Browse Titles - 771 results
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3Day Kali Puja Tape One - Keith McNeal
produced by Banyan Archive (Trinidad and Tobago: Banyan Archive, 2000), 6 hours 35 mins
FROM THE KEITH MCNEAL COLLECTION documentation of an annual Three Day Kali Mai Puja.
Sample
produced by Banyan Archive (Trinidad and Tobago: Banyan Archive, 2000), 6 hours 35 mins
Description
FROM THE KEITH MCNEAL COLLECTION documentation of an annual Three Day Kali Mai Puja.
Field of Study
Anthropology
Content Type
Documentary
Contributor
Keith McNeal, fl. 1997, Banyan Archive
Author / Creator
Keith McNeal, fl. 1997
Date Published / Released
2000-03, 2000
Publisher
Banyan Archive
Topic / Theme
Religious festivals, Hinduism, Trinidadians
Copyright Message
Copyright © 2000. Used with permission of the Banyan Archive.
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Actress the Bishop & The Carnival Queen
written by Howard Reid, fl. 1989-2011; directed by Howard Reid, fl. 1989-2011; produced by Howard Reid, fl. 1989-2011, British Broadcasting Corporation (London, England: BBC Worldwide, 1991), 50 mins
Examines the traditional annual Brazilian carnival where rival groups dress up in costumes and choose a carnival king and queen. It examines the history and roots of the custom, which was introduced for the slaves in the 17th century, but which was also intermerged with a festival for a West African god, master of...
Sample
written by Howard Reid, fl. 1989-2011; directed by Howard Reid, fl. 1989-2011; produced by Howard Reid, fl. 1989-2011, British Broadcasting Corporation (London, England: BBC Worldwide, 1991), 50 mins
Description
Examines the traditional annual Brazilian carnival where rival groups dress up in costumes and choose a carnival king and queen. It examines the history and roots of the custom, which was introduced for the slaves in the 17th century, but which was also intermerged with a festival for a West African god, master of rebellion, chaos and revellry.Divination, sacrifice, spirit possession and withcraft are also elements that play a part in the carniva...
Examines the traditional annual Brazilian carnival where rival groups dress up in costumes and choose a carnival king and queen. It examines the history and roots of the custom, which was introduced for the slaves in the 17th century, but which was also intermerged with a festival for a West African god, master of rebellion, chaos and revellry.Divination, sacrifice, spirit possession and withcraft are also elements that play a part in the carnival.
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Date Written / Recorded
1991
Field of Study
Anthropology
Content Type
Documentary
Contributor
Howard Reid, fl. 1989-2011, British Broadcasting Corporation
Author / Creator
Howard Reid, fl. 1989-2011
Date Published / Released
1991
Publisher
BBC Worldwide
Topic / Theme
Brazilian, Religious communities, Religious beliefs, Cultural adaptation, Cultural participation, Cultural identity, Fairs and festivals, Ethnography, Brazilians
Copyright Message
Copyright © 1991 BBC Worldwide
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Afflictions: Culture and Mental Illness in Indonesia, Shadows and Illuminations
directed by Robert Lemelson, fl. 1999-2016; produced by Robert Lemelson, fl. 1999-2016, Elemental Productions, in Afflictions: Culture and Mental Illness in Indonesia (Watertown, MA: Documentary Educational Resources (DER), 2010), 35 mins
Shadows & Illuminations follows an older Balinese man, Nyoman Kereta, as he struggles with the intrusion of spirits into his consciousness. Kereta says he has been living in two worlds, the world of his family and community and the world of the spirits, for the past 40 years. His experiences skirt the borders of c...
Sample
directed by Robert Lemelson, fl. 1999-2016; produced by Robert Lemelson, fl. 1999-2016, Elemental Productions, in Afflictions: Culture and Mental Illness in Indonesia (Watertown, MA: Documentary Educational Resources (DER), 2010), 35 mins
Description
Shadows & Illuminations follows an older Balinese man, Nyoman Kereta, as he struggles with the intrusion of spirits into his consciousness. Kereta says he has been living in two worlds, the world of his family and community and the world of the spirits, for the past 40 years. His experiences skirt the borders of cultural and spiritual norms, simultaneously manifesting and exceeding Balinese beliefs about the supernatural world and the possibiliti...
Shadows & Illuminations follows an older Balinese man, Nyoman Kereta, as he struggles with the intrusion of spirits into his consciousness. Kereta says he has been living in two worlds, the world of his family and community and the world of the spirits, for the past 40 years. His experiences skirt the borders of cultural and spiritual norms, simultaneously manifesting and exceeding Balinese beliefs about the supernatural world and the possibilities for human interaction with it.
Kereta's reported experiences seem credible or explicable to some, bizarre and extraordinary to others, enigmatic or doubtful to his wife, and the sign of major mental illness to his psychiatrist. The film documents his painful history of trauma, loss and poisoning, and draws on his other family member's interpretations of how to understand his struggles and distress. Central questions of how to interpret his experiences, and what role a schizophrenia diagnosis entails are explored.
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Date Written / Recorded
1997
Field of Study
Anthropology
Content Type
Documentary
Contributor
Robert Lemelson, fl. 1999-2016, Nyoman Kereta, Elemental Productions
Author / Creator
Robert Lemelson, fl. 1999-2016
Date Published / Released
2010
Publisher
Documentary Educational Resources (DER)
Series
Afflictions: Culture and Mental Illness in Indonesia
Topic / Theme
Balinese, Cultural norms, Mental illnesses, Spiritual possession, Ethnography
Copyright Message
Copyright © 2010 by Documentary Educational Resources
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Afflictions: Culture and Mental Illness in Indonesia, Ritual Burdens
directed by Robert Lemelson, fl. 1999-2016; produced by Robert Lemelson, fl. 1999-2016, Elemental Productions, in Afflictions: Culture and Mental Illness in Indonesia (Watertown, MA: Documentary Educational Resources (DER), 2011), 25 mins
Ritual Burdens is part of the Afflictions: Culture & Mental Illness in Indonesia series of ethnographic films on severe mental illness in Indonesia, based on material drawn from 12 years of person-centered research by director and anthropologist Robert Lemelson.
The film focuses on Ni Ketut Kasih who has lived he...
Sample
directed by Robert Lemelson, fl. 1999-2016; produced by Robert Lemelson, fl. 1999-2016, Elemental Productions, in Afflictions: Culture and Mental Illness in Indonesia (Watertown, MA: Documentary Educational Resources (DER), 2011), 25 mins
Description
Ritual Burdens is part of the Afflictions: Culture & Mental Illness in Indonesia series of ethnographic films on severe mental illness in Indonesia, based on material drawn from 12 years of person-centered research by director and anthropologist Robert Lemelson.
The film focuses on Ni Ketut Kasih who has lived her whole life surrounded by the complex rhythms of the Balinese ritual calendar. Here, participation in ritual events is both a spiritua...
Ritual Burdens is part of the Afflictions: Culture & Mental Illness in Indonesia series of ethnographic films on severe mental illness in Indonesia, based on material drawn from 12 years of person-centered research by director and anthropologist Robert Lemelson.
The film focuses on Ni Ketut Kasih who has lived her whole life surrounded by the complex rhythms of the Balinese ritual calendar. Here, participation in ritual events is both a spiritual mandate and social obligation for women who spend countless hours crafting offerings. Ni Ketut's masterful hand has contributed to her status as a highly respected ceremonial leader. However, the pressures of ritual requirements often overwhelm her, crowding her mind with memories of her difficult childhood during Indonesia's war for independence. This may trigger Ketut's bi-polar disorder episodes, for which she has been hospitalized over 35 times. Ni Ketut's case reveals the binding associations that may make certain burdens unbearable as cultural obligations, traumatic historical events, and personal experience overlap in unique schemas of stress that trigger cyclical episodes of mental illness.
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Date Written / Recorded
1997
Field of Study
Anthropology
Content Type
Documentary
Contributor
Robert Lemelson, fl. 1999-2016, Ketut Kasih, Elemental Productions
Author / Creator
Robert Lemelson, fl. 1999-2016
Date Published / Released
2011
Publisher
Documentary Educational Resources (DER)
Series
Afflictions: Culture and Mental Illness in Indonesia
Topic / Theme
Balinese, Bipolar disorder, Religious rites and ceremonies, Cultural norms, Mental illnesses, Ethnography
Copyright Message
Copyright © 2011 by Documentary Educational Resources
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African Carving: A Dogon Kanaga Mask
written by Robert G. Gardner, 1925-2014, Eliot Elisofon, 1911-1973 and Thomas D. Blakely; directed by Thomas D. Blakely and Eliot Elisofon, 1911-1973 (Watertown, MA: Documentary Educational Resources (DER), 1974), 18 mins
The Kanaga mask is used in deeply sacred rituals by the Dogon people of Mali. Carving this mask is as important a ritual as the ceremonies in which the mask is used.
Sample
written by Robert G. Gardner, 1925-2014, Eliot Elisofon, 1911-1973 and Thomas D. Blakely; directed by Thomas D. Blakely and Eliot Elisofon, 1911-1973 (Watertown, MA: Documentary Educational Resources (DER), 1974), 18 mins
Description
The Kanaga mask is used in deeply sacred rituals by the Dogon people of Mali. Carving this mask is as important a ritual as the ceremonies in which the mask is used. The Kanaga mask is used in deeply sacred rituals by the Dogon people of Mali. Carving this mask is as important a ritual as the ceremonies in which the mask is used. The carver, a blacksmith, finds the proper tree and, in a secret cave outside the village, he shapes the mask with ges...
The Kanaga mask is used in deeply sacred rituals by the Dogon people of Mali. Carving this mask is as important a ritual as the ceremonies in which the mask is used. The Kanaga mask is used in deeply sacred rituals by the Dogon people of Mali. Carving this mask is as important a ritual as the ceremonies in which the mask is used. The carver, a blacksmith, finds the proper tree and, in a secret cave outside the village, he shapes the mask with gestures which repeat the movement of the dancers who will wear it. When a dancer wears the Kanaga mask he becomes the Creator symbolically. He touches the ground with his mask and directs a soul to Heaven. Although these dances are now frequently performed for the public, the meaning of Kanaga is retained by the Dogon who fear, respect and depend on the power of the mask.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Robert G. Gardner, 1925-2014, Eliot Elisofon, 1911-1973, Thomas D. Blakely
Author / Creator
Robert G. Gardner, 1925-2014, Eliot Elisofon, 1911-1973, Thomas D. Blakely
Date Published / Released
1974
Publisher
Documentary Educational Resources (DER)
Topic / Theme
Dogon, Costumes, Crafts, Tribal and national groups, Religious faiths, Dance and dancing, Religious rites and ceremonies, Cultural identity, Ethnography
Copyright Message
by Documentary Educational Resources
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African Christianity Rising: Ghana
directed by James Ault, fl. 2004; produced by James Ault, fl. 2004, Documentary Educational Resources (DER) (Watertown, MA: Documentary Educational Resources (DER), 2013), 1 hour 17 mins
Christianity's explosive growth in Africa was totally unexpected at the dawn of independence from colonial rule and is part of a startling reversal in world history. Christianity is no longer the religion of the West. Over two-thirds of the world's Christians now live in the global South — with Africa growing th...
Sample
directed by James Ault, fl. 2004; produced by James Ault, fl. 2004, Documentary Educational Resources (DER) (Watertown, MA: Documentary Educational Resources (DER), 2013), 1 hour 17 mins
Description
Christianity's explosive growth in Africa was totally unexpected at the dawn of independence from colonial rule and is part of a startling reversal in world history. Christianity is no longer the religion of the West. Over two-thirds of the world's Christians now live in the global South — with Africa growing the fastest.
Field of Study
Anthropology
Content Type
Documentary
Contributor
James Ault, fl. 2004, Documentary Educational Resources (DER)
Author / Creator
James Ault, fl. 2004
Date Published / Released
2013
Publisher
Documentary Educational Resources (DER)
Topic / Theme
Cultural ethos, Religious beliefs, Christianity, Ghanaians
Copyright Message
Copyright © 2013 Documentary Educational Resources
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African Christianity Rising: Zimbabwe
directed by James Ault, fl. 2004; produced by James Ault, fl. 2004, Documentary Educational Resources (DER) (Watertown, MA: Documentary Educational Resources (DER), 2013), 1 hour 14 mins
Christianity's explosive growth in Africa was totally unexpected at the dawn of independence from colonial rule and is part of a startling reversal in world history. Christianity is no longer the religion of the West. Over two-thirds of the world's Christians now live in the global South — with Africa growing th...
Sample
directed by James Ault, fl. 2004; produced by James Ault, fl. 2004, Documentary Educational Resources (DER) (Watertown, MA: Documentary Educational Resources (DER), 2013), 1 hour 14 mins
Description
Christianity's explosive growth in Africa was totally unexpected at the dawn of independence from colonial rule and is part of a startling reversal in world history. Christianity is no longer the religion of the West. Over two-thirds of the world's Christians now live in the global South — with Africa growing the fastest.
Field of Study
Anthropology
Content Type
Documentary
Contributor
James Ault, fl. 2004, Documentary Educational Resources (DER)
Author / Creator
James Ault, fl. 2004
Date Published / Released
2013
Publisher
Documentary Educational Resources (DER)
Topic / Theme
Cultural ethos, Religious beliefs, Christianity
Copyright Message
Copyright © 2013 Documentary Educational Resources
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The Ainu Bear Ceremony
directed by Neil Gordon Munro, 1863-1942; produced by Royal Anthropological Institute (London, England: Royal Anthropological Institute, 2001), 29 mins
The RAI has reedited the original film of this ceremony among the Ainu people of Japan. In the bear ceremony, now no longer performed, a specially reared bear was reverently killed and its flesh and blood eaten by the participants. The film shows a series of ritual acts with some commentary on their meaning.
Sample
directed by Neil Gordon Munro, 1863-1942; produced by Royal Anthropological Institute (London, England: Royal Anthropological Institute, 2001), 29 mins
Description
The RAI has reedited the original film of this ceremony among the Ainu people of Japan. In the bear ceremony, now no longer performed, a specially reared bear was reverently killed and its flesh and blood eaten by the participants. The film shows a series of ritual acts with some commentary on their meaning.
Date Written / Recorded
1931
Field of Study
Anthropology
Content Type
Documentary
Contributor
Neil Gordon Munro, 1863-1942, Royal Anthropological Institute
Author / Creator
Neil Gordon Munro, 1863-1942
Date Published / Released
2001
Publisher
Royal Anthropological Institute
Topic / Theme
Ainu, Ethnozoology, Tribal and national groups, Cultural change and history, Religious beliefs, Social customs, Religious rites and ceremonies, Ethnography
Copyright Message
Copyright 2001. Used by permission of Royal Anthropological Institute. All rights reserved.
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Ajishama, The White Ibis
written by John Dickinson, 1946-; directed by John Dickinson, 1946-; produced by John Dickinson, 1946- (Watertown, MA: Documentary Educational Resources (DER), 2003), 1 hour 25 mins
Shot in Venezuela over a 30-year period, this documentary depicts the life and work of Jose Maria Korta, the controversial Jesuit Missionary with the indigenous people of the Amazon.
Sample
written by John Dickinson, 1946-; directed by John Dickinson, 1946-; produced by John Dickinson, 1946- (Watertown, MA: Documentary Educational Resources (DER), 2003), 1 hour 25 mins
Description
Shot in Venezuela over a 30-year period, this documentary depicts the life and work of Jose Maria Korta, the controversial Jesuit Missionary with the indigenous people of the Amazon. Shot in Venezuela over a 30-year period, this documentary depicts the life and work of Jose Maria Korta, the controversial Jesuit Missionary who joined the Makiritare tribe in the remote upper Ventuari Amazon Territory to initiate economic self-development projects i...
Shot in Venezuela over a 30-year period, this documentary depicts the life and work of Jose Maria Korta, the controversial Jesuit Missionary with the indigenous people of the Amazon. Shot in Venezuela over a 30-year period, this documentary depicts the life and work of Jose Maria Korta, the controversial Jesuit Missionary who joined the Makiritare tribe in the remote upper Ventuari Amazon Territory to initiate economic self-development projects in which Indians produced honey and meat, managed their own transport systems and participated in a broad based marketing co-op called CEPAI. The success of these ventures, and Korta's increasing dedication to economic development instead of proselytizing caused resentment among other missionaries. The Indians at times mismanaged their new resources as they found themselves unprepared for the increased contact with the outside world. In 1990 Korta realized that although CEPAI had gone a long way to solve some of the economic problems particularly in the Amazon basin, it had not addressed general cultural issues.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
John Dickinson, 1946-, Virgilio Sarmiento, Henry Quintero, José A. Colinas, Noel Rodriguez, Hector Cantele, Alberto Valdez, Ignacio Castellot, Alejandro Goñi, Antonio Rodriguez, Isaias Rodriguez, José Maria Korta, 1929-
Author / Creator
John Dickinson, 1946-
Date Published / Released
2003
Publisher
Documentary Educational Resources (DER)
Topic / Theme
Yecuana, Cultural assimilation, Schools, Cultural identity, Economic development, Cultural change and history, Tribal and national groups, Missionaries, Indigenous peoples, Ethnography, Maquiritari
Copyright Message
© Documentary Educational Resources
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The Akha Way
written by Sharon Hainsfurther, fl. 1999 and Mary Flannery; directed by Sharon Hainsfurther, fl. 1999; produced by Sharon Hainsfurther, fl. 1999, Yellowcat Productions (Watertown, MA: Documentary Educational Resources (DER), 1999), 25 mins
For over a thousand years, the Akha people have inhabited the hills of Asia — mainly Southern China, Burma and Northern Thailand. The Akha Way or Akhazaunh, is the code by which they live. This documentary describes their origins and their culture.
Sample
written by Sharon Hainsfurther, fl. 1999 and Mary Flannery; directed by Sharon Hainsfurther, fl. 1999; produced by Sharon Hainsfurther, fl. 1999, Yellowcat Productions (Watertown, MA: Documentary Educational Resources (DER), 1999), 25 mins
Description
For over a thousand years, the Akha people have inhabited the hills of Asia — mainly Southern China, Burma and Northern Thailand. The Akha Way or Akhazaunh, is the code by which they live. This documentary describes their origins and their culture. For over a thousand years, the Akha people have inhabited the hills of Asia — mainly Southern China, Burma and Northern Thailand. The Akha Way or Akhazaunh, is the code by which they live. This doc...
For over a thousand years, the Akha people have inhabited the hills of Asia — mainly Southern China, Burma and Northern Thailand. The Akha Way or Akhazaunh, is the code by which they live. This documentary describes their origins and their culture. For over a thousand years, the Akha people have inhabited the hills of Asia — mainly Southern China, Burma and Northern Thailand. The Akha Way or Akhazaunh, is the code by which they live. This documentary describes their origins and their culture. It contains extraordinary footage of a shaman healing ceremony; a funeral, with the ritual sacrifice of a water buffalo; the reading of a pig's liver after a new house is built, and more. Today the Akha Way is fast disappearing. Forced migration, Christianity, money and drugs are eroding the cultural heritage of the Akha tribe.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Sharon Hainsfurther, fl. 1999, Mary Flannery, Yellowcat Productions
Author / Creator
Sharon Hainsfurther, fl. 1999, Mary Flannery
Date Published / Released
1999
Publisher
Documentary Educational Resources (DER)
Speaker / Narrator
Mary Flannery
Topic / Theme
Akha, Cultural change and history, Religious beliefs, Cultural identity, Tribal and national groups, Indigenous peoples, Ethnography
Copyright Message
© Documentary Educational Resources
×
