaining its place in Mongolian cultural iden...
Sample
directed by Laetitia Merli, 1969-; produced by University of Manchester. Granada Centre for Visual Anthropology (Manchester, England: University of Manchester. Granada Centre for Visual Anthropology, 2000), 31 mins
Description
During Mongolia's seventy years of domination by the Soviet Union, shamanism, like many aspects of Mongolian tradition, was forbidden by the Communist authorities, and went into decline. Since the early 1990s, however, it has been undergoing a revival, and is rapidly regaining its place in Mongolian cultural identity. This film explores the life of the shaman-master Tomor, at his centre in Ulaanbaatar, the capital.
Field of Study
Anthropology
Content Type
Ethnography
Contributor
University of Manchester. Granada Centre for Visual Anthropology
Author / Creator
Laetitia Merli, 1969-
Date Published / Released
2000
Publisher
University of Manchester. Granada Centre for Visual Anthropology
Topic / Theme
Religious rites and ceremonies, Cultural identity, Shamanism, Mongols (Central Asia)
Copyright Message
Copyright © 2000 Merli Laetitia
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A Calling to Care
written by Bobbi Jo Krals; directed by Bobbi Jo Krals; produced by Robbie Hart, fl. 2001 and Bobbi Jo Krals (Watertown, MA: Documentary Educational Resources (DER), 2001), 25 mins
A Calling to Care is the inspiring story of 55 year-old Grace Stanley, a Canadian nurse who left her home and prestigious career behind to answer a calling halfway around the world in Karachi, Pakistan.
Sample
written by Bobbi Jo Krals; directed by Bobbi Jo Krals; produced by Robbie Hart, fl. 2001 and Bobbi Jo Krals (Watertown, MA: Documentary Educational Resources (DER), 2001), 25 mins
Description
A Calling to Care is the inspiring story of 55 year-old Grace Stanley, a Canadian nurse who left her home and prestigious career behind to answer a calling halfway around the world in Karachi, Pakistan. A Calling to Care is the inspiring story of 55 year-old Grace Stanley, a Canadian nurse who left her home and prestigious career behind to answer a calling halfway around the world in Karachi, Pakistan. Teaching nursing to local women in a strict...
A Calling to Care is the inspiring story of 55 year-old Grace Stanley, a Canadian nurse who left her home and prestigious career behind to answer a calling halfway around the world in Karachi, Pakistan. A Calling to Care is the inspiring story of 55 year-old Grace Stanley, a Canadian nurse who left her home and prestigious career behind to answer a calling halfway around the world in Karachi, Pakistan. Teaching nursing to local women in a strict Muslim culture that forbids them to even to touch men is a formidable task. However, Grace challenges her own values and belief systems to find common ground with her students, helping them to excel and feel respect for themselves in a culture that doesn't respect them. Whether it is getting her hands painted with henna, swimming fully-clothed in the ocean, or marching bravely with them on International Women's Day, Grace bonds with her students in a very special way, and ultimately discovers how the West can learn a lot more from the Third World than she ever thought.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Bobbi Jo Krals, Salimah Hashwani, fl. 2001, Grace Stanley, fl. 2001, Robbie Hart, fl. 2001
Author / Creator
Bobbi Jo Krals
Date Published / Released
2001
Publisher
Documentary Educational Resources (DER)
Person Discussed
Grace Stanley, fl. 2001
Topic / Theme
Pakistani, Canadian, Health care issues, Education, Islam, Cultural identity, Nurses, Ethnography, Pakistanis, Canadians
Copyright Message
© Documentary Educational Resources
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Cham in the Lepcha Village of Lingthem
directed by Asen Balikci, 1929- (London, England: Royal Anthropological Institute, 2007), 50 mins
Every winter, over a period of six days, the lamas of Lingthem's village monastery hold their annual cham. These dramatic ritual masked dances impart elementary Buddhist teachings while providing entertainment to villagers. Their main purpose is to remove obstacles and ward off misfortune for the village, its inha...
Sample
directed by Asen Balikci, 1929- (London, England: Royal Anthropological Institute, 2007), 50 mins
Description
Every winter, over a period of six days, the lamas of Lingthem's village monastery hold their annual cham. These dramatic ritual masked dances impart elementary Buddhist teachings while providing entertainment to villagers. Their main purpose is to remove obstacles and ward off misfortune for the village, its inhabitants and the monastery. However, for lamas and more serious Buddhist practitioners, these cham and their rituals hold deep philosoph...
Every winter, over a period of six days, the lamas of Lingthem's village monastery hold their annual cham. These dramatic ritual masked dances impart elementary Buddhist teachings while providing entertainment to villagers. Their main purpose is to remove obstacles and ward off misfortune for the village, its inhabitants and the monastery. However, for lamas and more serious Buddhist practitioners, these cham and their rituals hold deep philosophical meanings. The dances were beautifully filmed by Dawa Tsering Lepcha in his own village monastery in the Lepcha reserve of Dzongu, North Sikkim. In the course of this village event, the deities who emerge in the period between death and rebirth make their rhythmic appearances followed by the Lord of Death who judges one's good and bad deeds in the after life. This film is the second produced by the Namgyal Institute of Tibetology as part of its visual anthropology project. This training program for indigenous filmmakers aims to produce a documented video record of Sikkim's vanishing indigenous and Buddhist cultures. Its primary purpose is to record and preserve the meaning and proper performance of Sikkim's rituals within their social and economic context.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Asen Balikci, 1929-, Anna Balikci-Denjongpa
Author / Creator
Asen Balikci, 1929-, Anna Balikci-Denjongpa
Date Published / Released
2007
Publisher
Royal Anthropological Institute
Topic / Theme
Indian, Lepcha, Community events, Dancing, Monks, Economics, Cultural identity, Buddhism, Religious rites and ceremonies, Monasteries, Ethnography, Indians (Asian)
Copyright Message
Copyright 2007. Used by permission of Royal Anthropological Institute. All rights reserved.
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An Imagined Geography: Sierra Leonean Muslims in America
written by Joann D'Alisera, in Contemporary Ethnography (Philadelphia, PA: University of Pennsylvania Press, 2004, originally published 2004), 193 page(s)
Sample
written by Joann D'Alisera, in Contemporary Ethnography (Philadelphia, PA: University of Pennsylvania Press, 2004, originally published 2004), 193 page(s)
Field of Study
Anthropology
Content Type
Ethnography
Contributor
Joann D'Alisera
Author / Creator
Joann D'Alisera
Date Published / Released
2004
Publisher
University of Pennsylvania Press
Series
Contemporary Ethnography
Topic / Theme
Sierra Leonean, Women, Anthropology, Arab people, Islam, Geography, Ethnography, Vietnamese
Copyright Message
Copyright © 2004 by University of Pennsylvania Press
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